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309
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195
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146
Instruments en Do
78
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22
Accompagnement Piano
21
2 Pianos, 4 mains
12
Piano Trio: piano, violon, violoncelle
11
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
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Guitare
25
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3
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1
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339
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77
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54
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50
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40
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36
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14
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10
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7
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3
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3
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3
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2
Soli, choeur mixte et accompagnement
2
Voix Tenor, Piano
2
Voix seule
1
Voix Mezzo-Soprano, Piano
1
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1
Chorale SSATB
1
Voix Baryton, Piano
1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
115
Quintette de Saxophone: 5 saxophones
90
Hautbois, Piano (duo)
75
2 Saxophones (duo)
72
Flûte traversière et Piano
70
Clarinette et Piano
61
Quatuor de Saxophones: 4 saxophones
60
Clarinette
48
Saxophone (partie séparée)
46
Flûte, Hautbois, Clarinette, Basson
45
Saxophone Alto et Piano
41
Saxophone Tenor et Piano
39
Hautbois (partie séparée)
38
Flûte traversière
36
Saxophone Alto
33
2 Flûtes traversières (duo)
32
Saxophone Soprano et Piano
27
Saxophone Baryton, Piano
25
2 Clarinettes (duo)
23
Quintette de Clarinettes: 5 clarinettes
18
Quatuor de Clarinettes: 4 clarinettes
18
2 Hautbois (duo)
15
Cor anglais, Piano
15
Flûte, Clarinette (duo)
14
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13
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12
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12
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12
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10
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10
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9
Hautbois
8
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7
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7
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7
Saxophone Tenor
7
3 Clarinettes (trio)
7
Flûte à bec Soprano
7
Hautbois, Violoncelle
7
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6
Ensemble de Flûtes
6
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5
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5
Clarinette (partie séparée)
5
Saxophone Baryton
4
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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76
Trompette
56
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55
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45
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39
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35
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34
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29
Cor
28
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22
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21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
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19
2 Trombones (duo)
18
2 Cors (duo)
17
2 Trompettes (duo)
17
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15
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12
Quatuor de Cuivres
11
2 Tubas (duo)
8
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5
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5
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5
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4
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4
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
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3
Trio de Cuivres
3
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3
Trompette, Saxophone (duo)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
Bass Clef Instruments
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
4 Tubas
1
Euphonium
1
2 Euphoniums et 2 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
88
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69
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67
Violon
58
Violoncelle (partie séparée)
40
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32
Trio à Cordes: violon, alto, violoncelle
32
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
2 Violons (duo)
29
2 Violoncelles (duo)
24
Contre Basse
19
Contrebasse, Piano (duo)
19
2 Altos (duo)
18
Violoncelle
17
Violon, Alto (duo)
15
2 Harpes (duo)
12
Alto (partie séparée)
11
2 Contrebasses (duo)
9
Piano Trio: Violon, Alto, Piano
9
Harpe
8
Ensemble de Violons
6
Trio à Cordes: 2 violons, violoncelle
6
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5
Ensemble d'Altos
5
Violon, Basson (duo)
5
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5
Harpe, Voix
4
Alto, Violoncelle (duo)
3
Alto et Basson
3
Trio à Cordes: 3 violoncelles
3
Violon, Clarinette, Piano (trio)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
2
Violoncelle, Basse continue
2
Trio à cordes: 3 violins
2
2 Violons, Piano
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Violoncelle , Guitare (duo)
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Quatuor à cordes : 4 altos
1
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1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
292
Orchestre
84
Orchestre à Cordes
56
Orchestre de chambre
23
Ensemble Jazz
23
Ensemble de cuivres
18
Cloches
16
Jazz combo
11
Percussion (partie séparée)
7
Marimba
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Fanfare
4
Batterie
4
Ensemble de Percussions
3
Batterie (partie séparée)
2
Orchestre, Violon
1
Vibraphone et Marimba
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Xylophone
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AUTRES
Formation musicale - Solfège
6
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That\\\\\\\\\\\\\\\'s Life
Orgue
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In the very midst of life
Orgue
Organ - intermediate - Digital Download SKU: S9.Q45883 From Organ Symphony No. 6…
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Organ - intermediate - Digital Download SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q45883. Published by Schott Music - Digital (S9.Q45883). An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the ‘dance of death’ was a popular motif in those years. Luther’s chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.
