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--INSTRUMENTS--
ACCORDEON
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Crtitères actifs :
Credo
Orgue
Partitions à imprimer
8 partitions trouvées
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1
Toccata: I Believe in One God (Credo III)
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Orgue
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AVANCÉ
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Mary Beth Bennett
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Toccata: I Believe in One God
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School Sisters of St. Francis
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1351199 By Mary Beth Bennett. By Mary Beth Bennett. 21st Century,Religious,Sacred. Score. 12 pages. School Sisters of St. Fran...
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Organ - Level 5 - SKU: A0.1351199 By Mary Beth Bennett. By Mary Beth Bennett. 21st Century,Religious,Sacred. Score. 12 pages. School Sisters of St. Francis #934180. Published by School Sisters of St. Francis (A0.1351199). An organ composition by Mary Beth Bennett* was commissioned by the School Sisters of St. Francis to celebrate the 100th Anniversary of the Dedication of St. Joseph Chapel (2017) — Milwaukee, Wisconsin. The composition features the Gregorian Chant Credo III, Sr. Theophane Hytrek's Blessing of St. Francis, and soggetto cavato (note assignments) on School Sisters of St. Francis.  Resident organist, Sr. Mary Jane Wagner OSF, performs the piece on the St. Joseph Chapel Casavant (1981) Opus 3493 III/35R.    *Mary Beth Bennett is a recognized performer, improviser and composer living in historic Richmond, Virginia. She serves on the adjunct music faculty of the University of Richmond, and is Organist at Second Baptist Church in Richmond, Virginia.
$16.99
Toccata: I Believe in One God (Credo III)
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Orgue
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AVANCÉ
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Performed by Sr
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Mary Beth Bennett
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Toccata: I Believe in One God
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School Sisters of St. Francis
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SheetMusicPlus
Pipe Organ - Level 5 - SKU: A0.1351198 By Performed by Sr. Mary Jane Wagner OSF. By Composed by Mary Beth Bennett. 21st Century,Sacred. Full Performance...
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Pipe Organ - Level 5 - SKU: A0.1351198 By Performed by Sr. Mary Jane Wagner OSF. By Composed by Mary Beth Bennett. 21st Century,Sacred. Full Performance. Duration 276. School Sisters of St. Francis #934176. Published by School Sisters of St. Francis (A0.1351198). An organ composition by Mary Beth Bennett* was commissioned by the School Sisters of St. Francis to celebrate the 100th Anniversary of the Dedication of St. Joseph Chapel (2017) — Milwaukee, Wisconsin. The composition features the Gregorian Chant Credo III, Sr. Theophane Hytrek's Blessing of St. Francis, and soggetto cavato (note assignments) on School Sisters of St. Francis.  Resident organist, Sr. Mary Jane Wagner OSF, performs the piece on the St. Joseph Chapel Casavant (1981) Opus 3493 III/35R.    *Mary Beth Bennett is a recognized performer, improviser and composer living in historic Richmond, Virginia. She serves on the adjunct music faculty of the University of Richmond, and is Organist at Second Baptist Church in Richmond, Virginia.
$1.99
Organ: Et Incarnatus Est from Mass In B Minor (BWV 232, Credo – No. 16) - J.S. Bach
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Orgue
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Aubrey Tucker
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Organ: Et Incarnatus Est from
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Aubrey Tucker
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SheetMusicPlus
Organ - Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Aubrey Tucker. Baroque Period, Christian, Sacred, Funeral, Recital...
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Organ - Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Aubrey Tucker. Baroque Period, Christian, Sacred, Funeral, Recital. Score. 4 pages. Published by Aubrey Tucker
My arrangement for organ of the five-part chorus 'Et Incarnatus Est' from Bach's 'Mass In B Minor' (BWV 232, Credo ? No. 16). The included registration is only a suggestion and is left entirely to the organist?s discretion depending on the specification of the instrument. An mp3 file of the full score is available to listen to or watch via my YouTube Channel.
$5.95
Organ: Crucifixus (Motet for 8 Voices from Credo in F) - Antonio Lotti
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Orgue
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INTERMÉDIAIRE
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Classique
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Antonio Lotti
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Aubrey Tucker
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Organ: Crucifixus
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Aubrey Tucker
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SheetMusicPlus
Composed by Antonio Lotti (1667-1740). Arranged by Aubrey Tucker. Baroque, Christian, Concert, Contemporary, Sacred. Score. 3 pages. Aubrey Tucker #62...
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Composed by Antonio Lotti (1667-1740). Arranged by Aubrey Tucker. Baroque, Christian, Concert, Contemporary, Sacred. Score. 3 pages. Aubrey Tucker #6253441. Published by Aubrey Tucker
$5.95
Machaut: La Messe de Nostre Dame for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Organ Symphony No. 12
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Orgue
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AVANCÉ
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Enjott Schneider
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Organ Symphony No. 12
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q22571 Veni creator. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 21 minutes. Schot...
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Organ - advanced - SKU: S9.Q22571 Veni creator. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 21 minutes. Schott Music - Digital #Q22571. Published by Schott Music - Digital (S9.Q22571). The association of the twelfth Organ Symphony with Pentecost began with the Regensburg Cathedral organist Franz Josef Stoiber giving its first performance on the 2009 Rieger organ immediately in front of the great Pentecost window by Josef Oberberger in Regensburg Cathedral. Pentecost represents a consummation in Christianity, a manifestation of the Trinity, intense spirituality, baptism and the development of community among all Christians. It is a passionate celebration of inner joy, yet always surrounded by an aura of reverence and spirituality. 1st movement: A powerful invocation using the Gregorian Pentecostal hymn Veni, Creator Spiritus. 2nd movement: The white dove is a symbol of the Holy Spirit, representing gentleness and love. In the 3rd movement, Water is the ‘fons vivus’ (living fountain) of all life. Flowing figures on the organ frame the quasi-Gregorian variations on the melody of ‘Komm, Heiliger Geist, Herre Gott’ (Ebersberg c. 1480), inspired by the 11th Century antiphon ‘Veni Sancte Spiritus’. 4th movement: Breath and wind have been used as images of the spirit of God ever since the story of the Creation. At Pentecost they come together in a conflagration. This ‘Tempesta di fuoco’ begins with hovering tonality (over a twelve-note motif) with bright and shrill harmonies, but then leads into the tonic key as the Pentecostal hymn ‘Veni, Creator Spiritus’ shines through - a programmatic credo for the twelve Organ Symphonies, asserting a universal awareness of tonality.
$21.99
Tabulatura Nova
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Orgue
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INTERMÉDIAIRE
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Samuel Scheidt
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Tabulatura Nova
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q21973 Part 3: Kyrie, Gloria, Credo, Psalm, 6 Hymn cycles, 9 Magnificat cycles, 2 Modi ludendi pleno organo. Compo...
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Organ - intermediate - SKU: S9.Q21973 Part 3: Kyrie, Gloria, Credo, Psalm, 6 Hymn cycles, 9 Magnificat cycles, 2 Modi ludendi pleno organo. Composed by Samuel Scheidt. This edition: Sheet music. Masters of the North German School for Organ. Downloadable. Op. 35. Schott Music - Digital #Q21973. Published by Schott Music - Digital (S9.Q21973).
$35.99
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Credo