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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James M, Guthrie
Non classifié
921
Piano & claviers
Piano Quatuor: piano, violon, alto, violoncelle
53
Piano seul
32
Piano Trio: piano, violon, violoncelle
28
Orgue
26
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Facile
3
+ 1 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
7
Guitare
2
Guitare notes et tablatures
2
3 Guitares (trio)
1
Voix
Chorale SATB
5
Vents
Flûte traversière et Piano
255
Clarinette et Piano
188
2 Saxophones (duo)
181
Hautbois, Piano (duo)
162
2 Flûtes traversières (duo)
143
Saxophone Alto et Piano
138
Saxophone Baryton, Piano
126
Saxophone Soprano et Piano
126
Saxophone Tenor et Piano
124
2 Clarinettes (duo)
113
Clarinette Basse, Piano
106
Cor anglais, Piano
95
2 Hautbois (duo)
57
Clarinette
55
Quatuor de Saxophones: 4 saxophones
43
3 Saxophones (trio)
28
3 Clarinettes (trio)
27
Quatuor de Clarinettes: 4 clarinettes
15
Ensemble de Flûtes
14
2 Cors Anglais Et Pianoforte
14
Trio de Flûtes: 3 flûtes
14
Clarinette, Violoncelle (duo)
13
Hautbois, Basson (duo)
12
Flûte, Violoncelle
12
Piccolo, Piano
12
Clarinette, Harpe (duo)
8
Hautbois, Harpe
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Ensemble de Clarinettes
6
Hautbois, Violoncelle
6
Quatuor de Flûtes : 4 flûtes
5
Flûte traversière
5
Flûte, Hautbois (duo)
4
Ensemble de saxophones
4
Flûte, Alto (duo)
4
Flûte à Bec, Piano
3
Flûte à bec Alto, Piano
3
Saxophone et violoncelle
3
Flûte, Clarinette (duo)
3
Saxophone, Basson (duo)
2
Saxophone Alto
2
Saxophone Baryton
2
Saxophone et Harpe
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Violon
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Violon et Violoncelle
2
Flûte, Hautbois, Clarinette, Basson
2
Cor anglais et Harpe (duo)
2
Clarinette Basse
2
Saxophone Tenor
1
2 Hautbois et Basson
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Piano
1
Hautbois
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Clarinette, Violon (duo)
1
Saxophone Soprano
1
Flûte, Basson et Piano
1
2 Hautbois, Piano
1
2 Flûtes traversières, Piano
1
Hautbois et alto (duo)
1
Flûte à bec Soprano, Piano
1
+ 59 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
121
Trombone et Piano
106
Cor et Piano
100
Cor anglais, Piano
95
Trompette, Piano
79
2 Cors (duo)
59
Tuba et Piano
56
Trompette
43
2 Trombones (duo)
41
2 Trompettes (duo)
36
2 Euphoniums (duo)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
2 Tubas (duo)
15
2 Cors Anglais Et Pianoforte
14
Cor, Violoncelle (duo)
6
Trompette, Trombone (duo)
5
Cor
5
Trio de Cuivres
5
3 Trombones (trio)
5
Tuba et Orgue
3
Ensemble de Trombones
3
Euphonium, Tuba (duo)
3
Trombone basse et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 trombones
2
Tuba
2
Trombone, Tuba (duo)
2
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais et Harpe (duo)
2
Trombone, violoncelle (duo)
2
Trompette, Violoncelle (duo)
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
Trompette, Tuba (duo)
1
Trombone basse
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
304
Violon et Piano
151
Violoncelle, Piano
146
Alto, Piano
135
Trio à Cordes: violon, alto, violoncelle
90
2 Violoncelles (duo)
67
2 Violons (duo)
62
2 Altos (duo)
59
Violon, Violoncelle (duo)
20
Violoncelle
20
2 Contrebasses (duo)
16
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
13
Harpe
13
Violon, Alto (duo)
12
Harpe, Violon (duo)
8
Violon
7
Trio à cordes
5
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Violoncelle, Contrebasse (duo)
3
Harpe, Violoncelle (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
2
Ensemble de Violoncelles
2
Quatuor à cordes : 4 altos
2
Alto et Harpe
2
Alto (partie séparée)
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
Violoncelle, Orgue
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
116
Ensemble de cuivres
25
Orchestre d'harmonie
14
Orchestre
8
Orchestre de chambre
6
Cloches
4
Vibraphone
1
+ 2 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
James M, Guthrie
Orgue
Partitions à imprimer
26 partitions trouvées
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26
Guthrie: Organ Variations on Herzlich tut mich verlangen
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Orgue
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Contemporain
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James M
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Guthrie: Organ Variations on H
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.5479...
