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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Where
Non classifié
190
Piano & claviers
Piano seul
195
Orgue
14
Piano, Voix
12
2 Pianos, 4 mains
8
Piano, Voix et Guitare
5
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
+ 3 instrumentations
Retracter
Guitares
Guitare
20
Mandoline
3
Guitare notes et tablatures
3
Basse electrique
1
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
46
Chorale TTBB
7
Chorale SSAA
3
Chorale SSAATTBB
2
Voix duo, Piano
2
Voix duo
2
Voix seule
1
Voix Baryton, Piano
1
Voix Baryton
1
Voix Tenor
1
Voix basse, Piano
1
Chorale SSATB
1
Voix haute
1
Voix Soprano, Piano
1
Chorale 3 parties
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière et Piano
9
Clarinette
9
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone
6
Quintette de Saxophone: 5 saxophones
6
Ensemble de Clarinettes
5
Flûte traversière
5
Hautbois, Piano (duo)
5
Saxophone Alto
4
Clarinette et Piano
4
Quatuor de Saxophones: 4 saxophones
3
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Flute (partie séparée)
2
Saxophone et Orgue
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière, Orgue (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois, Basson
1
2 Saxophones, Piano
1
Ensemble de saxophones
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de Flûtes
1
Saxophone Tenor
1
Saxophone Alto et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Guitare
1
2 Flûtes traversières (duo)
1
Saxophone (partie séparée)
1
Clarinette, Violon (duo)
1
3 Clarinettes (trio)
1
2 Clarinettes (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Cor
10
Ensemble de Trombones
10
Trompette
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trombone
4
Quatuor de cuivres: 4 cors
4
Trompette, Piano
4
Trombone et Piano
3
Tuba
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
3 Trombones (trio)
2
Euphonium
2
Cor et Piano
2
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba et Piano
1
3 Euphoniums
1
Quatuor de Cuivres
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
19
Violon
13
Violoncelle, Piano
12
Alto seul
6
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
2 Violoncelles (duo)
3
Harpe
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
1
Contre Basse
1
4 Violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
45
Orchestre d'harmonie
41
Orchestre de chambre
25
Orchestre à Cordes
18
Ensemble de cuivres
10
Ensemble Jazz
9
Ensemble de Percussions
6
Jazz combo
2
Cloches
2
Fanfare
2
Piano et Orchestre
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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14 partitions trouvées
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1
David Hurd: Variations for organ
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Orgue
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AVANCÉ
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David Hurd
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David Hurd: Variations for org
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Publis...
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Organ - Level 5 - SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Published by Musik Fabrik Music Publishing (A0.534348). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
David Hurd: Arioso and Finale for organ
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Orgue
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AVANCÉ
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David Hurd
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David Hurd: Arioso and Finale
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725....
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Organ - Level 5 - SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725. Published by Musik Fabrik Music Publishing (A0.534346). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
Concerto in Eb (Dumbarton Oaks)
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Orgue
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AVANCÉ
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Classique
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Igor Stravinsky
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Leif Thybo
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: sin...
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Organ - difficult - SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
Orgelsinfonie No. 8
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 8
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott...
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Organ - advanced - SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q11730. Published by Schott Music - Digital (S9.Q11730). In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.Enjott Schneider knüpft in seiner Orgelsinfonie Nr. 8 In Memoriam an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral Wachet auf, ruft uns die Stimme gegenüber. Eine spannende und aufwühlende Musik.
$21.99
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
"A Mighty Fortress Is Our God", organ solo, 4-voice fugue
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Orgue
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AVANCÉ
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Martin Luther
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Terry M
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"A Mighty Fortress Is Our
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.932688 Composed by Martin Luther. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 8 pag...
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Organ - Level 5 - SKU: A0.932688 Composed by Martin Luther. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 8 pages. Forsyth Publishing #6113019. Published by Forsyth Publishing (A0.932688). A four-voice fugue using traditional baroque counterpoint including undeveloped countersubject with related free material at end of recapitulation. The congregation preferring music on hymns they know will love this write. This writing brings a well-known hymn tune through all the rigors of a baroque fugue with a development where many untrained listeners can still identify the subject. Challenge is when the countersubject is presented in the pedals making it a great learning piece and addition to one's repetoire. Tune name: Ein' Feste Burg. Time: 6:22.
$4.99
Sonata In C For Organ (Finale) By Thomas R. Schadl
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Orgue
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AVANCÉ
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Sch...
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Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration. I hope that you enjoy this work.
$10.99
Prélude Symphonique
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Orgue
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AVANCÉ
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Aaron Walton
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Prélude Symphonique
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Aaron Walton
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1132597 Composed by Aaron Walton. 19th Century,20th Century,Religious,Romantic Period. Score. 6 pages. Aaron Walton #732798. P...
