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Robert A. Howard
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Vous avez sélectionné:
Robert A. Howard
SheetMusicPlus
Partitions à imprimer
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Postlude in Glory
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Orgue
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INTERMÉDIAIRE
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Robert A
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Postlude in Glory
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Robert A. Howard
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1399319 Composed by Robert A. Howard. 21st Century,Christian,Easter,Lent,Sacred. Individual part. 7 pages. R...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1399319 Composed by Robert A. Howard. 21st Century,Christian,Easter,Lent,Sacred. Individual part. 7 pages. Robert A. Howard #982587. Published by Robert A. Howard (A0.1399319). 'Postlude in Glory' was specifically written for John Hosking and the first Blackburn Cathedral Composition Competition in 2023. The brief was to compose a Postlude to be played at the end of the Easter Day service, and to use a well known Easter melody. The piece begins with an introduction based on piling fourths, around the opening three notes of the ensuing theme upon which the work is based: 'Melchoir Vulpius' (1609), otherwise known as the hymn tune 'The Strife is O'er'. There follows a set of variations on this theme; initially featuring an Alberti bass, then a variant with the melody in canon in the pedals, then followed by a tonic minor key version, and then a 'scherzando' variation using 5/8 metre in the subdominant. After a return of the introductory build-up, a final 'brillante' version of the theme is stated, complete with fanfares, followed by a victorious coda. The work is highly accessible and can be performed by higher-grade students and professional players.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.99
Vigil
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Orgue
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INTERMÉDIAIRE
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Robert A
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Vigil
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Robert A. Howard
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part. 6 pages. Robert A. Howard #992998. Published by Robert A. Howard (A0.1410578). This work for solo organ aims to recreate the atmosphere of a vigil. Concepts of watching, waiting, meditating, and remembering are all associated with the various forms of 'vigils' that have and do exist worldwide. The piece is based on 8 ascending and varied cycles of a 9-bar added-note chord sequence and theme. Only the white notes are used, in the modal aeolian scale (A-A), within a slow, reverential tempo. There is an aspect of symmetry roughly about the centre, or apex of the work; dynamics and rhythmic complexity increase until the central variation, before receding until a quiet, reflective ending and quasi resolution.Duration: 6 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
Meditation
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Meditation
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Robert A. Howard
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SheetMusicPlus
Organ - Level 4 - SKU: A0.998851 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 9 pages. Robert A. Howard #6205889. Published...
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Organ - Level 4 - SKU: A0.998851 Composed by Robert A. Howard. 20th Century,Contemporary,Standards. Score. 9 pages. Robert A. Howard #6205889. Published by Robert A. Howard (A0.998851). This extended organ piece uses a remarkably small amount of material; just two chords, triads of C and F sharp, with an added augmented fourth in each. Over these chords, a melody gradually unfolds and is developed and decorated (also appearing in canon at one point in the pedals!). This musical material originates from the same composer's early original setting of the carol Away in a Manger (also available via Sheet Music Plus), which uses the aforementioned harmonies to depict the rocking motion of Christ's crib. Therefore, this organ work is a 'meditation' on this, almost in the manner of a chorale prelude. The piece is highly accessible and is appropriate for higher standard organists, including advanced students and professional players.Duration: 5 minutes 40 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$5.99
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
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Robert A. Howard