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Organ - Level 4 - SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.547959). Theme and seven variations for organ, suitable for performance in church or recital hall. Contents/Durations:Theme: 1:15Canon: 2:06Fugue I: 2:29Fantasia: 2:09Trio: 1:55Fugue II:1:43Interlude/Double Fugue 4:51Meditation: 1:47Herzlich tut mich verlangen is a German hymn with lyrics written in 1599 by Christoph Knoll. It contains 11 stanzas and is known for its plaintive character.  The melody was adapted from a secular song by Hans Leo Hassler called Mein G'müt ist mir verwirret. The tune, Befiehl du deine Wege, first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng.The melody is associated with the prayer for a blessed death, beginning Herzlich tut mich verlangen nach einem sel'gen End (I do desire dearly a blessed end). The hymn has been referenced in the works of composers such as J.S. Bach and Brahms, and it is also associated with the organ piece BWV 727. The title is sometimes confused with O Haupt voll Blut und Wunden, as the two melodies are occasionally interchangeable in hymnals from the time.
$29.95
Guthrie: The Christmas Organ Book
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: The Christmas Organ B
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1452703 Composed by James M. Guthrie. Christian,Christmas,Historic,Holiday,Religious. Individual part. 105 p...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1452703 Composed by James M. Guthrie. Christian,Christmas,Historic,Holiday,Religious. Individual part. 105 pages. Jmsgu3 #1031982. Published by jmsgu3 (A0.1452703). Christmas Organ Book Contents:O Come, O Come, Emmanuel (Veni, veni Emmanuel)Lo, He Comes with Clouds Descending (Helmsley)Joy to the World (Antioch)It Came Upon a Midnight Clear (Carol)Lo, How a Rose E’er Blooming (Es ist ein Ros)Angels We Have Heard on High (Gloria)God Rest Ye Merry, Gentlemen (God Rest You Merry)What Child is This? (Greensleeves)In Sweet Rejoicing (In Dulci Jubilo)Hark! the Herald Angels Sing (Mendelssohn)Let Them Sing Today (Personet hodie)The First NoelAt the Lamb’s High Feast, We Sing (Salzburg)We Three Kings (Three Kings of Orient)O Come, All Ye Faithful (Adeste Fidelis)O Little Town of Bethlehem (St. Louis)Away in a Manger (Mueller)Silent Night (Stille Nacht)Auld Lang SyneWe Wish You a Merry Christmas.
$49.95
Guthrie: Organ Prelude on Verbum Supernam Prodiens
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Orgue
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INTERMÉDIAIRE
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James M
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Guthrie: Organ Prelude on Verb
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jmsgu3
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SheetMusicPlus
Organ - Level 3 - SKU: A0.547936 Composed by James M. Guthrie. 20th Century,Baroque,Contemporary,Sacred. Score. 3 pages. Jmsgu3 #3087623. Published by j...
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Organ - Level 3 - SKU: A0.547936 Composed by James M. Guthrie. 20th Century,Baroque,Contemporary,Sacred. Score. 3 pages. Jmsgu3 #3087623. Published by jmsgu3 (A0.547936). A chorale prelude on Verbum Supernam Prodiens for organ in five voices. Suitable for churches with large organs.
$24.95
Guthrie: Toccata for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Toccata for Organ
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1311748 Composed by James M. Guthrie. 21st Century,Contemporary,Contest,Festival,New Age. Score. 5 pages. Jmsgu3 #900707. Publ...
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Organ - Level 4 - SKU: A0.1311748 Composed by James M. Guthrie. 21st Century,Contemporary,Contest,Festival,New Age. Score. 5 pages. Jmsgu3 #900707. Published by jmsgu3 (A0.1311748). Toccata for Organ.
$32.95
Guthrie: The Liturgical Organbook, Volume 3
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).
$32.95
Guthrie: Te Deum for Organ
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Orgue
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FACILE
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James M
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Guthrie: Te Deum for Organ
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jmsgu3
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SheetMusicPlus
Organ - Level 2 - SKU: A0.549912 Composed by James M. Guthrie. Contemporary,Holiday,Sacred. Score. 10 pages. Jmsgu3 #3908181. Published by jmsgu3 (A0.54...
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Organ - Level 2 - SKU: A0.549912 Composed by James M. Guthrie. Contemporary,Holiday,Sacred. Score. 10 pages. Jmsgu3 #3908181. Published by jmsgu3 (A0.549912). Organ solo featuring antiphonal treatment of the organ using the original Te Deum melody as a cantus prius factus.
