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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Next
Sheetmusicplus
Non classifié
992
Piano & claviers
Piano seul
394
Piano Facile
134
Piano, Voix
124
Instruments en Do
103
Piano, Voix et Guitare
100
Accompagnement Piano
36
Orgue
22
1 Piano, 4 mains
16
Piano grosses notes
11
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 4 mains
4
Piano (partie séparée)
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
69
Guitare
34
Ukulele
26
Basse electrique
19
Ligne De Mélodie, (Paroles) et Accords
15
Paroles et Accords
12
Guitare (partie séparée)
4
Mandoline
4
Dulcimer
3
2 Guitares (duo)
3
2 Ukuleles
1
3 Guitares (trio)
1
Ukulele Baryton
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 3 parties
74
Chorale 2 parties
40
Chorale TTBB
40
Chorale SSAA
28
Pack Instrumental pour Chorale
15
Chorale Unison
15
Voix haute
11
Voix duo, Piano
6
Voix Soprano
5
Voix Soprano, Piano
5
Voix Alto, Piano
4
Voix Tenor, Piano
3
Voix Baryton, Piano
3
Voix duo
2
Chorale SSAATTBB
1
Chorale SSATB
1
+ 12 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
77
Quatuor de Flûtes : 4 flûtes
62
Quatuor de Clarinettes: 4 clarinettes
58
2 Saxophones (duo)
42
2 Flûtes traversières (duo)
39
Flûte traversière et Piano
39
Clarinette et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Clarinette
36
Quintette de Saxophone: 5 saxophones
35
Flûte, Hautbois, Clarinette, Basson
34
Saxophone Alto et Piano
33
Hautbois, Piano (duo)
26
Saxophone Soprano et Piano
25
2 Clarinettes (duo)
24
Saxophone Tenor et Piano
22
Flûte traversière
22
Saxophone (partie séparée)
22
3 Saxophones (trio)
21
Quintette de Clarinettes: 5 clarinettes
18
Quintette de Flûte : 5 flûtes
18
Saxophone Alto
16
Saxophone Tenor
15
3 Clarinettes (trio)
14
Ensemble de saxophones
14
Saxophone Baryton, Piano
12
Ensemble de Clarinettes
12
Hautbois
11
Trio de Flûtes: 3 flûtes
11
Flûte, Clarinette (duo)
10
Ensemble de Flûtes
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Hautbois (partie séparée)
9
Clarinette (partie séparée)
8
2 Hautbois (duo)
7
Flûte, Hautbois, Clarinette (trio)
6
Flûte et Guitare
5
Saxophone Baryton
5
Flûte à bec Alto
4
Saxophone Soprano
4
2 Flûte à bec (duo)
4
5 Flûtes à bec
3
Hautbois, Basson (duo)
3
Flûte à bec Soprano
3
Hautbois, Clarinette (duo)
3
Clarinette Basse, Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette et Alto
2
Saxophone
2
3 Flûtes à bec (trio)
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Flûte, Violon, Piano
1
Flûte, Violon
1
Flûte, Hautbois (duo)
1
2 Clarinettes, Piano
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Saxophone, Clarinette (duo)
1
Saxophone et Harpe
1
Flûte, Alto (duo)
1
Hautbois, Harpe
1
2 Saxophones, Piano
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Cor Anglais
1
Hautbois, violon (duo)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Trompette, Piano
39
Trompette
32
Trombone et Piano
26
Cor et Piano
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trombone
16
Quatuor de Cuivres
15
Tuba et Piano
15
Cor
15
Trombone (partie séparée)
15
Ensemble de Trompettes
13
Tuba
12
Trompette (partie séparée)
10
Ensemble de Trombones
10
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 cors
8
2 Trompettes (duo)
7
Trompette, Trombone (duo)
6
2 Trombones (duo)
6
Ensemble de Cors
6
2 Cors (duo)
5
2 Tubas (duo)
4
Euphonium, Piano (duo)
4
Tuba (partie séparée)
4
Cor (partie séparée)
3
2 Euphoniums et 2 Tubas
3
Euphonium
2
Cor anglais, Piano
2
3 Trompettes (trio)
1
Trompette, Saxophone (duo)
1
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
Clarinette, Cor (duo)
1
3 Cors (trio)
1
Cor et Harpe
1
3 Euphoniums
1
Trio de Cuivres
1
Cor Anglais
1
Trompette, Harpe
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
196
Violon et Piano
75
Violon
49
Violon (partie séparée)
33
Alto, Piano
33
Violoncelle, Piano
30
Trio à Cordes: violon, alto, violoncelle
29
Harpe
27
Violoncelle
25
Violon, Violoncelle (duo)
22
Alto seul
21
Trio à Cordes: 2 violons, violoncelle
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Contrebasse (partie séparée)
18
2 Violons (duo)
18
Alto (partie séparée)
13
Contrebasse, Piano (duo)
13
2 Violoncelles (duo)
12
Violon, Alto (duo)
11
Contre Basse
9
2 Harpes (duo)
8
2 Altos (duo)
8
Violoncelle (partie séparée)
8
Alto, Violoncelle (duo)
7
Trio à Cordes: 2 violons, alto
7
4 Violoncelles
3
Harpe, Violoncelle (duo)
2
2 Altos, Piano
2
Harpe, Violon (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Violon, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Alto et Harpe
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 257
Orchestre à Cordes
155
Ensemble Jazz
84
Ensemble de cuivres
68
Orchestre
64
Cloches
50
Batterie
31
Orchestre de chambre
19
Fanfare
17
Percussion (partie séparée)
12
Jazz combo
10
Ensemble de Percussions
6
2 Xylophones
4
Batterie (partie séparée)
3
Marimba
2
Xylophone, Piano
1
Timbales (partie séparée)
