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Black Dog
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--INSTRUMENTS--
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Vous avez sélectionné:
Black Dog
Orgue
Partitions à imprimer
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Black And White
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Orgue
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Three Dog Night
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Black And White
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.733908 By Three Dog Night. This edition: scorch. E-Z Play Today. Country,Jazz,Standards. Score. 3...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.733908 By Three Dog Night. This edition: scorch. E-Z Play Today. Country,Jazz,Standards. Score. 3 pages. Hal Leonard - Digital #81510. Published by Hal Leonard - Digital (HX.733908). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Guthrie: Elegy for Lili
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Orgue
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INTERMÉDIAIRE
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James M
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Guthrie: Elegy for Lili
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jmsgu3
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896...
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Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
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