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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Live is Life
Non classifié
342
Piano & claviers
Piano, Voix
203
Piano seul
193
Piano, Voix et Guitare
57
Piano Facile
48
Instruments en Do
36
Orgue
7
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
6
1 Piano, 4 mains
2
Accordéon
1
Piano (partie séparée)
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
9
Basse electrique
8
Guitare
8
2 Guitares (duo)
7
Ligne De Mélodie, (Paroles) et Accords
5
Guitare (partie séparée)
2
Paroles et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
165
Chorale 3 parties
26
Chorale 2 parties
15
Chorale Unison
13
Chorale TTBB
13
Chorale SSAA
9
Voix Baryton, Piano
4
Voix haute
4
Voix Alto, Piano
4
Voix Tenor, Piano
4
Voix duo, Piano
3
Voix duo
2
Voix Soprano, Piano
1
Voix seule
1
Voix basse, Piano
1
Voix Tenor
1
Chorale SSATTB
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Quintette de Saxophone: 5 saxophones
54
2 Saxophones (duo)
37
Hautbois, Piano (duo)
30
Quatuor de Saxophones: 4 saxophones
30
Flûte traversière et Piano
28
Flûte traversière
23
2 Flûtes traversières (duo)
22
Flûte, Hautbois, Clarinette, Basson
22
Clarinette
20
Clarinette et Piano
20
Saxophone Alto
20
Hautbois (partie séparée)
19
Saxophone Alto et Piano
19
Hautbois, Basson (duo)
17
Saxophone Tenor et Piano
15
2 Clarinettes (duo)
13
Saxophone Soprano et Piano
12
Saxophone (partie séparée)
11
Ensemble de Clarinettes
11
Flûte, Clarinette (duo)
10
2 Hautbois (duo)
9
Clarinette, Violon (duo)
8
Saxophone, Clarinette (duo)
8
Saxophone Tenor
7
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Trompette (duo)
6
Saxophone Baryton, Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Hautbois, Clarinette (duo)
4
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Quintette de Flûte : 5 flûtes
4
Clarinette et Alto
4
Flûte et Guitare
4
Ensemble de saxophones
3
Clarinette, Violoncelle (duo)
3
Flûte, Violon
3
Clarinette, Guitare (duo)
3
Flûte, Saxophone (duo)
3
Ensemble de Flûtes
3
Flûte, Trompette (duo)
3
2 Saxophones, Piano
2
Hautbois, Flûte
2
Clarinette, Basson (duo)
2
Flûte, Alto (duo)
2
2 Flûte à bec (duo)
2
Flûte, Violon, Piano
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
3 Saxophones (trio)
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Hautbois, Violoncelle
1
Flûte, Violoncelle
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
+ 59 instrumentations
Retracter
Cuivres
Trompette
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trombone
19
Trombone et Piano
17
Cor et Piano
13
Trompette, Piano
12
Tuba et Piano
11
Cor
11
Tuba
10
Trompette, Trombone (duo)
10
2 Trompettes (duo)
9
Quatuor de Cuivres
8
2 Trombones (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Cors (duo)
6
Trompette, Cor (duo)
6
Trompette, Saxophone (duo)
6
Trombone (partie séparée)
5
Ensemble de Trombones
4
Trio de Cuivres
4
Cor anglais, Piano
4
Trompette (partie séparée)
3
Euphonium, Piano (duo)
3
Ensemble de Trompettes
3
2 Tubas (duo)
2
Trompette, Basson (duo)
2
Cor, Violoncelle (duo)
1
Trombone, Orgue
1
Trombone et orchestre
1
Quatuor de cuivres: 4 trombones
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
55
Violon
28
Violon et Piano
28
Violoncelle, Piano
27
Violoncelle
22
Alto, Piano
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Violons (duo)
16
Violon, Violoncelle (duo)
16
2 Violoncelles (duo)
12
Alto seul
12
Violon, Alto (duo)
11
2 Altos (duo)
9
Trio à Cordes: violon, alto, violoncelle
6
Ensemble d'Altos
4
Contre Basse
4
Ensemble de Violons
4
Contrebasse, Piano (duo)
4
2 Contrebasses (duo)
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Basson (duo)
1
Harpe, Voix
1
Contrebasse (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
96
Orchestre
28
Jazz combo
13
Cloches
12
Orchestre à Cordes
12
Orchestre de chambre
9
Ensemble Jazz
8
Ensemble de cuivres
4
Ensemble de Percussions
3
Fanfare
2
Marimba, Piano (duo)
1
Batterie (partie séparée)
1
Batterie
1
Vibraphone
1
Marimba
1
+ 10 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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Vous avez sélectionné:
Live is Life
Orgue
Partitions à imprimer
7 partitions trouvées
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1
I Know That My Redeemer Lives Hymn Reharmonization
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Orgue
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FACILE
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Samuel Medley
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Jacob Hershberger
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I Know That My Redeemer Lives
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Jasberger Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1509693 By Samuel Medley. By Lewis D. Edwards. Arranged by Jacob Hershberger. Christian,Classical,Religious,Soul,Spiritual. Sc...