1
Vibraphone
1
Percussion
1
Instrumentation Flexible
1
Batterie-Fanfare
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Instruments
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CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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XYLOPHONE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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COMEDIES MUSICALES -…
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METHODE : TECHNIQUES
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1
Passacaglia for organ solo
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Passacaglia for organ solo
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin S...
(+)
Organ - Level 4 - SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Camden Town for organ solo
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Camden Town for organ solo
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin S...
(+)
Organ - Level 4 - SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Playtime for organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Playtime for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
(+)
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
5 pieces for organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
5 pieces for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin ...
(+)
Organ - Level 4 - SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00
Dorina for organ
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Dorina for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00
Processional Trumpet Tune (Hymns for Organ)
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Jubal's Lyre Music
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Processional Trumpet Tune
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1502362 By Jubal's Lyre Music. By Martin Dicke. Christian,Easter,Religious,Wedding. Score. 16 pages. Jubal's Lyre Music Publis...
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Organ - Level 4 - SKU: A0.1502362 By Jubal's Lyre Music. By Martin Dicke. Christian,Easter,Religious,Wedding. Score. 16 pages. Jubal's Lyre Music Publishers #1078166. Published by Jubal's Lyre Music Publishers (A0.1502362). This Trumpet Tune was composed as a processional for a wedding that began with the hymn “A Hymn of Glory Let Us Sing” (LASST UNS ERFREUEN). It may be played alone or as an introduction to any hymn based on that hymn tune as the opening motive was derived from the first phrase of that hymn. Three keys are provided (Eb, D, and C) along with the Ralph Vaughan Williams harmonization of the tune in those keys with various voicings. Play this piece for your next wedding, during the Easter season, or for any festival worship service. For more music and information, visit www.jubalslyre.com/music.
$5.99
Reflections on St. Denio: Immortal, Invisible, God Only Wise
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Orgue
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FACILE
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Curtis Hawthorne
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Reflections on St. Denio: Immo
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Curtis Hawthorne
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1415324 Composed by Curtis Hawthorne. Baroque,Christian,Classical,Contemporary,Sacred. Score. 5 pages. Curtis Hawthorne #99705...
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Organ - Level 2 - SKU: A0.1415324 Composed by Curtis Hawthorne. Baroque,Christian,Classical,Contemporary,Sacred. Score. 5 pages. Curtis Hawthorne #997059. Published by Curtis Hawthorne (A0.1415324). This piece explores the hymn tune St. Denio by reflecting on several phrases from the text and the musical forms they evoke. First, a toccata for the never ending motion of Immortal. Next, a meditation for the mysteries of Invisible. For God Only Wise, it seemed natural to use the wisest of musical forms, a fugue! Finally, we revisit the toccata and build to a conclusion of joyful praise for Almighty, Victorious, Thy Great Name We Praise! Perfect for preludes or postludes.
$3.99
Now Let Us Rejoice - Easy Organ Prelude
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Orgue
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FACILE
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Musique Sacrée
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William W Phelps
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Jacob Hershberger
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Now Let Us Rejoice - Easy Orga
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Jasberger Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1398405 By William W Phelps. By Henry Tucker. Arranged by Jacob Hershberger. Christian,Praise & Worship,Religious,Soul,Spiritu...
