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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A
Non classifié
4 193
Piano & claviers
Piano seul
3 884
Piano, Voix
332
Orgue
208
Piano, Voix et Guitare
90
1 Piano, 4 mains
87
2 Pianos, 4 mains
67
Instruments en Do
59
Piano Trio: piano, violon, violoncelle
46
Clavecin
34
Accordéon
23
Piano Facile
19
Piano Quatuor: piano, violon, alto, violoncelle
13
Accompagnement Piano
9
Orgue, Trompette (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 8 mains
5
Clavier
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
2
Orgue et Orchestre
1
Ensemble de Pianos
1
Accordéon et Orchestre
1
+ 18 instrumentations
Retracter
Guitares
Guitare
392
Guitare notes et tablatures
142
Basse electrique
38
2 Guitares (duo)
31
Ukulele
19
Ligne De Mélodie, (Paroles) et Accords
11
Mandoline
7
4 Guitares (Quatuor)
7
Banjo
5
Ensemble de guitares
3
Orchestre à Plectres
3
3 Guitares (trio)
2
Paroles et Accords
2
Dulcimer
2
Piano, Guitare (duo)
2
Mandoline, Piano (duo)
1
Guitare, Quatuor à cordes
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 090
Chorale TTBB
448
Chorale SSAA
199
Chorale 3 parties
87
Voix Soprano, Piano
44
Chorale SSAATTBB
36
Voix haute
30
Chorale
19
Voix Baryton, Piano
15
Voix basse, Piano
14
Voix seule
14
Voix Tenor, Piano
14
Chorale 2 parties
12
Voix Alto, Piano
11
Voix moyenne, Piano
8
Voix duo, Piano
8
Voix duo
7
Voix Mezzo-Soprano, Piano
7
Chorale SSATTB
4
Chorale Unison
3
Chorale SSATB
3
Voix Soprano
2
Soli, choeur mixte et accompagnement
1
Voix Tenor
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Voix duo, Orgue
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
Saxophone
199
Clarinette
197
Flûte traversière
183
Flûte traversière et Piano
177
Quatuor de Saxophones: 4 saxophones
160
Quatuor de Clarinettes: 4 clarinettes
123
Clarinette et Piano
104
Flûte, Hautbois, Clarinette, Basson
85
Saxophone Alto et Piano
77
Ensemble de Clarinettes
67
Hautbois, Piano (duo)
58
Saxophone Alto
57
Quintette de Saxophone: 5 saxophones
51
Ensemble de saxophones
45
2 Flûtes traversières (duo)
44
Saxophone (partie séparée)
43
Hautbois (partie séparée)
41
Quatuor de Flûtes : 4 flûtes
37
Saxophone Soprano et Piano
36
2 Saxophones (duo)
35
2 Clarinettes (duo)
33
3 Clarinettes (trio)
31
Quintette de Clarinettes: 5 clarinettes
31
Saxophone Tenor et Piano
29
Ensemble de Flûtes
28
Saxophone Tenor
25
Flûte et Guitare
21
3 Saxophones (trio)
15
Flute (partie séparée)
15
Flûte, Violon, Piano
13
Clarinette (partie séparée)
12
Cor anglais, Piano
10
Hautbois
10
Clarinette Basse, Piano
9
Saxophone Baryton, Piano
9
Saxophone Soprano
9
Trio de Flûtes: 3 flûtes
9
Quintette de Flûte : 5 flûtes
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Violon
8
Quatuor de Flûtes à bec
7
Flûte, Clarinette, Piano (trio)
7
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Flûte, Clarinette (duo)
6
Cor Anglais
5
Harmonica
5
5 Flûtes à bec
4
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violoncelle, Piano (trio)
4
2 Hautbois (duo)
4
Clarinette, Violon (duo)
4
Flûte, Violoncelle
4
Hautbois, Flûte
3
Flûte à bec Alto, Piano
3
Clarinette, Violoncelle (duo)
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Basson
3
Clarinette, Violoncelle, Piano (trio)
3
2 Saxophones, Piano
3
Saxophone, Clarinette (duo)
3
Flûte, Basson et Piano
3
Clarinette, Basson (duo)
2
Flûte à bec Tenor
2
Saxophone et Orgue
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Soprano
2
Ocarina
2
Clarinette et Alto
2
Saxophone Baryton
2
Clarinette, Basson, Piano (trio)
2
2 Clarinettes, Piano
2
Clarinette Basse
2
Saxophone et Guitare
2
Piccolo
2
2 Flûte à bec (duo)
2
Hautbois, Basson et Piano
2
Flûte traversière, Orgue (duo)
2
2 Flûtes traversières, Piano
2
Hautbois, Basson (duo)
2
Flûte, Trompette (duo)
1
Flûte, Tuba (duo)
1
Flûte irlandaise
1
Ensemble De Flûte à bec
1
Flûte, Hautbois (duo)
1
Flûte traversière, Orchestre
1
Saxophone et violoncelle
