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Vous avez sélectionné:
Four Episodes
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3 partitions trouvées
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Hildegard's Force: four episodes
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Orgue
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FACILE
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Karen Beaumont
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Hildegard's Force: four episod
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Karen Beaumont
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1289245 Composed by Karen Beaumont. Christian,Classical,Contemporary. Individual part. 6 pages. Karen B...
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1289245 Composed by Karen Beaumont. Christian,Classical,Contemporary. Individual part. 6 pages. Karen Beaumont #880009. Published by Karen Beaumont (A0.1289245). Four episodes for organ inspired by quotes by Hildegard von Bingen and based on Hildegard's Force, a hymn tune by Carson Cooman.
$5.00
Rondo on Su Min-chun
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Orgue
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INTERMÉDIAIRE
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Daniel Ficarri
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Rondo on Su Min-chun
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Daniel Ficarri
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1434913 By Daniel Ficarri. By Daniel Ficarri. 21st Century,Classical,Contemporary. Score. 4 pages. Daniel Ficarri #1015017. Pu...
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Organ - Level 3 - SKU: A0.1434913 By Daniel Ficarri. By Daniel Ficarri. 21st Century,Classical,Contemporary. Score. 4 pages. Daniel Ficarri #1015017. Published by Daniel Ficarri (A0.1434913). Written to honor the mother of a friend, this lyrical four-minute work juxtaposes a simple, tender refrain reminiscent of a lullaby with chromatic episodes of sweeping melodic lines. The piece is of moderate difficulty and can be played on organs of any size.
$5.00
Prelude on a Gaelic Melody (Morning Has Broken) for Organ
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Orgue
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INTERMÉDIAIRE
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Christopher Evans
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Prelude on a Gaelic Melody
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Christopher Evans
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SheetMusicPlus
Organ - Level 3 - SKU: A0.846386 Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 2 pages. Christopher Evans #5776919. Published by Ch...
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Organ - Level 3 - SKU: A0.846386 Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 2 pages. Christopher Evans #5776919. Published by Christopher Evans (A0.846386). A meditative organ prelude on the melody to which ’Morning Has Broken’ is often sung, consisting of flowing flute passages, which incorporate episodes of the well known Gaelic melody played on a softly voiced solo reed stop. It is written on four staves to make it easier to read because three staves required too many confusing clef changes and other indications on the score. It needs to be played with expression and feeling. However, if two staves are preferred, it is also the second variation of my 'Air and Variations On a Gaelic Melody', in which it is written on two staves.
$8.00
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