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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Was Here
Non classifié
1 429
Piano & claviers
Piano seul
740
Piano, Voix
223
Piano, Voix et Guitare
222
Instruments en Do
76
Piano Facile
57
Orgue
47
2 Pianos, 4 mains
35
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
12
Accompagnement Piano
8
Accordéon
4
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
80
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
15
Ukulele
11
Basse electrique
10
4 Guitares (Quatuor)
8
Mandoline
6
Piano, Guitare (duo)
3
3 Guitares (trio)
3
Banjo
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
Guitare, Orchestre
1
Ukulele Baryton
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
345
Chorale 3 parties
60
Chorale 2 parties
39
Chorale TTBB
31
Voix Alto, Piano
30
Chorale SSAA
27
Voix Baryton, Piano
26
Voix Tenor
26
Voix Soprano
24
Chorale Unison
12
Voix seule
12
Voix Soprano, Piano
11
Voix duo, Piano
9
Voix duo
7
Voix haute
6
Voix Tenor, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
148
Quintette de Saxophone: 5 saxophones
110
Ensemble de saxophones
74
Quatuor de Saxophones: 4 saxophones
64
Flûte traversière et Piano
59
Flûte, Hautbois, Clarinette, Basson
58
Ensemble de Clarinettes
49
Clarinette et Piano
45
Quatuor de Clarinettes: 4 clarinettes
40
2 Clarinettes (duo)
39
Hautbois, Piano (duo)
36
Ensemble de Flûtes
35
Clarinette
35
Saxophone Alto et Piano
34
2 Flûtes traversières (duo)
33
Flûte traversière
31
2 Saxophones (duo)
29
Saxophone Alto
26
Saxophone Tenor et Piano
24
Cor anglais, Piano
18
Flûte et Guitare
17
Quintette de Flûte : 5 flûtes
17
Hautbois (partie séparée)
16
3 Clarinettes (trio)
16
Saxophone Baryton, Piano
15
Saxophone Soprano et Piano
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Guitare (duo)
13
Saxophone Tenor
11
Saxophone, Clarinette (duo)
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
Flûte, Clarinette (duo)
9
Clarinette Basse, Piano
8
Saxophone (partie séparée)
7
Hautbois, Basson (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Guitare (duo)
6
Flûte à bec Soprano
6
Hautbois, Clarinette (duo)
5
2 Flûtes traversières, Piano
5
Flûte, Saxophone (duo)
5
Flûte, Violon
5
Quatuor de Flûtes à bec
5
Clarinette et Alto
4
3 Saxophones (trio)
4
Flûte à Bec
4
Saxophone Soprano
4
Trio de Flûtes: 3 flûtes
4
Flûte, Alto (duo)
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Cor Anglais
3
Flute, harpe et violon
3
Cor anglais, Guitare (duo)
3
Clarinette, Harpe (duo)
3
2 Clarinettes, Piano
2
Saxophone et Harpe
2
Flûte à bec Alto
2
Clarinette, Violoncelle (duo)
2
Ocarina
2
2 Hautbois, Piano
2
Flûte, Violon, Piano
2
Flute (partie séparée)
2
Clarinette, Trombone (duo)
2
Harmonica
2
Hautbois, Flûte
2
Saxophone et Guitare
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Saxophone
2
Saxophone et Orgue
2
Flûte à bec Soprano, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Basson (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
2 Flûte à bec (duo)
1
Piccolo
1
Piccolo, Piano
1
Hautbois, Harpe
1
2 Flûtes traversières, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Trombone et Piano
37
Trompette
35
Quatuor de Cuivres
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
Ensemble de Trombones
30
Trompette, Piano
25
Trombone
23
Ensemble de Trompettes
20
Cor anglais, Piano
18
Euphonium, Piano (duo)
16
2 Trombones (duo)
16
Cor et Piano
15
Tuba
15
Cor
13
Tuba et Piano
12
2 Trompettes (duo)
12
2 Cors (duo)
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
6
Trompette, Saxophone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Cors, Piano
3
2 Tubas (duo)
3
Trio de Cuivres
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
Cor anglais, Guitare (duo)
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
2
3 Trombones (trio)
2
Trombone basse et Piano
2
Bass Clef Instruments
1
4 Euphoniums
1
Trombone et orchestre
1
Trompette, Harpe
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 cors
1
Cor et Harpe
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
190
Violon et Piano
85
Violon
53
Violoncelle, Piano
50
Harpe
49
Violoncelle
43
Alto, Piano
41
Trio à Cordes: violon, alto, violoncelle
38
2 Violons (duo)
31
Violon, Violoncelle (duo)
22
2 Harpes (duo)
18
2 Altos (duo)
17
