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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At Last
Non classifié
908
Piano & claviers
Piano seul
438
Instruments en Do
222
Piano, Voix et Guitare
141
Piano, Voix
120
Piano Facile
65
Orgue
40
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
6
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
42
Guitare
35
Guitare notes et tablatures
30
Basse electrique
15
Ukulele
9
Guitare (partie séparée)
6
2 Guitares (duo)
4
Paroles et Accords
3
Piano, Guitare (duo)
3
Mandoline
3
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Ukulele Baryton
1
Dulcimer
1
Ensemble de guitares
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
221
Chorale 3 parties
58
Voix Soprano, Piano
40
Chorale TTBB
30
Voix Baryton, Piano
28
Voix Tenor, Piano
27
Voix Alto, Piano
27
Chorale 2 parties
23
Chorale SSAA
15
Chorale Unison
13
Voix duo, Piano
12
Voix haute
7
Pack Instrumental pour Chorale
5
Voix Tenor
3
Chorale SSAATTBB
2
Voix seule
2
Voix basse, Piano
2
Voix duo
2
Soli, choeur mixte et accompagnement
1
Chorale
1
Chorale SSATTB
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
86
Quatuor de Saxophones: 4 saxophones
50
Flûte, Hautbois, Clarinette, Basson
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Saxophone Alto et Piano
41
Flûte traversière et Piano
39
Hautbois, Piano (duo)
38
Saxophone (partie séparée)
37
2 Clarinettes (duo)
36
Flûte traversière
34
Clarinette et Piano
33
Saxophone, Clarinette (duo)
31
Quatuor de Clarinettes: 4 clarinettes
31
Saxophone Alto
28
2 Flûtes traversières (duo)
26
Saxophone Tenor
25
3 Saxophones (trio)
21
Saxophone Tenor et Piano
21
Quintette de Saxophone: 5 saxophones
21
Clarinette, Violon (duo)
20
Saxophone
16
Saxophone Soprano et Piano
16
Flûte, Clarinette (duo)
16
Clarinette
16
3 Clarinettes (trio)
15
Clarinette, Trompette (duo)
15
Quatuor de Flûtes : 4 flûtes
15
Saxophone Baryton, Piano
14
2 Hautbois (duo)
13
Hautbois (partie séparée)
12
Hautbois, Basson (duo)
12
Flûte, Violon
11
Flûte, Alto (duo)
11
Clarinette et Alto
10
Hautbois, Flûte
9
Hautbois, Clarinette (duo)
9
Flûte, Saxophone (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Trio de Flûtes: 3 flûtes
8
Flûte, Trompette (duo)
7
Flûte et Guitare
6
Ensemble de saxophones
6
Clarinette Basse, Piano
6
Quintette de Flûte : 5 flûtes
5
Ensemble de Flûtes
5
Flûte à bec Soprano
4
Flûte à bec Alto
4
Ensemble de Clarinettes
4
Flûte, Violon, Piano
4
Flûte à Bec
4
Saxophone Soprano
4
Clarinette (partie séparée)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor anglais, Piano
3
Flûte, Violon et Violoncelle
2
Hautbois
2
2 Flûte à bec (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, violon (duo)
2
Clarinette, Violoncelle (duo)
2
Flute (partie séparée)
2
Flûte, Violoncelle
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois (duo)
2
Quatuor de Flûtes à bec
2
Ensemble de Hautbois
1
Saxophone et Piano
1
Saxophone et Orgue
1
5 Flûtes à bec
1
Hautbois, Clarinette et Piano (Trio)
1
3 Hautbois
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
3 Flûtes à bec (trio)
1
Harmonica
1
Flûte, Clarinette et Basson
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Violon (trio)
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Cornemuse
1
Ocarina
1
2 Clarinettes, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Trompette
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trombone et Piano
33
Trompette, Piano
28
Trompette, Saxophone (duo)
22
Trompette (partie séparée)
19
Trombone (partie séparée)
18
Trombone
18
Cor et Piano
17
2 Trompettes (duo)
15
2 Trombones (duo)
14
Tuba et Piano
13
Quatuor de cuivres: 4 trombones
12
Trompette, Trombone (duo)
10
Cor
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de Cuivres
6
Tuba
6
Ensemble de Trombones
6
2 Cors (duo)
4
Euphonium, Piano (duo)
4
2 Euphoniums et 2 Tubas
3
3 Trombones (trio)
3
Cor anglais, Piano
3
Trompette, Cor (duo)
3
3 Cors (trio)
2
3 Tubas (trio)
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Ensemble de Cors
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
Trombone, Cor (duo)
1
Euphonium
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Bass Clef Instruments
1
3 Euphoniums
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon
64
Violon et Piano
55
Alto, Piano
42
Violon, Violoncelle (duo)
36
Violoncelle
33
Violoncelle, Piano
33
Trio à Cordes: violon, alto, violoncelle
26
2 Violons (duo)
21
Violon, Alto (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Harpe
17
2 Violoncelles (duo)
16
Trio à Cordes: 2 violons, violoncelle
16
Alto seul
14
2 Altos (duo)
14
Contre Basse
11
Violon (partie séparée)
9
Contrebasse (partie séparée)
7
Trio à cordes
6
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
5
4 Violoncelles
