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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That's Not Right
Sheetmusicplus
Non classifié
341
Piano & claviers
Piano seul
284
Piano Facile
117
Piano, Voix
68
Piano, Voix et Guitare
38
Instruments en Do
23
Orgue
7
2 Pianos, 4 mains
4
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
2
Piano grosses notes
2
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
22
Basse electrique
7
Banjo
3
2 Guitares (duo)
3
Ukulele
3
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
4 Guitares (Quatuor)
2
Paroles et Accords
2
Mandoline
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
88
Chorale SSAA
20
Chorale 3 parties
20
Chorale 2 parties
17
Chorale TTBB
11
Chorale Unison
11
Voix Alto, Piano
9
Voix duo, Piano
5
Voix Soprano, Piano
3
Voix Baryton, Piano
2
Voix haute
2
Chorale SSATTB
1
Voix basse
1
Voix moyenne, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Saxophone (partie séparée)
17
Quintette de Saxophone: 5 saxophones
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Ensemble de Flûtes
11
Ensemble de saxophones
11
Flûte traversière et Piano
11
Harmonica
9
Hautbois, Piano (duo)
9
Flûte traversière
8
2 Saxophones (duo)
8
Flûte, Clarinette (duo)
8
Quatuor de Saxophones: 4 saxophones
8
Saxophone Baryton, Piano
7
Clarinette et Piano
7
Hautbois, Clarinette (duo)
7
Ensemble de Clarinettes
7
Saxophone Tenor
6
2 Flûtes traversières (duo)
6
Saxophone Tenor et Piano
6
Saxophone Alto
6
Saxophone Soprano et Piano
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Alto et Piano
5
Clarinette
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte, Hautbois (duo)
4
2 Clarinettes (duo)
4
Clarinette, Violon (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
3
Hautbois, Basson (duo)
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
2
Ocarina
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Quatuor de Flûtes : 4 flûtes
2
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Hautbois, Flûte
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Quatuor de Flûtes à bec
1
2 Clarinettes, Piano
1
Cor anglais et Harpe (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Trompette (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Tuba
8
Trombone et Piano
7
Trombone (partie séparée)
5
Cor et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Trombone
4
Trompette, Saxophone (duo)
4
Trompette, Cor (duo)
4
2 Trompettes (duo)
4
Trompette (partie séparée)
4
Trompette, Piano
4
Cor
4
Tuba et Piano
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Trompette
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
2 Cors (duo)
2
2 Tubas (duo)
2
Trompette, Tuba (duo)
2
Trombone, Tuba (duo)
2
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
4 Tubas
1
Cor (partie séparée)
1
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
Ensemble de Cors
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
87
Violon, Violoncelle (duo)
34
Harpe
26
Violon
20
Violon et Piano
20
Violoncelle
19
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
11
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violoncelle, Piano
7
2 Violoncelles (duo)
5
Alto seul
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Contre Basse
4
2 Altos (duo)
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
3
2 Violons (duo)
3
Harpe, Voix
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
2
Ensemble de Violons
2
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
61
Orchestre
30
Orchestre à Cordes
25
Ensemble Jazz
21
Orchestre de chambre
15
Ensemble de cuivres
13
Cloches
4
Jazz combo
4
Fanfare
2
Ensemble de Percussions
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Batterie
1
Marimba
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Crtitères actifs :
That's Not Right
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
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1
Jan Zach - Fugue in C Minor
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Orgue
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Classique
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...
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Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Suite (Downloadable)
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Orgue
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Clay Christiansen
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Suite
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Moderately Difficult - SKU: MQ.10-498-E Composed by Clay Christiansen. 25 pages. MorningStar Music Publishers - Digital Sheet Music #10-498-E. P...
