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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
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FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
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118
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24
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17
Orgue
16
1 Piano, 4 mains
5
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1
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34
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11
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2
4 Guitares (Quatuor)
1
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1
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1
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VOIX
Chorale SATB
36
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9
Chorale TTBB
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2
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1
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1
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1
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1
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1
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VENTS
2 Saxophones (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
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15
Clarinette et Piano
12
2 Clarinettes (duo)
12
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11
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11
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Quintette de Saxophone: 5 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Violon
6
Flûte traversière
6
Saxophone Alto et Piano
6
Flûte, Alto (duo)
5
Ensemble de saxophones
5
Hautbois, Flûte
5
Ensemble de Clarinettes
5
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5
Hautbois, Basson (duo)
5
Hautbois, Piano (duo)
5
Hautbois, Clarinette (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Clarinette et Alto
4
Clarinette, Trompette (duo)
4
2 Hautbois (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
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3
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Clarinette
3
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3
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3
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2
Hautbois (partie séparée)
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2
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2
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2
3 Clarinettes (trio)
2
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2
Saxophone Baryton, Piano
2
Saxophone et Orgue
2
Clarinette, Violoncelle (duo)
1
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1
Cor anglais, Piano
1
Flûte, Violoncelle
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Cor Anglais
1
Trio de Flûtes: 3 flûtes
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Saxophone (duo)
10
Trompette, Piano
7
Trompette
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
5
Trombone et Piano
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
4
Cor
4
Ensemble de Trombones
3
Cor et Piano
3
Quatuor de Cuivres
2
Quatuor de cuivres: 4 cors
2
Tuba
2
Trombone
1
Cor anglais, Piano
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Cor Anglais
1
Ensemble de Trompettes
1
Tuba et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
10
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
6
Violoncelle, Piano
6
Alto, Piano
6
2 Violoncelles (duo)
5
Violon
5
Violon, Alto (duo)
5
2 Altos (duo)
5
Alto seul
5
2 Violons (duo)
4
Violon, Orgue
3
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Violoncelle, Orchestre
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
41
Orchestre
30
Orchestre d'harmonie
18
Ensemble Jazz
8
Orchestre de chambre
8
Ensemble de cuivres
5
Ensemble de Percussions
4
Cloches
2
Jazz combo
2
Fanfare
1
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AUTRES
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16 partitions trouvées
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1
Charade
Orgue
Organ - Level 4 - Digital Download SKU: A0.848679 Composed by Henry Mancini. Arrang…
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Organ - Level 4 - Digital Download SKU: A0.848679 Composed by Henry Mancini. Arranged by Gene Roberson. Contemporary. Score. 5 pages. Gene Roberson #4623469. Published by Gene Roberson (A0.848679). Arrangement for All Organs - Similar to Buddy Cole recording on Wurlitzer Theater Organ Registration ideas included Perfect for concerts. Recitals.
$4.99
4.54 €
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Orgue
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Henry Mancini
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Gene Roberson
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Charade
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Gene Roberson
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SheetMusicPlus
Acht Charakterstucke
Orgue
Composed by Gerard Bunk. Orgelmusik der Klassik und Romantik. Downloadable. Volume o…
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Composed by Gerard Bunk. Orgelmusik der Klassik und Romantik. Downloadable. Volume op. 54, Op 26. Moseler Verlag #Q556100. Published by Moseler Verlag
$12.99
11.82 €
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Orgue
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Gerard Bunk
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Acht Charakterstucke
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Moseler Verlag
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SheetMusicPlus
Das Große Gastmahl (Hammond Orgel)
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1435147 Composed by St…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1435147 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 29 pages. Stephan Langenberg #1015253. Published by Stephan Langenberg (A0.1435147). Für alle gängigen Modelle (A100, B3, und C3) mit und ohne Cabinet.Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
4.54 €
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Orgue
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
Festive Voluntary
Orgue
Organ - Level 4 - Digital Download SKU: A0.1378519 Composed by John Burkett. Contem…
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Organ - Level 4 - Digital Download SKU: A0.1378519 Composed by John Burkett. Contemporary,Praise & Worship,Sacred. Score. 7 pages. John Burkett #963166. Published by John Burkett (A0.1378519). My Festive Voluntary is cast in a three-part ABA form. The outer sections, in the key of C-sharp minor, convey the effect of a pompous slow-moving march. By contrast, the middle section, in the key of A-flat major, has a song-like character, with its soprano melody supported by by long sustained chords underneath. Then a 14-bar segment, acting as as bridge, assumes the rhythmic character of the first section, while modulating quickly through a succession of keys to reach the key of C-sharp minor once again. The final section recapitulates the first section, though with a few minor changes. This piece serves equally well as a recital piece or church prelude. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for my numerous hymn arrangements, some for organ and others for piano.