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Organ - Level 2 - SKU: A0.1398405 By William W Phelps. By Henry Tucker. Arranged by Jacob Hershberger. Christian,Praise & Worship,Religious,Soul,Spiritual. Score. 3 pages. Jasberger Music #981666. Published by Jasberger Music (A0.1398405). Imagine diving into the soulful melodies of “Now Let Us Rejoice†with my easy-breezy arrangement. It’s like a musical playground where you can explore different styles and voicings, adding your own flair to the classic hymn.Don’t worry if you’re just starting out – this arrangement is tailor-made for beginners. It’s like a gentle breeze that guides you through the keys, making it perfect for preludes, postludes, or even your next recital.I’m Jacob Hershberger, and I cooked up this arrangement just for you under Jasberger Music. It’s not just about playing notes; it’s about sharing joy through music.You’ll find this gem on sheet music and your favorite digital platforms. So, let’s spread some musical cheer together!
$4.99
Solemn Fanfare for organ, by Brenda Portman
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Brenda Portman
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Solemn Fanfare for organ, by B
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Brenda Portman
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SheetMusicPlus
Organ - Level 4 - SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017...
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Organ - Level 4 - SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017. Published by Brenda Portman (A0.753197). A solo organ work composed in 2020.This piece was commissioned by Ethan Neal, a student at the University of Kentucky, for a new music project to raise money for cancer research, and dedicated to all those who have fought a battle with cancer. It was premiered on August 22, 2021 by Ethan Neal at The Episcopal Church of the Holy Trinity in Georgetown, KY.Solemn Fanfare has three main ideas or themes: the opening fanfare material and two hymns: Christ the Victorious (RUSSIAN HYMN) and Be Still, My Soul (FINLANDIA). The piece is grandiose throughout and is meant to express the triumph of victory over cancer, whether in this life or the next. The solo trumpet presents RUSSIAN HYMN in an embellished and rhythmically altered manner within the flourishes of the opening and closing sections. In the middle section, FINLANDIA provides the strong chordal foundation above which the solo trumpet adds its triumphant yet sometimes dissonant fanfares, recalling the struggle and the pain that are part of the journey.
$7.00
Partita on Sweet Hour ('Sweet Hour of Prayer')
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Musique Sacrée
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contrast, variation three, in
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John Burkett
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John Burkett
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Partita on Sweet Hour
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John Burkett
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. J...
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Organ - Level 4 - SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. John Burkett #954835. Published by John Burkett (A0.1370464). My Partita on Sweet Hour (Sweet Hour of Prayer) presents the theme with an original 4-part harmonization followed by five variations. The first variation is a duo in which the tune is set against a continuous stream of sixteenth notes as accompaniment. The second variation is a waltz in the key of F-sharp major in which an ornamented and expanded version of the melody is accompanied by a modified um-pah-pah accompaniment played by the feet and left hand. By contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood. The next variation set in 5/8 meter is somewhat like a scherzo. Each phrase of the melody is in a different key and has modal inflections that lends it a mildly exotic character The fifth and final variation is a toccata in the French style that requires panache and bravura. The tune is intoned in slow moving rhythm by the feet while the hands provide a rapidly moving sextuplet accompaniment. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$22.00
Scènes d'Enfant
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Orgue
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AVANCÉ
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Jean Guillou
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Scènes d'Enfant
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music...
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Organ - advanced to difficult - SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 28. Duration 16 minutes. Schott Music - Digital #Q6221. Published by Schott Music - Digital (S9.Q6221). Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.
$22.99
Now Let the Heavens Be Joyful (Provençal)
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Lynn L
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Lynn L
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suitable for a 2-manual organ
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Now Let the Heavens Be Joyful
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Lynn L. Petersen
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1197878 Composed by Lynn L. Petersen and Provençal Carol. Arranged by Lynn L. Petersen. Christian,Easter,Praise & Worship,R...
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Organ - Level 3 - SKU: A0.1197878 Composed by Lynn L. Petersen and Provençal Carol. Arranged by Lynn L. Petersen. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Lynn L. Petersen #797042. Published by Lynn L. Petersen (A0.1197878). An organ arrangement of the Provençal tune used with the Easter text Now Let the Heavens Be Joyful. Suitable for worship or concert use during the Easter season. May function as prelude, postlude, hymn introduction or hymn accompaniment. Written on three staves with pedal; suitable for a 2-manual organ.The arrangement begins with an introduction based on tune motives, then three continuous variations of the tune follow, with an ending based on the refrain. The arrangement employs abundant harmonic variety and builds in intensity and texture from one variation to the next. In the first variation the melody is played in the right hand with left hand counterpoint and pedal accompaniment. In the second variation the melody is played in the left hand with fanfare motives in the right hand, and pedal is added on the refrain. The third variation employs full organ and thick chordal texture. The refrain is repeated at a slower tempo and earlier fanfare motives reappear to end the piece.
