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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Formed
Non classifié
383
Piano & claviers
Piano seul
761
Piano, Voix
30
Orgue
18
1 Piano, 4 mains
8
2 Pianos, 4 mains
7
Instruments en Do
7
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
5
Accordéon et Orchestre
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Accordéon
1
Accompagnement Piano
1
+ 8 instrumentations
Retracter
Guitares
Guitare
37
Guitare notes et tablatures
10
Basse electrique
3
Ensemble de guitares
2
Mandoline, Piano (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
77
Chorale TTBB
18
Chorale SSAA
15
Voix Soprano, Piano
5
Voix Alto, Piano
3
Chorale 3 parties
2
Voix Baryton, Piano
2
Chorale SSAATTBB
1
Voix Soprano
1
Voix duo
1
+ 5 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quatuor de Saxophones: 4 saxophones
22
2 Flûtes traversières (duo)
16
Flûte traversière et Piano
15
Ensemble de Clarinettes
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette
12
Hautbois (partie séparée)
11
Saxophone Alto et Piano
8
Flûte, Hautbois, Clarinette, Basson
8
Flûte traversière
8
Quintette de Saxophone: 5 saxophones
7
Saxophone Alto
6
2 Saxophones (duo)
5
Clarinette et Piano
5
3 Clarinettes (trio)
5
Ensemble de saxophones
4
Saxophone Soprano et Piano
4
Hautbois, Piano (duo)
4
Saxophone Tenor
2
Cor Anglais
2
Quintette de Flûte : 5 flûtes
2
Saxophone
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone (partie séparée)
1
Saxophone et Orgue
1
Clarinette, Orgue
1
3 Saxophones (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Cor anglais, Piano
1
2 Clarinettes, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
4 Hautbois
1
2 Hautbois (duo)
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Saxophone Baryton, Piano
1
Flûte et Guitare
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone et Piano
30
Ensemble de Trombones
22
Trompette
12
Quatuor de cuivres: 4 trombones
11
Cor
9
Trompette, Piano
8
Euphonium, Piano (duo)
7
Cor et Piano
7
Trombone
6
2 Trombones (duo)
6
Tuba et Piano
6
Ensemble de Trompettes
6
3 Trombones (trio)
3
Tuba
3
Trombone basse
3
Trombone et orchestre
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor Anglais
2
Trompette (partie séparée)
2
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
Trombone, Orgue
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Euphoniums
1
4 Tubas
1
Euphonium
1
2 Tubas (duo)
1
Cor anglais, Piano
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
2 Cors (duo)
1
+ 29 instrumentations
Retracter
Cordes
Violon, Violoncelle (duo)
62
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon et Piano
26
Violon
26
Violoncelle
16
Violoncelle, Piano
16
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
8
Alto seul
8
Alto, Piano
6
Violoncelle, Contrebasse (duo)
5
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Violon, Guitare (duo)
4
Harpe
4
2 Violoncelles (duo)
3
Alto, Violoncelle (duo)
2
Violon, Orgue
2
Alto (partie séparée)
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Violon (duo)
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre
63
Orchestre d'harmonie
53
Orchestre à Cordes
41
Orchestre de chambre
35
Ensemble Jazz
29
Ensemble de cuivres
25
Jazz combo
19
Ensemble de Percussions
6
Fanfare
4
Batterie
2
Piano et Orchestre
2
Cloches
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BASSON
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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18 partitions trouvées
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1
St. Denio Variations
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Orgue
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AVANCÉ
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Robert Demmert
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St. Denio Variations
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Robert Demmert
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1357679 By Robert Demmert. By Robert Demmert. 20th Century,Christian,Classical,Religious,Sacred. Indivi...
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Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1357679 By Robert Demmert. By Robert Demmert. 20th Century,Christian,Classical,Religious,Sacred. Individual part. 17 pages. Robert Demmert #942220. Published by Robert Demmert (A0.1357679). The St. Denio Variations are based on a Welsh hymn tune, commonly sung to the text, Immortal, Invisible. Â Although it may be performed in its entirety as a recital piece, some movements are suitable for service playing. Â The eight sections are named Introduction, Pastorale, Arabesque, Impromptu, Sortie, Toccata, Berceuse, and Benedictus. Â The work is suited more for the advanced organist.The complete work was first performed as a prelude on Easter Sunday, 1996 at Church of the Redeemer, Morristown, New Jersey.
