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--INSTRUMENTS--
ACCORDEON
ALTO
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Lou Reed
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--INSTRUMENTS--
ACCORDEON
ALTO
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Partitions à imprimer
12 partitions trouvées
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1
Tuba Tune on Hark! the Herald Angels Sing, Op. 9 by Ausra Motuzaite-Pinkeviciene (Organ Solo)
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Orgue
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FACILE
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Ausra Motuzaite-Pinkeviciene
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Tuba Tune on Hark! the Herald
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1358102 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 4 pages. Vidas Pinke...
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Organ - Level 2 - SKU: A0.1358102 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 4 pages. Vidas Pinkevicius #942610. Published by Vidas Pinkevicius (A0.1358102). This Tuba Tune features beloved Christmas carol Hark! the Herald Angels Sing (MENDELSSOHN) presented in the key of G major. The composition is unified by a compelling ritornello to be played by Tuba or some other loud reed or Cornet. This piece will be very effective as a liturgical or recital piece during Christmas season.
$4.99
Postlude on Come, Holy Ghost
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Orgue
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INTERMÉDIAIRE
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Kevin Frecker
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Kevin Frecker
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Postlude on Come, Holy Ghost
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Kevin Frecker
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1419086 By Kevin Frecker. By Louis Lambillotte. Arranged by Kevin Frecker. Christian,Religious,Sacred,Tradit...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1419086 By Kevin Frecker. By Louis Lambillotte. Arranged by Kevin Frecker. Christian,Religious,Sacred,Traditional. Individual part. 3 pages. Kevin Frecker #1000501. Published by Kevin Frecker (A0.1419086). The hymn tune Lambillotte is arranged for solo organ. It appears twice in full - first as a reharmonization of the melody in F major and second in D major with a countermelody added in the second half or the melody. Between these apperances is an imitative section based on the beginning of the hymn tune over a sustained D in the pedal. At the end, reed stops usher in a brief flourish for a grand finish. The manual parts are more active and more difficult than the pedal part, making this an ideal piece for an experienced keyboard player transitioning to the organ.
$4.00
Meditation on Finlandia, Op. 25 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
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Orgue
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FACILE
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Ausra Motuzaite-Pinkeviciene
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Meditation on Finlandia, Op. 2
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Secrets of Organ Playing
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1453398 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 3 pages. Secrets o...
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Organ - Level 2 - SKU: A0.1453398 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 3 pages. Secrets of Organ Playing #1032627. Published by Secrets of Organ Playing (A0.1453398). This is my original meditation on the beloved hymn tune FINLANDIA, often sung to the text Be Still, My Soul in the key of Eb major. The hymn tune is played in the right hand part with the reed registration while the left hand and pedal parts play colourful ostinato patterns around it. Dedicated to my husband Vidas Pinkevicius. This composition will be very effective in liturgical organ playing and concert programs whenever contemplative music is desired.
$4.99
Meditation on Finlandia, Op. 263 (Organ Solo) by Vidas Pinkevicius
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Meditation on Finlandia, Op. 2
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Secrets of Organ Playing
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1423712 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Religious,Sacred. Score. 3 pages. Secrets of Organ Pla...
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Organ - Level 3 - SKU: A0.1423712 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Religious,Sacred. Score. 3 pages. Secrets of Organ Playing #1004952. Published by Secrets of Organ Playing (A0.1423712). This is my original meditation on the beloved hymn tune FINLANDIA, often sung to the text Be Still, My Soul in the key of F major. The hymn tune is played in the pedal part with the reed registration in the tenor range while both hands weave colourful ostinato patterns around it. Dedicated to Phil Lehenbauer. This composition will be very effective in liturgical organ playing and concert programs whenever contemplative music is desired.
$4.99
Meditation on "Once in Royal David's City", Op. 197 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Musique Sacrée
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Vidas Pinkevicius
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Meditation on "Once in Ro
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1144544 Composed by Vidas Pinkevicius. Christmas,Contemporary,Praise & Worship,Religious,Sacred. Score. 3 pages. Vidas Pinkevi...
