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Free At Last
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Guthrie: The Liturgical Organbook Complete
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards....
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Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.
$49.95
Guthrie: The Liturgical Organbook, Volume 1
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
$32.95
Concerto da chiesa
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Orgue
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Hermann Schroeder
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Concerto da chiesa
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate to advanced - SKU: S9.Q6612 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Mus...
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Organ - intermediate to advanced - SKU: S9.Q6612 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q6612. Published by Schott Music - Digital (S9.Q6612). 'Concerto da chiesa' is the last organ work by Hermann Schroeder (1904-1984). It was composed a few months before his death. The premiere was performed by Clemens Ganz, then organist at the Cathedral of Cologne, in memory of the esteemed teacher and college colleague. The work marks the end of a tirelessly prolific life with more than one hundred organ works of various characters, genres and possibilities of use in liturgy and concerts. The title 'Concerto da chiesa' reveals that this is a work for concerts, not for being used in services. The three-movement composition is an unmistakable 'Schroeder' work: emphasis of linearity according to high baroque standards, conciseness and sometimes impulsive gestures of the themes and rhythms, layers of parallel chords within a freely tonal modern harmony, not forgetting the plasticity of form and the motor functions which are surprisingly energetic for an eighty-year-old.
$16.99
Broken Shimmers, Tragic Night - Organ Solo
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Orgue
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James Michael Stevens
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James Michael Stevens
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Broken Shimmers, Tragic Night
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1242556 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,21st Century,Class...
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Organ - Level 4 - SKU: A0.1242556 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,21st Century,Classical,Contemporary,Easter. Score. 4 pages. James M Stevens Music ASCAP #837689. Published by James M Stevens Music ASCAP (A0.1242556). Written June 1, 2023, this is an original organ composition in a dissonant and modern style with somewhat of an atonal feel. It uses an internal drone of a B and F which holds continuously to the very end with keyboard weights to be placed on the keys freeing both hands to play around it. It also uses many dissonant and parallel intervals such as tritones, 4ths and 5ths, some whole tone passages, yet somewhat built on a tritone substitution using a D flat 13 chord which substitutes for the dominant chord of C major with the last chord resolving to C using a C major 13(#11). The YouTube performance is by Carson Cooman who is performing this piece on a concert at Harvard University on July 19, 2023. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.
$4.99
Chorale Prelude on Christ the Lord Is Risen Today for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Chorale Prelude on Christ the
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Sy Brandon
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SheetMusicPlus
Organ - Level 4 - SKU: A0.755111 Composed by Sy Brandon. 20th Century,Contemporary,Easter,Sacred. Score. 5 pages. Sy Brandon #3388589. Published by Sy B...
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Organ - Level 4 - SKU: A0.755111 Composed by Sy Brandon. 20th Century,Contemporary,Easter,Sacred. Score. 5 pages. Sy Brandon #3388589. Published by Sy Brandon (A0.755111). This Chorale Prelude is in the form of a fantasia as it uses phrases from this hymn interspersed with a lot of free material. It can serve as either a prelude or postlude. The pedal uses a syncopated eighth note rhythm during the sustained notes at the beginning. This pattern then dominates the last third of the piece and it evokes visions of Widor’s Toccata.
$4.99
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