1
3 Hautbois
1
Flûte, alto et harpe
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte à bec Alto
1
Hautbois, Guitare (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Alto et Piano
1
Flûte, Alto (duo)
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Basse continue
1
2 Flûtes, Basse continue
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon et Violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
4 Hautbois
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
394
Quatuor de Cuivres : 2 trompettes, trombone, tuba
181
Trompette
150
Trombone et Piano
139
Trombone
104
Ensemble de Trombones
100
Euphonium, Piano (duo)
78
Trompette, Piano
71
Quatuor de cuivres: 4 trombones
68
Tuba et Piano
66
Cor
65
Cor et Piano
52
Quatuor de cuivres: 4 cors
36
Trompette (partie séparée)
34
Tuba
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
2 Euphoniums et 2 Tubas
25
2 Cors (duo)
24
Quatuor de Cuivres
23
2 Trompettes (duo)
21
2 Trombones (duo)
20
Trombone (partie séparée)
19
Cor (partie séparée)
15
Trombone basse
15
Ensemble de Cors
13
Ensemble de Trompettes
13
3 Trombones (trio)
11
Cor anglais, Piano
10
4 Tubas
10
Trombone basse et Piano
8
Euphonium
7
Trombone, Tuba (duo)
7
Trompette, Trombone (duo)
5
Cor Anglais
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trombone, Orgue
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, violon (duo)
3
Trombone et orchestre
3
3 Euphoniums
3
Trompette, Tuba (duo)
2
Instruments en Sib
2
2 Euphoniums (duo)
2
Cor et Orgue
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
Tuba (partie séparée)
2
3 Trompettes (trio)
2
2 Trompettes, Clavier (piano ou orgue)
1
Clarinette, Cor (duo)
1
Trompette, Saxophone (duo)
1
Trompette, Cor (duo)
1
Tuba et Orgue
1
Ensemble de Tubas
1
Trio de Cuivres
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
685
Violon
301
Violon et Piano
287
Violoncelle, Piano
154
Violoncelle
138
Trio à Cordes: violon, alto, violoncelle
94
Alto, Piano
80
Alto seul
72
Harpe
66
Violon, Violoncelle (duo)
58
2 Violons (duo)
43
Violon, Alto (duo)
35
Trio à Cordes: 2 violons, violoncelle
33
2 Violoncelles (duo)
27
Contre Basse
21
2 Altos (duo)
20
Harpe, Violon (duo)
19
Violon, Guitare (duo)
18
Harpe, Flûte (duo)
16
4 Violoncelles
16
Alto (partie séparée)
15
Contrebasse, Piano (duo)
15
Alto, Violoncelle (duo)
12
4 Contrebasses
11
Violoncelle, Contrebasse (duo)
11
Trio à cordes: 3 violins
10
Violon (partie séparée)
8
Trio à Cordes: 2 violons, alto
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Quatuor à cordes : 4 altos
6
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Harpe, Quatuor à cordes
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
2 Contrebasses (duo)
3
Violon, Clarinette, Piano (trio)
3
Violoncelle, Orchestre
2
Violon, Orgue
2
Violoncelle, Orgue
2
Alto, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Contrebasse (partie séparée)
2
Ensemble de Violons
2
Ensemble d'Altos
2
Trio à cordes: 3 altos
2
2 Harpes (duo)
1
4 Harpes
1
Harpe, Trombone (duo)
1
Violon, Basse continue
1
3 Contrebasses
1
Trio à cordes
1
Violoncelle, Basse continue
1
Ensemble de Violoncelles
1
Violoncelle (partie séparée)
1
Quatuor à cordes: 4 violons
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
686
Orchestre d'harmonie
553
Jazz combo
420
Ensemble Jazz
365
Orchestre à Cordes
279
Ensemble de cuivres
272
Orchestre de chambre
223
Batterie
97
Cloches
70
Fanfare
47
Ensemble de Percussions
47
Marimba
14
Percussion (partie séparée)
10
Big band
8
Vibraphone
6
Piano et Orchestre
4
Orchestre, Violon
2
Timbales (partie séparée)
2
Batterie (partie séparée)
1
Marimba et Orgue
1
Xylophone
1
Caisse Claire
1
Quatuor à Vent : 4 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BANJO
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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208 partitions trouvées
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201
