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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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COR
CORNEMUSE
CORNET
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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222
PIANO & CLAVIERS
Piano seul
439
Accordéon
34
Piano, Voix
24
Orgue
18
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
3
1 Piano, 4 mains
2
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2
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2
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1
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1
Clavecin
1
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71
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54
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5
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Chorale SATB
32
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9
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4
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2
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2
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2
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2
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1
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1
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1
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VENTS
Saxophone
240
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127
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93
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17
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13
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13
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10
Hautbois (partie séparée)
10
3 Clarinettes (trio)
9
Quatuor de Clarinettes: 4 clarinettes
8
Flûte, Hautbois, Clarinette, Basson
8
Hautbois
6
Flûte à Bec
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Trio de Flûtes: 3 flûtes
4
Clarinette et Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Saxophone Soprano et Piano
3
Ensemble de Clarinettes
3
Ensemble de Flûtes
2
Saxophone Alto
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violon (duo)
2
Saxophone Tenor
2
Saxophone Soprano
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte et Guitare
1
Flûte à bec Alto, Piano
1
Quatuor de Flûtes à bec
1
Saxophone Tenor et Piano
1
Flûte, Violon
1
Saxophone (partie séparée)
1
Flûte à bec Soprano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
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1
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Trombone
93
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86
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13
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11
Tuba et Piano
7
Ensemble de Trombones
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Tuba
6
Trombone basse
6
Euphonium, Piano (duo)
6
Cor
5
Quatuor de Cuivres
4
Cor et Piano
3
Quatuor de cuivres: 4 trombones
2
Trompette, Piano
2
Euphonium
2
Trombone et orchestre
1
Trombone basse et Piano
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2 Trombones (duo)
1
3 Euphoniums
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
143
Violon
114
Violoncelle
64
Alto seul
40
Violon et Piano
23
Trio à Cordes: violon, alto, violoncelle
10
Harpe
9
Alto, Piano
9
Violoncelle, Piano
8
Trio à cordes: 3 violins
7
2 Violons (duo)
6
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
Violon, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violon, Alto (duo)
1
Contre Basse
1
4 Harpes
1
Harpe, Violon (duo)
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Batterie
86
Orchestre
58
Orchestre à Cordes
54
Orchestre d'harmonie
23
Ensemble de cuivres
13
Orchestre de chambre
11
Jazz combo
7
Ensemble de Percussions
6
Ensemble Jazz
2
Cloches
2
Fanfare
2
Piano et Orchestre
1
Orchestre, Violon
1
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Preludes and Meditations
Orgue
Organ: 3-staff - Advanced SKU: LO.70-2016S Composed by Raymond H Haan. Sacred. Sacr…
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Organ: 3-staff - Advanced SKU: LO.70-2016S Composed by Raymond H Haan. Sacred. Sacred Music Press #70/2016S. Published by Sacred Music Press (LO.70-2016S). ISBN 9780787753238.This anthology contains a wealth of useful repertoire for worship! Raymond Haan's rich, romantic style yields deeply expressive works--a mix of hymn-based pieces and freely composed scriptural meditations--that will prove useful as preludes and postludes year round.