$9.99
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Enjott Schneider
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In the very midst of life
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Schott Music - Digital
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Orgue
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
The Passion, Death and Resurrection of Our Lord, Jesus Christ
Orgue
Organ: 3-staff - Moderately Advanced SKU: LO.70-1581S Composed by Gilbert M. Martin…
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Organ: 3-staff - Moderately Advanced SKU: LO.70-1581S Composed by Gilbert M. Martin. Sacred, Eastertide, Holy Week, Palm/Palm-Passion Sunday. Sacred Music Press #70/1581S. Published by Sacred Music Press (LO.70-1581S). ISBN 9780893283896.The worshipful week from Palm Sunday (or Passion Sunday as it is often called) to Easter Sunday is abundant with opportunities for special music in the life of the church, and this vibrant compilation of organ music is especially tailored for that purpose. These twelve settings, many of which are based on favorite congregational hymn tunes, celebrate the excitement of Jesus' entry into Jerusalem, his final moments with his disciples in the Upper Room, his harrowing crucifixion, and his triumphant and glorious resurrection. A dramatic and eloquently artistic collection for the enrichment of this important Christian experience.
Song List: Improvisation for Palm Sunday: Valet Will Ich Dir Geben Prelude on "When Jesus Wept" Carillon Hosanna! Hosanna! Were You There When They Crucified My Lord? (Were You There?) Fantasy Prelude on an Easter Hymn (Christ Is Erstanden) At the Lamb's High Feast We Sing (Sonne Der Gerechtigkeit) The Old Rugged Cross Jesus Christ Is Risen Today (Easter Hymn) Christ Hath Burst His Prison! (St. Kevin) Come to Calvary's Holy Mountain (Albert) O Saving Victim, Opening Wide the Gate of Heaven (O Salutaris Hostia)
$33.00
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Gilbert M
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The Passion, Death and Resurrection of Our Lord, Jesus Christ
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Sacred Music Press
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SheetMusicPlus
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
Heavenly Hymns Varied Harmonies Volume 4
Orgue
Organ - Level 3 - Digital Download SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. …
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Organ - Level 3 - Digital Download SKU: A0.1039842 Composed by H.J.K. Holmes, F.A. G. Ouseley, W.B. Gilbert, J.A. Stevenson etc. Arranged by Enoch Kwasi Boahen. Sacred. Score. 93 pages. Enoch Kwasi Boahen #644686. Published by Enoch Kwasi Boahen (A0.1039842). TUNES & APPROPRIATE HYMNS Pater Omnium O God, what offering shall I give, Contemplation When all Thy mercies, O my God, Maidstone Pleasant are Thy court above, Dublin See Israel's gentle Shepherd stand, St Luke O Thou, whom once they flocked to hear, Abridge O for heart to praise my God, Celeste This is the God we adore, Everton They who tread the path of labour, All souls Lead us, O Father, in the paths of peace, Beautitudo Fill Thou my life, O Lord my God, Antwerp Forth in Thy name, O Lord, I go, Something for Thee Saviour, Thy dying love, Dundee(French) I to the hills will lift my eyes, St. Cyril O King of mercy, from Thy throne on high, Ruth Summer sure are glowing, Wiltshire Through all the changing scenes of life, Darwall's 148th Lord of the worlds above, Morecambe O God of our Father, who dost make us one, Vigilate Christian, seek not yet repose, Northampton Hark, my soul! It is the Lord, My Jesus, I love Thee My Jesus, I love Thee, Kensington new Lead us, heavenly Father, lead us, Ramsey Lord, it belongs not my care, Warrington Now that the day light fills the sky, Hopeville Give me the wings of faith to rise, Wonderful love Come let sing of the wonderful love, Prince of peace Come, Holy Ghost, our hearts inspire, Harrow All people that on earth do well, Franconia Our day of praise is done, Aurelia The Church's one foundation, Ellers Saviour, again Thy dear name we raise, Cloisters Lord of our life and God of our salvation Barton Light of the world, Ely Lord, I was blind! I could not see, Gainsworth Just as I am, Misericordia Just as l am, Monks gate Who would true valour see, Old 23rd Where shall my wondering soul begin?, Spetisbury Be gone, unbelief; Stamford Father of everlasting grace.