Ensemble d'Altos
17
2 Violoncelles (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Ensemble de Violons
16
Alto seul
15
Violon, Alto (duo)
11
Contre Basse
10
Contrebasse, Piano (duo)
9
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Violoncelle , Guitare (duo)
7
Violon, Guitare (duo)
6
2 Violons, Piano
6
4 Violoncelles
4
Harpe, Voix
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
3
Harpe, Violon (duo)
2
2 Violoncelles, Piano
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
2
Violoncelle, Orgue
1
3 Harpes
1
Alto et Harpe
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
Trio à cordes: 3 altos
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
163
Orchestre
96
Orchestre à Cordes
87
Ensemble de cuivres
55
Orchestre de chambre
44
Ensemble Jazz
42
Jazz combo
26
Ensemble de Percussions
14
Cloches
11
Fanfare
10
Marimba
5
Batterie
3
Vibraphone
3
Piano et Orchestre
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Nouveautes
A-Z
difficulté (tous)
débutant
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avancé
expert
avec audio
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Vous avez sélectionné:
I Was Here
Orgue
Partitions à imprimer
47 partitions trouvées
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1
26
I Was Country When Country Wasn't Cool
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Orgue
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Country
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Barbara Mandrell
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I Was Country When Country Was
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Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.676747 By Barbara Mandrell. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Le...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.676747 By Barbara Mandrell. This edition: scorch. E-Z Play Today. Country. Score. 4 pages. Hal Leonard - Digital #369982. Published by Hal Leonard - Digital (HX.676747). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
I Was Glad When They Said Unto Me
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Orgue
#
INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Hubert Parry
#
Mark Rippe
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brass quartet (AM00111).
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I Was Glad When They Said Unto
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Mark Rippe
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.1310752 By Hubert Parry. By Hubert Parry. Arranged by Mark Rippe. Christian,Easter,Sacred,Traditional. Score. 5 pages. Mark Ri...
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Organ - Level 4 - SKU: A0.1310752 By Hubert Parry. By Hubert Parry. Arranged by Mark Rippe. Christian,Easter,Sacred,Traditional. Score. 5 pages. Mark Rippe #899729. Published by Mark Rippe (A0.1310752). AM00194. Â This is NOT an organ solo. Â It is a rescoring of the original condensed score accompaniment into a more readable and accessible organ accompaniment. Â You may wish to acquire this if you have already acquired choral parts from a legitmate source. Â If you are interested in choral parts, there is an SATB choral reduction available with either organ accompaniment (AM00118), or organ and brass quartet accompaniment (AM00120). Â Also available is an instrumental-only arrangement for organ & brass quartet (AM00111).
$4.99
I Was Doing All Right
#
Orgue
#
Comédie Musicale
#
George and Ira Gershwin
#
I Was Doing All Right
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.616286 Composed by George and Ira Gershwin. This edition: scorch. E-Z Play Today. Broadway,Musica...
(+)
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.616286 Composed by George and Ira Gershwin. This edition: scorch. E-Z Play Today. Broadway,Musical/Show. Score. 2 pages. Hal Leonard - Digital #369983. Published by Hal Leonard - Digital (HX.616286). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
I Come to the Garden (In the Garden) - Organ solo
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Orgue
#
INTERMÉDIAIRE
#
Charles Austin Miles
#
KATHLEEN HOLYOAK
#
I Come to the Garden
#
Kathleen Holyoak
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Sc...