5
Alto (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Contrebasse, Piano (duo)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
149
Orchestre
80
Orchestre à Cordes
60
Ensemble Jazz
49
Ensemble de cuivres
35
Orchestre de chambre
16
Cloches
15
Ensemble de Percussions
11
Jazz combo
8
Marimba
7
Batterie
6
Batterie (partie séparée)
5
Vibraphone
4
Fanfare
3
Percussion (partie séparée)
2
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone
1
Big band
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
At Last
Orgue
Partitions à imprimer
40 partitions trouvées
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26
WORK WHILE THE DAY LASTS - A. J. ABBEY (HYMN - EASY ORGAN)
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Orgue
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FACILE
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Musique Sacrée
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A
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Juliano Music
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WORK WHILE THE DAY LASTS - A.
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Juliano Alessandro Molteni
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SheetMusicPlus
Instrumental Solo,Organ - Level 2 - SKU: A0.1146092 Composed by A. J. Abbey. Arranged by Juliano Music. Christian,Praise & Worship,Religious,Sacred. Ind...
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Instrumental Solo,Organ - Level 2 - SKU: A0.1146092 Composed by A. J. Abbey. Arranged by Juliano Music. Christian,Praise & Worship,Religious,Sacred. Individual part. 3 pages. Juliano Alessandro Molteni #746335. Published by Juliano Alessandro Molteni (A0.1146092). MY EASY ARRANGEMENT OF THE HYMN WORK WHILE THE DAY LASTS by A. J. ABBEY. VERSION FOR ORGAN, WITHOUT THE PEDALBOARD LINE.-COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING-- JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance. ENJOY!!
$1.99
Guthrie: The Liturgical Organbook Complete
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards....
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Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.
$49.95
Guthrie: The Liturgical Organbook, Volume 1
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
$32.95
Concerto da chiesa
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Hermann Schroeder
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Concerto da chiesa
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate to advanced - SKU: S9.Q6612 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Mus...
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Organ - intermediate to advanced - SKU: S9.Q6612 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q6612. Published by Schott Music - Digital (S9.Q6612). 'Concerto da chiesa' is the last organ work by Hermann Schroeder (1904-1984). It was composed a few months before his death. The premiere was performed by Clemens Ganz, then organist at the Cathedral of Cologne, in memory of the esteemed teacher and college colleague. The work marks the end of a tirelessly prolific life with more than one hundred organ works of various characters, genres and possibilities of use in liturgy and concerts. The title 'Concerto da chiesa' reveals that this is a work for concerts, not for being used in services. The three-movement composition is an unmistakable 'Schroeder' work: emphasis of linearity according to high baroque standards, conciseness and sometimes impulsive gestures of the themes and rhythms, layers of parallel chords within a freely tonal modern harmony, not forgetting the plasticity of form and the motor functions which are surprisingly energetic for an eighty-year-old.
$16.99
NIMROD
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Orgue
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Classique
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Edward Elgar
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Robert S
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NIMROD
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Robert Wallace, II
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SheetMusicPlus
Organ - SKU: A0.881589 Composed by Edward Elgar. Arranged by Robert S. Wallace, II. 20th Century. Score. 3 pages. Robert Wallace, II #3578895. Published...
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Organ - SKU: A0.881589 Composed by Edward Elgar. Arranged by Robert S. Wallace, II. 20th Century. Score. 3 pages. Robert Wallace, II #3578895. Published by Robert Wallace, II (A0.881589). At last - Elgar's beloved melody arranged in a wonderful organ arrangement you will want to play again and again!
