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Georg-Muffat
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Georg-Muffat
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
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ANTHOLOGY OF ORGAN MASTERPIECES - 8th Volume (of 10) - look at the list of songs inside
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Orgue
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Classique
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Various
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ANTHOLOGY OF ORGAN MASTERPIECE
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Renato Tagliabue
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SheetMusicPlus
Organ - Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 105 pages. Publi...
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Organ - Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 105 pages. Published by Renato Tagliabue
Index of the 8th volume
BACH Johann Bernhard ..................................... Ciaconna ...................................................... pag 63
BUXTEHUDE Dietrich ...................................... Ciacona ....................................................... ? 26
BUXTEHUDE Dietrich ...................................... Praeludium, Fuge und Ciacona ................. ? 32
ESTENDORFFER Anton ................................... Ciacona quinti toni ..................................... ? 22
DRAGHI Giovanni Battista ................................ A Ground .................................................... ? 93
GHERARDESCHI Giuseppe ............................. Fuga ............................................................. ? 95
FRESCOBALDI Girolamo ................................. Passacagli .................................................... ? 46
KERLL Johann Kaspar ...................................... Passacaglia .................................................. ? 7
KERLL Johann Kaspar ...................................... Capriccio ?Cucu? ........................................ ? 77
MENDELSSOHN BARTHOLDY Felix ........... Thema mit Variationem ............................. ? 83
MENDELSSOHN BARTHOLDY Felix ........... Andante ....................................................... ? 90
MUFFAT Georg .................................................. Ciacona octavi toni ..................................... ? 57
PACHELBEL Johann ......................................... Ciacona in fa minore .................................. ? 14
PACHELBEL Johann ......................................... Ciacona in re minore .................................. ? 39
RAISON André ................................................... Trio en Passacaille ...................................... ? 56
RAISON André ................................................... Trio en Chaconne ....................................... ? 70
STORACE Bernardo ........................................... Passagagli ..................................................... ? 48
STORACE Bernardo ........................................... Ballo della Battaglia .................................... ? 80
TUNDER Franz .................................................. Praeludium ................................................. ? 98
TUNDER Franz ................................................... Praeludium ................................................. ? 102
WESLEY Charles ................................................ Voluntary .................................................... ? 89
WEST E. John .................................................... Passacaglia .................................................. ? 71
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