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Organ - Level 3 - SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Kathleen Holyoak #1037515. Published by Kathleen Holyoak (A0.1458588). This famous and beloved old song, written by Charles Austin Miles in 1912, is often sung at funerals and was inspired by John, Chapter 20 in the Bible where Mary goes to the Garden Easter morning and finds the tomb of Jesus empty. Mary is distraught but then she hears a voice and realizes it is the voice of Jesus and not the gardener. Upon many requests, the arranger, Kathleen Holyoak, has written this as an organ solo, having previously published it for vocal solo and instrumental versions. This is one title every organist needs to include in their library or organ music. The words are inspiring and can be printed in a program as follows:I come to the garden alonewhile the dew is still on the roses,and the voice I hear falling on my earthe Son of God discloses.And he walks with me, and he talks with me,and He tells me I am his own;and the joy we share as we tarry there,none other has ever known.
$5.99
Heavenly Hymns Varied Harmonies Volume 4
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Orgue
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INTERMÉDIAIRE
#
Musique Sacrée
#
H
#
Enoch Kwasi Boahen
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Heavenly Hymns Varied Harmonie
#
Enoch Kwasi Boahen
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. G. Ouseley, W.B. Gilbert, J.A. Stevenson etc. Arranged by Enoch Kwasi Boahen. Sacred. ...
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Organ - Level 3 - SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. G. Ouseley, W.B. Gilbert, J.A. Stevenson etc. Arranged by Enoch Kwasi Boahen. Sacred. Score. 93 pages. Enoch Kwasi Boahen #644686. Published by Enoch Kwasi Boahen (A0.1039842). TUNES & APPROPRIATE HYMNS Pater Omnium O God, what offering shall I give, Contemplation When all Thy mercies, O my God, Maidstone Pleasant are Thy court above, Dublin See Israel's gentle Shepherd stand, St Luke O Thou, whom once they flocked to hear, Abridge O for heart to praise my God, Celeste This is the God we adore, Everton They who tread the path of labour, All souls Lead us, O Father, in the paths of peace, Beautitudo Fill Thou my life, O Lord my God, Antwerp Forth in Thy name, O Lord, I go, Something for Thee Saviour, Thy dying love, Dundee(French) I to the hills will lift my eyes, St. Cyril O King of mercy, from Thy throne on high, Ruth Summer sure are glowing, Wiltshire Through all the changing scenes of life, Darwall's 148th Lord of the worlds above, Morecambe O God of our Father, who dost make us one, Vigilate Christian, seek not yet repose, Northampton Hark, my soul! It is the Lord, My Jesus, I love Thee My Jesus, I love Thee, Kensington new Lead us, heavenly Father, lead us, Ramsey Lord, it belongs not my care, Warrington Now that the day light fills the sky, Hopeville Give me the wings of faith to rise, Wonderful love Come let sing of the wonderful love, Prince of peace Come, Holy Ghost, our hearts inspire, Harrow All people that on earth do well, Franconia Our day of praise is done, Aurelia The Church's one foundation, Ellers Saviour, again Thy dear name we raise, Cloisters Lord of our life and God of our salvation Barton Light of the world, Ely Lord, I was blind! I could not see, Gainsworth Just as I am, Misericordia Just as l am, Monks gate Who would true valour see, Old 23rd Where shall my wondering soul begin?, Spetisbury Be gone, unbelief; Stamford Father of everlasting grace.
$42.00
Toccata & Fugue for Organ
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Orgue
#
Christian contemporain
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Musique Sacrée
#
Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
#
SheetMusicPlus
Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942...
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Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
Psalm 22 - Mendelssohn-organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22 - Mendelssohn-organ s
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Phil Beaman
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 1...
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Organ - Level 4 - SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 11 pages. Phil Beaman #737590. Published by Phil Beaman (A0.1137387). Psalm 22 is a well-known and loved 8 part a capella choral work by Felix Mendelssohn. I have here arranged it for Organ Solo. Psalm 22 is about a person crying out to God to save him from his enemies, then thanks God for rescuing him. Thus, the first half is in E minor and the second half is in E major. Since it no longer has lyrics to convey the meaning I have used new tempi, dynamics, and registration, and also altered some harmonies and rhythms to add the appropriate interest and emotion. In order to create dialogue on the organ I have used unmetered recitative chant followed by metered antiphon in many places. In another section I use overlapping call and response between the hands and manuals. These are interspersed with 4 part Chorales. The mood constantly shifts throughout in many short sections, but the beauty is in the way they fit together creating harmony and polyphony and dialogued emotions. This is a great 9 minute organ Prelude which bridges the Classical and Romantic eras. 9:15 minutes; 11 pages (Apologies- I was in a hurry to record this, so there are a couple of wrong notes and rhythmic inaccuracies in the recording.).