Fantasie and Fugue on the name of " B-A-C-H "
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Orgue
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AVANCÉ
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Classique
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Franz Liszt
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Jean Guillou
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Fantasie and Fugue on the name
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. ...
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Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. Duration 13' 30. Schott Music - Digital #Q6227. Published by Schott Music - Digital (S9.Q6227). In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.
$16.99
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
"A Mighty Fortress Is Our God", organ solo, 4-voice fugue
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Orgue
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AVANCÉ
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Martin Luther
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Terry M
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"A Mighty Fortress Is Our
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.932688 Composed by Martin Luther. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 8 pag...
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Organ - Level 5 - SKU: A0.932688 Composed by Martin Luther. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 8 pages. Forsyth Publishing #6113019. Published by Forsyth Publishing (A0.932688). A four-voice fugue using traditional baroque counterpoint including undeveloped countersubject with related free material at end of recapitulation. The congregation preferring music on hymns they know will love this write. This writing brings a well-known hymn tune through all the rigors of a baroque fugue with a development where many untrained listeners can still identify the subject. Challenge is when the countersubject is presented in the pedals making it a great learning piece and addition to one's repetoire. Tune name: Ein' Feste Burg. Time: 6:22.
$4.99
Fantasia And Passacaglia On A Mighty Fortress Is Our God
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Orgue
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AVANCÉ
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Thomas R
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Fantasia And Passacaglia On A
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. ...
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Organ - Level 5 - SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. Published by Thomas R. Schadl (A0.912488). Fantasia And Passacaglia On A Mighty Fortress Is Our God for organ is written in celebration of the five hundredth anniversary of the Reformation in Europe. Consisting of the free-form introduction and passacaglia, the piece is based on Martin Luther's hymn tune, and is written in a modern musical idiom that somewhat resembles the style of Max Reger's and Louis Vierne's works for organ, take for example Reger's Fantasia On A Mighty Fortress Is Our God, and Vierne's Sixth Organ Symphony. The Fantasia is suitable for recital use, and employs a wide range of organ registrations that displays various tonal colors and sound intensities. The introduction starts with full of energy and concludes with softer registrations. The passacaglia starts off quietly and builds up sound intensity toward its conclusion, symbolizing victory of good over evil. The metronome marks and organ registrations on some pages are suggestions only, because each organ has different tonal qualities and the acoustics in buildings and halls may influence how organist perform the piece. Fantasia And Passacaglia On A Mighty Fortress Is Our God may take anywhere between thirteen and fifteen minutes to perform.