$9.95
Concerto in Eb (Dumbarton Oaks)
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Orgue
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AVANCÉ
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Classique
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Igor Stravinsky
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Leif Thybo
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: sin...
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Organ - difficult - SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
Requiem (Organ reduction of ww and brass parts)
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Orgue
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Nicholas Palmer
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Requiem
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Nicholas D Palmer
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SheetMusicPlus
Organ - Level 5 - SKU: A0.782812 Composed by Wolfgang Amadeus Mozart (Sussmayr). Arranged by Nicholas Palmer. Classical,Contemporary,Sacred. Score. 31 p...
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Organ - Level 5 - SKU: A0.782812 Composed by Wolfgang Amadeus Mozart (Sussmayr). Arranged by Nicholas Palmer. Classical,Contemporary,Sacred. Score. 31 pages. Nicholas D Palmer #5205041. Published by Nicholas D Palmer (A0.782812). REVISED EDITION! Mozart's Requiem is often performed with piano or organ only, with less than satisfying results for some of the faster, more elaborate string passages. This organ reduction is useful for smaller choirs who wish to use a small string ensemble with organ only to accompany the work. Performance notes and arranger contact are included at the end of the score.If you spot any errors, please notify me so I can get you a revised score. I'm easy to find online.
$15.00
Toccata B minor
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Orgue
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AVANCÉ
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Eugene Gigout
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Toccata B minor
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q15602 Composed by Eugene Gigout. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Di...
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Organ - advanced - SKU: S9.Q15602 Composed by Eugene Gigout. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q15602. Published by Schott Music - Digital (S9.Q15602). Key: B minor.Gigout's Toccata in B minor is one of the most popular and widely performed concert pieces from the Romantic era.
$6.99
Hymnus
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Orgue
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AVANCÉ
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Jean Guillou
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Hymnus
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q7010 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 72. Duration 9 minutes. Schott Music - Digital #...
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Organ - advanced - SKU: S9.Q7010 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 72. Duration 9 minutes. Schott Music - Digital #Q7010. Published by Schott Music - Digital (S9.Q7010). Jean Guillou's 'Hymnus' Op. 72 was written in memory of Father Jaap Keulen, a friend of the composer. Hymns are traditional, chordal, solemn chants. The piece has adopted this style by consisting mainly of chordal movement, except for a few melodious passages. New features are the refined colourful harmony and the constantly changing energetic rhythms. The solemn ceremonial expression can be heard especially at the beginning and at the end in heavy sounds. The world premiere of the work was performed by Winfried Bönig at the Cathedral of Cologne on 16 June 2009.
$15.99
Orpheus
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Orgue
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AVANCÉ
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Classique
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Franz Liszt
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Jean Guillou
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Orpheus
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This ed...
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Organ - difficult - SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Organ - Symphonic Poem - transcription. Downloadable. Duration 14' 30. Schott Music - Digital #Q6228. Published by Schott Music - Digital (S9.Q6228). German • English • French.Orpheus is one of 12 symphonic poems composed by Franz Liszt between 1848 and 1858. Liszt regarded these compositions as representing a higher form of musical creation. Their genesis in what he described as a poetic idea allowed him to favour freedom of expression over the constraints of form. The score of 'Orpheus' was first performed on 16 February 1854, under the baton of the composer, as the curtain rose for a production of Gluck's opera 'Orpheus' in Weimar. It had been inspired in particular by the contemplation in the Louvre museum in Paris of an Etruscan vase despicting Orpheus as a symbol of beauty and civilisation, mitigating the brutality of the world through the power of his art. This symphonic poem was first transcribed for organ in about 1860 by Alexander Wilhelm Gottschalk (1827-1908), one of Liszt's pupils. It appears that Liszt was moved to make radical modifications to that version, in spite of which it still remains unsatisfactory. It does, however, give us the benefit of proving that Liszt, who also transcribed the work for piano duet, was not against the idea in itself of a transcription for organ. Jean Guillou's transcription is more than a simple adaptation. As far as Romantic music is concerned, he is responsible for finding appropriate equivalents to the dramatic function of instrumentation to create an atmosphere which comes as close to that of the original composition as possible, to enrich the contrapuntal texture and to contribute to the simulation of the orchestral sound.
