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Oh God Our Help in Ages Past
Orgue
Organ - Level 5 - Digital Download SKU: A0.719408 By GbÄ“rÄ“ Dodoh. By Willia…
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Organ - Level 5 - Digital Download SKU: A0.719408 By Gbērē Dodoh. By William Croft. Arranged by Holyone Tombari Dodoh. Baroque,Classical,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Holyone Tombari Dodoh #327802. Published by Holyone Tombari Dodoh (A0.719408). Oh God Our Help in Ages Past arranged for the Organ.
$1.99
1.8 €
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Orgue
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Gbērē Dodoh
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Holyone Tombari Dodoh
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Oh God Our Help in Ages Past
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Holyone Tombari Dodoh
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SheetMusicPlus
Toccata on O God Our Help in Ages Past ORGAN
Orgue
Organ - Level 5 - Digital Download SKU: A0.1226417 By Gene Roberson. By Gene Robers…
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Organ - Level 5 - Digital Download SKU: A0.1226417 By Gene Roberson. By Gene Roberson. Arranged by Gene Roberson. 19th Century,Classical,Early Music,Religious,Sacred. Score. 11 pages. Gene Roberson #822416. Published by Gene Roberson (A0.1226417). Postlude Worship Service Recital Toccata form.
$4.99
4.51 €
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Orgue
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Gene Roberson
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Gene Roberson
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Toccata on O God Our Help in Ages Past ORGAN
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Gene Roberson
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SheetMusicPlus
O God, Our Help In Ages Past - Organ solo
Orgue
Organ - Level 5 - Digital Download SKU: A0.740011 Composed by William Croft (1678-1…
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Organ - Level 5 - Digital Download SKU: A0.740011 Composed by William Croft (1678-1727). Arranged by Len Rhodes. Baroque,Christian,Concert,Sacred. Score. 4 pages. Len Rhodes Music #5721101. Published by Len Rhodes Music (A0.740011). The wonderful William Croft tune, here arranged for organ solo. Some lovely contrasting sections; an aeolian minor section, a verse in 3/2; a pedal melody and transposition all make for a unique closing voluntary. Suitable for the more advanced organist.
$4.99
4.51 €
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Orgue
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William Croft
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Len Rhodes
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O God, Our Help In Ages Past - Organ solo
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Len Rhodes Music
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SheetMusicPlus
Orgelsinfonie No. 16
Orgue
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
19.86 €
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Concerto in Eb (Dumbarton Oaks)
Orgue
Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Th…
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Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
23.48 €
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Orgue
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Igor Stravinsky
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Leif Thybo
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
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