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All I ask of you
Non classifié
207
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109
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49
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33
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20
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18
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12
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4
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4
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4
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1
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1
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1
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1
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Ligne De Mélodie, (Paroles) et Accords
17
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13
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10
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4
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1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
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39
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13
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9
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5
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4
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3
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3
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2
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1
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1
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27
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12
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10
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7
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6
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6
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4
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3
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3
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3
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3
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3
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3
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3
Clarinette
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3
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2
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2
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1
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1
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1
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1
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1
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1
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17
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12
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6
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5
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5
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4
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4
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3
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3
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3
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3
Cor
3
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2
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2
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1
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1
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1
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1
2 Tubas (duo)
1
2 Trompettes (duo)
1
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1
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11
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10
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10
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9
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7
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6
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6
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5
2 Altos (duo)
5
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4
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4
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3
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2
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1
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1
Violoncelle , Guitare (duo)
1
Trio à cordes
1
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1
+ 20 instrumentations
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24
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14
Ensemble Jazz
8
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6
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3
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3
Fanfare
3
Orchestre de chambre
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
All I ask of you
Orgue
Partitions à imprimer
4 partitions trouvées
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I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
Two Renaissance Dances: I. Pavane; II. Galliard
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Martin Ellis
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Martin Ellis
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Two Renaissance Dances: I. Pav
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Martin Ellis Music
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1499105 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Instructional,Ren...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1499105 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Instructional,Renaissance. Individual part. 13 pages. Martin Ellis Music #1075154. Published by Martin Ellis Music (A0.1499105). These two contrasting pieces were written for a composers project spearheaded by Carson Cooman. Writers were asked to give their own interpretation of two dance forms found in the Renaissance period: the stately Pavane and the jaunting Galliard. This two movement work is suitable for recital or concert and is written in a Neo-Romantic style with 21st Century overtones. (Both recordings are on my You Tube channel)
$15.00
Test Drive
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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John Powell
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Anna Lapwood
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Test Drive
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Anna Lapwood
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,F...
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Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904065. Published by Anna Lapwood (A0.1315319). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! One of the soundtracks that I get asked to perform most regularly is Test Drive by John Powell. This is one of the earlier transcriptions I wrote, and I often use it as a piece to illustrate the difference between different organs. It’s quite useful to have one piece to use as a comparison point, so I post little videos of this wherever I’m playing to demonstrate how radically different the same piece of music can sound depending on the kind of instrument. For me, this piece feels like an instant serotonin boost. There is a great crescendo where you get to take the organ from relatively quiet to earth-shatteringly loud over the course of about 30 seconds, and I always say that playing that part feels a bit like flying a dragon! - Anna Lapwood
$5.99
Variations on Adeste fideles, Op. 21
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Orgue
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AVANCÉ
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
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All I ask of you
