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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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FORMATION MUSI…
GUITARE
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HARMONICA
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SYNTHETISEUR
TROMBONE
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6.1
Non classifié
276
Piano & claviers
Piano seul
216
1 Piano, 4 mains
38
Piano, Voix
20
Orgue
16
1 Piano, 6 mains
11
Accompagnement Piano
6
Piano, Voix et Guitare
5
Clavecin
5
Instruments en Do
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Accordéon
3
Piano Facile
2
Orgue, Piano (duo)
1
2 Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
19
2 Guitares (duo)
5
Basse electrique
4
Dulcimer
4
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Ensemble de guitares
1
+ 4 instrumentations
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Voix
Voix seule
88
Chorale SATB
68
Chorale 3 parties
6
Chorale SSAA
6
Chorale TTBB
5
Voix Soprano, Piano
5
Chorale 2 parties
3
Voix haute
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
Voix Baryton, Piano
1
Chorale Unison
1
Voix Tenor, Piano
1
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Vents
3 Saxophones (trio)
54
3 Clarinettes (trio)
33
Quatuor de Clarinettes: 4 clarinettes
24
Flûte, Hautbois, Clarinette, Basson
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Hautbois, Piano (duo)
19
Quatuor de Saxophones: 4 saxophones
17
Flûte traversière et Piano
16
Flûte traversière
15
Saxophone Alto et Piano
14
Clarinette et Piano
13
Ensemble de Clarinettes
10
Saxophone Tenor et Piano
10
2 Saxophones (duo)
8
Hautbois (partie séparée)
7
2 Flûtes traversières (duo)
6
Ensemble de saxophones
6
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Flûtes
4
Quintette de Saxophone: 5 saxophones
4
2 Clarinettes (duo)
4
Clarinette
4
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Saxophone Soprano et Piano
3
Cor Anglais
3
Quintette de Clarinettes: 5 clarinettes
3
Trio de Flûtes: 3 flûtes
3
Clarinette (partie séparée)
3
Flûte et Guitare
2
2 Clarinettes, Piano
2
Clarinette, Guitare (duo)
2
Quatuor de Flûtes à bec
2
2 Hautbois (duo)
2
Hautbois, Basson (duo)
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Clarinette, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Basse continue
1
Flûte, Violoncelle, Guitare
1
Hautbois, Flûte
1
Saxophone
1
2 Flûte à bec (duo)
1
+ 39 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette
10
Trompette, Piano
8
Trombone et Piano
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trompette, Trombone (duo)
4
Trombone
4
Cor et Piano
4
3 Trombones (trio)
3
Ensemble de Cors
3
Cor Anglais
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
Ensemble de Trompettes
2
2 Cors (duo)
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Tuba
2
Cor
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
1
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
3 Trompettes (trio)
1
Ensemble de Trombones
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violoncelle, Piano
21
Violon et Piano
21
2 Violoncelles (duo)
19
Violon
17
Alto, Piano
14
Trio à Cordes: 2 violons, violoncelle
13
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
7
Violoncelle
7
Harpe
6
Violon, Guitare (duo)
4
2 Violons (duo)
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Violon, Alto (duo)
2
Contre Basse
1
Harpe, Violon (duo)
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
2 Altos (duo)
1
Alto seul
1
Violon, Basse continue
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
65
Orchestre de chambre
40
Orchestre à Cordes
30
Ensemble de cuivres
27
Orchestre
27
Jazz combo
15
Cloches
10
Ensemble Jazz
10
Percussion (partie séparée)
2
Ensemble de Percussions
2
Fanfare
2
Batterie
1
Xylophone, Piano
1
Caisse Claire
1
+ 9 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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6.1
avancé
Orgue
Partitions à imprimer
16 partitions trouvées
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1
Guthrie: The Liturgical Organbook, Volume 1
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
$32.95
Noel No. 1 Venez, divin messie
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Robert B
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Noel No. 1 Venez, divin messie
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Robert Oldroyd Music
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SheetMusicPlus
Organ - Level 4 - SKU: A0.941796 Composed by Robert B. Oldroyd. Baroque,Christian,Christmas,Contemporary. Score. 6 pages. Robert Oldroyd Music #6079467....
