Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MEA
Non classifié
598
Piano & claviers
Piano seul
496
Piano, Voix
87
Piano, Voix et Guitare
30
Accompagnement Piano
25
Instruments en Do
23
Orgue
21
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
4
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accordéon
1
Orgue, Trompette (duo)
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Guitare
44
Guitare notes et tablatures
11
Basse electrique
8
Dulcimer
5
2 Guitares (duo)
4
Ukulele
2
Banjo
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Piano, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
197
Chorale TTBB
41
Chorale 3 parties
21
Chorale SSAA
15
Voix seule
6
Voix Soprano, Piano
5
Voix Tenor
2
Voix haute
2
Chorale 2 parties
2
Voix duo, Piano
2
Chorale Unison
2
Voix duo
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Saxophones: 4 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
29
Clarinette et Piano
27
Ensemble de saxophones
24
Saxophone Alto et Piano
22
Ensemble de Clarinettes
20
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Tenor
19
3 Saxophones (trio)
16
Hautbois, Piano (duo)
16
Quintette de Saxophone: 5 saxophones
15
Clarinette
15
Flûte traversière
14
2 Saxophones (duo)
14
Saxophone Tenor et Piano
14
Saxophone Alto
14
2 Flûtes traversières (duo)
13
2 Clarinettes (duo)
10
Ensemble de Flûtes
10
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano et Piano
7
Saxophone (partie séparée)
7
Saxophone Baryton, Piano
7
Trio de Flûtes: 3 flûtes
6
Quatuor de Flûtes : 4 flûtes
6
2 Clarinettes, Piano
5
Saxophone et Harpe
5
Clarinette, Harpe (duo)
5
Clarinette Basse, Piano
4
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
3
Hautbois, Harpe
3
Cor anglais, Piano
3
Flûte, Clarinette (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Basson (duo)
3
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Hautbois (partie séparée)
2
Hautbois, Basson (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Saxophone et Orgue
1
Flûte, Basson et Piano
1
Flûte, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Saxophone Soprano
1
Flûte, Violon
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
2 Hautbois (duo)
1
Flûte à bec Soprano
1
Flûte, Alto et Violoncelle
1
Hautbois, Flûte
1
Clarinette, Trombone (duo)
1
Saxophone, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Tuba
1
3 Hautbois
1
Cor Anglais
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Piano
21
Trompette
15
Ensemble de Trombones
14
Cor et Piano
14
Trombone et Piano
12
2 Trompettes (duo)
11
Quatuor de cuivres: 4 trombones
11
Trompette (partie séparée)
10
Cor
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de cuivres: 4 cors
6
Euphonium, Piano (duo)
5
Cor et Harpe
5
Trombone (partie séparée)
4
Ensemble de Cors
4
2 Cors (duo)
4
Trombone
4
Tuba
3
2 Trombones (duo)
3
Trompette, Trombone (duo)
3
Trompette, Harpe
3
Cor anglais, Piano
3
Ensemble de Trompettes
3
Quatuor de Cuivres
2
Trio de Cuivres
2
Tuba et Piano
2
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
1
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
Trombone et orchestre
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
4 Tubas
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Cor Anglais
1
Euphonium
1
Trombone basse
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
108
2 Harpes (duo)
51
Violon et Piano
46
Harpe
41
Violoncelle, Piano
32
Alto, Piano
27
Trio à Cordes: violon, alto, violoncelle
26
Violon
19
Violoncelle
18
Harpe, Violon (duo)
15
2 Violons (duo)
12
Violon, Violoncelle (duo)
10
Harpe, Flûte (duo)
8
Harpe, Violoncelle (duo)
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 3 violoncelles
4
Alto seul
4
Alto (partie séparée)
3
Ensemble d'Altos
3
Alto et Harpe
3
4 Violoncelles
3
Ensemble de Violons
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
3
Violoncelle , Guitare (duo)
2
Harpe et mandoline
2
Trio à cordes: 3 violins
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Contrebasse, Piano (duo)
1
Violon, Orgue
1
Alto, Guitare (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Quatuor à cordes: 4 violons
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
97
Ensemble de cuivres
67
Orchestre
66
Cloches
65
Ensemble Jazz
58
Orchestre à Cordes
48
Orchestre de chambre
19
Marimba
11
Fanfare
11
Jazz combo
8
Vibraphone
7
Batterie
5
Ensemble de Percussions
5
Xylophone, Piano
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
21
Librairie Musicale
1
Matériel de Musique
1 483
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
MEA
avancé
Orgue
Partitions à imprimer
21 partitions trouvées
<
1
Syncopated meander
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
N/A
#
N/A
#
Syncopated meander
#
Allan Leslie McDougall
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1311534 By N/A. By Allan Leslie McDougall. Arranged by N/A. 20th Century,Contemporary,Contest,Festival,Instructional. Score. 7...