$7.40
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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INTERMÉDIAIRE
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score...
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Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99
Orgelsinfonie No. 16
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Theme, Variations, Cortège, and Lullaby on "Grafton"
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Nicholas White
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Theme, Variations, Cortè
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Nicholas White Music
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SheetMusicPlus
Instrumental Solo,Organ - Level 5 - SKU: A0.1255501 Composed by Nicholas White. 21st Century,Classical,Traditional. Individual part. 16 pages. Nicholas ...
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Instrumental Solo,Organ - Level 5 - SKU: A0.1255501 Composed by Nicholas White. 21st Century,Classical,Traditional. Individual part. 16 pages. Nicholas White Music #849007. Published by Nicholas White Music (A0.1255501). A free form organ solo based upon the beautiful tune Grafton.I attended mass at St. Stanislaus Latin Mass Catholic Church in Nashua. We all sang Tantum Ergo to the tune Grafton which I always find to be a powerfully emotional experience. I have loved that hymn tune since singing it as a boy chorister. It is perfectly shaped, singable, and profound. Singing it back in June was all the more powerful, and I decided to make a set of organ variations based upon the melody. What resulted was my Theme, Variations, Cortège, and Lullaby, which I offer here.
$10.00
Eight Shorter Preludes on American Hymns (for manuals only)
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Brian Joyce
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Eight Shorter Preludes on Amer
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce...
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Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95
Sacred Sounds from George Shearing For Organ
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Musique Sacrée
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George Shearing
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Sacred Sounds from George Shea
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.KK229 Composed by George Shearing. Sacred. Sacred Music Press #KK229. Published by Sacred Music Press (LO.KK229).
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Organ: 3-staff - Intermediate SKU: LO.KK229 Composed by George Shearing. Sacred. Sacred Music Press #KK229. Published by Sacred Music Press (LO.KK229). UPC: 000308000597.George Shearing was one of the most well-known jazz pianists of his era. As a composer, he is known for his hundreds of popular titles, including the jazz standard Lullaby of Birdland. In the late 1970s, Shearing produced his only foray into classical church music, this volume of organ pieces (also available in a piano edition, KK228). Shearing's appealing jazz-inflected idiom makes for distinctive and memorable treatments of classic American hymn tunes. Shearing collaborated closely with Dale Wood in creating the details of these idiomatic organ arrangements.
Song List
: Amazing Grace! How Sweet The Sound (New Britain) Come Away To The Skies (Middlebury) Come, Ye Sinners, Poor And Needy (Restoration) I Know That My Redeemer Lives (Antioch) I Love Thee, My Lord (I Love Thee) Jerusalem, My Happy Home (Land of Rest) Once More,My Soul (Consolation) So Fades the Lovely Blooming Flower (Distress) There Is a Happy Land (Happy Land)
$33.00
Encore! Encore!
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Orgue
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Fred Bock
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Encore! Encore!
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Fred Bock Music Company
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SheetMusicPlus
Organ SKU: HL.310635 Organ. By Fred Bock. Organ. Fred Bock Publications. Christmas, General Worship, Sacred. 64 pages. Fred Bock Music Company #BG...
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Organ SKU: HL.310635 Organ. By Fred Bock. Organ. Fred Bock Publications. Christmas, General Worship, Sacred. 64 pages. Fred Bock Music Company #BG0961. Published by Fred Bock Music Company (HL.310635). ISBN 9781934596265. UPC: 073999106350. 9.0x12.0x0.172 inches.This organ collection commemorates musical great Fred Bock. It is appropriately named not only for Fred's accomplishments and contributions to the sacred organ world, but also because Fred's own organ collection was named Encore. Featuring many of Fred's closest friends, this unprecedented memorial includes original organ compositions in tribute to Fred by Fred Swann, Diane Bish, Mark Thallender and many others, plus stories and personal remembrances.