$9.00
8.19 €
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Orgue
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contrast, the middle section, in the key of A-flat major, has a song-like character, with its soprano melody supported by by long sustained chords underneath
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John Burkett
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Festive Voluntary
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John Burkett
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
36.34 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.43 €
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Orgue
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Guillaume de Machaut
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James M
#
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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jmsgu3
#
SheetMusicPlus
Partita on Sweet Hour ('Sweet Hour of Prayer')
Orgue
Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arrang…
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Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. John Burkett #954835. Published by John Burkett (A0.1370464). My Partita on Sweet Hour (Sweet Hour of Prayer) presents the theme with an original 4-part harmonization followed by five variations. The first variation is a duo in which the tune is set against a continuous stream of sixteenth notes as accompaniment. The second variation is a waltz in the key of F-sharp major in which an ornamented and expanded version of the melody is accompanied by a modified um-pah-pah accompaniment played by the feet and left hand. By contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood. The next variation set in 5/8 meter is somewhat like a scherzo. Each phrase of the melody is in a different key and has modal inflections that lends it a mildly exotic character The fifth and final variation is a toccata in the French style that requires panache and bravura. The tune is intoned in slow moving rhythm by the feet while the hands provide a rapidly moving sextuplet accompaniment. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$22.00
20.01 €
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Orgue
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contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood
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John Burkett
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John Burkett
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Partita on Sweet Hour
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John Burkett
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SheetMusicPlus
Friedrich Burgmüller: La Chasse Op.100 Nr. 9, for organ solo
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1357171 Composed by Bu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1357171 Composed by Burgmüller, Friedrich. Arranged by Richelle Bakovsky. 19th Century,Contest,Festival,Instructional. Individual part. 6 pages. Pavel and Richelle Bakovsky #941801. Published by Pavel and Richelle Bakovsky (A0.1357171). Friedrich Burgmüller's popular piano character piece or etude, La Chasse is arranged for organsolo.
$6.00
5.46 €
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Orgue
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Burgmüller, Friedrich
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Richelle Bakovsky
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Friedrich Burgmüller: La Chasse Op.100 Nr. 9, for organ solo
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Pavel and Richelle Bakovsky
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SheetMusicPlus
Rêverie for organ
Orgue
Organ - Level 4 - Digital Download SKU: A0.853025 Composed by Hans-Andre Stamm. 20t…
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Organ - Level 4 - Digital Download SKU: A0.853025 Composed by Hans-Andre Stamm. 20th Century,Concert. Score. 6 pages. Hans-Andre Stamm #2115233. Published by Hans-Andre Stamm (A0.853025). The French word 'Rêverie' meaning 'dreaming', which can also mean daydreams hints at the meditative character. A melody line leads the listener through several romantic musical landscapes. Duration: 5.50 min. Watch on Youtube: www.youtube.com/watch?v=fLLUyhXoNvY.
$6.95
6.32 €
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Orgue
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Hans-Andre Stamm
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Rêverie for organ
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Hans-Andre Stamm
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SheetMusicPlus
Festive Fantasia In E Major
Orgue
Organ - Level 4 - Digital Download SKU: A0.912451 Composed by Thomas R. Schadl. Con…
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Organ - Level 4 - Digital Download SKU: A0.912451 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 8 pages. Thomas R. Schadl #2030849. Published by Thomas R. Schadl (A0.912451). This work alternates between fanfare and chordal passages, and has a majestic flare to it. The middle section contrasts the main theme in its character in two instances: 7/8 time signature and very rhythmic in nature. This piece is suitable for concert use and may be also performed in gala recitals and other occasions. Enjoy it.
