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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Move Like That
Non classifié
529
Piano & claviers
Piano seul
174
Piano, Voix
62
Piano Facile
27
Orgue
11
Piano, Voix et Guitare
11
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Trio: piano, violon, violoncelle
3
Instruments en Do
3
2 Pianos, 8 mains
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
14
Basse electrique
6
2 Guitares (duo)
5
Guitare, Flûte, Clarinette
2
Ukulele
2
Mandoline
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Ligne De Mélodie, (Paroles) et Accords
1
Cithare
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 3 parties
10
Chorale TTBB
8
Chorale SSAA
4
Voix Baryton, Piano
2
Voix seule
1
Voix Alto, Piano
1
Chorale SSATTB
1
Chorale Unison
1
Chorale 2 parties
1
+ 5 instrumentations
Retracter
Vents
Ensemble de saxophones
39
Quatuor de Saxophones: 4 saxophones
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Quintette de Saxophone: 5 saxophones
31
Flûte traversière et Piano
29
2 Flûtes traversières, Piano
25
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Flûte, Hautbois, Clarinette, Basson
17
Ensemble de Clarinettes
15
Saxophone Soprano et Piano
13
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Tenor et Piano
13
Quatuor de Flûtes : 4 flûtes
11
Saxophone Baryton, Piano
11
Clarinette Basse, Piano
11
Saxophone Alto et Piano
11
Cor anglais, Piano
10
Ensemble de Flûtes
8
2 Saxophones (duo)
8
Clarinette
8
Quintette de Clarinettes: 5 clarinettes
7
2 Flûtes traversières (duo)
7
Quintette de Flûte : 5 flûtes
6
2 Clarinettes (duo)
4
3 Saxophones (trio)
4
Flûte traversière
4
Quatuor de Flûtes à bec
3
2 Flûte à bec (duo)
3
Clarinette, Basson (duo)
3
Hautbois (partie séparée)
3
3 Clarinettes (trio)
2
Saxophone Tenor
2
Hautbois, Harpe
2
Flûte à Bec
2
2 Hautbois (duo)
2
Saxophone Alto
2
3 Flûtes à bec (trio)
2
Hautbois, Basson (duo)
1
Flûte, Violon, Piano
1
Flûte et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Flûte, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Harmonica
1
5 Flûtes à bec
1
Flute (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Piccolo, Piano
1
Flûte, Hautbois (duo)
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Ensemble de Trompettes
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone et Piano
20
Euphonium, Piano (duo)
16
Ensemble de Trombones
12
Quatuor de Cuivres
11
Cor anglais, Piano
10
Cor et Piano
10
Trompette, Piano
8
Trompette
8
Tuba et Piano
8
Cor
6
Tuba
5
Ensemble de Cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Quatuor de cuivres: 4 trompettes
3
Trompette, Trombone (duo)
2
3 Trompettes (trio)
2
Trompette (partie séparée)
2
2 Euphoniums et 2 Tubas
2
4 Tubas
2
Quatuor de cuivres: 4 cors
1
Cor anglais et Harpe (duo)
1
2 Cors (duo)
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
2 Trombones (duo)
1
Euphonium
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
2 Trompettes (duo)
1
3 Euphoniums
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
67
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle, Piano
19
Violon
15
Alto, Piano
15
Violon, Basson (duo)
11
2 Violons (duo)
8
Violoncelle
7
Violon, Violoncelle (duo)
6
Harpe
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
5
Ensemble de Violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Flûte (duo)
4
Contre Basse
4
Violon, Alto (duo)
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
3
Violon (partie séparée)
2
Alto (partie séparée)
2
Alto seul
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
2 Violoncelles (duo)
2
4 Contrebasses
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
97
Orchestre
54
Orchestre à Cordes
27
Orchestre de chambre
12
Ensemble Jazz
10
Ensemble de cuivres
9
Ensemble de Percussions
6
Jazz combo
5
Cloches
3
Batterie
2
Marimba
2
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
Xylophone, Piano
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Move Like That
Orgue
Partitions à imprimer
11 partitions trouvées
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1
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Scènes d'Enfant
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Orgue
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AVANCÉ
#
Jean Guillou
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Scènes d'Enfant
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Schott Music - Digital
#
SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music...
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Organ - advanced to difficult - SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 28. Duration 16 minutes. Schott Music - Digital #Q6221. Published by Schott Music - Digital (S9.Q6221). Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.
$22.99
Exaltation
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Orgue
#
Musique Sacrée
#
Jeff Perks
#
Exaltation
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Organ 3-staff - Moderately Advanced - SKU: LX.70-2259L Vibrant Organ Music for Worship. Composed by Jeff Perks. Sacred. Organ. 64 pages. Lorenz P...
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Organ 3-staff - Moderately Advanced - SKU: LX.70-2259L Vibrant Organ Music for Worship. Composed by Jeff Perks. Sacred. Organ. 64 pages. Lorenz Publishing - Digital Sheet Music #e70/2259L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2259L). ISBN 9780787771065.Jeff Perks is a name you need to know! His years of music ministry and diverse background as a keyboard player are reflected in these magnificent organ pieces that move from the quietest spirit of prayer to the fullest joy of exaltation. These memorable works are sure to become favorites of organists and congregations alike.