$42.00
38.51 €
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Enoch Kwasi Boahen
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Heavenly Hymns Varied Harmonies Volume 4
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Enoch Kwasi Boahen
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SheetMusicPlus
Orgelsinfonie No. 16
Orgue
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20.16 €
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Concerto in Eb (Dumbarton Oaks)
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Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Th…
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Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
23.83 €
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Orgue
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Igor Stravinsky
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Leif Thybo
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
Toccata & Fugue for Organ
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Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,S…
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Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
11.92 €
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Orgue
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
"The Cares of Winter" from "The Seasons", suite for organ
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Organ - Level 3 - Digital Download SKU: A0.935501 Composed by Kazys Daugela. Christ…
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Organ - Level 3 - Digital Download SKU: A0.935501 Composed by Kazys Daugela. Christmas,Contemporary. Score. 5 pages. Kazys Daugela #6292379. Published by Kazys Daugela (A0.935501). Four-part suite The Seasons for narrator and orchestra Lithuanian composer Kazys Daugėla created on the basis of K. Donelaitis poem The Seasons plots and the most famous artist Vytautas Kazimieras Jonynas (1907-1997) woodcut illustrations. These Donelaitis poem The Seasons illustrations have become classics of Lithuanian art. Composer created his paintings of the suite using native Lithuania Minor folk song melodies. Some of them are written almost 200 years ago. Most songs used are from Christian Bartsch prepared and published by Lithuanian folk songs Song of the votes. If you do not doubt that the song’s soul is in the melody, it should also be true, that the song is understood correctly only when we sing or listen to it – so believed Ch. Bartsch. He could not possibly foresee that the songs that sounded at his time will be wiped out in parallel with the East Prussian population. But after all, maybe he did predict? Therefore, he was rescuing them. The ancient epics and worldview associate The Seasons with cyclical idea of time, which is expressed by the view of The Sun’s path in the sky. The main hero of this musical work is The Sun and the diversity of nature, life and work associated with it. In the Eternal Circle we born, age, die - everything repeats, nothing new happens. In the second part of the The Cares of Winter, the Lithuanian traditional Advent song Sodai, sodai, leliumoj was used and developed.
$3.99
3.66 €
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Orgue
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Kazys Daugela
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"The Cares of Winter" from "The Seasons", suite for organ
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Kazys Daugela
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SheetMusicPlus
The Spirit of the Lord - for Cantor and Congregation
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Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By …
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Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). “The Spirit of the Lord† Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood — May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955.  She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time.  Speak the text in natural cadence and then sing the pitches in that same natural cadence.  This will best represent Sr. Theophane’s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
4.58 €
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Orgue
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Dr
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Dr
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The Spirit of the Lord - for Cantor and Congregation
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School Sisters of St. Francis
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SheetMusicPlus
Orgelsinfonie No. 9
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Organ - advanced - Digital Download SKU: S9.Q7132 Pathétique. Composed by…
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Organ - advanced - Digital Download SKU: S9.Q7132 Pathétique. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7132. Published by Schott Music - Digital (S9.Q7132). One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathétique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And that is no coincidence: The composer regards his organ work as an homage to this 'elder sister'. While Tchaikovsky, in a secret programme, made out his own life to be a struggle and long ordeal to the point of his suspected suicide, Enjott Schneider presents those hours as the ultimate tale of woe in which Jesus had well and truly become human, fatefully bearing the pain and misery of all people. 'Gethsemane', 'Geiselung: Ecce homo', 'Golgatha' and 'Grablegung': Maria Magdalena' are the names of the stages and movements. The Greek word 'pathos' means 'strong emotion, feeling, passion or suffering' - in Schneider's Organ Symphony No. 9, this comes true, musically, in his inner conflict, struggle, wrestling with his fate, cruelty of the crucifixion and deathly silence.Natürlich denkt man beim Titel Orgelsinfonie Nr. 9 Pathétique von Enjott Schneider an ein anderes Werk mit diesem Beinamen: an Tschaikowskys Sinfonie Nr. 6. Und das ist kein Zufall: Der Komponist sieht sein Orgelwerk als Hommage an diese große Schwester an.
$21.99
20.16 €
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Orgue
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Enjott Schneider
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Orgelsinfonie No. 9
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Schott Music - Digital
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SheetMusicPlus
I Need Thee Every Hour - Piano and Organ Arrangement
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Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged…
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Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
1.82 €
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Orgue
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano and Organ Arrangement
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Jasberger Music
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SheetMusicPlus
Hymn Portraits: 12 Settings for Organ
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This collection began as a gift for the composer’s family. The tunes are a mixture …
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This collection began as a gift for the composer’s family. The tunes are a mixture of stately hymns and gospel tunes, arranged in deeply moving and often meditative settings. Very useful for preludes and offertories. Contents: Come, Thou Almighty King Great Is Thy Faithfulness How Firm a Foundation It Is Well with My Soul Jesus Paid It All Jesus Shall Reign The Lord’s My Shepherd My Hope Is Built on Nothing Less My Jesus, I Love Thee Open My Eyes That I May See Take My Life and Let It Be When the Saints Go Marching On
Song List: Crimond Duke Street Faithfulness Foundation Gordon Hendon Italian Hymn (Moscow) Open My Eyes (Scott) Solid Rock Ville du Havre All to Christ O When The Saints
$29.00
26.59 €
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Orgue
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Hymn Portraits: 12 Settings for Organ
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SheetMusicPlus
Cavatina (Raff)
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Organ - Level 3 - Digital Download SKU: A0.1468016 Composed by Joseph Joachim Raff.…
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Organ - Level 3 - Digital Download SKU: A0.1468016 Composed by Joseph Joachim Raff. Arranged by Marcus Martin. 19th Century,Praise & Worship,Religious. Score. 4 pages. Cornelius Edition (uk) #1046324. Published by Cornelius Edition (uk) (A0.1468016). Swiss born German composer Joachim Raff (1822-82) was very prolific, and by the end of his life was one of the best known German composers, though his work is largely forgotten today. Only one piece, a cavatina originally for violin and piano, is performed regularly today. This transcription for Pipe Organ is a useful addition to that instrument's romantic repertoire and suitable for recitals and also for general church use. It requires a 2 or 3 manual organ with pedals.