(+)
Organ - Level 4 - SKU: A0.1311534 By N/A. By Allan Leslie McDougall. Arranged by N/A. 20th Century,Contemporary,Contest,Festival,Instructional. Score. 7 pages. Allan Leslie McDougall #900541. Published by Allan Leslie McDougall (A0.1311534). A syncopated piece for organ. Not your usual type of organ piece but tuneful nevertheless.
$3.00
Organ: Tico Tico No Fuba (Sparrow in the Cornmeal) - Zequinha de Abreu
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Latin/Musique du monde
#
Zequinha de Abreu
#
Aubrey Tucker
#
Organ: Tico Tico No Fuba
#
Aubrey Tucker
#
SheetMusicPlus
Composed by Zequinha de Abreu. Arranged by Aubrey Tucker. 20th Century, Concert, Contemporary, Sacred, Wedding. Score. 4 pages. Aubrey Tucker #4614407...
(+)
Composed by Zequinha de Abreu. Arranged by Aubrey Tucker. 20th Century, Concert, Contemporary, Sacred, Wedding. Score. 4 pages. Aubrey Tucker #4614407. Published by Aubrey Tucker
$7.95
Rêverie for organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Hans-Andre Stamm
#
Rêverie for organ
#
Hans-Andre Stamm
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.853025 Composed by Hans-Andre Stamm. 20th Century,Concert. Score. 6 pages. Hans-Andre Stamm #2115233. Published by Hans-Andre ...
(+)
Organ - Level 4 - SKU: A0.853025 Composed by Hans-Andre Stamm. 20th Century,Concert. Score. 6 pages. Hans-Andre Stamm #2115233. Published by Hans-Andre Stamm (A0.853025). The French word 'Rêverie' meaning 'dreaming', which can also mean daydreams hints at the meditative character. A melody line leads the listener through several romantic musical landscapes. Duration: 5.50 min. Watch on Youtube: www.youtube.com/watch?v=fLLUyhXoNvY.
$6.95
Machaut: La Messe de Nostre Dame for Organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Guillaume de Machaut
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
(+)
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Guillaume de Machaut
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
(+)
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Sonata In C For Organ (Maestoso)
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas R
#
By Thomas R
#
Sonata In C For Organ
#
Thomas R. Schadl
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #499261...
(+)
Organ - Level 4 - SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #4992619. Published by Thomas R. Schadl (A0.912496). The opening movement is composed in a sonata form and consists of three sections: exposition, development and recapitulation.The exposition begins with a stately introduction that consists of pointed rhythms. After the opening theme has been stated, there are two sections that employ canonic imitation of motives at measures 9 to 12 and 21 to 32. The closing theme depicts a bugle passage that is imitative in nature. The development section usually states thematic materials from the exposition section, but it is not always the case in some compositions. Take, for example, the middle section (measures 42 to 83) that contrasts the opening theme in its lyricism; its melody is written in the stepwise manner and is imitated in the pedal part. The recapitulation is a section where the restatement of the main theme and other sections, including the extended version of the bugle theme, recur after concluding the middle section of the sonata form. The piece ends triumphantly in a FFF passage.The work is educational in that it teaches students the sections that make up a sonata form. This piece is suitable for recital use.
$6.99
Nostalgia for Organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Hans-Andre Stamm
#
Nostalgia for Organ
#
Hans-Andre Stamm
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.853152 Composed by Hans-Andre Stamm. 20th Century. Score. 9 pages. Hans-Andre Stamm #3488701. Published by Hans-Andre Stamm (A...
(+)
Organ - Level 4 - SKU: A0.853152 Composed by Hans-Andre Stamm. 20th Century. Score. 9 pages. Hans-Andre Stamm #3488701. Published by Hans-Andre Stamm (A0.853152). An arioso with a somewhat archaic character, the choral-like melody is a melancholic longing for higher realms, like a prayer which develops through a crescendo and accelerando to a hymnic climax, leading back to the devout mood of the beginning. The tonality has meanwhile be changed from g# minor to g minor to make the piece easier to play and to allow the performance on organs with moderate historic tunings.Listen on Youtube: www.youtube.com/watch?v=BGWOURfSbGg
$7.95
Variations on 'Jesu, meine Freude'
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Cruger 1598-1662
#
Gary R
#
Variations on 'Jesu, meine Fre
#
Gary Smoke
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.835930 Composed by Johann Cruger 1598-1662. Arranged by Gary R. Smoke. Baroque,Contemporary,Sacred,Standards. Score. 14 pages....
