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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
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FORMATION MUSI…
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LIVRES
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OCARINA
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ORGUE
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XYLOPHONE
Performance time - 3:30.
Non classifié
80
Piano & claviers
Piano seul
22
Piano Facile
6
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4
Accompagnement Piano
4
Orgue
4
1 Piano, 4 mains
4
Instruments en Do
2
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1
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1
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1
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1
+ 6 instrumentations
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Guitares
2 Guitares (duo)
2
Ukulele
1
Guitare
1
Guitare notes et tablatures
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Voix
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30
Chorale Unison
14
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12
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7
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1
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1
Voix duo, Piano
1
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Vents
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12
Ensemble de Clarinettes
9
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7
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7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto et Piano
6
Quintette de Saxophone: 5 saxophones
5
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5
Quintette de Clarinettes: 5 clarinettes
3
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2
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2
Quatuor de Flûtes : 4 flûtes
2
2 Flûtes traversières (duo)
2
Hautbois, Piano (duo)
2
Flûte traversière
1
2 Saxophones (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette et Piano
1
Saxophone Soprano et Piano
1
Saxophone (partie séparée)
1
Saxophone Tenor et Piano
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
+ 18 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Ensemble de Trombones
2
Ensemble de Trompettes
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
Trompette
1
Tuba et Piano
1
Trombone et Piano
1
Quatuor de cuivres: 4 trombones
1
+ 4 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
16
Harpe
7
Violon et Piano
5
Alto, Piano
4
Violon
4
Alto seul
4
Violoncelle, Piano
2
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
4 Harpes
1
Piano Trio: Violon, Alto, Piano
1
+ 6 instrumentations
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Orchestre d'harmonie
46
Orchestre
6
Ensemble de cuivres
4
Orchestre de chambre
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Cloches
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Ensemble de Percussions
2
Orchestre à Cordes
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Ensemble Jazz
1
Jazz combo
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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Vous avez sélectionné:
Performance time - 3:30.
Orgue
Partitions à imprimer
4 partitions trouvées
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A Fugal Trilogy
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Healey Willan
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II
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A Fugal Trilogy
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Biretta Books
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SheetMusicPlus
Organ - Level 4 - SKU: A0.879598 Composed by Healey Willan. 20th Century. Score. 16 pages. Biretta Books #3517967. Published by Biretta Books (A0.879598...
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Organ - Level 4 - SKU: A0.879598 Composed by Healey Willan. 20th Century. Score. 16 pages. Biretta Books #3517967. Published by Biretta Books (A0.879598). I. Chorale and Fugue; II. Aria and Fugue; III. Elegy and Fugue. Performance time is (I) 4:45; (II) 4:30; (III) 4:30. These works by Healey Willan (Dean of Canadian Composers) are wonderful gems composed for the organ. It is a perfect organ suite in concert or for use in church services. Biretta Books in Chicago distributes titles in cooperation with the Estate of Healey Willan and the Healey Willan Society. Learn more at http://healeywillan.com/
$7.95
Variations for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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GLENN C
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Variations for Organ
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GLENN C JONES
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.612884 Composed by GLENN C. JONES. 20th Century,Classical. Individual part. 7 pages. GLENN C JONES #222...
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Instrumental Solo,Pipe Organ - Level 4 - SKU: A0.612884 Composed by GLENN C. JONES. 20th Century,Classical. Individual part. 7 pages. GLENN C JONES #222081. Published by GLENN C JONES (A0.612884). This is a set of variations for pipe organ. It is suitable for Advanced Intermediate and Advanced players. It is suitable for recital, concert, and teaching. Performance time is approximately 4:30. It does require an organ with pedals.
$9.99
Jan Zach - Fugue in C Minor
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Orgue
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Classique
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...
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Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Fantasie and Fugue on the name of " B-A-C-H "
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Orgue
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AVANCÉ
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Classique
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Franz Liszt
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Jean Guillou
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Fantasie and Fugue on the name
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Schott Music - Digital
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SheetMusicPlus
Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. ...
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Organ - difficult - SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. Duration 13' 30. Schott Music - Digital #Q6227. Published by Schott Music - Digital (S9.Q6227). In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.
$16.99
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Performance time - 3:30.