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Organ - Level 5 - SKU: A0.1132597 Composed by Aaron Walton. 19th Century,20th Century,Religious,Romantic Period. Score. 6 pages. Aaron Walton #732798. Published by Aaron Walton (A0.1132597). A brilliant, fiery piece in the Romantic tradition, perfect for a rousing postlude. It begins with an exciting dialogue between manuals and pedals, leading into a more sparse middle section where the opening pedal melody is augmented into a melody which hangs above a continuous sixteenth-note pattern. The opening section then returns, before the piece closes in the parallel major key with a virtuosic peddle line for the triumphant conclusion.
$4.99
TXK
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Orgue
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AVANCÉ
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Maryliz Smith
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TXK
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Maryliz Smith
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1014238 Composed by Maryliz Smith. Concert,Contemporary. Score. 15 pages. Maryliz Smith #6103541. Published by Maryliz Smith (...
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Organ - Level 5 - SKU: A0.1014238 Composed by Maryliz Smith. Concert,Contemporary. Score. 15 pages. Maryliz Smith #6103541. Published by Maryliz Smith (A0.1014238). A forceful performance piece for organ. This describes a mythical story of releasing an evil force from this world, catapulting it to the world where it belongs.
$5.99
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
Theme And Variations On TRSCH For Organ
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Orgue
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AVANCÉ
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Thomas R
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Theme And Variations On TRSCH
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739....
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Organ - Level 5 - SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505). Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders. Each variation explores moods and the work is organized this way:Main Theme: m 1-6 TRSCH is stated in the bass.Variation I: m 7-22 FugatoVariation II m 23-50 Mystical quality and lyrical Variation III m 51-88 Scherzo, lyrical section, scherzoVariation IV m 89-116 ToccataVariation V m 117-224 Mystical mood, scherzo, mystical moodVariation VI m 225-297 Toccata, brief lyrical section, toccataVariation VII m 298-317 Variation I but at a slower speed.Forward ReverseA# D D# C B F F # A G# EF# A# B G# G C# D F E CF A A# G F# C C# E D# BG# C C# A# A D# E G F# DA C# D B A# E F G# G D#
$21.82
Fantasia And Passacaglia On A Mighty Fortress Is Our God
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Orgue
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AVANCÉ
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Thomas R
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Fantasia And Passacaglia On A
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. ...
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Organ - Level 5 - SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. Published by Thomas R. Schadl (A0.912488). Fantasia And Passacaglia On A Mighty Fortress Is Our God for organ is written in celebration of the five hundredth anniversary of the Reformation in Europe. Consisting of the free-form introduction and passacaglia, the piece is based on Martin Luther's hymn tune, and is written in a modern musical idiom that somewhat resembles the style of Max Reger's and Louis Vierne's works for organ, take for example Reger's Fantasia On A Mighty Fortress Is Our God, and Vierne's Sixth Organ Symphony. The Fantasia is suitable for recital use, and employs a wide range of organ registrations that displays various tonal colors and sound intensities. The introduction starts with full of energy and concludes with softer registrations. The passacaglia starts off quietly and builds up sound intensity toward its conclusion, symbolizing victory of good over evil. The metronome marks and organ registrations on some pages are suggestions only, because each organ has different tonal qualities and the acoustics in buildings and halls may influence how organist perform the piece. Fantasia And Passacaglia On A Mighty Fortress Is Our God may take anywhere between thirteen and fifteen minutes to perform.
$17.99
Canto di forza
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Orgue
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AVANCÉ
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Contemporain
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Peteris Vasks
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Canto di forza
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 14 minutes. Scho...
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Organ - advanced - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q6906. Published by Schott Music - Digital
Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Canto di forza' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man.
Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions.
$11.99
Musica seria
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Orgue
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AVANCÉ
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Contemporain
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Peteris Vasks
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Musica seria
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 16 minutes. Sch...
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Organ - difficult - Digital Download Per organo. Composed by Peteris Vasks (1946-). This edition: Sheet music. Downloadable. Duration 16 minutes. Schott Music - Digital #Q3032. Published by Schott Music - Digital
Peteris Vasks has written compositions for organ again and again, whether original works or arrangements of his own works for strings. He drew his ideal sound image and his inspiration from the famous organ of the Cathedral in Riga where the composer has been living for a long time. Like in almost all his compositions, the basic idea of 'Musica seria' is the personal human examination of Creation: on the one hand the beauty of Nature, on the other hand the destruction of Nature by man.
Vasks' organ music does not provide any great difficulties but rather displays an impressive tonal variety of the most intimate, held back sounds to tremendous chordal eruptions.
$16.99
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