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Never Thought
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37
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30
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14
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7
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5
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2
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1
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2
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18
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4
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4
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4
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2
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1
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1
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6
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
Clarinette et Alto
1
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1
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1
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1
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1
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1
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1
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1
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1
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10
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1
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1
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1
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18
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4
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4
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2
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1
2 Violoncelles (duo)
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4 Violoncelles
1
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1
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1
2 Violons (duo)
1
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5
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1
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1
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1
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--INSTRUMENTS--
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AUTOHARPE
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Vous avez sélectionné:
Never Thought
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Partitions à imprimer
5 partitions trouvées
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Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Accept God's Love (2024 version) (Organ/Soprano)
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Orgue
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INTERMÉDIAIRE
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Melody Mills
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Jon Burr
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Accept God's Love
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Melody Mills
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1494477 Composed by Melody Mills. Arranged by Jon Burr. Christian,Religious,Sacred. Score. 9 pages. Melody Mills #1071062. Pub...
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Organ - Level 3 - SKU: A0.1494477 Composed by Melody Mills. Arranged by Jon Burr. Christian,Religious,Sacred. Score. 9 pages. Melody Mills #1071062. Published by Melody Mills (A0.1494477). Sacred solo for church service. Lyric sheet included as last page. The listener is encouraged to receive God's grace and accept God's love, right now. Whatever you have done, Whatever you have thought, It is never too late to turn to God.See MelodyMills.com for full lyrics or listen to the Piano/Alto audio sample.Lyrics include:Give it all to God,Seek a higher view;Let yourself be loved,For God loves you.[chorus]Accept God's love, allow yourself to feelTender comfort deep inside;Receive God's grace, acknowledge love is real,And an ever-present guide;Accept God's love, soon you will see you are free!
$5.99
Claude Debussy: La Mort de Cordélia, from "King Lear" for organ
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Orgue
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INTERMÉDIAIRE
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: La Mort de Cor
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 3 - SKU: A0.534671 Composed by Claude Debussy/Robert Orledge. Concert,Contemporary,Standards. Score. 5 pages. Musik Fabrik Music Publishin...
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Organ - Level 3 - SKU: A0.534671 Composed by Claude Debussy/Robert Orledge. Concert,Contemporary,Standards. Score. 5 pages. Musik Fabrik Music Publishing #5775633. Published by Musik Fabrik Music Publishing (A0.534671). Noes by Robert Orledge: Debussy planned to compose seven pieces of incidental music for André Antoine’s production of Shakespeare’s King Lear (Le Roi Lear) in 1904 at the time of his elopement to Jersey with Emma Bardac. However, he never completed the project due to Antoine’s frequent postponements and unwillingness to provide the ‘30 musicians’ Debussy required to avoid ‘a feeble little sound like fleas rubbing their legs together!’ On the verso of the Fanfare manuscript from Debussy’s sketches, I discovered the start of an extremely moving little piece in a modal D minor, which could only be for ‘La Mort de Cordélia’ in Act 5, scene 3. I thought this would be best suited to a binary movement in which most of the first half, the striking chromatic introduction and the elegiac theme are all by Debussy. This pencil sketch turned up in 2000 in thecollection of Mrs Jayne Ericourt (wife of the pianist Daniel Ericourt) in Greensboro, North Carolina, USA.
$9.10
In the very midst of life
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Orgue
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INTERMÉDIAIRE
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Enjott Schneider
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In the very midst of life
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloada...
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Organ - intermediate - SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q45883. Published by Schott Music - Digital (S9.Q45883). An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the ‘dance of death’ was a popular motif in those years. Luther’s chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.
$9.99
Meditation on Nun komm, der Heiden Heiland, Op. 162 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Musique Sacrée
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Vidas Pinkevicius
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Meditation on Nun komm, der He
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1129164 Composed by Vidas Pinkevicius. Contemporary,Holiday,Praise & Worship,Sacred. Score. 2 pages. Vidas Pinkevicius #729693...
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Organ - Level 2 - SKU: A0.1129164 Composed by Vidas Pinkevicius. Contemporary,Holiday,Praise & Worship,Sacred. Score. 2 pages. Vidas Pinkevicius #729693. Published by Vidas Pinkevicius (A0.1129164). In this meditation on the beloved Advent hymn Nun komm, der Heiden Heiland (Saviour of the Nations, Come) chorale phrases alternate with the thoughtful refrain. Colourful chords and syncopated rhythms in the left hand part give the piece a special feeling. This composition will be effective during Advent liturgy and recitals whenever contemplative mood is desired. Dedicated to Graham Twist.
$4.99
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