Song List: Restoration Aria Four Variants on "St. Hugh" Prelude on "Jewels" Cherubic Hymn Prelude on "Carlisle" Postlude on "Canaan" Prelude on "Selnecker" Prelude on "O Waly Waly" Prelude on "Morning Hymn" Postlude Prelude on "Bealoth" Prelude on "State Street" Lament Prelude on "Converse"
$37.00
33.98 €
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Orgue
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Raymond H Haan
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Preludes and Meditations
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Sacred Music Press
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SheetMusicPlus
Variations on Adeste fideles, Op. 21
Orgue
Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Ch…
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Organ - Level 5 - Digital Download SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
7.34 €
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Orgue
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Vidas Pinkevicius
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Variations on Adeste fideles, Op. 21
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Vidas Pinkevicius
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SheetMusicPlus
Three Etudes for Organ Pedals - 1. Lament
Orgue
Organ - Level 5 - Digital Download SKU: A0.772005 Composed by Gregory Hamilton. Chr…
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Organ - Level 5 - Digital Download SKU: A0.772005 Composed by Gregory Hamilton. Christian,Contemporary,Sacred. Score. 2 pages. Dr. Gregory Hamilton #3585427. Published by Dr. Gregory Hamilton (A0.772005). Three Etudes for Organ Pedals - 1. Lamentwww.gregoryhamilton.org
$15.00
13.77 €
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Orgue
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Gregory Hamilton
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Three Etudes for Organ Pedals - 1. Lament
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Dr. Gregory Hamilton
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SheetMusicPlus
Orgelsinfonie No. 16
Orgue
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20.19 €
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Orpheus
Orgue
Organ - difficult - Digital Download SKU: S9.Q6228 Poème symphonique. Transcr…
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Organ - difficult - Digital Download SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Organ - Symphonic Poem - transcription. Downloadable. Duration 14' 30. Schott Music - Digital #Q6228. Published by Schott Music - Digital (S9.Q6228). German • English • French.Orpheus is one of 12 symphonic poems composed by Franz Liszt between 1848 and 1858. Liszt regarded these compositions as representing a higher form of musical creation. Their genesis in what he described as a poetic idea allowed him to favour freedom of expression over the constraints of form. The score of 'Orpheus' was first performed on 16 February 1854, under the baton of the composer, as the curtain rose for a production of Gluck's opera 'Orpheus' in Weimar. It had been inspired in particular by the contemplation in the Louvre museum in Paris of an Etruscan vase despicting Orpheus as a symbol of beauty and civilisation, mitigating the brutality of the world through the power of his art. This symphonic poem was first transcribed for organ in about 1860 by Alexander Wilhelm Gottschalk (1827-1908), one of Liszt's pupils. It appears that Liszt was moved to make radical modifications to that version, in spite of which it still remains unsatisfactory. It does, however, give us the benefit of proving that Liszt, who also transcribed the work for piano duet, was not against the idea in itself of a transcription for organ. Jean Guillou's transcription is more than a simple adaptation. As far as Romantic music is concerned, he is responsible for finding appropriate equivalents to the dramatic function of instrumentation to create an atmosphere which comes as close to that of the original composition as possible, to enrich the contrapuntal texture and to contribute to the simulation of the orchestral sound.
$15.99
14.68 €
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Orgue
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Franz Liszt
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Jean Guillou
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Orpheus
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Schott Music - Digital
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SheetMusicPlus
Sagas Nos. 1-6
Orgue
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Gui…
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
21.11 €
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Orgue
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
O Come, O Come, Emmanuel for organ solo, unison congregation or soloist
Orgue
Organ - Level 5 - Digital Download SKU: A0.1142971 By Len Rhodes. By Len Rhodes. Ar…
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Organ - Level 5 - Digital Download SKU: A0.1142971 By Len Rhodes. By Len Rhodes. Arranged by Len Rhodes. Christmas,Contemporary,Holiday,Religious,Sacred. Score. 3 pages. Len Rhodes Music #743335. Published by Len Rhodes Music (A0.1142971). O Come, O Come , Emmanuel in a contemporary and very unique setting. Arranged for unison choir/congregation - three verses, or soloist, and organ - this arrangement is marked senza misura - and accordingly, there is an absence of bar lines throughout (alla Erik Satie Gnossiennes!) This arrangement is also entirely suitable for organ solo. Perfect for the Advent and Christmas season.
$2.95
2.71 €
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Orgue
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Len Rhodes
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Len Rhodes
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O Come, O Come, Emmanuel for organ solo, unison congregation or soloist
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Len Rhodes Music
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SheetMusicPlus
Unexpected and Mysterious
Orgue
Organ 3-staff - Advanced - Digital Download SKU: LX.70-2251S Hymn Explorations f…
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Organ 3-staff - Advanced - Digital Download SKU: LX.70-2251S Hymn Explorations for Organ. Composed by J. William Greene. Sacred, Advent, Christmas, General, Lent. Organ. 76 pages. Sacred Music Press #e70/2251S. Published by Sacred Music Press (LX.70-2251S). ISBN 9780787771089.This collection of hymn settings by J. William Greene provides valuable material for worship and concert settings. Each work is in a different form, ranging from baroque praeludium to expressive adagio. Greene's masterful craftsmanship and creativity is always in evidence.
