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G Major Scale
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Vous avez sélectionné:
G Major Scale
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Partitions à imprimer
4 partitions trouvées
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Sonata In G For Organ-First Movement
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Orgue
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AVANCÉ
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Thomas R
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Sonata In G For Organ-First Mo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #5...
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Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.
$7.99
Meditation on In dulci jubilo, Op. 152 (Organ Solo) by Vidas Pinkevicius (2022)
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Orgue
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DÉBUTANT
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Vidas PinkeviÄius
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Meditation on In dulci jubilo,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 1 - SKU: A0.1110826 By Vidas PinkeviÄius. By Vidas Pinkevicius. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 3 pages. Vidas ...
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Organ - Level 1 - SKU: A0.1110826 By Vidas PinkeviÄius. By Vidas Pinkevicius. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 3 pages. Vidas Pinkevicius #713118. Published by Vidas Pinkevicius (A0.1110826). In this meditation on the Christmas chorale In dulci jubilo, Op. 152 the melody is placed in the tenor range played by the left hand with a soft reed registration. The feet play long pedal points on 7 notes and the right hand part plays around the notes of G major scale with some interesting rhythms. It's a very easy piece, suitable both for liturgical purposes and for concert playing when more contemplative music is required.
$4.99
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
Six Settings for Organ on Amazing Grace
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Orgue
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AVANCÉ
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Contemporain
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2019, I was determined to comp
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Christopher McWilliams
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Six Settings for Organ on Amaz
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Christopher McWilliams
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SheetMusicPlus
Organ - Level 5 - SKU: A0.1008284 Composed by Christopher McWilliams. 20th Century,Contemporary. Score. 9 pages. Christopher McWilliams #4728833. Publis...
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Organ - Level 5 - SKU: A0.1008284 Composed by Christopher McWilliams. 20th Century,Contemporary. Score. 9 pages. Christopher McWilliams #4728833. Published by Christopher McWilliams (A0.1008284). Note from the composer: This work was originally called Impromptu Variations on Amazing Grace. In 2016, I wrote half the variations and improvised the remaining ones. By 2019, I was determined to compose the rest so that they could be learned by other organists. I also changed the title to Six Settings for Organ on Amazing Grace because I mostly varied the accompaniments rather than the theme. What sets this work apart from other composers' versions is its key, G-flat major. Although it is rarely used in organ literature, it is a personal favorite key of mine, and I consider it a good challenge for the performing artist. Not only is the key unusual, but I have also incorporated some original idioms including a flutter figure on a light stop against the theme on a chime stop and a mysterious sounding introduction including chromatic scales. Aside from these original ideas, I have borrowed techniques from the works of Dave Brubeck, Chopin and Bach. .
$3.99
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G Major Scale