$17.99
Courage in a Time of Struggle
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Orgue
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AVANCÉ
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Angela Kraft Cross
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Courage in a Time of Struggle
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Advanced SKU: LO.70-2433S Composed by Angela Kraft Cross. Sacred, Concert, General. Sacred Music Press #70/2433S. Published by Sacred Mu...
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Organ: 3-staff - Advanced SKU: LO.70-2433S Composed by Angela Kraft Cross. Sacred, Concert, General. Sacred Music Press #70/2433S. Published by Sacred Music Press (LO.70-2433S). ISBN 9780787778217.This volume’s title is also the name of the centerpiece triptych in this collection of thrilling works by Angela Kraft Cross. The other pieces include a fantasy inspired by archangels, a Christmas fantasy on “Adeste fideles,†an elegiac “fanfare,†and a piece inspired by the vision of healing waters. Kraft Cross’s pieces are becoming frequent recital selections, and the ones in this volume likewise offer possibilities for concerts or as special service voluntaries.
$37.00
Courage in a Time of Struggle
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Orgue
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AVANCÉ
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Angela Kraft Cross
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Courage in a Time of Struggle
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Sacred Music Press
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SheetMusicPlus
Organ 3-staff - Advanced - SKU: LX.70-2433S Organ Music for Service or Recital. Composed by Angela Kraft Cross. Sacred, Concert, General. Organ. ...
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Organ 3-staff - Advanced - SKU: LX.70-2433S Organ Music for Service or Recital. Composed by Angela Kraft Cross. Sacred, Concert, General. Organ. 68 pages. Sacred Music Press #e70/2433S. Published by Sacred Music Press (LX.70-2433S). This volume’s title is also the name of the centerpiece triptych in this collection of thrilling works by Angela Kraft Cross. The other pieces include a fantasy inspired by archangels, a Christmas fantasy on “Adeste fideles,†an elegiac “fanfare,†and a piece inspired by the vision of healing waters. Kraft Cross’s pieces are becoming frequent recital selections, and the ones in this volume likewise offer possibilities for concerts or as special service voluntaries.
$32.00
I'll Make A Man Out Of You
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Orgue
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AVANCÉ
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Film Walt Disney
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David Zippel and Matthew Wilde
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Rob Hlebinsky
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I'll Make A Man Out Of You
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Rob Hlebinsky
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1257009 Composed by David Zippel and Matthew Wilder. Arranged by Rob Hlebinsky. 20th Century,Broadway,Children,Film/TV,Musical...
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Organ - Level 5 - SKU: A0.1257009 Composed by David Zippel and Matthew Wilder. Arranged by Rob Hlebinsky. 20th Century,Broadway,Children,Film/TV,Musical/Show. Score. 8 pages. Rob Hlebinsky #850364. Published by Rob Hlebinsky (A0.1257009). I'll Make a Man Out of You from Disney's Mulan arranged for the pipe organ. Sugested registration coming soon. Difficulty rating: Ultra Advanced. Note: This arrangement was written for a 3-manual instrument, and may be difficult to adapt to a 2-manual instrument.
$5.99
Umberto Bombardelli: A TRINITY (ES 764)
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Orgue
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AVANCÉ
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Contemporain
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Umberto Bombardelli
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Umberto Bombardelli: A TRINITY
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Sconfinarte
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SheetMusicPlus
Instrumental Solo,Organ - Level 5 - SKU: A0.1145334 Composed by Umberto Bombardelli. Classical,Contemporary. Individual part. 13 pages. Sconfinarte #745...
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Instrumental Solo,Organ - Level 5 - SKU: A0.1145334 Composed by Umberto Bombardelli. Classical,Contemporary. Individual part. 13 pages. Sconfinarte #745570. Published by Sconfinarte (A0.1145334). A TRINITY (ES 764) per organo Organico: Org.