$2.99
Variations on Adeste fideles, Op. 21
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Orgue
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AVANCÉ
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
Jan Zach - Fugue in C Minor
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Orgue
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Classique
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...
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Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Guthrie: Elegy for Lili
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Orgue
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INTERMÉDIAIRE
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James M
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Guthrie: Elegy for Lili
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jmsgu3
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896...
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Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
Loop Road (in D Dorian), For Organ, Opus 20, 2023
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Orgue
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FACILE
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Rien Schalkwijk
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Loop Road
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Rien Schalkwijk
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1320534 By Rien Schalkwijk. By Rien Schalkwijk. Arranged by Last week I was driving on Loop Road, a dirt track in the middle o...
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Organ - Level 2 - SKU: A0.1320534 By Rien Schalkwijk. By Rien Schalkwijk. Arranged by Last week I was driving on Loop Road, a dirt track in the middle of the Everglad. 21st Century,Contemporary,Sacred,Spiritual. Score. 3 pages. Rien Schalkwijk #909036. Published by Rien Schalkwijk (A0.1320534). This work is inspired by a drive over Loop Road Scenic Drive in the Everglades in Florida. A 40 miles dirt track without houses, businesses or people. Just nature and a lot of wild life. It's written in D Dorian and flows gentle like the River of Grass, the alternative name from the Everglades. The first and the last part have a ostinato accompaniment, the middle part uses jazz chords to spice the piece up! It can be truncated at will, mkaing it flexible to use for all kind of occasions.
$4.99
Sonata In C For Organ (Finale) By Thomas R. Schadl
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Orgue
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AVANCÉ
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Sch...
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Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration. I hope that you enjoy this work.
$10.99
The Trumpet Shall Sound
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Orgue
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AVANCÉ
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Classique
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George Frideric Handel
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Waldemar Scholtes
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The Trumpet Shall Sound
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SCHOLTES EDITIONS
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1045587 Composed by George Frideric Handel. Arranged by Waldemar Scholtes. Baroque,Easter,Sacred,Traditional. Score. 10 pages....
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Organ - Level 5 - SKU: A0.1045587 Composed by George Frideric Handel. Arranged by Waldemar Scholtes. Baroque,Easter,Sacred,Traditional. Score. 10 pages. SCHOLTES EDITIONS #650167. Published by SCHOLTES EDITIONS (A0.1045587). This robust air for Bass solo and trumpet is No. 48 in the third and last part of Messiah by G. F. Handel (1685—1759), with the response in faith to the resurrection. As such, it is a most suitable work for inclusion at Easter and in a celebration of life at funeral and memorial services. For reference and perhaps as a Bass solo, this version includes the complete text, and the arrangement is conceived as a solo line with the extrapolated trumpet line and accompaniment. For ease of execution, this version is in C major instead of the original key of D major, and the motifs with the running parallel thirds and sixths can be simpliï¬ed by playing only one part.
$6.95
Chorale Prelude on Rockingham (When I survey the wondrous cross)
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Orgue
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Musique Sacrée
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Chris Kovarik
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Chorale Prelude on Rockingham
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Chris Kovarik
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SheetMusicPlus
Instrumental Solo,Organ - SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #95...
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Instrumental Solo,Organ - SKU: A0.1374145 Composed by Chris Kovarik. Classical,Lent,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #958719. Published by Chris Kovarik (A0.1374145). Chorale Prelude on Rockingham (composed 2018, duration ca. 4’ 10â€). The text most commonly associated with this tune (When I survey the wondrous cross) is reflective, and inward looking. In it the writer marvels at the depth of God’s love for us, and is humbled by the vastness of our challenge in reciprocating it. We can only stand in awe at the impossibility of our task. Likewise the task of the arranger who tries to capture, in music, a fraction of these feelings. The piece begins very simply and grows more complex, with each statement of the hymn tune more elaborate than the last. Flowing triplets keep the motion going, and the rich harmonic palette is accentuated by several unexpected modulations. The mood is serene, though not always quiet, and often with uncertainty bubbling right under the surface.
$3.99
3 Pieces for Beginning Organist
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Orgue
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FACILE
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Musique Sacrée
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Phil Beaman
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3 Pieces for Beginning Organis
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Phil Beaman
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1134049 Composed by Phil Beaman. Classical,Praise & Worship. Score. 5 pages. Phil Beaman #734161. Published by Phil Beaman (A0...