$4.99
Jan Zach - Fugue in C Minor
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Orgue
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Classique
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...
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Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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INTERMÉDIAIRE
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "
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Matthew Alan Edwards
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SheetMusicPlus
Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score...
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Organ - Level 3 - SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Near the Cross
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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William H
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Adam Burnette
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Near the Cross
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James Adam Burnette
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1113608 Composed by William H. Doane. Arranged by Adam Burnette. Contemporary,Sacred,Traditional. Indiv...
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Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.1113608 Composed by William H. Doane. Arranged by Adam Burnette. Contemporary,Sacred,Traditional. Individual part. 7 pages. James Adam Burnette #715509. Published by James Adam Burnette (A0.1113608). Since my childhood, this tune has never been far from my ear. This arrangement is a serene setting with lush, extended harmonies with transparent pools of cluster chords and yearning minor second dissonances, flowing steadily to an imminent and truly ecstatic moment at the apex of the narrative, then wafting back to the plaintive, humble tune I learned sitting next to my aunt on the second pew on Sunday as a very young boy.
$5.00
Guthrie: Organ Prelude on In Nomine
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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James M
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Guthrie: Organ Prelude on In N
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jmsgu3
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SheetMusicPlus
Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.5499...
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Organ - Level 4 - SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95
Prelude on St. Agnes ('Jesus, the Very Thought of Thee')
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Orgue
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FACILE
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John Burkett
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John Burkett
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Prelude on St. Agnes
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John Burkett
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #932107. Published ...
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Organ - Level 2 - SKU: A0.1347300 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #932107. Published by John Burkett (A0.1347300). This arrangement of the hymn tune St. Agnes (Jesus, the Very Thought of Thee) is a relatively simple setting that requires only a two-manual organ and modest playing ability. A 12-bar introduction sets the mood. Each phrase of the tune then appears, each separated from the next by a brief interlude. Just as the piece seems to reach its conclusion, the final cadence is evaded and a second rendition of the melody is heard in another key. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Guthrie: Elegy for Lili
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Orgue
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INTERMÉDIAIRE
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James M
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Guthrie: Elegy for Lili
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jmsgu3
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896...
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Organ - Level 3 - SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
Dance of the Trumpet
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Orgue
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FACILE
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Musique Sacrée
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Jacob Hershberger
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Dance of the Trumpet
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Jasberger Music
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SheetMusicPlus
Organ - Level 2 - SKU: A0.956093 Composed by Jacob Hershberger. Classical,Contemporary,Patriotic,Praise & Worship,Sacred. Score. 2 pages. Jasberger Musi...
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Organ - Level 2 - SKU: A0.956093 Composed by Jacob Hershberger. Classical,Contemporary,Patriotic,Praise & Worship,Sacred. Score. 2 pages. Jasberger Music #5708191. Published by Jasberger Music (A0.956093). Dance of the Trumpet?Dazzle audiences with this in your next recital with this joyfully fast original composition is easy enough to learn but be careful, it has some tricky rhythms. Written specifically for the organ, this piece allows you to play around and have some fun with the solo stops and accompany it with some fun and different stops for the marching dance. Make sure you have a piston set for the grand finish at the end.
$2.50
Variations and Fugue on a Christmas Carol (Downloadable)
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Orgue
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INTERMÉDIAIRE
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Noël
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Byron Adams
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Variations and Fugue on a Chri
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet ...
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Composed by Byron Adams. Christmas, Lessons and Carols. Score. 13 pages. Duration 6 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet Music #8764-E. Published by MorningStar Music Publishers - Digital Sheet Music
This score is based on the old British Carol "I saw three ships." There are seven variations preceding the fugue. After the theme has been stated, the first two variations extend the theme; the third variation introduces the pedals. The next three variations are in the style of Baroque genres: the fourth variation is a noel written as an homage to Daquin; the fifth variation is a figured chorale, in which the chorale Von Himmel hoch, da komm ich her makes its first appearance; and the sixth is a Handelian rigaudon. The seventh variation is a "carillion" in which Von Himmel hoch reappears. After a dramatic, dissonant chord, the score concludes with a chorale fugue during which Von Himmel hoch appears in the pedal. Composed for and dedicated to David Higgs, in celebration of his twenty-five years of teaching at the Eastman School of Music. Duration: 6:45.
$11.00
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