$20.00
Prelude and Fuga â 5 voci in B mol - AWV 5
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Orgue
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AVANCÉ
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Charles E
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Prelude and Fuga â 5 voc
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Askew Music Productions
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1305103 Composed by Charles E. Askew. 21st Century,Baroque. Score. 5 pages. Askew Music Productions #894527. Published by Aske...
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Organ - Level 5 - SKU: A0.1305103 Composed by Charles E. Askew. 21st Century,Baroque. Score. 5 pages. Askew Music Productions #894527. Published by Askew Music Productions (A0.1305103). Prelude and Fuga â 5 voci in B mol was a project I was inspired to create by my former piano teacher Joyce W. Berg who was working as a church organist, and of course, J.S. Bach. This piece was also created in the beginnings of my ongoing intense dive into Counterpoint. Written in my favorite key, I hope this provides not only a challenge for the avid organist, but also enjoyment in great triumph.*I highly recommend printing this piece Landscape on 11x17 paper*.
$7.50
Great Is The Lord with A Mighty Fortress
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Orgue
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AVANCÉ
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Musique Sacrée
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Michael W
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Great Is The Lord with A Might
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Roger Lowe Music
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SheetMusicPlus
Organ - Advanced - Digital Download By Michael W. Smith. Arranged by Roger Lowe. 9 pages. Published by Roger Lowe Music...
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Organ - Advanced - Digital Download By Michael W. Smith. Arranged by Roger Lowe. 9 pages. Published by Roger Lowe Music
This arrangement of Michael and Deborah Smith's Great is the Lord changes the time signature of the original to add rhythmic excitement. With some unexpected harmonic changes and a reference to Luther's A Mighty Fortress Is Our God, this organ solo is perfect for a rousing prelude or a lively addition to a recital.
$4.99
"How Firm a Foundation", a French toccata
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Orgue
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AVANCÉ
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Funk's Genuine Church Music, 1
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Terry M
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"How Firm a Foundation&qu
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.932698 Composed by Funk's Genuine Church Music, 1832. Arranged by Terry M. Forsyth. 20th Century,Christian,Easter,Instructiona...
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Organ - Level 5 - SKU: A0.932698 Composed by Funk's Genuine Church Music, 1832. Arranged by Terry M. Forsyth. 20th Century,Christian,Easter,Instructional,Sacred. Score. 12 pages. Forsyth Publishing #6117201. Published by Forsyth Publishing (A0.932698). Transforms the hymn using turn of century french toccata format. Uses first three melody notes to create accompanying figure, first episode has first line inverted while using first 12 notes (first line) as triplets to accompany inversion, second episode includes using first four notes to create one of the accompanying figures, ending includes hymn in canon. 8:00 minute piece used for Easter and general service as prelude and as postlude. Difficulty level considered advanced intermediate when compared to Carillon-Sortie by Mulet. Good for concerts, too. Tune name: Foundation.
$6.99
Theme And Variations On A Pedal Tune For Organ
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Orgue
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AVANCÉ
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Thomas R
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Theme And Variations On A Peda
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Thomas R. Schadl
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1439038 Composed by Thomas R. Schadl. 21st Century,Classical,Contemporary,Instructional,New Age. Indivi...
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Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1439038 Composed by Thomas R. Schadl. 21st Century,Classical,Contemporary,Instructional,New Age. Individual part. 21 pages. Thomas R. Schadl #1019057. Published by Thomas R. Schadl (A0.1439038). file:///C:/Users/Thomas%20R%20Schadl/Downloads/Theme%20And%20Variations%20On%20A%20Pedal%20Tune%20For%20Organ.pdf
$14.99
March on a Theme by Handel
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Orgue
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AVANCÉ
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Felix Alexandre Guilmant
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March on a Theme by Handel
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q3519 March upon Handel's Lift up your Heads. Composed by Felix Alexandre Guilmant. This edition: Sheet music. Selecte...