$28.00
Machaut: La Messe de Nostre Dame for Organ
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Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Orgue
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INTERMÉDIAIRE/AVANCÉ
#
Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
ARIOSO, by J. S. Bach (sinfonia) - for Organ and accompaniment
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Orgue
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Organ - Level 1 - SKU: A0.964405 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Sco...
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Organ - Level 1 - SKU: A0.964405 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score. 2 pages. Leyandder Trustworthy #6322293. Published by Leyandder Trustworthy (A0.964405). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Organ along with a piano accompaniment that comes with the product.
$4.99
Partita on Sweet Hour ('Sweet Hour of Prayer')
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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contrast, variation three, in
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John Burkett
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John Burkett
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Partita on Sweet Hour
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John Burkett
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. J...
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Organ - Level 4 - SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. John Burkett #954835. Published by John Burkett (A0.1370464). My Partita on Sweet Hour (Sweet Hour of Prayer) presents the theme with an original 4-part harmonization followed by five variations. The first variation is a duo in which the tune is set against a continuous stream of sixteenth notes as accompaniment. The second variation is a waltz in the key of F-sharp major in which an ornamented and expanded version of the melody is accompanied by a modified um-pah-pah accompaniment played by the feet and left hand. By contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood. The next variation set in 5/8 meter is somewhat like a scherzo. Each phrase of the melody is in a different key and has modal inflections that lends it a mildly exotic character The fifth and final variation is a toccata in the French style that requires panache and bravura. The tune is intoned in slow moving rhythm by the feet while the hands provide a rapidly moving sextuplet accompaniment. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$22.00
Sonata In C For Organ (Scherzo)
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912500 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 14 pages. Thomas R. Schadl #4992633....
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Organ - Level 4 - SKU: A0.912500 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 14 pages. Thomas R. Schadl #4992633. Published by Thomas R. Schadl (A0.912500). The scherzo movement consists of two themes that contrast each other in musical character: one is written a somber style; the other has a folk-like melody that has no somber quality. The former theme is based on the melody that was introduced in the development section of the first movement of Sonata In C For Organ; the melody is written in the stepwise manner. As the piece is performed, one shall hear the fragmented version of the TRSCH (Thomas R. Schadl) motive. Scherzo is suitable for recital use.
$9.99
Organ Sonata No. 1 in G minor
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Steven Shade
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Organ Sonata No. 1 in G minor
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Steve Shade
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SheetMusicPlus
Organ - Level 4 - SKU: A0.834342 Composed by Steven Shade. 20th Century,Baroque,Classical,Concert,Standards. Score. 36 pages. Steve Shade #3553713. Publ...
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Organ - Level 4 - SKU: A0.834342 Composed by Steven Shade. 20th Century,Baroque,Classical,Concert,Standards. Score. 36 pages. Steve Shade #3553713. Published by Steve Shade (A0.834342). Organ Sonata No. 1 in G minor is a two movement piece written for organ solo. This piece is written in a Baroque-/Classical-like style, allowing plenty of interpretive ideas up to the performer. The first movement is in a standard sonata form, although the main theme of the exposition returns in the recapitulation as a fugue. This brisk and dramatic movement is closed by a hushed codetta that paves the way for the slow and expressive second movement. In addition to the sonata, this purchase includes a cover page and a contents page. The entire piece has been meticulously and professionally edited for quality assurance. Contains 36 pages.
$14.95
Organ Voluntary (Ite Missa Est) from the Mass setting for men's voices and organ.
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Organ Voluntary
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David Warin Solomons
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1297453 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 7 pages. David Wa...
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Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1297453 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 7 pages. David Warin Solomons #887510. Published by David Warin Solomons (A0.1297453). The music of this Mass has a ring of oriental promise according to one appreciative member of the congregation. It has been sung in Cathedrals in Manchester, Southwell and Dublin. However the only performance that included the Ite Missa Est was at Manchester Cathedral, and this was not recorded.You might like to hear the Mass, sung by the Manchester Cathedral Voluntary Choir, since the Ite Missa est uses many of the themes from the various sung movements.
$9.00
Gigue In E
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Orgue
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INTERMÉDIAIRE
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Thomas R
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Gigue In E
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 3 - SKU: A0.912449 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 5 pages. Thomas R. Schadl #2025049....
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Organ - Level 3 - SKU: A0.912449 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 5 pages. Thomas R. Schadl #2025049. Published by Thomas R. Schadl (A0.912449). Originally written as the last movement of the Baroque suite, the Gigue is a lively dance piece that appears in many forms in many composers' repertoire. Written in a 6/8 time, Gigue In E Major depicts a joyful spirit. This work is suitable for concert use as well as joyous occasions like Easter and other celebrations.
$6.99
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