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Dream Land
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96
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52
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29
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18
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12
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4
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3
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2
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2
2 Pianos, 4 mains
2
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1
Orgue, Piano (duo)
1
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26
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18
Ukulele
6
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4
Basse electrique
2
4 Guitares (Quatuor)
1
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1
Ensemble de guitares
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
+ 5 instrumentations
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45
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9
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9
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6
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5
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4
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2
Voix Alto, Piano
2
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1
Voix Tenor, Piano
1
Voix duo, Piano
1
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Flûte traversière et Piano
13
Clarinette
11
Clarinette et Piano
11
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10
Flûte traversière
10
Hautbois, Piano (duo)
9
Hautbois (partie séparée)
8
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7
Clarinette (partie séparée)
7
Saxophone Alto
6
Saxophone Alto et Piano
5
Saxophone Tenor et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Soprano et Piano
5
3 Saxophones (trio)
4
Saxophone Tenor
4
Saxophone Baryton, Piano
3
Flute (partie séparée)
3
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3
Clarinette Basse, Piano
3
Cor anglais, Piano
2
Piccolo, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Alto et Piano
1
Hautbois, Basson (duo)
1
Ensemble de Clarinettes
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Piano (trio)
1
Piccolo
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Piano (trio)
1
5 Flûtes à bec
1
2 Clarinettes, Piano
1
3 Clarinettes (trio)
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois
1
Quatuor de Flûtes à bec
1
Clarinette, Violon (duo)
1
2 Flûte à bec (duo)
1
Flute, harpe et violon
1
Saxophone et Orgue
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, trombone et piano
1
2 Flûtes traversières (duo)
1
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1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Basson (duo)
1
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10
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9
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9
Cor
8
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8
Trombone
8
Trombone (partie séparée)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette (partie séparée)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba et Piano
3
Cor (partie séparée)
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
2
Tuba (partie séparée)
2
Trompette, Basson (duo)
1
Euphonium
1
Trombone basse et Piano
1
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Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
15
Violoncelle, Piano
14
Alto, Piano
12
Violon
11
Violoncelle
8
Alto seul
6
Trio à Cordes: violon, alto, violoncelle
3
Harpe
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 violins
1
Contre Basse
1
Violon, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
Alto (partie séparée)
1
2 Violons, Piano
1
Violon, Orgue
1
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115
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19
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14
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10
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5
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5
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5
Percussion (partie séparée)
4
Ensemble de cuivres
4
Timbales (partie séparée)
2
Percussion
2
Ensemble de Percussions
2
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Dream Land
SheetMusicPlus
Partitions à imprimer
4 partitions trouvées
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The Land of Dreams
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Orgue
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FACILE
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Fishel Pustilnik
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Fishel Pustilnik
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Pop Piano Paradise
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The Land of Dreams
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F & N Enterprise
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Piano - Level 2 - SKU: A0.632071 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,...
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Instrumental Duet Instrumental Duet,Organ,Piano - Level 2 - SKU: A0.632071 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Jazz,Pop,Standards. Score and parts. 3 pages. F & N Enterprise #1911657. Published by F & N Enterprise (A0.632071). Piano piece from Volume 1 of famous Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged and composed by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
Sagas Nos. 1-6
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Orgue
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AVANCÉ
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Mus...
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Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Toccata & Fugue for Organ
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Orgue
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Christian contemporain
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Musique Sacrée
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942...
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Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
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Dream Land
