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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Chris Black
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Black Hole Sun
Orgue
By Soundgarden. By Chris Cornell. Arranged by Jonathan Selimovic (a.k.a. Jonny Music…
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By Soundgarden. By Chris Cornell. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Metal, Rock. Score. 11 pages. Jonny Music #6462787. Published by Jonny Music
$9.99
9.23 €
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Orgue
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Soundgarden
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Jonathan Selimovic (a
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Black Hole Sun
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Jonny Music
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SheetMusicPlus
Orgelsinfonie No. 16
Orgue
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20.31 €
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Carol Fantasia (Downloadable)
Orgue
Composed by David Blackwell. Christmas, Lessons and Carols. 11 pages. MorningStar Musi…
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Composed by David Blackwell. Christmas, Lessons and Carols. 11 pages. MorningStar Music Publishers #10-033-E. Published by MorningStar Music Publishers
$10.00
9.24 €
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Orgue
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David Blackwell
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Carol Fantasia
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MorningStar Music Publishers
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SheetMusicPlus
Postlude in Glory
Orgue
Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1399319 Composed by Ro…
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Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1399319 Composed by Robert A. Howard. 21st Century,Christian,Easter,Lent,Sacred. Individual part. 7 pages. Robert A. Howard #982587. Published by Robert A. Howard (A0.1399319). 'Postlude in Glory' was specifically written for John Hosking and the first Blackburn Cathedral Composition Competition in 2023. The brief was to compose a Postlude to be played at the end of the Easter Day service, and to use a well known Easter melody. The piece begins with an introduction based on piling fourths, around the opening three notes of the ensuing theme upon which the work is based: 'Melchoir Vulpius' (1609), otherwise known as the hymn tune 'The Strife is O'er'. There follows a set of variations on this theme; initially featuring an Alberti bass, then a variant with the melody in canon in the pedals, then followed by a tonic minor key version, and then a 'scherzando' variation using 5/8 metre in the subdominant. After a return of the introductory build-up, a final 'brillante' version of the theme is stated, complete with fanfares, followed by a victorious coda. The work is highly accessible and can be performed by higher-grade students and professional players.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.99
5.53 €
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Orgue
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Robert A
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Postlude in Glory
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Robert A. Howard
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SheetMusicPlus
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