(+)
Organ - Level 4 - SKU: A0.835930 Composed by Johann Cruger 1598-1662. Arranged by Gary R. Smoke. Baroque,Contemporary,Sacred,Standards. Score. 14 pages. Gary Smoke #2343117. Published by Gary Smoke (A0.835930). Seven variations on Johann Cruger's tune 'Jesu, meine Freude': 1) soft, four part setting with tune in soprano; 2) bicinium, two manuals, melody in right hand with florid bass; 3) one manual, highly ornamented melody and syncopated accompaniment; 4) two manuals and pedal, melody in left hand, florid right hand, syncopated pedal line; 5) one manual, soft, 12/8, melody in tenor; 6) two manuals and pedal, melody in canon between pedal and right hand. Rapid figures in left hand. An alternate version of this variation included in score; 7) one manual and pedal, full organ. ca. 8:30Useful for concert, worship, and teaching.A recording of this work (and other works by Gary R. Smoke (BMI) available at Sheet Music Plus) may be found at the Youtube channel: highmeadowmusic
$8.00
Come, Thou Fount of Every Blessing
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
J
#
David Christensen
#
Come, Thou Fount of Every Bles
#
David Christensen
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1513314 Composed by J. Wyeth. Arranged by David Christensen. 19th Century,Christian,Sacred,Traditional. Score. 4 pages. David ...
(+)
Organ - Level 4 - SKU: A0.1513314 Composed by J. Wyeth. Arranged by David Christensen. 19th Century,Christian,Sacred,Traditional. Score. 4 pages. David Christensen #1088200. Published by David Christensen (A0.1513314). The introduction is meant to be a musical representation of a fountain. It is an optional intro that can be ommitted and the arrangement can begin where the melody enters played on the pedals. The second verse is in a meditative style. The piece then ends with a full principal chorus for the final verse.
$7.89
Solemn Fanfare for organ, by Brenda Portman
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Brenda Portman
#
Solemn Fanfare for organ, by B
#
Brenda Portman
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017...
(+)
Organ - Level 4 - SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017. Published by Brenda Portman (A0.753197). A solo organ work composed in 2020.This piece was commissioned by Ethan Neal, a student at the University of Kentucky, for a new music project to raise money for cancer research, and dedicated to all those who have fought a battle with cancer. It was premiered on August 22, 2021 by Ethan Neal at The Episcopal Church of the Holy Trinity in Georgetown, KY.Solemn Fanfare has three main ideas or themes: the opening fanfare material and two hymns: Christ the Victorious (RUSSIAN HYMN) and Be Still, My Soul (FINLANDIA). The piece is grandiose throughout and is meant to express the triumph of victory over cancer, whether in this life or the next. The solo trumpet presents RUSSIAN HYMN in an embellished and rhythmically altered manner within the flourishes of the opening and closing sections. In the middle section, FINLANDIA provides the strong chordal foundation above which the solo trumpet adds its triumphant yet sometimes dissonant fanfares, recalling the struggle and the pain that are part of the journey.
$7.00
Postlude on Amsterdam
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Foundery Collection, 1742
#
David Christensen
#
Postlude on Amsterdam
#
David Christensen
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1099724 Composed by Foundery Collection, 1742. Arranged by David Christensen. Christian,Sacred,Traditional. Score. 5 pages. Da...
(+)
Organ - Level 4 - SKU: A0.1099724 Composed by Foundery Collection, 1742. Arranged by David Christensen. Christian,Sacred,Traditional. Score. 5 pages. David Christensen #703596. Published by David Christensen (A0.1099724). This is an arrangement for organ of the hymn tune Amsterdam. It is meant to be a festive postlude or recital piece.
$6.99
Guthrie: Organ Prelude on In Nomine
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
James M
#
Guthrie: Organ Prelude on In N
#
jmsgu3
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.5499...
(+)
Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95
The Eternal Search
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
John Cavicchio
#
The Eternal Search
#
John Cavicchio
#
SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1421609 Composed by John Cavicchio. 21st Century,Christian,Multicultural,Religious,Sacred,World. Indivi...