$24.95
Guthrie: Organ Elegy for Lili of St. Luke's
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Orgue
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Contemporain
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James M
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Guthrie: Organ Elegy for Lili
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jmsgu3
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SheetMusicPlus
Organ - SKU: A0.547939 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 4 pages. Jmsgu3 #3087725. Published by jmsgu3 (A0.547939).
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Organ - SKU: A0.547939 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 4 pages. Jmsgu3 #3087725. Published by jmsgu3 (A0.547939). Lili of St. Luke's by Fran Olsen:
$29.95
Guthrie: Organ Variations on Lauda Anima
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Organ Variations on L
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.549914 Composed by James M. Guthrie. Christian,Concert,Instructional,Sacred,Standards. Score. 10 pages. Jmsgu3 #3911775. Publi...
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Organ - Level 4 - SKU: A0.549914 Composed by James M. Guthrie. Christian,Concert,Instructional,Sacred,Standards. Score. 10 pages. Jmsgu3 #3911775. Published by jmsgu3 (A0.549914). Theme and five variations on the chorale tune Lauda anima. Duration: 6'30
$24.95
Guthrie: Organ Prelude on In Nomine
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Organ Prelude on In N
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.5499...
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Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95
Guthrie: In Nomine for Organ
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Orgue
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FACILE
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James M
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Guthrie: In Nomine for Organ
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 2 - SKU: A0.1305173 Composed by James M. Guthrie. Chamber,Contemporary,Contest,Festival,Historic,Instructional. Individu...
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Instrumental Solo,Organ - Level 2 - SKU: A0.1305173 Composed by James M. Guthrie. Chamber,Contemporary,Contest,Festival,Historic,Instructional. Individual part. 4 pages. Jmsgu3 #894609. Published by jmsgu3 (A0.1305173). I performed the 2005 world premiere of Daniel Pinkham's St. Luke Organ Book, and composed/performed this piece as a prelude. In Nomine (aka the Little Time Machine) is based on the traditional tune In Nomine as a cantus prius factus. The little time machine moves through 600 years of musical style in 3 minutes. It begins as a 12th Century treatment, and morphs - period by historical period - all the way to the 20th Century. The premiere occurred at the Historic St. Luke's Organ Benefit Concert in 2005.
$32.95
Guthrie: The Liturgical Organbook Complete
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: The Liturgical Organb
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards....
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Instrumental Solo,Organ - Level 4 - SKU: A0.1319568 Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568). The Liturgical Organbook, Volume 1 - Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entrance The Liturgical Organbook, Volume 2 - Contents:Dundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2:InterludeIn Babilone 3: Fugato a3The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3.
$49.95
Guthrie: Organ Prelude on Bristol
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Organ - Level 3 - SKU: A0.547937 Composed by James M. Guthrie. 20th Century,Baroque,Contemporary,Sacred. Score. 4 pages. Jmsgu3 #3087657. Published by j...
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Organ - Level 3 - SKU: A0.547937 Composed by James M. Guthrie. 20th Century,Baroque,Contemporary,Sacred. Score. 4 pages. Jmsgu3 #3087657. Published by jmsgu3 (A0.547937). Here is a chorale fugue on the tune Bristol. It is basically a three-voice fugue until the final statement of the theme which arrives in the pedal. Reasonable easy to perform, this prelude is a solid choice as an organ prelude for church.
$24.95
Guthrie: The Liturgical Organbook, Volume 1
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
$32.95
Guthrie: Elegy for Lili
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Guthrie: Elegy for Lili
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Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896...
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Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
Guthrie: The Liturgical Organbook, Volume 2
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1318850 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 23 pages. Jmsgu3 #907489. Published by jmsgu3 (A0.1318850). The Liturgical Organbook, Volume 2 - ContentsDundee 1: Free harmonization a3, cantus in sopranoDundee 2: Free contrapuntal introduction a4, followed by augmented statement of cantus in sopranoDundee 3: Bicinium, cantus in bassDundee 4: Canonic treatment of fauxbourdon at the octave with free middle voiceDundee 5: Free counterpoint a3, cantus in sopranoDundee 6: Free counterpoint a3, cantus in middle voiceDundee 7: Fugato a3Dundee 8: Bicinium, cantus in bassEaster Hymn 1: Free harmonization a4Easter Hymn 2: Free harmonization a3Easter Hymn 3: InterludeEaster Hymn 3: Fugato a3Erhalt uns, Herr: Free harmonizationGopsal 1: Bicinium, cantus in bassGopsal 2: Free harmonizationGopsal 3: Free harmonizationIn Babilone 1: Free harmonization a4In Babilone 2: Free harmonization a3In Babilone: InterludeIn Babilone 3: Fugato a3The Liturgical Organbook Volume 2 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Dundee, from the CL Psalmes of David (1615)fauxbourdon: from the Psalmes of David in Prose and Meeter (1635)Easter Hymn, from Lyra Davidica (1708)Erhalt uns, Herr, from Geistliche Lieder (1543)Gopsal, George Frideric Handel (1685-1759)In Babilone, from Oude en Nieuwe Hollantse Boerenlities en Contrdanseu (1710).