Song List
: Great Is Thy Faithfulness (Wm. Runyan) At the River (Rbt. Lowry) Fantasy On Hyfrydol (Rowland Pichard) I Would Be True (Joseph Peek) Lift High the Cross (Sydney Nicholson) Nicaea (Holy, Holy, Holy) (John Dykes) Peace, Perfect Peace (Geo. Caldbeck) Spirit of God, Decend Upon My Heart (F Atkinson) Where All Is Peace (Arr: Kimo Smith) CROSS OF CHRIST, THE (ARR: JOYCE JONES)
$18.95
Found In Fifteen (Trio for Organ), Opus 16
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Musique Sacrée
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Rien Schalkwijk
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Found In Fifteen
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Rien Schalkwijk
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1252012 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Rien Schalk...
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Organ - Level 3 - SKU: A0.1252012 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Rien Schalkwijk #846193. Published by Rien Schalkwijk (A0.1252012). A Week Ago I released my 15th composition, Trumpet Tune no. 2. You can find it here: https://youtu.be/Rr8pCO8FNE8. Today I found out there was a Trio for Organ hidden in dat piece. And here it is. Hence the name “Found in Fifteen.†It’s written in F major, with a “harmonic oddity†half way, just like the Trumpet Tune!. Suitable for any occasion!
$4.99
Postliudas Pinkevicius (postlude for organ), organ work by Phil Lehenbauer
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Phil Lehenbauer
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Postliudas Pinkevicius
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Phil Lehenbauer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1495663 Composed by Phil Lehenbauer. Classical,Contemporary,Holiday,Traditional,Wedding. Score. 8 pages. Phil Lehenbauer #1072...
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Organ - Level 3 - SKU: A0.1495663 Composed by Phil Lehenbauer. Classical,Contemporary,Holiday,Traditional,Wedding. Score. 8 pages. Phil Lehenbauer #1072186. Published by Phil Lehenbauer (A0.1495663). This original work is meant as a joyful, rhythmic postlude, with driving rhythyms from start to finish. The work alternates between 6/8 and 3/4 time throughout, but is composed to fit well under the fingers. This was written in thanks to Lithuanian organist Vidas Pinkevicius, who has been a huge proponent of my works. It was written and recorded on a two manual instrument. It was recorded here with no registration changes, but there are plenty of options for that with multiple keyboards and presets! I hope you enjoy playing it, and that it adds some joy to your services!
$5.99
Variations on Adeste fideles, Op. 21
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AVANCÉ
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Vidas Pinkevicius
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Variations on Adeste fideles,
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by ...
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Organ - Level 5 - SKU: A0.909270 Composed by Vidas Pinkevicius. Christian,Contemporary,Sacred. Score. 8 pages. Vidas Pinkevicius #3540609. Published by Vidas Pinkevicius (A0.909270). In the fall of 2013 my friend and colleague, Paulius Grigonis who is the organist at St Joseph church here in Vilnius was preparing to play a recital at Vilnius Cathedral around Christmas time. He approached me asking for advice about the pieces he could be playing.I offered him to compose a set of 6 variations on the famous Christmas tune Adeste fideles and he agreed too much hesitation (too bad).I started working on the composition but got stuck at the end of the 5th variation. I used major and minor chords only. My goal was to create something colorful and modern and yet understandable to the listener.Because of these simple chords the harmonies are very clear and transparent. What makes it sound modern though is that I avoid traditional chordal progressions of the perfect fourth and perfect fifth. This would imply tonic-dominant, dominant-tonic, tonic-subdominant, subdominant-tonic relationship.But I didn't want this. I wanted to surprise my audience and my friend Paulius. So I chose all kinds of progressions - minor and major seconds, minor and major thirds, even a tritone to keep it fresh.However, the result was too difficult to play for Paulius on a short notice and I got side-tracked with other projects. Although the idea of completing the variations never left me.So last weekend I sat down and added the last variation with a CODA.I hope you'll enjoy this piece which is dedicated to Paulius.8 pages, PDF score. Advanced level.
$7.99
Chant for Chuck, organ work by Phil Lehenbauer
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Phil Lehenbauer
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Chant for Chuck, organ work by
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Phil Lehenbauer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.744759 Composed by Phil Lehenbauer. Classical,Contemporary,Sacred,Spiritual,Traditional. Score. 5 pages. Phil Lehenbauer #6694...