(+)
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1421609 Composed by John Cavicchio. 21st Century,Christian,Multicultural,Religious,Sacred,World. Individual part. 3 pages. John Cavicchio #1003007. Published by John Cavicchio (A0.1421609). Composition for Pipe OrganThis vibrant and enigmatic composition serves as a powerful prelude or postlude, encapsulating a journey of spiritual and existential inquiry. The Eternal Search opens with a series of mysterious overtones that immediately draw the listener into a sonic exploration of depth and intensity. The music navigates through wild and bright passages, each phrase and chord progression building upon the last, reflecting the relentless quest for answers.As the piece progresses, the organ's rich tonal palette is utilized to its full extent, weaving complex harmonies and exhilarating arpeggios that resonate with a sense of urgency and wonder. The composition culminates in a satisfying resolution, providing an answer to the thematic questions posed throughout, leaving the listener with a sense of completion and enlightenment.Ideal for moments of reflection or solo pieces, The Eternal Search is a testament to the power of music to explore and express the deepest human searches for meaning.
$5.99
Ekklesia (organ solo) by Brenda Portman
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Brenda Portman
#
Ekklesia
#
Brenda Portman
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1078539 Composed by Brenda Portman. 21st Century,Christian,Classical,Contemporary,Sacred. Score. 52 pages. Brenda Portman #682...
(+)
Organ - Level 4 - SKU: A0.1078539 Composed by Brenda Portman. 21st Century,Christian,Classical,Contemporary,Sacred. Score. 52 pages. Brenda Portman #682749. Published by Brenda Portman (A0.1078539). A cycle of seven biblical tone poems for solo organ. These pieces are based on seven Scriptures that reveal clues about the true identity and purpose of the Ekklesia, the people of God, providing meaning and direction in the midst of the challenges that we face.
$20.00
Psalm 22 - Mendelssohn-organ solo
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Phil Beaman
#
Psalm 22 - Mendelssohn-organ s
#
Phil Beaman
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 1...
(+)
Organ - Level 4 - SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 11 pages. Phil Beaman #737590. Published by Phil Beaman (A0.1137387). Psalm 22 is a well-known and loved 8 part a capella choral work by Felix Mendelssohn. I have here arranged it for Organ Solo. Psalm 22 is about a person crying out to God to save him from his enemies, then thanks God for rescuing him. Thus, the first half is in E minor and the second half is in E major. Since it no longer has lyrics to convey the meaning I have used new tempi, dynamics, and registration, and also altered some harmonies and rhythms to add the appropriate interest and emotion. In order to create dialogue on the organ I have used unmetered recitative chant followed by metered antiphon in many places. In another section I use overlapping call and response between the hands and manuals. These are interspersed with 4 part Chorales. The mood constantly shifts throughout in many short sections, but the beauty is in the way they fit together creating harmony and polyphony and dialogued emotions. This is a great 9 minute organ Prelude which bridges the Classical and Romantic eras. 9:15 minutes; 11 pages (Apologies- I was in a hurry to record this, so there are a couple of wrong notes and rhythmic inaccuracies in the recording.).
$7.40
Pieta!
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
James Gardner
#
Pieta!
#
James Gardner
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.982060 Composed by James Gardner. Christian,Contemporary. Score. 9 pages. James Gardner #5968263. Published by James Gardner (...
(+)
Organ - Level 4 - SKU: A0.982060 Composed by James Gardner. Christian,Contemporary. Score. 9 pages. James Gardner #5968263. Published by James Gardner (A0.982060). This piece for organ is written as an emotional sound painting of sadness and great joy! Legend looks at Michelangelo's incredible sculpture at St. Peter's Basilica in Rome and interprets it in the light of Mary's assumed understanding of her son's passion and it's eventual meaning. The powerful elegance of that work of art speaks through the centuries of Mary's broken, but loving and hopeful heart as she holds her dead son. I have endeavored to compose a fitting tribute to Mary's own passion as the Mother of our Lord!
$6.99
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
John Burkett
#
John Burkett
#
Prelude on Mendelssohn
#
John Burkett
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages....