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Organ - advanced - SKU: S9.Q3519 March upon Handel's Lift up your Heads. Composed by Felix Alexandre Guilmant. This edition: Sheet music. Selected Popular Compositions for Organ. Downloadable. Op. 15. Schott Music - Digital #Q3519. Published by Schott Music - Digital (S9.Q3519). Key: F major.The edition is part of the Trinity syllabus 2007 (grade 8).
$6.99
Variations and Fugue on a Theme by Handel
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Orgue
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AVANCÉ
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Classique
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Johannes Brahms
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Martin Schmeding
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Variations and Fugue on a Them
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q21332 Bearbeitung für Orgel. Composed by Johannes Brahms. Arranged by Martin Schmeding. This edition: Sheet music....
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Organ - advanced - SKU: S9.Q21332 Bearbeitung für Orgel. Composed by Johannes Brahms. Arranged by Martin Schmeding. This edition: Sheet music. Downloadable. Op. 24. Duration 16 minutes. Schott Music - Digital #Q21332. Published by Schott Music - Digital (S9.Q21332). Key: B flat major.This work is based on an aria from Handel's Suite I in B-flat major for harpsichord HWV 434. The 25 variations with final fugue in their ornate polyphonic design lend themselves excellently to the organ.
$16.99
A Mighty Fortress Organ Piano Duet
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Orgue
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AVANCÉ
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Gene Roberson
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Gene Roberson
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A Mighty Fortress Organ Piano
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Gene Roberson
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SheetMusicPlus
Organ,Piano - Level 5 - SKU: A0.1329392 By Gene Roberson. By Martin Luther. Arranged by Gene Roberson. 21st Century,Christian,Historic,Religious,Sacred....
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Organ,Piano - Level 5 - SKU: A0.1329392 By Gene Roberson. By Martin Luther. Arranged by Gene Roberson. 21st Century,Christian,Historic,Religious,Sacred. Organ and Piano. 12 pages. Gene Roberson #917375. Published by Gene Roberson (A0.1329392). Advanced arrangement Trumpet part optionalWorship Service Recital Pipe Organ Registration.
$4.99
Rhapsodie in dance (A mighty fortress is our god)
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Orgue
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AVANCÉ
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Musique Sacrée
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Walter F
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Rhapsodie in dance
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Albismusic
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1085886 Composed by Walter F. Zielke. 20th Century,Praise & Worship. Individual part. 13 pages. Albismu...
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Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1085886 Composed by Walter F. Zielke. 20th Century,Praise & Worship. Individual part. 13 pages. Albismusic #690060. Published by Albismusic (A0.1085886).
$5.95
How Firm a Foundation Organ Solo
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Orgue
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AVANCÉ
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Att
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Gene Roberson
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Tune from J Ellis 1835.
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How Firm a Foundation Organ So
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Gene Roberson
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SheetMusicPlus
Organ - Level 5 - SKU: A0.848846 Composed by Att. to J. Ellis. Arranged by Gene Roberson. Christian,Concert,Contemporary,Holiday. Score. 7 pages. Gene R...
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Organ - Level 5 - SKU: A0.848846 Composed by Att. to J. Ellis. Arranged by Gene Roberson. Christian,Concert,Contemporary,Holiday. Score. 7 pages. Gene Roberson #6083345. Published by Gene Roberson (A0.848846). Organ Postlude, Solo Recital Tune from J Ellis 1835. .
$4.99
Carillon on a Ukrainian Carol (Downloadable)
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Orgue
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AVANCÉ
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Noël
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Gerald Near
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Carillon on a Ukrainian Carol
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Composed by Gerald Near (1942-). Christmas, Hanging of the Green. 7 pages. MorningStar Music Publishers - Digital Sheet Music #AE151-E. Published by M...
