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--INSTRUMENTS--
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Magna
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Magna
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Promenada Magna, Op. 140 (Organ Solo) by Vidas Pinkevicius (2022)
Orgue
Organ - Level 2 - Digital Download SKU: A0.1077821 Composed by Vidas Pinkevicius. C…
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Organ - Level 2 - Digital Download SKU: A0.1077821 Composed by Vidas Pinkevicius. Classical,Contemporary,Praise & Worship,Sacred,Wedding. Score. 5 pages. Vidas Pinkevicius #682006. Published by Vidas Pinkevicius (A0.1077821). In this optimistic composition, joyful harmonies and dancing rhythms create a feeling of the majestic promenade. Written in the key of Bb major, it will be suitable for any joyful occasion in liturgical organ playing, including preludes, postludes, processionals, recessionals, weddings etc. It would also work as a recital piece very well. Dedicated to Ausra Motuzaite-Pinkeviciene.
$4.99
4.6 €
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Orgue
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Vidas Pinkevicius
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Promenada Magna, Op. 140
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Vidas Pinkevicius
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SheetMusicPlus
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
3.68 €
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
Bálsamo de Ferrabrás / Balm of Fierabras (Organ)
Orgue
Organ - Level 3 - Digital Download SKU: A0.1207035 Composed by Rudesindo Soutelo. 2…
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Organ - Level 3 - Digital Download SKU: A0.1207035 Composed by Rudesindo Soutelo. 20th Century,Classical,Contemporary. Score. 12 pages. Publisher by Rudesindo Soutelo #805185. Published by Publisher by Rudesindo Soutelo (A0.1207035). To Karen BeaumontBálsamo de Ferrabrás / Balm of Fierabras (2023) for Organ [ca. 6']A medicina mágica de D. Quixote / The magical medicine of D. QuixoteISWC: T-316.150.247-8ISMN: 979-0-707704-11-0---In Miguel de Cervantes’ masterpiece, chapter X of the first Book, Don Quixote de la Mancha speaks to Sancho Panza about a magical medicine, the balm of Fierabras, “It is taken and people are spared from being afraid of dying or getting hurtâ€. This fearlessness becomes a ritual that permeates the intrepid adventures of the ill-fated knight of the sad figure.The structure and entire organisation of the work is based on the complexes [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] and [5 (2, 3), 8 (2, 2, 4)].The work is original for organ but has a edition for Piano.---Na obra magna de Miguel e Cervantes, capÃtulo X do primeiro Livro, D. Quixote de la Mancha fala a Sancho Pança duma medicina mágica, o bálsamo de Ferrabrás, “Toma-se e escusa a gente de ter medo de morrer ou de ficar feridoâ€. Esse destemor transforma-se num ritual que permeia as intrépidas aventuras do infortunado cavaleiro da triste figura.A estrutura e toda a organização da obra está baseada nos complexos [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] e [5 (2, 3), 8 (2, 2, 4)].A obra é original para órgão mas tem uma edição para Piano.
$5.00
4.61 €
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Orgue
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Rudesindo Soutelo
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Bálsamo de Ferrabrás / Balm of Fierabras
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
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