(+)
Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages. John Burkett #968607. Published by John Burkett (A0.1384296). My Prelude on the Christmas carol tune Mendelssohn (Hark! the Herald Angels Sing) opens with a brief introduction based on the first measure of the third phrase of the tune. An original harmonization of the entire tune follows, anchored by a repetitive rhythmic pattern of alternating rests and chords. An interlude ensues, which is a rhythmically intensified reworking of the initial introduction. Then the first phrase of the tune sounds in a new key in the pedal bass, accompanied by parallel triads in the hands. Another interlude follows, also based on parallel triads, and leading to a statement in the pedals of the second phrase of the tune. Slightly modified versions of the third and fourth phrases with varied accompaniments lead to a strong cadence. The final section follows, beginning with an extended introduction that increases the rhythmic pace to the point where a constant stream of rapidly moving sixteenth notes drives forward to the final statement of the carol tune, and lends a sense of urgency as the flow continues underneath the melody. The tempo slows slightly during a brief postlude in which the state trumpet reiterates a rhythmic pattern heard earlier. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
Movements for Organ. 1. Diapason Chorus
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Nigel Williams
#
Movements for Organ. 1. Diapas
#
Nigel Williams
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.763864 Composed by Nigel Williams. 20th Century,Standards. Score. 4 pages. Nigel Williams #6694221. Published by Nigel William...
(+)
Organ - Level 4 - SKU: A0.763864 Composed by Nigel Williams. 20th Century,Standards. Score. 4 pages. Nigel Williams #6694221. Published by Nigel Williams (A0.763864). Built on a 12 note row (visible in the first two bars), and composed in 1996. This movement is in ternary form with fugal sections at the 9th and 40th measure. See also the 2nd movement in this series, Dialogue between the Sesquialtera and Flutes, also written in 1996. Also available on SMP are my psalm prelude miniatures as well as multiple arrangements of popular hymns for trumpet and organ.
$4.99
O Wie selig seid ihr doch, ihr Frommen�
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johannes Brahms
#
Steve Stanfill
#
O Wie selig seid ihr doch, ihr
#
Steve Stanfill
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1389961 Composed by Johannes Brahms. Arranged by Steve Stanfill. 19th Century,Classical,Religious. Individua...
(+)
Instrumental Solo,Organ - Level 4 - SKU: A0.1389961 Composed by Johannes Brahms. Arranged by Steve Stanfill. 19th Century,Classical,Religious. Individual part. 3 pages. Steve Stanfill #973524. Published by Steve Stanfill (A0.1389961). This is an organ transcription of the Brahms Op. 122, No 6 chorale prelude, O Wie selig seid ihr doch, ihr Frommen, Â This beautifully complex organ prelude is part of a collection of chorale preludes penned by Johannes Brahms in the summer of 1896, just after the death of his dear friend, Clara Schumann. Â About this same time Brahms learned that he had pancreatic cancer, which would prove fatal less than a year later. Â These pieces are complex, profound musical statements that contemplate eternity--a capstone, if you will, of Brahms life as a man and as a musician.This piece, No. 6 of the 11 published posthumously in 1902, is presented here transcribed for easier performance than URTEXT versions of the piece, primarily by shifting voicing to facilitate easier reading in several measures, as well as providing a discrete pedal line, again, to facilitate performance. Â The suggested registration is made to utilize a melody coupler (found on many modern digital instruments) to emphasize the chorale melody rather than create a discrete solo line.
$3.99
What a Friend - organ solo
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Phil Beaman
#
What a Friend - organ solo
#
Phil Beaman
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1301691 Composed by Phil Beaman. Blues,Jazz,Religious,Spiritual. Score. 2 pages. Phil Beaman #891303. Published by Phil Beaman...
(+)
Organ - Level 4 - SKU: A0.1301691 Composed by Phil Beaman. Blues,Jazz,Religious,Spiritual. Score. 2 pages. Phil Beaman #891303. Published by Phil Beaman (A0.1301691). Traditional hymn reinterpreted in the Gospel/Blues/Spiritual genre. This piece is all about the harmony in 4 part chorale style. There is no Time Signature, with irregular measures and offbeats and syncopation, but a steady pulse. A soulful organ piece for service or recital. 2 pages, 3:00 minutes.
$3.99
Fugue In E For Organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas R
#
Fugue In E For Organ
#
Thomas R. Schadl
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.912510 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 8 pages. Thomas R. Schadl #651910...
(+)
Organ - Level 4 - SKU: A0.912510 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 8 pages. Thomas R. Schadl #6519105. Published by Thomas R. Schadl (A0.912510). Inspired by late-romantic and early twentieth century composers, such as Joseph Rheinberger (1839-1901) and Paul Hindemith (1895-1963), the piece portrays the rising of spiritual light from darkness. The piece starts at a moderate sound intensity and builds up volume gradually until it reaches the fortissimo sections in the last few measures. Fugue in E may be performed during the Easter Sunday service that celebrates Christ’s resurrection from the dead, and may be played as a concert piece. Organ registrations and tempo indications are only suggestions.
$7.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
MEA