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Composed by Gerald Near (1942-). Christmas, Hanging of the Green. 7 pages. MorningStar Music Publishers - Digital Sheet Music #AE151-E. Published by MorningStar Music Publishers - Digital Sheet Music
$10.00
Hommage a Dietrich Buxtehude
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Orgue
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AVANCÉ
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Classique
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Petr Eben
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Hommage a Dietrich Buxtehude
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Schott Music - Digital
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SheetMusicPlus
Toccata Fugue. Composed by Petr Eben. Dietrich Buxtehude - Zeitgenossische Musik - Orgel. Downloadable. Duration 7 minutes. Schott Music - Digital #Q5...
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Toccata Fugue. Composed by Petr Eben. Dietrich Buxtehude - Zeitgenossische Musik - Orgel. Downloadable. Duration 7 minutes. Schott Music - Digital #Q557692. Published by Schott Music - Digital
$15.99
TOCCATA for Organ in A minor
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Orgue
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AVANCÉ
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Classique
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Gabriel Ruiz- Bernal
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TOCCATA for Organ in A minor
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Organ - Advanced - Digital Download Composed by Gabriel Ruiz- Bernal. 21st Century, Contemporary Classical, Wedding, Graduation, Recital. Score. 9 pag...
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Organ - Advanced - Digital Download Composed by Gabriel Ruiz- Bernal. 21st Century, Contemporary Classical, Wedding, Graduation, Recital. Score. 9 pages. Published by Gabriel Ruiz-Bernal
$5.00
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
Sagas Nos. 1-6
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Orgue
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AVANCÉ
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Mus...
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Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Hagia Sophia
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Orgue
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AVANCÉ
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Robert M
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Hagia Sophia
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 ...
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Organ - difficult - SKU: S9.Q19995 Poème symphonique. Composed by Robert M. Helmschrott. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q19995. Published by Schott Music - Digital (S9.Q19995). Used as a place of worship for centuries, first by Christians and then by Muslims (from 1453), the Hagia Sophia (Istanbul) still amazes people from all over the world. Since 1934, it is a museum – but more than that, the Hagia Sophia, a unique architectural work of monumental proportions in Christian Antiquity and the Middle Ages, is described as a mystical place. Monumental, yet mysterious, a 'miracle of space', a symbol, a sign. 'Sophia', the holy wisdom, accompanies us through the whole Bible history. The present music has to be regarded against this background: A reflection, contemplation with music and poetry. The Creation is powerful, but the truth about it is powerful as well. And the realization that the path to truth is reached through wisdom. As a consequence, this piece has to cross the powerful for half its duration, monumental. It is the cupola over all following (observing) verses (sections). From bar 371, the path leads back into the powerful, into the rejoicing (bar 406). It must not be forgotten to mention the suggestion of 'singing in a mosque' (bar 510) which is answered by a simple prayer (bar 511). This is reminiscent of the mosaic above the imperial door of the building portraying Jesus Christ sitting on a jewelled throne. He holds an open book in which one can read 'Peace be with you. I am the light of the world'. The line and sound of Hagia Sophia are based on a symmetrical eight-note row (mode B) with the notes B, C sharp, D, E/F, G, A flat (G sharp), B flat (A sharp). Although the major-minor relations are removed, harmonic connections (colours) emerge nevertheless.
$23.99
Theme And Variations On TRSCH For Organ
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Orgue
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AVANCÉ
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Thomas R
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Theme And Variations On TRSCH
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739....
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Organ - Level 5 - SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505). Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders. Each variation explores moods and the work is organized this way:Main Theme: m 1-6 TRSCH is stated in the bass.Variation I: m 7-22 FugatoVariation II m 23-50 Mystical quality and lyrical Variation III m 51-88 Scherzo, lyrical section, scherzoVariation IV m 89-116 ToccataVariation V m 117-224 Mystical mood, scherzo, mystical moodVariation VI m 225-297 Toccata, brief lyrical section, toccataVariation VII m 298-317 Variation I but at a slower speed.Forward ReverseA# D D# C B F F # A G# EF# A# B G# G C# D F E CF A A# G F# C C# E D# BG# C C# A# A D# E G F# DA C# D B A# E F G# G D#
$21.82
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
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