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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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12
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12
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10
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9
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9
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8
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7
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7
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7
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6
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6
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5
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5
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4
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CUIVRES
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17
Quatuor de Cuivres
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10
Trompette
7
Ensemble de Trombones
7
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
5
Trombone et Piano
5
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Trompettes (duo)
3
Ensemble de Cors
3
Trombone
3
Tuba
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
2 Cors Anglais Et Pianoforte
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Euphonium
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2 Euphoniums et 2 Tubas
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Cor
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Quatuor à cordes: 2 violons, alto, violoncelle
34
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21
Violon, Violoncelle (duo)
13
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12
Trio à Cordes: violon, alto, violoncelle
10
Violon et Piano
9
Alto, Piano
9
2 Violoncelles (duo)
6
Violon, Alto (duo)
5
Harpe
5
Alto seul
3
4 Violoncelles
3
2 Altos (duo)
3
Violoncelle, Piano
3
Violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble de Violons
2
2 Violons (duo)
2
Alto (partie séparée)
2
2 Harpes (duo)
2
Ensemble d'Altos
2
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Violoncelle (duo)
1
Harpe, Voix
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Trio à cordes: 3 altos
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
49
Orchestre à Cordes
20
Orchestre
20
Orchestre de chambre
11
Ensemble de cuivres
10
Ensemble Jazz
9
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1
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AUTRES
Formation musicale - Solfège
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Vous avez sélectionné:
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The Sermon on the Mount
Orgue
Organ - intermediate - Digital Download SKU: S9.Q6590 Mystical poem from the gos…
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Organ - intermediate - Digital Download SKU: S9.Q6590 Mystical poem from the gospel according to St. Matthew. Composed by Rolande Falcinelli. Arranged by Sylviane Falcinelli. This edition: Sheet music. Downloadable. Op. 46. Schott Music - Digital #Q6590. Published by Schott Music - Digital (S9.Q6590). English • French.The composer, organist, music teacher and pianist Rolande Falcinelli (1920-2006) studied composition with Henri Busser, among others, as well as organ with Gaston Litaize and Marcel Dupré. In 1941 she won the Prix Rossini. Almost 30 years later she worked as a titular organist at the Basilique Sacré-Coeur in Paris. Furthermore, she taught organ, and eventually headed the organ class at the Paris Conservatoire. Among her numerous successful students were Odile Pierre, Daniel Roth, Naji Hakim, Marie-Bernadette Dufourcet, and Pierre Pincemaille.
$18.99
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Orgue
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Rolande Falcinelli
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Sylviane Falcinelli
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The Sermon on the Mount
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Schott Music - Digital
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Orgue
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
4.57 €
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Orgue
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
95@500
Orgue
Organ - Digital Download SKU: IZ.IMF177 Composed by Willard Zirk. Score and Parts. …
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Organ - Digital Download SKU: IZ.IMF177 Composed by Willard Zirk. Score and Parts. 9 pages. Imagine Music - Digital #IMF177. Published by Imagine Music - Digital (IZ.IMF177). 9 x 12 in inches.The title, 95 @ 500, Variations on Ein feste Burg ist unser Gott, refers to Martin Luther's 95 theses, which (according to legend) Luther nailed on the door of the Castle Church in Wittenberg. What is known for sure is that Luther sent his Disputation on the Power of Indulgences by post to the Archbishop of Mainz on October 31, 1517. Meant only as a set of assertions for debate in hopes of reforming the church, Luther's act began a revolution in the Christian church that had great consequences. One major change was the use of more simple music that could be sung by the congregation instead of a trained choir. Hence, the Lutheran chorale was born.95 @ 500 was originally written for a trombone quartet. It was the second commission by students of my colleague and friend at Eastern Michigan University, trombone professor, Donald Babcock. They gave me carte blanche, so I took the opportunity to fulfill my wish to write a piece to commemorate the 500th anniversary of the beginning of the Reformation. Later, as I began adapting this work for organ, I soon realized that it would become a unique work in its own right.