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Organ - Level 2 - SKU: A0.1134049 Composed by Phil Beaman. Classical,Praise & Worship. Score. 5 pages. Phil Beaman #734161. Published by Phil Beaman (A0.1134049). 3 Pieces for Beginning Organist is a collection of 3 pieces which could conveniently be used as a Prelude, Offertory, and Postlude. Intended for the Beginning Organist, all pieces are written in Classical style, all are in Rounded Binary form (ABA), all are in the Key of C, all have very limited pedal use. In other words, these pieces are perfect to have in your repertoire when you need something to pull out at the last minute. Prelude - Soldier's Fanfare is an energetic organ fanfare made up of triads, scales, and arpeggios in very basic form. Pedaling is mostly on the chord root and usually changes just once per bar, and there is no pedaling at all during the middle Swell section. 2 pages, 1:30 minutes Offertory - Music Box Minuet is a delightful Organ Solo for manuals/hands (no pedal part). Both hands are in the Treble Clef. The RH has the melody of mostly quarter notes (crotchets) played on a Flute stop. The LH has mostly 2 note chords, one chord per bar, played on Strings. The A Theme is in 4/4 and the B Theme in 3/4. Each Theme is repeated. 1 page, 1 minute Postlude - Classical Euphoria is an Organ Solo of pure fun. Euphoria--a temporary feeling of excessive happiness and intense joy. That certainly describes this piece of music. This piece puts a smile on my face every time. And it is definitely classical. It is in the Key of C with broken triads and is in Rounded Binary form. The B theme is minor but still happy and energetic. The complete song is Intro-AABBAA-Coda. There is no pedal part except a drone in the Coda. 1 page, 1 minute Each of these three pieces may also be purchased separately on this site.
$6.99
Soldier's Fanfare - organ solo
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Orgue
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FACILE
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Musique Sacrée
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Phil Beaman
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Soldier's Fanfare - organ solo
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Phil Beaman
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1133608 Composed by Phil Beaman. Classical,March,Patriotic,Praise & Worship. Score. 2 pages. Phil Beaman #733726. Published by...
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Organ - Level 2 - SKU: A0.1133608 Composed by Phil Beaman. Classical,March,Patriotic,Praise & Worship. Score. 2 pages. Phil Beaman #733726. Published by Phil Beaman (A0.1133608). Soldier's Fanfare is an energetic organ fanfare made up of triads, scales, and arpeggios in very basic form. It is in the Key of C with an occasional F# accidental. Pedaling is mostly on the chord root and usually changes just once per bar, and there is no pedaling at all during the middle Swell section. In other words, this is a very accessible piece for any organist, yet sounds majestic and professional; perfect for your organ prelude repertoire that can be pulled out at the last minute. This piece is also excellent for studying different articulations, contrasting between detached, staccato, and slurred. 2 page score, 1:30 minutes This piece is also in the booklet 3 Pieces for Beginning Organist which contains a prelude, offertory, and postlude; also available on this site.
$3.75
4 Graphic Études and a Chorale
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Igor Korneitchouk
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4 Graphic Études and a
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Studio at the Post
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1124417 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score. 11 pages. Studio at the Post #723405. Published by St...
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Organ - Level 3 - SKU: A0.1124417 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score. 11 pages. Studio at the Post #723405. Published by Studio at the Post (A0.1124417). Duration: 8 - 16 minutes, 8 pp. Description: The graphic nature of this set of short pieces is designed to elicit cooperative creativity from the performer. With the exception of the last piece — the Chorale — the unorthodox notation is negotiable and open to alteration in consideration of the performer’s inclination and the instrument’s possibilities. The performer may take a highly faithful approach to realizing the score, or consider the Études as models for improvisation. Études II and IV, for example, ask the performer to continue to improvise in like manner, yet map out a clear design for the music. The degree of freedom is considerably more constrained as regards the final Chorale. The pitches, rhythm, length, form are much more specific in this case, although the performer does have great latitude (within suggested guidelines) in choosing registration. The music is generally scored on only two staves. Nonetheless, three manuals are requested for the realization of the Chorale. Pedal keyboard is recommended but not essential. The Pedal is particularly useful in realizing Études I and IV. Wedges and/or weights are necessary for Études III, and may be a useful substitute for the Pedal in Études I and IV. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$2.01
Meditation III For Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Thomas R
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Meditation III For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912509 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 9 pages. Thomas R. Schadl #651910...