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Organ - Moderately Difficult - SKU: MQ.10-498-E Composed by Clay Christiansen. 25 pages. MorningStar Music Publishers - Digital Sheet Music #10-498-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-498-E). The Organist Emeritus at the Mormon Tabernacle has written this original suite with the following movements:1. Tribute (a sort of trumpet tune)2. Fugue (playful, flute stops)3. A Mother's Lullaby (strings and flutes)4. Scherzetto (trumpet against bright flutes)5. Exaltation (begins in a warm dignified manner, registration brightens as sixteenth notes appear - including in the pedal - building to a dramatic close)Excellent in a recital, suitable for worship despite the fact that it is not hymn-based. Duration 15:00.
$18.00
I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
The Stylophone Songbook
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Orgue
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DÉBUTANT
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Traditional
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Andy Pike
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The Stylophone Songbook
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Andy Pike Music
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SheetMusicPlus
Organ - Level 1 - SKU: A0.1333729 Composed by Traditional. Arranged by Andy Pike. Baroque,Children,Classical,Traditional. Score. 6 pages. Andy Pike Musi...
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Organ - Level 1 - SKU: A0.1333729 Composed by Traditional. Arranged by Andy Pike. Baroque,Children,Classical,Traditional. Score. 6 pages. Andy Pike Music #920026. Published by Andy Pike Music (A0.1333729). The Stylophone is a classic electronic musical instrument which originally came to llight in 1968!  It's still as popular as ever today and so we've created a series of books to help the beginner first and foremost.This book contains 6 pages with a helpful instruction guide and then 6 copyright free tunes with musical notation and numbers to match the metal keyboard on the Stylophone. Such tunes that are included are Twinkle Twinkle Little Star, Happy Birthday and 4 more.Please note that this is a digital book and as such will be emailed within 24 hours of you completing the sale.  If you have any questions please ask :-)  This is great as with the postal strikes currently you'll know you won't have to wait for the post!We hope you enjoy the Stylophone and the books as much as we do!
$5.04
Come With Joy- An Organ Suite for Weddings
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Orgue
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FACILE
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Pat Boozer
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Come With Joy- An Organ Suite
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Pat Boozer
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by ...
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Organ - Level 2 - SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by Pat Boozer (A0.1012922). COME WITH JOY is a wedding suite containing a bridesmaids' processional (REGENCY), bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together. This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes and the bridal march with fanfare is certainly worth a consideration!An audio file of Song of Joy is included here to give you an idea of the flavor of the suite. It is the bridal march with fanfare. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$12.00
Come With Joy- An Organ Suite for Weddings--#3 Festive Psalm
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Pat Boozer
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Come With Joy- An Organ Suite
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Pat Boozer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by P...
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Organ - Level 3 - SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by Pat Boozer (A0.1012921). FESTIVE PSALM, a bridal recessional, is the 3rd of three pieces in the set, COME WITH JOY. This wedding suite contains a bridesmaids' processional (REGENCY), a bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together, however, there is a sense of unity of thought and of keys if all three are used in the wedding service.This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes.An audio file of FESTIVE PSALM is included here. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$6.00
Vigil
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Orgue
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INTERMÉDIAIRE
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Robert A
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Vigil
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Robert A. Howard
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SheetMusicPlus
Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part...
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Instrumental Solo,Organ - Level 3 - SKU: A0.1410578 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,New Age,Religious. Individual part. 6 pages. Robert A. Howard #992998. Published by Robert A. Howard (A0.1410578). This work for solo organ aims to recreate the atmosphere of a vigil. Concepts of watching, waiting, meditating, and remembering are all associated with the various forms of 'vigils' that have and do exist worldwide. The piece is based on 8 ascending and varied cycles of a 9-bar added-note chord sequence and theme. Only the white notes are used, in the modal aeolian scale (A-A), within a slow, reverential tempo. There is an aspect of symmetry roughly about the centre, or apex of the work; dynamics and rhythmic complexity increase until the central variation, before receding until a quiet, reflective ending and quasi resolution.Duration: 6 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$4.99
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