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Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Orgelsinfonie No. 9
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 9
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q7132 Pathétique. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7...
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Organ - advanced - SKU: S9.Q7132 Pathétique. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7132. Published by Schott Music - Digital (S9.Q7132). One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathétique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And that is no coincidence: The composer regards his organ work as an homage to this 'elder sister'. While Tchaikovsky, in a secret programme, made out his own life to be a struggle and long ordeal to the point of his suspected suicide, Enjott Schneider presents those hours as the ultimate tale of woe in which Jesus had well and truly become human, fatefully bearing the pain and misery of all people. 'Gethsemane', 'Geiselung: Ecce homo', 'Golgatha' and 'Grablegung': Maria Magdalena' are the names of the stages and movements. The Greek word 'pathos' means 'strong emotion, feeling, passion or suffering' - in Schneider's Organ Symphony No. 9, this comes true, musically, in his inner conflict, struggle, wrestling with his fate, cruelty of the crucifixion and deathly silence.Natürlich denkt man beim Titel Orgelsinfonie Nr. 9 Pathétique von Enjott Schneider an ein anderes Werk mit diesem Beinamen: an Tschaikowskys Sinfonie Nr. 6. Und das ist kein Zufall: Der Komponist sieht sein Orgelwerk als Hommage an diese große Schwester an.
$21.99
"Ah, Holy Jesus", organ solo, melody in pedals
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Orgue
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INTERMÉDIAIRE
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Johann Cruger
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Terry M
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"Ah, Holy Jesus", or
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 3 - SKU: A0.932692 Composed by Johann Cruger. Arranged by Terry M. Forsyth. Christian,Easter,Instructional,Sacred. Score. 2 pages. Forsyth...
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Organ - Level 3 - SKU: A0.932692 Composed by Johann Cruger. Arranged by Terry M. Forsyth. Christian,Easter,Instructional,Sacred. Score. 2 pages. Forsyth Publishing #6113429. Published by Forsyth Publishing (A0.932692). This Good Friday composition of 2 minutes uses the accompanying figure for the JS Bach composition A Voice Saith 'All Are Mortal' is used with this hymn with melody in pedal. The concept is by the men doing their job of performing crucifixions seem to have had no idea who was one of the men they were to crucify that day--Jesus was just another victim of their day's work. The voix celeste is indicated because if this were orchestrated in the baroque period, the accompanying figure would be strings so it is here. Great for congregations where music is restricted to hymns people know, also good for students learning use of pedalboard because slow meter yet relatively constant movement. Hymn tune: Herzliebster Jesu.
$4.99
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