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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mário Chan
Non classifié
288
Piano & claviers
Piano seul
75
Piano, Voix
66
Piano Facile
48
Instruments en Do
11
Accompagnement Piano
6
Piano, Voix et Guitare
6
Orgue
5
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
25
Guitare
5
2 Guitares (duo)
2
3 Guitares (trio)
1
Guitare notes et tablatures
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
16
Chorale TTBB
5
Chorale 3 parties
3
Voix seule
3
Voix basse, Piano
3
Chorale 2 parties
3
Voix Tenor, Piano
2
Voix Baryton, Piano
2
Voix duo, Piano
1
Voix duo
1
Voix haute
1
Chorale SSAA
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
39
Clarinette et Piano
36
Flûte traversière et Piano
36
Hautbois, Piano (duo)
27
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
25
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Alto et Piano
20
Clarinette
15
Flûte traversière
10
Saxophone Soprano et Piano
10
Hautbois
10
Flûte, Hautbois, Clarinette, Basson
10
2 Flûtes traversières (duo)
9
Saxophone Tenor et Piano
9
Ensemble de Clarinettes
8
Quatuor de Clarinettes: 4 clarinettes
8
2 Saxophones (duo)
7
2 Clarinettes (duo)
7
Cor anglais, Piano
6
2 Hautbois (duo)
5
Ensemble de Flûtes
5
3 Saxophones (trio)
3
Saxophone Baryton, Piano
3
Flûte et Guitare
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette Basse, Piano
3
Quintette de Flûte : 5 flûtes
2
Flûte à bec Soprano
2
Flûte à bec Tenor
2
Flûte, Clarinette (duo)
2
Hautbois, Basson (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violoncelle, Guitare
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Cor et Piano
20
Trompette, Piano
18
Tuba et Piano
18
Quatuor de Cuivres
14
Trompette
13
Trombone et Piano
12
Tuba
10
Cor
10
Ensemble de Trombones
8
Trombone
6
Cor anglais, Piano
6
Ensemble de Trompettes
6
2 Trombones (duo)
5
Euphonium, Piano (duo)
5
Ensemble de Cors
4
2 Trompettes (duo)
4
2 Cors (duo)
3
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Trompette (partie séparée)
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
38
Alto, Piano
34
Violoncelle, Piano
29
Contrebasse, Piano (duo)
19
Harpe
18
Trio à Cordes: violon, alto, violoncelle
15
Violoncelle
12
Alto seul
12
Violon
11
Contre Basse
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Violon, Violoncelle (duo)
7
2 Violoncelles (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
3
2 Contrebasses (duo)
2
2 Violons, Piano
2
4 Violoncelles
2
Ensemble d'Altos
2
Trio à cordes: 3 violins
2
Ensemble de Violons
2
Alto, Violoncelle (duo)
2
2 Altos, Piano
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
25
Orchestre d'harmonie
16
Orchestre
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Orchestre de chambre
2
Ensemble de cuivres
2
Ensemble de Percussions
2
Vibraphone
1
Marimba
1
Ensemble Jazz
1
Cloches
1
+ 6 instrumentations
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Autres
Instruments
ACCORDEON
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BOUZOUKI
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CHANT - CHO…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PIANO
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COMEDIES MUSICALES -…
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KLEZMER - JUIVE
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LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Mário Chan
Orgue
Partitions à imprimer
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Intonation and Variations on "Make Me a Channel of Blessing"
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Harper G
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Eugênio Gall
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Intonation and Variations on &
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Eugenio Gall
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1291141 Composed by Harper G. Smyth. Arranged by Eugênio Gall. Praise & Worship,Religious,Sacred. In...
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Instrumental Solo,Pipe Organ - Level 3 - SKU: A0.1291141 Composed by Harper G. Smyth. Arranged by Eugênio Gall. Praise & Worship,Religious,Sacred. Individual part. 4 pages. Eugenio Gall #881819. Published by Eugenio Gall (A0.1291141). This is an arrangement for organ solo or for congregational sing with organ accompaniment in Bb M, and it consists of a small intonation plus a set of 3 variations: the first one with proper harmonization, the second one is a organ - trio form, and after a modulation comes the last variation in C.
$5.00
Machaut: La Messe de Nostre Dame for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Ukrainian Carol
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Orgue
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INTERMÉDIAIRE
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©Z
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Ukrainian Carol
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©Z.M. Barnes & Rising Lark Music
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SheetMusicPlus
Organ - Level 3 - SKU: A0.924290 Arranged by ©Z.M. Barnes & Rising Lark Music. Christian,Christmas,Concert,Holiday,Romantic Period. Score. 9 pages. ...
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Organ - Level 3 - SKU: A0.924290 Arranged by ©Z.M. Barnes & Rising Lark Music. Christian,Christmas,Concert,Holiday,Romantic Period. Score. 9 pages. ©Z.M. Barnes & Rising Lark Music #6209423. Published by ©Z.M. Barnes & Rising Lark Music (A0.924290). What better instrument to play a variety of bell-like sounds than the organ. and the well-known Ukrainian carol is the perfect vehicle for this enchanted soundscape. An icycle-laden piece for the entire Christmas/New Year/ winter season.Video Link: https://youtu.be/esZvldp55AU
$4.99
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Mário Chan