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Organ - Level 2 - SKU: A0.1509693 By Samuel Medley. By Lewis D. Edwards. Arranged by Jacob Hershberger. Christian,Classical,Religious,Soul,Spiritual. Score. 3 pages. Jasberger Music #1084941. Published by Jasberger Music (A0.1509693). I Know that My Redeemer LivesExperience the beautiful and uplifting musical arrangement of I Know that My Redeemer Lives with this unique organ solo. The powerful message of this beloved hymn is brought to life in a new way through reharmonization, adding depth and emotion to the familiar melody.Organ SoloThis product features an impressive organ solo performance that showcases the versatility and richness of the instrument. The skilled musician behind this arrangement brings out the grandeur and beauty of the music, creating a memorable listening experience for all who hear it.Hymn ReharmonizationThrough reharmonization, the timeless hymn I Know that My Redeemer Lives is transformed into a fresh and contemporary piece that still maintains the essence of the original. Each chord and progression is carefully crafted to enhance the sacred text, offering a new perspective on this beloved hymn.Elevate Your Musical ExperienceWhether you are a fan of traditional hymns or enjoy exploring new musical styles, this organ solo reharmonization of I Know that My Redeemer Lives offers a unique and inspiring listening experience. Add this special arrangement to your music collection and let the uplifting message resonate in your heart and soul.
$5.99
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Abide With Us
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Orgue
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INTERMÉDIAIRE
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Robert Hebble
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Abide With Us
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1631S Artistic Lenten Hymn Settings for Organ. Composed by Robert Hebble. Sacred, Lent. Sacred Music Pres...
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Organ: 3-staff - Intermediate SKU: LO.70-1631S Artistic Lenten Hymn Settings for Organ. Composed by Robert Hebble. Sacred, Lent. Sacred Music Press #70/1631S. Published by Sacred Music Press (LO.70-1631S). ISBN 9780893288716.Lent is a season of preparation and repentance during which we anticipate Good Friday and Easter. Just as we carefully prepare for big events in our personal lives, Lent invites us to make our hearts ready for remembering Jesus' passion and the celebration of his resurrection. Mr. Hebble has taken six familiar hymns appropriate for the Lenten season, and wrapped them in striking musical colors and harmonies, with each setting artfully displaying this composer's highly individualistic style and craftsmanship.
Song List
: Fairest Lord Jesus What a Friend We Have in Jesus Beneath The Cross Of Jesus Dear Lord and Father of Mankind More Love to Thee O Christ Take My Life and Let It Be Consecrated
$25.00
Jan Zach - Fugue in C Minor
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Orgue
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Classique
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...
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Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
A Joyful Ode (Ode to Joy), organ work by Phil Lehenbauer
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Phil Lehenbauer
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A Joyful Ode
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Phil Lehenbauer
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SheetMusicPlus
Organ - Intermediate - Composed by Phil Lehenbauer. Contemporary Classical, Sacred, General Worship, Wedding, Recital. Sheet Music Single. 6 pages. ...
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Organ - Intermediate - Composed by Phil Lehenbauer. Contemporary Classical, Sacred, General Worship, Wedding, Recital. Sheet Music Single. 6 pages. Published by Phil Lehenbauer
Here's a lively, rhythmic, and festive version of the classic "Ode to Joy" to start a service in joyful fashion or to send the congregation leaving a service with a spirited feeling. The 7/8 rhythms add plenty of life to this well-known melody, and the tune is easily recognizable throughout. It was written and recorded on a two manual instrument. I hope you enjoy it!
$3.50
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