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Organ - Level 4 - SKU: A0.912509 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 9 pages. Thomas R. Schadl #6519103. Published by Thomas R. Schadl (A0.912509). The piece is about hope over despair. It begins softly and builds up musical intensity at the middle of the piece, depicting the longing of divine love. At its climax, one hears a hymn-like melody, but subsides in intensity.The last quarter of the piece is heard in a major key and represents God's assurance that He is with us, even in challenging times. Work may be suitable for Lenten, Good Friday services, and recital purposes. Organ registrations and tempo indications are only suggestions.
$8.99
O Bread of Life from Heaven
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Orgue
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INTERMÉDIAIRE
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Heinrich Issac
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David Christensen
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O Bread of Life from Heaven
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David Christensen
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1386498 Composed by Heinrich Issac. Arranged by David Christensen. Lent,Sacred. Score. 4 pages. David Christensen #970382. Pub...
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Organ - Level 3 - SKU: A0.1386498 Composed by Heinrich Issac. Arranged by David Christensen. Lent,Sacred. Score. 4 pages. David Christensen #970382. Published by David Christensen (A0.1386498). This hymn tune by Heinrich Issac, arranged for organ solo, can be played anytime, but will be particularly useful during the season of Lent and at the celebration of the Last Supper.  The arrangement also includes the tune Bread of Life by William F. Sherwin.
$4.99
In the Sweet By and By - Partita for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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and
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Matti Pesonen
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In the Sweet By and By - Parti
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Adoramusic Oy
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SheetMusicPlus
Organ - Level 4 - SKU: A0.898583 Composed by Matti Pesonen. 20th Century,Baroque,Classical,Romantic Period. Score. 16 pages. Adoramusic Oy #3628817. Pub...
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Organ - Level 4 - SKU: A0.898583 Composed by Matti Pesonen. 20th Century,Baroque,Classical,Romantic Period. Score. 16 pages. Adoramusic Oy #3628817. Published by Adoramusic Oy (A0.898583). The hymn In the Sweet By and By and eight variations is quite a big organ partita for intermediate or advanced organists. The genre is between baroque/romantic. The last variation, Toccata, is a showpiece in itself! This partita is perfect for any organ recital. Single variations, or some of them combined, can be used as such at different occasions, such as Sunday worships, funerals, etc.
$9.99
Qui sedes, Domine, Op. 54 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Qui sedes, Domine, Op. 54
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909301 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3550417. Published ...
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Organ - Level 3 - SKU: A0.909301 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3550417. Published by Vidas Pinkevicius (A0.909301). Today I wanted to share my newest composition - Qui sedes, Domine which is based on the Gregorian chant Gradual for the 3rd Sunday in Advent. It is dedicated to organist Angela Kraft Cross. She visited Vilnius and played the organ at Vinius University St John's church last year.Although this Gradual is written in the 7th mode, to make it more colorful, I often changed and transposed the mode throughout the piece.It's a free paraphrase of Gregorian chant. The pedal maintains a dialogue with the hand part.PDF score. 5 pages. Duration - 4.5 minutes. Intermediate level.When you create, miracles happen!
$5.00
Prelude and Harmonization on "Standing on the Promises" (Firme nas Promessas) for Organ
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Tune by Russel Kelso Carter
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Eugenio Gall
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Prelude and Harmonization on &
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Eugenio Gall
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1169464 Composed by Tune by Russel Kelso Carter (1886). Arranged by Eugenio Gall. Christian,Praise & Worship,Religious. Score....
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Organ - Level 3 - SKU: A0.1169464 Composed by Tune by Russel Kelso Carter (1886). Arranged by Eugenio Gall. Christian,Praise & Worship,Religious. Score. 3 pages. Eugenio Gall #769818. Published by Eugenio Gall (A0.1169464). This is a small prelude, an introduction to the hymn, followed by the entire melody over a pretty new harmonic structure based on a bass that sings descendent predominantly chromatic lines. For the last stanza there is a modulation a half tone higher. At the very end of the piece a remembrance of the same characteristic figuration as in the end of the prelude.
$5.00
Galaxy Organ Book
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Orgue
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Galaxy Organ Book
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James M Stevens Music ASCAP
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1239288 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 21st Century,Classical,Contempo...