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Organ - Level 2 - SKU: A0.1144544 Composed by Vidas Pinkevicius. Christmas,Contemporary,Praise & Worship,Religious,Sacred. Score. 3 pages. Vidas Pinkevicius #744877. Published by Vidas Pinkevicius (A0.1144544). In this meditation on the beloved Christmas Carol Once in Royal David's City (IRBY) the tune is played by the left hand on the soft reed registration. The right hand and pedals play accompaniment figure from colourful arpeggiated chords. The gentle refrain helps to connect phrases of the hymn. This piece will be very effective in liturgical organ playing and recital programs whenever contemplative music is desired.
$4.99
Meditation on Santa Lucia, Op. 192 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Vidas Pinkevicius
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Meditation on Santa Lucia, Op.
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1142721 Composed by Vidas Pinkevicius. Contemporary,Multicultural,Wedding,World. Score. 3 pages. Vidas Pinkevicius #743090. Pu...
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Organ - Level 2 - SKU: A0.1142721 Composed by Vidas Pinkevicius. Contemporary,Multicultural,Wedding,World. Score. 3 pages. Vidas Pinkevicius #743090. Published by Vidas Pinkevicius (A0.1142721). This is a meditation on the well-known Neapolitan barcarolle Santa Lucia where the melody is played by the right hand part on a gentle reed stop. The accompanying left hand and pedals create a colourful texture from which unifying refrain connects phrases of the tune. This piece will be suitable for all quiet occasions.
$4.99
THE SOLID ROCK - organ solo
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Orgue
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INTERMÉDIAIRE
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William B
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Anthony Giamanco
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THE SOLID ROCK - organ solo
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Whole Tone Press
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SheetMusicPlus
Organ - Level 3 - SKU: A0.773995 Composed by William B. Bradbury. Arranged by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score. 5 pages. W...
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Organ - Level 3 - SKU: A0.773995 Composed by William B. Bradbury. Arranged by Anthony Giamanco. Concert,Contemporary,Sacred,Standards. Score. 5 pages. Whole Tone Press #6302583. Published by Whole Tone Press (A0.773995). The Solid Rock utilses fragments of the well-known hymn tune to create a powerful, original modern work for organ solo. Beginning quietly, introspectively, on manuals alone, at first employing a 5-note, then a 4-note motive, hinting at the first four measures of the hymn tune, slowing building to the finale which begins fortissimo, with grandeur, now echoing the first four measures of the hymn tune's refrain. Here the pedal finally enters, encompassing merely three different pitches (A, D and E). The piece ends with a strong flourish on an E6(add 9) chord, adding a 32' reed in the pedal. An impressive, but moderately easy work for church and concert. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$4.75
Gopsal (Rejoice the Lord is King) Organ Postlude
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Annette Butters
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Annette Butters
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Gopsal
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Annette Butters
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1319256 By Annette Butters. By George Frideric Handel. Arranged by Annette Butters. Baroque,Christian. Score. 4 pages. Annette...
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Organ - Level 4 - SKU: A0.1319256 By Annette Butters. By George Frideric Handel. Arranged by Annette Butters. Baroque,Christian. Score. 4 pages. Annette Butters #907465. Published by Annette Butters (A0.1319256). An organ postlude based on the hymn tune Gopsal - Rejoice the Lord is King -Â by George Frederic Handel. This arrangement gives plenty of opportunities for flourishes and big reed sounds alongside softer running quaver passages. With its majestic finish it will send your congregation out with a tune they know well. Useful to have to hand at various points in the church year. View the video link to hear Gopsal being played.
$6.00
Marche Processionelle-Guilmant- organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Alex
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Phil Beaman
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Marche Processionelle-Guilmant
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Phil Beaman
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1139501 Composed by Alex. Guilmant. Arranged by Phil Beaman. March,Romantic Period,Standards. Score. 11 pages. Phil Beaman #73...