$15.99
Tarot Toccatas
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Orgue
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AVANCÉ
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Wilfried Hiller
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Tarot Toccatas
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q6179 Composed by Wilfried Hiller. This edition: Sheet music. Downloadable. Duration 30 minutes. Schott Music - Digital #Q61...
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Organ - difficult - SKU: S9.Q6179 Composed by Wilfried Hiller. This edition: Sheet music. Downloadable. Duration 30 minutes. Schott Music - Digital #Q6179. Published by Schott Music - Digital (S9.Q6179). In a number of works for musical theatre – â€The Rat-catcher†(The Pied Piper) based on a libretto by Michael Ende, the opera â€Eduard auf dem Seil†(Edward on the Tightrope) on a story by Mörike and â€Der Schimmelreiter†(The Ghost Rider) based on the well-known novella by Theodor Storm – Wilfried Hiller has used the organ to illustrate exceptional dramatic scenarios. The addition of further works has now resulted in a collection of Toccatas, some of them playful, some meditative, which may be performed individually or as a cycle, either in concert or for tuition purposes.
$22.99
Variations on an Old Acquaintance
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Orgue
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AVANCÉ
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Scottish Traditional
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Grant Edwards
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Variations on an Old Acquainta
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Grant Edwards
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1353517 By Scottish Traditional (Auld Lang Syne). By Grant Edwards. Arranged by Grant Edwards. 20th Cen...
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Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1353517 By Scottish Traditional (Auld Lang Syne). By Grant Edwards. Arranged by Grant Edwards. 20th Century,Contemporary,Holiday,Traditional. Individual part. 12 pages. Grant Edwards #938254. Published by Grant Edwards (A0.1353517). A quirky and fun arrangement of Auld Lang Syne for concert performance or even a church postlude at the appropriate time. In Theme and Variations form, this piece reviews a wide range of musical styles of the past few centuries, quoting C. M. Widor at one point, and ending in jazz. Commissioned by Nancy Cooper in 1999 as the final work on her all-20th Century organ album, The Road Not Taken. Easily adaptable to small intruments, it has even been performed on a two manual, 14 rank tracker as well as large, generously appointed instruments. Did we mention: fun?
$34.99
Toccata: I Believe in One God (Credo III)
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Orgue
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AVANCÉ
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Performed by Sr
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Mary Beth Bennett
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Toccata: I Believe in One God
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School Sisters of St. Francis
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SheetMusicPlus
Pipe Organ - Level 5 - SKU: A0.1351198 By Performed by Sr. Mary Jane Wagner OSF. By Composed by Mary Beth Bennett. 21st Century,Sacred. Full Performance...
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Pipe Organ - Level 5 - SKU: A0.1351198 By Performed by Sr. Mary Jane Wagner OSF. By Composed by Mary Beth Bennett. 21st Century,Sacred. Full Performance. Duration 276. School Sisters of St. Francis #934176. Published by School Sisters of St. Francis (A0.1351198). An organ composition by Mary Beth Bennett* was commissioned by the School Sisters of St. Francis to celebrate the 100th Anniversary of the Dedication of St. Joseph Chapel (2017) — Milwaukee, Wisconsin. The composition features the Gregorian Chant Credo III, Sr. Theophane Hytrek's Blessing of St. Francis, and soggetto cavato (note assignments) on School Sisters of St. Francis.  Resident organist, Sr. Mary Jane Wagner OSF, performs the piece on the St. Joseph Chapel Casavant (1981) Opus 3493 III/35R.    *Mary Beth Bennett is a recognized performer, improviser and composer living in historic Richmond, Virginia. She serves on the adjunct music faculty of the University of Richmond, and is Organist at Second Baptist Church in Richmond, Virginia.
