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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
3.68 €
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
Complete Organ Works
Orgue
Organ - intermediate - Digital Download SKU: S9.Q47865 8 Magnificat Cycles - 2 C…
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Organ - intermediate - Digital Download SKU: S9.Q47865 8 Magnificat Cycles - 2 Chorale Fantasias. Composed by Hieronymus Praetorius. This edition: Sheet music. Masters of the North German School for Organ. Die Reihe Meister der Norddeutschen Orgelschule enthält sämtliche Orgelwerke der Stadtkirchenorganisten von Hamburg (H. Praetorius, Jakob Praetorius, Johann Praetorius), Lüneburg (Johann Steffens) und Hannover (Melchior Schildt). Downloadable. Op. 1. Schott Music - Digital #Q47865. Published by Schott Music - Digital (S9.Q47865). Hieronymus Praetorius (1560-1629) was one of the founding fathers of organ music in Protestant North Germany. This new edition brings together for the first time various surviving chorale melodies by him (Cantiones sacrae, Hamburg 1587) and the organ pieces to go with them (tablature by Visby, 1611). These early baroque pieces are suitable for either liturgical use or concert performance.
$31.99
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Orgue
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Hieronymus Praetorius
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Complete Organ Works
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Schott Music - Digital
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SheetMusicPlus
Toccata and Fugue in D Minor
Orgue
Organ - Level 4 - Digital Download SKU: A0.1258791 Composed by Johann Sebastian Bac…
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Organ - Level 4 - Digital Download SKU: A0.1258791 Composed by Johann Sebastian Bach. Arranged by Shahar G. Baroque,Classical,Romantic Period. Score. 15 pages. Shahar .G #852049. Published by Shahar .G (A0.1258791). Johann Sebastian Bach (1685-1750) isbelieved to have composed the Toccataand Fugue in D minor, BWV 565, based onthe oldest surviving sources of the piece.This organ music begins with a toccatasection, followed by a fugue thatconcludes with a coda. There isdisagreement among scholars regardingthe composition's exact date, ranging fromaround 1704 to as late as the 1750s. Thecomposition largely adheres to thecharacteristics typically associated withthe Baroque era's north German organschool, while also incorporating stylisticinfluences from the south German region.Recording by Rousseau
$1.99
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Orgue
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Johann Sebastian Bach
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Shahar G
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Toccata and Fugue in D Minor
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Shahar .G
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Orgue
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
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Orgue
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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