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Organ - Level 4 - SKU: A0.1139501 Composed by Alex. Guilmant. Arranged by Phil Beaman. March,Romantic Period,Standards. Score. 11 pages. Phil Beaman #739789. Published by Phil Beaman (A0.1139501). I wrote this piece to use as the opening piece for an organ dedication recital I was playing. I admired this March by Alexander Guilmant, but that piece opened softly and I wanted a bold opening; so I expanded and arranged the piece, using Guilmant's own material, and created new beginning sections so that I could open the dedication concert with trumpets. The piece is now about contrasts as I have changed tempi, dynamics, registrations, and textures to alternate with each section. Many colours of the organ are shown, from reeds to flutes, from mp to tutti. The piece builds to a full and vigorous Tutti climax. 11 pages; 5:45 minutes.
$7.40
Orpheus
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Orgue
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AVANCÉ
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Classique
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Franz Liszt
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Jean Guillou
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Orpheus
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This ed...
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Organ - difficult - SKU: S9.Q6228 Poème symphonique. Transcription by Jean Guillou. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Organ - Symphonic Poem - transcription. Downloadable. Duration 14' 30. Schott Music - Digital #Q6228. Published by Schott Music - Digital (S9.Q6228). German • English • French.Orpheus is one of 12 symphonic poems composed by Franz Liszt between 1848 and 1858. Liszt regarded these compositions as representing a higher form of musical creation. Their genesis in what he described as a poetic idea allowed him to favour freedom of expression over the constraints of form. The score of 'Orpheus' was first performed on 16 February 1854, under the baton of the composer, as the curtain rose for a production of Gluck's opera 'Orpheus' in Weimar. It had been inspired in particular by the contemplation in the Louvre museum in Paris of an Etruscan vase despicting Orpheus as a symbol of beauty and civilisation, mitigating the brutality of the world through the power of his art. This symphonic poem was first transcribed for organ in about 1860 by Alexander Wilhelm Gottschalk (1827-1908), one of Liszt's pupils. It appears that Liszt was moved to make radical modifications to that version, in spite of which it still remains unsatisfactory. It does, however, give us the benefit of proving that Liszt, who also transcribed the work for piano duet, was not against the idea in itself of a transcription for organ. Jean Guillou's transcription is more than a simple adaptation. As far as Romantic music is concerned, he is responsible for finding appropriate equivalents to the dramatic function of instrumentation to create an atmosphere which comes as close to that of the original composition as possible, to enrich the contrapuntal texture and to contribute to the simulation of the orchestral sound.
$15.99
Ave Maria von Arcadelt
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Orgue
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FACILE
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Classique
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Franz Liszt
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Ave Maria von Arcadelt
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Schott Music - Digital
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SheetMusicPlus
Organ - easy to intermediate - SKU: S9.Q22586 Composed by Franz Liszt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22586. Publishe...
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Organ - easy to intermediate - SKU: S9.Q22586 Composed by Franz Liszt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22586. Published by Schott Music - Digital (S9.Q22586). Franz Liszt composed his lyrical-meditative organ fantasia on the Ave Maria von Arcadelt in Rome in 1863. In contrast to his major virtuoso works, this charming genre piece can even be easily played on smaller (double-manual) instruments, even without swell-organ and reeds. The 'Liszt organ' at the village church of Denstedt near Weimar, which was built by the Peternell brothers in 1859/60 and has survived in its original state, may be used as an example. It did not become known until in 1927 that the Ave Maria attributed to Jakob Arcadelt (around 1505-1568) was a revised version by the composer Pierre-Louis-Philippe Dietsch (1808–1865) who used the melody of Arcadelt's chanson Nous voyons que les hommes which he then harmonized into his own Romantic four-part choral setting and to which he added the sacred text as a contrafactum. Our separate edition wants to make this rather 'poetic', yet quite easy-to-play organ work without any major technical difficulties accessible to a large circle of interested people.
$10.99
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
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