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ACCORDEON
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GUITARE
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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XYLOPHONE
Nothing From Nothing
Non classifié
153
Piano & claviers
Piano seul
165
Piano, Voix et Guitare
77
Piano, Voix
49
Piano Facile
36
Instruments en Do
16
Piano grosses notes
6
Orgue, Piano (duo)
4
1 Piano, 4 mains
3
Piano (partie séparée)
2
Orgue
2
Accordéon
1
Accompagnement Piano
1
Fake Book
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
27
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
10
Ukulele
10
Guitare
6
Guitare (partie séparée)
4
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Paroles et Accords
1
+ 5 instrumentations
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Voix
Chorale SATB
65
Chorale 3 parties
15
Chorale TTBB
15
Chorale SSAA
12
Chorale 2 parties
7
Voix haute
5
Chorale Unison
4
Voix Tenor
2
Voix basse
1
Voix Alto, Piano
1
Voix duo
1
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Piano
1
+ 8 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Quatuor de Saxophones: 4 saxophones
15
Saxophone (partie séparée)
14
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto et Piano
9
Hautbois, Piano (duo)
7
Clarinette et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
6
Flûte traversière et Piano
6
3 Saxophones (trio)
5
Saxophone Tenor et Piano
5
2 Flûtes traversières (duo)
5
Ensemble de Flûtes
5
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
3
Saxophone Alto
3
2 Flûte à bec (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette
2
3 Clarinettes (trio)
2
Saxophone Soprano et Piano
2
Flûte traversière
2
Cor anglais, Piano
2
2 Clarinettes (duo)
2
Flûte à Bec
2
Trio de Flûtes: 3 flûtes
2
Flute (partie séparée)
1
Clarinette, Basson (duo)
1
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1
Saxophone Tenor
1
5 Flûtes à bec
1
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1
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1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
Flûte irlandaise
1
Ensemble de Clarinettes
1
Quintette de Flûte : 5 flûtes
1
+ 38 instrumentations
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Trombone (partie séparée)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
4
Tuba
4
Trompette
4
Trombone et Piano
4
Quatuor de Cuivres
4
Trombone
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Bass Clef Instruments
1
Ensemble de Tubas
1
4 Tubas
1
Trompette, Piano
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
Cor
1
Ensemble de Trompettes
1
Instruments en Fa
1
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1
Cor (partie séparée)
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Ensemble de Cors
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Harpe
9
Violon, Violoncelle (duo)
8
Alto, Piano
8
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon et Piano
6
Violon
6
Violoncelle
4
Violoncelle, Piano
4
Alto seul
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
Violon, Alto (duo)
3
Contrebasse (partie séparée)
3
Contre Basse
2
Violon (partie séparée)
2
4 Violoncelles
2
2 Violons (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
2 Altos (duo)
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 24 instrumentations
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Orchestre d'harmonie
39
Orchestre à Cordes
33
Ensemble Jazz
28
Ensemble de cuivres
21
Orchestre
20
Jazz combo
5
Batterie
4
Orchestre de chambre
3
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2
Marimba
2
Piano et Orchestre
1
Vibraphone
1
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Vous avez sélectionné:
Nothing From Nothing
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Partitions à imprimer
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"The Cares of Winter" from "The Seasons", suite for organ
Orgue
Organ - Level 3 - Digital Download SKU: A0.935501 Composed by Kazys Daugela. Christ…
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Organ - Level 3 - Digital Download SKU: A0.935501 Composed by Kazys Daugela. Christmas,Contemporary. Score. 5 pages. Kazys Daugela #6292379. Published by Kazys Daugela (A0.935501). Four-part suite The Seasons for narrator and orchestra Lithuanian composer Kazys Daugėla created on the basis of K. Donelaitis poem The Seasons plots and the most famous artist Vytautas Kazimieras Jonynas (1907-1997) woodcut illustrations. These Donelaitis poem The Seasons illustrations have become classics of Lithuanian art. Composer created his paintings of the suite using native Lithuania Minor folk song melodies. Some of them are written almost 200 years ago. Most songs used are from Christian Bartsch prepared and published by Lithuanian folk songs Song of the votes. If you do not doubt that the song’s soul is in the melody, it should also be true, that the song is understood correctly only when we sing or listen to it – so believed Ch. Bartsch. He could not possibly foresee that the songs that sounded at his time will be wiped out in parallel with the East Prussian population. But after all, maybe he did predict? Therefore, he was rescuing them. The ancient epics and worldview associate The Seasons with cyclical idea of time, which is expressed by the view of The Sun’s path in the sky. The main hero of this musical work is The Sun and the diversity of nature, life and work associated with it. In the Eternal Circle we born, age, die - everything repeats, nothing new happens. In the second part of the The Cares of Winter, the Lithuanian traditional Advent song Sodai, sodai, leliumoj was used and developed.
$3.99
3.67 €
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Orgue
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Kazys Daugela
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"The Cares of Winter" from "The Seasons", suite for organ
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Kazys Daugela
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SheetMusicPlus
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
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