$1.99
David Hurd: Variations for organ
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Orgue
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AVANCÉ
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David Hurd
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David Hurd: Variations for org
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Publis...
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Organ - Level 5 - SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Published by Musik Fabrik Music Publishing (A0.534348). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
David Hurd: Arioso and Finale for organ
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Orgue
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AVANCÉ
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David Hurd
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David Hurd: Arioso and Finale
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725....
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Organ - Level 5 - SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725. Published by Musik Fabrik Music Publishing (A0.534346). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Interstellar
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Orgue
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AVANCÉ
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Alex Gibson, Hans Florian Zimm
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Anna Lapwood
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Interstellar
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Anna Lapwood
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1316991 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Anna Lapwood. ...
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Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1316991 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 29 pages. Anna Lapwood #904082. Published by Anna Lapwood (A0.1316991). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! I think the Interstellar soundtrack has done more to popularise the organ than anything or anyone else! I’ve chosen three of my favourite cues from the film and put them together into a suite. It can be performed in any order, with the pieces played one after the other or scattered throughout a recital programme.  - Anna Lapwood.
$19.99
Jean-Thierry Boisseau: S.W.E.N. for organ
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Orgue
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AVANCÉ
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: S.W.E.N
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534515 Composed by Jean-Thierry Boisseau. Concert,Contemporary,Standards. Score. 9 pages. Musik Fabrik Music Publishing #35860...
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Organ - Level 5 - SKU: A0.534515 Composed by Jean-Thierry Boisseau. Concert,Contemporary,Standards. Score. 9 pages. Musik Fabrik Music Publishing #3586089. Published by Musik Fabrik Music Publishing (A0.534515). This little suite of four short pieces for Organ was conceived for a “ portativ †without pedals (8.8.4.2.mixture)It may also be performed on a large organ, with the condition that the organ should be treated as “ Blockwerk â€. The performer should not change the registration in the course of each movement (the registrations given may, of course, be changed if necessary). If the performer wishes to play these works on two seperate keyboards, it would be necessary to have the same registration on each keyboard (ie if mixture on the I, mixtures on the II : reeds on I, reeeds on II etc). If the performer is tempted to add an improvised pedal part, the composer would have no problem with that if it were done with taste.
$12.95
Sandstorm
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Orgue
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AVANCÉ
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Contemporain
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Darude
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Jonathan Selimovic (a
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Sandstorm
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Jonny Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1187762 By Darude. By Jaakko Sakari Salovaara and Ville Virtanen. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Classic...
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Organ - Level 5 - SKU: A0.1187762 By Darude. By Jaakko Sakari Salovaara and Ville Virtanen. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Classical,Contemporary,Film/TV,New Age,Pop. Score. 6 pages. Jonny Music #787378. Published by Jonny Music (A0.1187762). Sandstorm, performed by Darude, arranged for the King of Instruments (Organ).Duration: 3:41This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwTwitter: https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$8.99
Rhapsody of Praise - based on the Gregorian Chant "Te Deum"
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Orgue
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AVANCÉ
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Sr
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Rhapsody of Praise - based on
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School Sisters of St. Francis
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SheetMusicPlus
Pipe Organ - Level 5 - SKU: A0.1119344 By Sr. Theophane Hytrek OSF. By Sr. Theophane Hytrek OSF (1915-1992). 20th Century,Sacred. Full Performance. Dura...
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Pipe Organ - Level 5 - SKU: A0.1119344 By Sr. Theophane Hytrek OSF. By Sr. Theophane Hytrek OSF (1915-1992). 20th Century,Sacred. Full Performance. Duration 417. School Sisters of St. Francis #720759. Published by School Sisters of St. Francis (A0.1119344). A one-movement contemporary, concert work for organ in six sections based on the simple tone Gregorian Chant Te Deum. This recording was performed by the composer on the Casavant III/35R. It was a commission for the dedication of this instrument in St. Joseph Chapel, the motherhouse of the School Sisters of St. Francis in Milwaukee, Wisconsin.
$1.99
Sonata In G For Organ-First Movement
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Orgue
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AVANCÉ
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Thomas R
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Sonata In G For Organ-First Mo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #5...
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Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.
$7.99
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
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