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Organ - Level 3 - SKU: A0.1239288 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 21st Century,Classical,Contemporary,Sacred,Wedding. Score. 46 pages. James M Stevens Music ASCAP #834697. Published by James M Stevens Music ASCAP (A0.1239288). This is a collection of 15 original organ solos in various styles written between March 25 and May 25, 2023. The YouTube video is of the last piece written, Galaxy, while the MP3 listed on SMP is of Sing a Song... My Heart Reminds Me. All of the the songs are available separately and most all have been recorded by different artists around the world with many recordings that can be found on YouTube including all by Dr. Stevens. James Michael Stevens is a prolific composer residing in Nashville, TN and the dean of the music school at Welch College.
$21.99
Op. 2 Partita "Vom Himmel hoch"
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 2 Partita "Vom Himmel
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Matthew Alan Edwards
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SheetMusicPlus
Organ - Level 4 - SKU: A0.898548 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Sacred. Score. 7 pages. M...
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Organ - Level 4 - SKU: A0.898548 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Sacred. Score. 7 pages. Matthew Alan Edwards #3563365. Published by Matthew Alan Edwards (A0.898548). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-2 !From Heaven above to Earth I come is an poetic interpretation of Luke 2:8-18, when an angel comes to the shepherds to announce the good news of the birth of Jesus Christ. The three partita follow the Biblical story. An angel comes down (Partita I: Fantasia) bringing good news (Partita II: Fughette). A multitude of angels joins, singing Gloria! (Partita III: Canon). Finally, the angels leave and all who have heard the news are filled with wonder (last page).Duration: 4:10.
$5.99
Chorale Prelude on Christ the Lord Is Risen Today for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Chorale Prelude on Christ the
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Sy Brandon
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SheetMusicPlus
Organ - Level 4 - SKU: A0.755111 Composed by Sy Brandon. 20th Century,Contemporary,Easter,Sacred. Score. 5 pages. Sy Brandon #3388589. Published by Sy B...
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Organ - Level 4 - SKU: A0.755111 Composed by Sy Brandon. 20th Century,Contemporary,Easter,Sacred. Score. 5 pages. Sy Brandon #3388589. Published by Sy Brandon (A0.755111). This Chorale Prelude is in the form of a fantasia as it uses phrases from this hymn interspersed with a lot of free material. It can serve as either a prelude or postlude. The pedal uses a syncopated eighth note rhythm during the sustained notes at the beginning. This pattern then dominates the last third of the piece and it evokes visions of Widor’s Toccata.
$4.99
Hope For Everyone
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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the last page the energy shoul
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Jason Ingram and Matt Maher
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Katie Hillenbrand
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Hope For Everyone
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Katie Hillenbrand
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1326570 Composed by Jason Ingram and Matt Maher. Arranged by Katie Hillenbrand. Christian,Christmas. Score. 3 pages. Katie Hil...
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Organ - Level 4 - SKU: A0.1326570 Composed by Jason Ingram and Matt Maher. Arranged by Katie Hillenbrand. Christian,Christmas. Score. 3 pages. Katie Hillenbrand #914718. Published by Katie Hillenbrand (A0.1326570). In this arrangment for organ, the piece starts with a soft registration empowered by soft pulsing eigth notes in the bass. By the last page the energy should be exuberent, ending with a warm, full-bodied chord at the end.
$5.99
Classical Euphoria - organ solo
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Orgue
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FACILE
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Classique
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Phil Beaman
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Classical Euphoria - organ sol
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Phil Beaman
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1133983 Composed by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #734098. Published by Phil Beaman (A0.1133983).
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Organ - Level 2 - SKU: A0.1133983 Composed by Phil Beaman. Classical. Score. 1 pages. Phil Beaman #734098. Published by Phil Beaman (A0.1133983). Classical Euphoria is an Organ Solo of pure fun. Euphoria--a temporary feeling of excessive happiness and intense joy. That certainly describes this piece of music. This piece puts a smile on my face every time. And it is definitely classical. It is in the Key of C with broken triads and is in Rounded Binary form. The B theme is minor but still happy and energetic. The complete song is Intro-AABBAA-Coda. The is no pedal part except a drone in the Coda. This is a very accessible piece for any organist; perfect for your organ postlude repertoire that can be pulled out at the last minute, yet showy enough to use for recital or concert. 1 page, 1 minute This piece is also in the booklet 3 Pieces for Beginning Organist which contains a prelude, offertory, and postlude; also available on this site.
$2.99
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