$32.00
29.38 €
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Orgue
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J
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Unexpected and Mysterious
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Sacred Music Press
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SheetMusicPlus
Unexpected and Mysterious
Orgue
Organ: 3-staff - Advanced SKU: LO.70-2251S Composed by J. William Greene. Sacred, A…
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Organ: 3-staff - Advanced SKU: LO.70-2251S Composed by J. William Greene. Sacred, Advent, Christmas, General, Lent. Sacred Music Press #70/2251S. Published by Sacred Music Press (LO.70-2251S). ISBN 9780787771089.This collection of hymn settings by J. William Greene provides valuable material for worship and concert settings. Each work is in a different form, ranging from baroque praeludium to expressive adagio. Greene's masterful craftsmanship and creativity is always in evidence.
$37.00
33.98 €
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Orgue
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J
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Unexpected and Mysterious
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Sacred Music Press
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SheetMusicPlus
Concerto in Eb (Dumbarton Oaks)
Orgue
Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Th…
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Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
23.87 €
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Orgue
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Igor Stravinsky
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Leif Thybo
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
Concerto 1
Orgue
Organ solo - advanced - Digital Download SKU: S9.Q41518 Salve Regina. Compos…
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Organ solo - advanced - Digital Download SKU: S9.Q41518 Salve Regina. Composed by Peter Wittrich. This edition: Sheet music. Downloadable. Duration 25 minutes. Schott Music - Digital #Q41518. Published by Schott Music - Digital (S9.Q41518). The first in a series of five concertos, Concerto 1 sees several Marian songs arranged like a sonata in a traditional large-scale three-movement form. For example the hymn of praise Salve Regina is combined with surprising jazz-inspired episodes.
$21.99
20.19 €
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Orgue
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Peter Wittrich
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Concerto 1
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Schott Music - Digital
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SheetMusicPlus
Vilkas grikius sÄ—jo, Op. 62 for solo organ (2018) by Vidas Pinkevicius
Orgue
Organ - Level 5 - Digital Download SKU: A0.909309 Composed by Vidas Pinkevicius. Co…
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Organ - Level 5 - Digital Download SKU: A0.909309 Composed by Vidas Pinkevicius. Contemporary. Score. 5 pages. Vidas Pinkevicius #6858505. Published by Vidas Pinkevicius (A0.909309). This composition is based on a delightful Lithuanian children's folk song about the wolf who sowed buckwheat. It has 4 sections - each section for one song phrase. Basically, it's a series of multiple canons in augmentation, double augmentation and quadruple augmentation.The registration is done for a three-manual organ in mind.The fast sixteenth-note episode is followed by the episodes in quarter-notes, eighth-notes before returning to sixteenth-note culmination at the end.Advanced level. 5 pages.
$4.99
4.58 €
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Orgue
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Vidas Pinkevicius
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Vilkas grikius sÄ—jo, Op. 62 for solo organ
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Vidas Pinkevicius
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SheetMusicPlus
Journey to Wholeness
Orgue
Organ: 3-staff - Advanced SKU: LO.70-2215S Composed by Angela Kraft Cross. Sacred. …
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Organ: 3-staff - Advanced SKU: LO.70-2215S Composed by Angela Kraft Cross. Sacred. Sacred Music Press #70/2215S. Published by Sacred Music Press (LO.70-2215S). ISBN 9780787768041.This collection of organ works by Angela Kraft Cross provides excellent material for service or concert. Two trumpet tune-style pieces are joined by a lyric fantasy and a festive postlude. The volume's title work is a stirring multi-movement piece inspired by Kraft Cross's mentor from medical school and by the process of healing. As with Kraft Cross's previous volume, Tree of Life, this music makes a powerful impact in performance, enriching the experience of congregants or recital listeners.