$32.95
Guthrie: Canon Per Tonos Quaerendo Invenietis
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Organ - Level 5 - SKU: A0.549913 Composed by James M. Guthrie. 20th Century,Instructional. Score. 1 pages. Jmsgu3 #3909183. Published by jmsgu3 (A0.5499...
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Organ - Level 5 - SKU: A0.549913 Composed by James M. Guthrie. 20th Century,Instructional. Score. 1 pages. Jmsgu3 #3909183. Published by jmsgu3 (A0.549913). A double canon on B-A-C-H. Ascendenteque Modulatione ascendat Gloria BACH. Canon a4 per tonos quaerendo invenietis. This is a puzzle canon. The solution to the puzzle is realized in the accompanying mp3 recording.
$39.95
Guthrie: Harmonizations Vol. 2 - General Hymns II
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Composed by James M. Guthrie. Christian, Praise & Worship, General Worship. 26 pages. Published by jmsgu3 (S0.226549). - - Christian,Praise & Worship,General W...
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Composed by James M. Guthrie. Christian, Praise & Worship, General Worship. 26 pages. Published by jmsgu3 (S0.226549). - - Christian,Praise & Worship,General Worship - jmsgu3
$36.95
Guthrie: Harmonizations Vol. 1 - General Hymns I
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Composed by James M. Guthrie. Christian, Praise & Worship, General Worship. 26 pages. Published by jmsgu3 (S0.226541). - - Christian,Praise & Worship,General W...
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Composed by James M. Guthrie. Christian, Praise & Worship, General Worship. 26 pages. Published by jmsgu3 (S0.226541). - - Christian,Praise & Worship,General Worship - jmsgu3
$38.95
Guthrie: Harmonizations Vol. 3 - The Christmas Season
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Composed by James M. Guthrie. Christian, Praise & Worship, General Worship, Christmas. 25 pages. Published by jmsgu3 (S0.226245). - - Christian,Praise & Worshi...
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Composed by James M. Guthrie. Christian, Praise & Worship, General Worship, Christmas. 25 pages. Published by jmsgu3 (S0.226245). - - Christian,Praise & Worship,General Worship,Christmas - jmsgu3
$42.95
Guthrie: Harmonizations Vol. 4 - The Easter Season
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Composed by James M. Guthrie. Christian, Sacred, General Worship, Easter, Lent. 22 pages. Published by jmsgu3 (S0.226513). - - Christian,Sacred,General Worship...
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Composed by James M. Guthrie. Christian, Sacred, General Worship, Easter, Lent. 22 pages. Published by jmsgu3 (S0.226513). - - Christian,Sacred,General Worship,Easter,Lent - jmsgu3
$38.95
Guthrie: Organ Variations on Jesu meine Freude
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Composed by James M. Guthrie. 23 pages. Published by jmsgu3 (S0.225439). - - - jmsgu3...
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Composed by James M. Guthrie. 23 pages. Published by jmsgu3 (S0.225439). - - - jmsgu3
$24.95
Machaut: La Messe de Nostre Dame for Organ
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Guillaume de Machaut
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Clarke: Trumpet Tune for Organ Solo
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Organ - Level 3 - SKU: A0.551979 Composed by Jeremiah Clarke. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score. 2 pag...
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Organ - Level 3 - SKU: A0.551979 Composed by Jeremiah Clarke. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score. 2 pages. Jmsgu3 #6029559. Published by jmsgu3 (A0.551979). Famous piece for weddings.
$24.95
Canon a4 per tonos quaerendo invenietis for Organ
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Canon a4 per tonos quaerendo i
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Instrumental Solo,Organ - Level 5 - SKU: A0.1329518 Composed by James M. Guthrie. Classical,Contemporary,Contest,Festival,Historic,Instructional. Indivi...
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Instrumental Solo,Organ - Level 5 - SKU: A0.1329518 Composed by James M. Guthrie. Classical,Contemporary,Contest,Festival,Historic,Instructional. Individual part. 6 pages. Jmsgu3 #917501. Published by jmsgu3 (A0.1329518). The solution to my 1992 Per tonos quaerendo Invenietis puzzle canon scored for organ.
$49.98
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