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Organ - Level 4 - SKU: A0.941796 Composed by Robert B. Oldroyd. Baroque,Christian,Christmas,Contemporary. Score. 6 pages. Robert Oldroyd Music #6079467. Published by Robert Oldroyd Music (A0.941796). This Noel is a theme and variations on the French carol, Venez, divin messie. The piece requires three manuals to be played effectively. The ideal time for performance is a Christmas Eve service.
$5.00
Pomp and Circumstance March No 1
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Christopher Evans
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Pomp and Circumstance March No
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Christopher Evans
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1044987 Composed by Edward Elgar. Arranged by Christopher Evans. 20th Century,Classical,Contest,Festival,Pat...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1044987 Composed by Edward Elgar. Arranged by Christopher Evans. 20th Century,Classical,Contest,Festival,Patriotic. Individual part. 6 pages. Christopher Evans #649570. Published by Christopher Evans (A0.1044987). An arrangement of Elgar's famous march, which includes the melody 'Land of Hope and Glory'. Although it can be played on all organs, this arrangement can effectively be played on smaller two manual organs with limited stop resources , which many churches and chapels now have. The indicated registration is only for guidance.
$8.00
Organ: Voluntary in G Major - Six Voluntaries for Organ (Op. 1, No. 5) - William Walond
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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William Walond
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Aubrey Tucker
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Organ: Voluntary in G Major -
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Aubrey Tucker
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SheetMusicPlus
Composed by William Walond (1725-1770). Arranged by Aubrey Tucker. Baroque, Christian, Concert, Sacred, Wedding. Score. 6 pages. Aubrey Tucker #580143...
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Composed by William Walond (1725-1770). Arranged by Aubrey Tucker. Baroque, Christian, Concert, Sacred, Wedding. Score. 6 pages. Aubrey Tucker #5801439. Published by Aubrey Tucker
$7.95
Guthrie: The Liturgical Organbook Complete
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards....
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Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.
$49.95
Das Große Gastmahl (Hammond Orgel)
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1435147 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 29...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1435147 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 29 pages. Stephan Langenberg #1015253. Published by Stephan Langenberg (A0.1435147). Für alle gängigen Modelle (A100, B3, und C3) mit und ohne Cabinet.Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
Guthrie: The Liturgical Organbook, Volume 3
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).
$32.95
Guthrie: The Liturgical Organbook, Volume 2
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 23 pages. Jmsgu3 #907489. Published by jmsgu3 (A0.1318850). The Liturgical Organbook, Volume 2 - ContentsDundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn 3: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2: Free harmonization a3In Babilone: InterludeIn Babilone 3: Fugato a3The Liturgical Organbook Volume 2 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Dundee, from the CL Psalmes of David (1615)fauxbourdon: from the Psalmes of David in Prose and Meeter (1635)Easter Hymn, from Lyra Davidica (1708)Erhalt uns, Herr, from Geistliche Lieder (1543)Gopsal, George Frideric Handel (1685-1759)In Babilone, from Oude en Nieuwe Hollantse Boerenlities en Contrdanseu (1710).
$32.95
Machaut: La Messe de Nostre Dame for Organ
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
A Little Flower Suite
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Gregory Hamilton
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A Little Flower Suite
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Dr. Gregory Hamilton
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1413617 Composed by Gregory Hamilton. 21st Century,Classical,Contemporary,Easter,Spiritual. Score. 16 pages. Dr. Gregory Hamil...
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Organ - Level 4 - SKU: A0.1413617 Composed by Gregory Hamilton. 21st Century,Classical,Contemporary,Easter,Spiritual. Score. 16 pages. Dr. Gregory Hamilton #995402. Published by Dr. Gregory Hamilton (A0.1413617). A Little Flower SuiteFor Organ1. Azelias2. Camelias3. Cosomos4. Geraniums5. Peonies6. Zinniawww.gregoryhamilton.org.