$33.00
30.3 €
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Orgue
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Angela Kraft Cross
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Journey to Wholeness
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Sacred Music Press
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SheetMusicPlus
Fantasia And Passacaglia On A Mighty Fortress Is Our God
Orgue
Organ - Level 5 - Digital Download SKU: A0.912488 Composed by Thomas R. Schadl. 20t…
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Organ - Level 5 - Digital Download SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. Published by Thomas R. Schadl (A0.912488). Fantasia And Passacaglia On A Mighty Fortress Is Our God for organ is written in celebration of the five hundredth anniversary of the Reformation in Europe. Consisting of the free-form introduction and passacaglia, the piece is based on Martin Luther's hymn tune, and is written in a modern musical idiom that somewhat resembles the style of Max Reger's and Louis Vierne's works for organ, take for example Reger's Fantasia On A Mighty Fortress Is Our God, and Vierne's Sixth Organ Symphony. The Fantasia is suitable for recital use, and employs a wide range of organ registrations that displays various tonal colors and sound intensities. The introduction starts with full of energy and concludes with softer registrations. The passacaglia starts off quietly and builds up sound intensity toward its conclusion, symbolizing victory of good over evil. The metronome marks and organ registrations on some pages are suggestions only, because each organ has different tonal qualities and the acoustics in buildings and halls may influence how organist perform the piece. Fantasia And Passacaglia On A Mighty Fortress Is Our God may take anywhere between thirteen and fifteen minutes to perform.
$17.99
16.52 €
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Orgue
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Thomas R
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Fantasia And Passacaglia On A Mighty Fortress Is Our God
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Thomas R. Schadl
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SheetMusicPlus
Passacaglia in C (Organ)
Orgue
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,C…
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
7.34 €
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Orgue
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
"How Firm a Foundation", a French toccata
Orgue
Organ - Level 5 - Digital Download SKU: A0.932698 Composed by Funk's Genuine Church…
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Organ - Level 5 - Digital Download SKU: A0.932698 Composed by Funk's Genuine Church Music, 1832. Arranged by Terry M. Forsyth. 20th Century,Christian,Easter,Instructional,Sacred. Score. 12 pages. Forsyth Publishing #6117201. Published by Forsyth Publishing (A0.932698). Transforms the hymn using turn of century french toccata format. Uses first three melody notes to create accompanying figure, first episode has first line inverted while using first 12 notes (first line) as triplets to accompany inversion, second episode includes using first four notes to create one of the accompanying figures, ending includes hymn in canon. 8:00 minute piece used for Easter and general service as prelude and as postlude. Difficulty level considered advanced intermediate when compared to Carillon-Sortie by Mulet. Good for concerts, too. Tune name: Foundation.
$6.99
6.42 €
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Orgue
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Funk's Genuine Church Music, 1832
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Terry M
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"How Firm a Foundation", a French toccata
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Forsyth Publishing
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SheetMusicPlus
Journey to Wholeness
Orgue
Organ 3-staff - Advanced - Digital Download Organ Music for Service or Recital. Compo…
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Organ 3-staff - Advanced - Digital Download Organ Music for Service or Recital. Composed by Angela Kraft Cross. General. Organ. 64 pages. Sacred Music Press #70/2215S. Published by Sacred Music Press
ISBN 9780787768041.<br> <br> This collection of organ works by Angela Kraft Cross provides excellent material for service or concert. Two trumpet tune-style pieces are joined by a lyric fantasy and a festive postlude. The volume's title work is a stirring multi-movement piece inspired by Kraft Cross's mentor from medical school and by the process of healing. As with Kraft Cross's previous volume, Tree of Life, this music makes a powerful impact in performance, enriching the experience of congregants or recital listeners.
$28.00
25.71 €
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Orgue
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Angela Kraft Cross
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Journey to Wholeness
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Sacred Music Press
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SheetMusicPlus
Organ Symphony No. 11
Orgue
Organ - advanced - Digital Download Advent. Composed by Enjott Schneider. This editio…
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Organ - advanced - Digital Download Advent. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q11729. Published by Schott Music - Digital
Advent is a magical and mysterious season stretching across several long weeks: It is a culture of waiting. Hoping in the dark and in obscurity. Humility, quiet and togetherness - without the commercial derailment of materialistic gift-giving - are characteristic features of the Advent season. Seldom are people as close to the old traditions as during this introverted period. This is expressed by Organ Symphony No. 11 in four movements: 1. Veni redemptor omium, 2. Licht - Mitten im kalten Winter, 3. Nun komm der Heiden Heiland, 4. Toccata sopra 'Rorate caeli desuper'. Composed for one organ with at least three manuals.
$21.99
20.19 €
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Orgue
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Enjott Schneider
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Organ Symphony No. 11
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Schott Music - Digital
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SheetMusicPlus
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