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Organ - Level 3 - SKU: A0.744759 Composed by Phil Lehenbauer. Classical,Contemporary,Sacred,Spiritual,Traditional. Score. 5 pages. Phil Lehenbauer #6694471. Published by Phil Lehenbauer (A0.744759). This peaceful, ethereal work was written as a 'thank you' to organist Chuck Stanley, in appreciation for his performance of many of my works in an AGO session. Knowing that he has enjoyed my meditative compositions, I figured a chant would be appropriate for him. The work was written and recorded on a two manual instrument. I hope you enjoy it!
$3.50
Ave Eva
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Orgue
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INTERMÉDIAIRE
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Lewis A
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Ave Eva
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Lewis A. Kocher
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SheetMusicPlus
Organ - Level 3 - SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703....
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Organ - Level 3 - SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703. Published by Lewis A. Kocher (A0.943029). Services: Christmas, Annunciation, Marian; Prelude, Processional, Special MusicTime 2:39The title of this piece, which is a palindrome, has an interesting history. In medieval times much was made of things like numerology and words, and one day it was discovered that Ave (Hail) spelled backwards was Eva (an archaic spelling of Eve). Thus Ave Eva was Hail, Eve! and Mary was seen as a type of Eve. In other words, Ave Eva read the same forwards and backwards, giving us Hail Mary in both directions. This was seen as a miraculous sign and songs and poems were written about it. The piece given here is my original work for pipe organ, and following the lead of the title and history, it gives the descending figure F-E-D to provide the thematic material, developing into a canon-like style, then reverses the figure later to an ascending D-E-F, eventually playfully mixing both versions of the theme before exploding into an exciting end. The work itself is relatively easy to perform, with perhaps the exception of the duple-over-triplets passage near the end which may require a little more attention than the rest of the piece. For clarity of the lines I have suggested a Principal Chorus, with some contrast provided by passages using Flutes and soft Strings. Thank you for performing this work, and God bless!
$5.95
Wildfire Toccata
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Orgue
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INTERMÉDIAIRE
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Aaron Shows
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Wildfire Toccata
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Aaron Shows
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1278816 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Romantic Period. Score. 9 pages. Aaron Shows #870380. Publishe...
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Organ - Level 3 - SKU: A0.1278816 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Romantic Period. Score. 9 pages. Aaron Shows #870380. Published by Aaron Shows (A0.1278816). Originally included in the Postludes, Vol I set by the same composer, this has become an often-requested piece to perform in concerts and in church services alike. This firey piece sounds much more difficult than it actually is to play, so basically less work and more reward! Written in the French toccata style of the Romantic period, this piece is sure to excite and energize audiences anywhere (as it already has done so in organ concerts around the world)!Funny fact: this piece was once announced in an organ program before it was played, and someone in the audience misheard it as the Wildflower Toccata, soon becoming very confused when it did not sound like beautiful wildflowers in any way. Needless to say, after the concert they had to ask the performer for clafication that it was indeed meant to be the Wildfire Toccata.
$15.00
Canon on a Theme from "Glorificamus" by John Redford (1486-1547) from the Medieval Wedding Collectio
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Orgue
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FACILE
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Angela Birkhead-Flight
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Canon on a Theme from "Gl
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Angela Birkhead-Flight
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SheetMusicPlus
Organ - Level 2 - SKU: A0.914928 Composed by Angela Birkhead-Flight. Sacred,Wedding. Score. 4 pages. Angela Birkhead-Flight #6198115. Published by Angel...
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Organ - Level 2 - SKU: A0.914928 Composed by Angela Birkhead-Flight. Sacred,Wedding. Score. 4 pages. Angela Birkhead-Flight #6198115. Published by Angela Birkhead-Flight (A0.914928). This stately canon is perfect for any festive occasion where there is a pipe organ, but it was specifically written as part of the Medieval Wedding Suite to dovetail with the Agincourt Hymn by Dunstable. Beginning with a simple statement of the original motive on which is was based, it crescendos to a cinematic full-chord ending. It would work well for both the wedding party and bride. Check my composer page for the other pieces to this Medieval-based set of works for weddings! I wrote them with the couple in mind who love everything fantasy, Renaissance Fair, or cosplay.
$4.99
Passacaglia for organ solo
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Passacaglia for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin S...
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Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Camden Town for organ solo
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Contemporain
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David Warin Solomons
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Camden Town for organ solo
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
5 pieces for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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5 pieces for organ
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David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin ...
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Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00
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