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Sam M
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7
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Vous avez sélectionné:
Sam M
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Orgue
Partitions à imprimer
2 partitions trouvées
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"The Church's One Foundation", organ solo, 5-voice fugue
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Samuel Sebastian Wesley
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Terry M
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no countersubject
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"The Church's One Foundat
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 4 - SKU: A0.932689 Composed by Samuel Sebastian Wesley. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Sc...
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Organ - Level 4 - SKU: A0.932689 Composed by Samuel Sebastian Wesley. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 6 pages. Forsyth Publishing #6113021. Published by Forsyth Publishing (A0.932689). This 5-voice fugue uses traditional baroque counterpoint with all fugue counterpoint requirements included; no countersubject. During the development the untrained listener is able to keep up with the melodic development. Pedal line is within reach as composition is moderately paced. The piece brings classical treatment of a hymn people know and works great with a congregation that likes hearing music on hymns they know. tune name: Aurelia.
$4.99
Test Drive
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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John Powell
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Anna Lapwood
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Test Drive
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Anna Lapwood
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,F...
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Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904065. Published by Anna Lapwood (A0.1315319). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! One of the soundtracks that I get asked to perform most regularly is Test Drive by John Powell. This is one of the earlier transcriptions I wrote, and I often use it as a piece to illustrate the difference between different organs. It’s quite useful to have one piece to use as a comparison point, so I post little videos of this wherever I’m playing to demonstrate how radically different the same piece of music can sound depending on the kind of instrument. For me, this piece feels like an instant serotonin boost. There is a great crescendo where you get to take the organ from relatively quiet to earth-shatteringly loud over the course of about 30 seconds, and I always say that playing that part feels a bit like flying a dragon! - Anna Lapwood
$5.99
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