$8.99
8.18 €
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Orgue
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Thomas R
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Festive Fantasia In E Major
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Thomas R. Schadl
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SheetMusicPlus
Guthrie: Organ Variations on Herzlich tut mich verlangen
Orgue
Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20t…
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Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.547959). Theme and seven variations for organ, suitable for performance in church or recital hall. Contents/Durations:Theme: 1:15Canon: 2:06Fugue I: 2:29Fantasia: 2:09Trio: 1:55Fugue II:1:43Interlude/Double Fugue 4:51Meditation: 1:47Herzlich tut mich verlangen is a German hymn with lyrics written in 1599 by Christoph Knoll. It contains 11 stanzas and is known for its plaintive character.  The melody was adapted from a secular song by Hans Leo Hassler called Mein G'müt ist mir verwirret. The tune, Befiehl du deine Wege, first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng.The melody is associated with the prayer for a blessed death, beginning Herzlich tut mich verlangen nach einem sel'gen End (I do desire dearly a blessed end). The hymn has been referenced in the works of composers such as J.S. Bach and Brahms, and it is also associated with the organ piece BWV 727. The title is sometimes confused with O Haupt voll Blut und Wunden, as the two melodies are occasionally interchangeable in hymnals from the time.
$29.95
27.24 €
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Orgue
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James M
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Guthrie: Organ Variations on Herzlich tut mich verlangen
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jmsgu3
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SheetMusicPlus
Nostalgia for Organ
Orgue
Organ - Level 4 - Digital Download SKU: A0.853152 Composed by Hans-Andre Stamm. 20t…
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Organ - Level 4 - Digital Download SKU: A0.853152 Composed by Hans-Andre Stamm. 20th Century. Score. 9 pages. Hans-Andre Stamm #3488701. Published by Hans-Andre Stamm (A0.853152). An arioso with a somewhat archaic character, the choral-like melody is a melancholic longing for higher realms, like a prayer which develops through a crescendo and accelerando to a hymnic climax, leading back to the devout mood of the beginning. The tonality has meanwhile be changed from g# minor to g minor to make the piece easier to play and to allow the performance on organs with moderate historic tunings.Listen on Youtube: www.youtube.com/watch?v=BGWOURfSbGg
$7.95
7.23 €
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Orgue
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Hans-Andre Stamm
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Nostalgia for Organ
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Hans-Andre Stamm
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SheetMusicPlus
Sonata In C For Organ (Scherzo)
Orgue
Organ - Level 4 - Digital Download SKU: A0.912500 Composed by Thomas R. Schadl. Con…
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Organ - Level 4 - Digital Download SKU: A0.912500 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 14 pages. Thomas R. Schadl #4992633. Published by Thomas R. Schadl (A0.912500). The scherzo movement consists of two themes that contrast each other in musical character: one is written a somber style; the other has a folk-like melody that has no somber quality. The former theme is based on the melody that was introduced in the development section of the first movement of Sonata In C For Organ; the melody is written in the stepwise manner. As the piece is performed, one shall hear the fragmented version of the TRSCH (Thomas R. Schadl) motive. Scherzo is suitable for recital use.
$9.99
9.09 €
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Orgue
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Reaching Up To God
Orgue
Organ - Level 4 - Digital Download SKU: A0.912467 Composed by Thomas R. Schadl. Con…
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Organ - Level 4 - Digital Download SKU: A0.912467 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Praise & Worship,Sacred. Score. 9 pages. Thomas R. Schadl #1955005. Published by Thomas R. Schadl (A0.912467). This work is based on Psalm 16 where King David sings to God with joy. Written for Easter, Post-Easter and other services, as well as recital use, the piece is joyous in character and is to be performed with care to phrasings. The middle section is quieter and meditative, and it gradually builds up excitement until the end of the piece. I hope that the work shall bring joy to you and to others.
$8.99
8.18 €
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Orgue
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Thomas R
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Reaching Up To God
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Thomas R. Schadl
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SheetMusicPlus
Tuba Stop Melody
Orgue
Organ - Level 4 - Digital Download SKU: A0.846368 Composed by Christopher Evans. Co…
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Organ - Level 4 - Digital Download SKU: A0.846368 Composed by Christopher Evans. Contemporary,Holiday,Wedding. Score. 4 pages. Christopher Evans #5775123. Published by Christopher Evans (A0.846368). A light hearted lyrical melody for a solo tuba stop (not heavy sounding), or trumpet stop, played in the left hand with a right hand and pedal accompaniment. It needs to be played with a sense of the humerous character of a brass band tuba solo piece. Although the suggested registration is for three manuals, the piece can easily be played on two manuals, e.g. with the solo played on a trumpet stop (or 8 4 22/3 2 diapasons if there is no trumpet stop) and the accompaniment played on 8 &4 diapasons (or 8 diapason & 4 gemshorn) on the second manual coupled to the pedals. It is also the third movement of Suite No 4 for Organ, which is also available for purchase.
$8.00
7.28 €
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Orgue
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Christopher Evans
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Tuba Stop Melody
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Christopher Evans
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SheetMusicPlus
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