$14.99
Theme From The Simpsons
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Film/TV
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Danny Elfman
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Jonathan Selimovic (a
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Theme From The Simpsons
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Jonny Music
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1360854 Composed by Danny Elfman. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). 20th Century,Film/TV. Score. 6 pages. J...
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Organ - Level 4 - SKU: A0.1360854 Composed by Danny Elfman. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). 20th Century,Film/TV. Score. 6 pages. Jonny Music #945314. Published by Jonny Music (A0.1360854). The Simpsons Theme Song, as arranged for the King of Instruments (Organ).Duration: 1:18This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwX (formerly Twitter): https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$7.99
Five Nights At Freddy's
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Musique Sacrée
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Halloween
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The Living Tombstone
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Jonathan Selimovic (a
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Five Nights At Freddy's
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Jonny Music
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1303891 By The Living Tombstone. By Yoav Landau. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Halloween,Pop,Video Game...
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Organ - Level 4 - SKU: A0.1303891 By The Living Tombstone. By Yoav Landau. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Halloween,Pop,Video Game. Score. 6 pages. Jonny Music #892123. Published by Jonny Music (A0.1303891). Five Nights at Freddy's 1 Song by Yoav Landau [a.k.a. The Living Tombstone] as arranged for the King of Instruments (Organ).Duration: 2:44This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwX (formerly Twitter): https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$7.99
Mass for Organ - Messe Basse, Opus 30 (Organ Solo)
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Louis Vierne
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Thomas R
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Mass for Organ - Messe Basse,
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Thomas R. Vozzella
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SheetMusicPlus
Organ - Level 4 - SKU: A0.778384 Composed by Louis Vierne. Arranged by Thomas R. Vozzella. Concert,Romantic Period,Sacred,Wedding. Score. 25 pages. Thom...
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Organ - Level 4 - SKU: A0.778384 Composed by Louis Vierne. Arranged by Thomas R. Vozzella. Concert,Romantic Period,Sacred,Wedding. Score. 25 pages. Thomas R. Vozzella #6510883. Published by Thomas R. Vozzella (A0.778384). Vierne composed two organ masses – Messe basse op. 30 (Summer 1912) and Messe basse pour les défunts op. 62 (Winter 1934/35), both for organ and/or harmonium. These are glorious works filled with melodies, harmony and rhythmic interest historically found in French organ music. The difference between major works and these masses is that each movement within the mass is a few minutes long and serves a purpose during the mass, as certain movements contribute to the drama of the Eucharist. Messe basse:No. 1: Entrée No. 2: IntroitNo. 3: OffertoireNo. 4: ElévationNo. 5: CommunionNo. 6: Sortie This edition was created in celebration of Vierne’s 150th birthday. .
$5.99
Variations on 'Jesu, meine Freude'
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Johann Cruger 1598-1662
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Gary R
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Variations on 'Jesu, meine Fre
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Gary Smoke
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SheetMusicPlus
Organ - Level 4 - SKU: A0.835930 Composed by Johann Cruger 1598-1662. Arranged by Gary R. Smoke. Baroque,Contemporary,Sacred,Standards. Score. 14 pages....
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Organ - Level 4 - SKU: A0.835930 Composed by Johann Cruger 1598-1662. Arranged by Gary R. Smoke. Baroque,Contemporary,Sacred,Standards. Score. 14 pages. Gary Smoke #2343117. Published by Gary Smoke (A0.835930). Seven variations on Johann Cruger's tune 'Jesu, meine Freude': 1) soft, four part setting with tune in soprano; 2) bicinium, two manuals, melody in right hand with florid bass; 3) one manual, highly ornamented melody and syncopated accompaniment; 4) two manuals and pedal, melody in left hand, florid right hand, syncopated pedal line; 5) one manual, soft, 12/8, melody in tenor; 6) two manuals and pedal, melody in canon between pedal and right hand. Rapid figures in left hand. An alternate version of this variation included in score; 7) one manual and pedal, full organ. ca. 8:30Useful for concert, worship, and teaching.A recording of this work (and other works by Gary R. Smoke (BMI) available at Sheet Music Plus) may be found at the Youtube channel: highmeadowmusic
$8.00
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