$12.00
10.98 €
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Orgue
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Willard Zirk
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95@500
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Imagine Music - Digital
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SheetMusicPlus
Orgelsinfonie No. 16
Orgue
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
36.55 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.7 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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jmsgu3
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SheetMusicPlus
Prelude for the souls Op.38
Orgue
Organ - Level 3 - Digital Download SKU: A0.990574 Composed by Flint Juventino Beppe…
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Organ - Level 3 - Digital Download SKU: A0.990574 Composed by Flint Juventino Beppe. Contemporary. Score. 3 pages. The FJB Fingerprint #3033151. Published by The FJB Fingerprint (A0.990574). In addition to being performed as a concert piece, this composition might fit as preludium or postludium at funeral services.In 1985, at the age of 12, Flint Juventino Beppe composed the melody that later would appear in several of his works and productions. In 1991, he wrote «Prelude for the souls» based on this melody, but the organ work was not published until February 2015. Beppe has also used the melody in «Lyric Pieces» Op.32 and in the songs «Stille, Stille» / «Quiet, Quiet». According to Beppe, his contemplations around our seemingly limited time on earth prompted the melody into existence.Further information: http://fjb.space/publishing/work/1423125158NB! The attached audio is a MIDI version of the work, performed by the composer. Copying strictly forbidden.© Flint Juventino Beppe | All rights reserved
$9.00
8.23 €
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Orgue
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Flint Juventino Beppe
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Prelude for the souls Op.38
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The FJB Fingerprint
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SheetMusicPlus
Artizarra
Orgue
Organ - advanced - Digital Download SKU: S9.Q49256 Fantaisie sur un chant popula…
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Organ - advanced - Digital Download SKU: S9.Q49256 Fantaisie sur un chant populaire basque. Composed by Daniel Roth. This edition: Sheet music. Downloadable. Schott Music - Digital #Q49256. Published by Schott Music - Digital (S9.Q49256). “The pretty Basque song “Iru erégeâ€, which tells of the three wise men from the Orient travelling to Bethlehem to worship the baby Jesus, gave me the idea for a musical interpretation of this astonishing event (Gospel according to Matthew II, 1-12). In registering the work for the wonderful organ in Santa Maria del Coro I wished to pay homage to the great organ-builder Aristide Cavaillé-Coll, who died a century ago. The performer should aim to reproduce the wonderful sound qualities of that organ as closely as possible on the instrument available to them, or else find their own solutions in the spirit of this piece.†Daniel Roth.
$16.99
15.54 €
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Orgue
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Daniel Roth
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Artizarra
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Schott Music - Digital
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SheetMusicPlus
In My Life
Orgue
Organ - Level 3 - Digital Download SKU: A0.949922 By The Beatles. By John Lennon an…
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Organ - Level 3 - Digital Download SKU: A0.949922 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tommy Johansson, Lars Hagström. Rock. Score. 6 pages. Tommy Johansson, Hjo #6036571. Published by Tommy Johansson, Hjo (A0.949922). In My Life by The Beatles is, according to numerous poll, one of the greatest songs of all times. If you wanted to label it, it could be in the style of pop-ballad-baroque This organ arrangement reflects all of the statements above. Five pages. Duration: 3.20Lars Hagström Graduated organist, educated at the Royal Academy of Music in Stockholm. Concert tours in Sweden and Europe, A number of recordings on both LP and CD. In addition to concerts, he is devoted to teach the upcoming generation of organists. He is also deeply involved in the development of the Suzuki organ playing method. Tommy Johansson, Hjo Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and teacher. Many more Beatles songs from these arrangers are to be found at sheetmusicplus.com
$5.99
5.48 €
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Orgue
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The Beatles
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In My Life
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Tommy Johansson, Hjo
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SheetMusicPlus
Second Organ Book
Orgue
Organ - Level 3 - Digital Download SKU: A0.1016691 Composed by Gustavo Delgado Parr…
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Organ - Level 3 - Digital Download SKU: A0.1016691 Composed by Gustavo Delgado Parra. Contemporary. Score. 46 pages. Gustavo Delgado Parra #5775359. Published by Gustavo Delgado Parra (A0.1016691). The Second Organ Book is constituted of 7 pieces for organ as a Hommage à Guillaume de Machaut, it is recommended to play the full cycle in concert as the 7 pieces are very closely related, however it s possible to play a selection of pieces according to the taste of the organist. The musical language modern is a very accesible and suitable for all people. The musical materials are strongly based on patterns from the past as a remembrance of Medieval and Renaissance times. .
$12.00
10.98 €
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Orgue
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Gustavo Delgado Parra
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Second Organ Book
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Gustavo Delgado Parra
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SheetMusicPlus
Dubito
Orgue
Organ - Digital Download SKU: BJ.1247O Composed by Emil RÃ¥berg. Christian. Octav…
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Organ - Digital Download SKU: BJ.1247O Composed by Emil RÃ¥berg. Christian. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1247O. Published by Bo Ejeby Forlag - Digital (BJ.1247O). 8.27 x 11.7 inches.Emil Raberg's great piece of music Dubito, for 8-parts mixed choir and accordion (alternatively organ), is based on lyrics by Amanda Bjorneras. The text, which expresses doubts and worries is mixed with rapid syllables (possibly influenced by minimalistic compositions), ends with a prayer: Deep in the dark I pray: Be by my side, my Lord! Alleluia, alleluia! Organ part.
$5.00
4.57 €
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Orgue
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Emil RÃ¥berg
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Dubito
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
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