$5.99
5.49 €
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Orgue
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Joseph Joachim Raff
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Marcus Martin
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Cavatina
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Cornelius Edition
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SheetMusicPlus
Rejoice, Rejoice, Believers (Downloadable)
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Organ - Medium to Moderately Difficult - Digital Download SKU: MQ.10-013-3E Compose…
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Organ - Medium to Moderately Difficult - Digital Download SKU: MQ.10-013-3E Composed by Michael Burkhardt. Christmas, Hanging of the Green, Lessons and Carols. 9 pages. MorningStar Music Publishers - Digital Sheet Music #10-013-3E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-013-3E). Three cheerful, glittering, spirited works that are fun to play and enjoyable to hear. Useful as voluntaries or hymn introductions, the carol-like settings require a supple touch (articulation) and transparent registrations.The spirit ofHark! The Glad Sound (RICHMOND/CHESTERFIELD) is brought to life by a cascading ritornello and accompaniment figuration based on the inversion of the opening notes of the c. f.The ABA structure of the setting ofRejoice, Rejoice Believers (HAF TRONES LAMPA FÖRDIG) presents the articulation of Christ's coming as both quiet delight and jubilant fanfare.The Christmas selection isO How Joyfully (SICILIAN MARINERS/O DU FRÖLICHE/O SANCTISSIMA) and is presented in music box fashion in ABA form.
$6.00
5.5 €
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Orgue
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Michael Burkhardt
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Rejoice, Rejoice, Believers
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Hark! The Glad Sound (Downloadable)
Orgue
Organ - Medium to Moderately Difficult - Digital Download SKU: MQ.10-013-1E Compose…
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Organ - Medium to Moderately Difficult - Digital Download SKU: MQ.10-013-1E Composed by Michael Burkhardt. Advent, Christmas, Epiphany, Hanging of the Green, Lessons and Carols. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-013-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-013-1E). Three cheerful, glittering, spirited works that are fun to play and enjoyable to hear. Useful as voluntaries or hymn introductions, the carol-like settings require a supple touch (articulation) and transparent registrations.The spirit ofHark! The Glad Sound (RICHMOND/CHESTERFIELD) is brought to life by a cascading ritornello and accompaniment figuration based on the inversion of the opening notes of the c. f.The ABA structure of the setting ofRejoice, Rejoice Believers (HAF TRONES LAMPA FÖRDIG) presents the articulation of Christ's coming as both quiet delight and jubilant fanfare.The Christmas selection isO How Joyfully (SICILIAN MARINERS/O DU FRÖLICHE/O SANCTISSIMA) and is presented in music box fashion in ABA form.
$5.00
4.58 €
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Orgue
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Michael Burkhardt
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Hark! The Glad Sound
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
O How Joyfully (Lord Dismiss Us with Your Blessing) (Downloadable)
Orgue
Organ - Medium to Moderately Difficult - Digital Download SKU: MQ.10-013-2E Compose…
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Organ - Medium to Moderately Difficult - Digital Download SKU: MQ.10-013-2E Composed by Michael Burkhardt. Christmas, Hanging of the Green, Lessons and Carols. 6 pages. MorningStar Music Publishers - Digital Sheet Music #10-013-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-013-2E). Three cheerful, glittering, spirited works that are fun to play and enjoyable to hear. Useful as voluntaries or hymn introductions, the carol-like settings require a supple touch (articulation) and transparent registrations.The spirit ofHark! The Glad Sound (RICHMOND/CHESTERFIELD) is brought to life by a cascading ritornello and accompaniment figuration based on the inversion of the opening notes of the c. f.The ABA structure of the setting ofRejoice, Rejoice Believers (HAF TRONES LAMPA FÖRDIG) presents the articulation of Christ's coming as both quiet delight and jubilant fanfare.The Christmas selection isO How Joyfully (SICILIAN MARINERS/O DU FRÖLICHE/O SANCTISSIMA) and is presented in music box fashion in ABA form.
$5.00
4.58 €
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Orgue
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Michael Burkhardt
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O How Joyfully
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Sacrificium
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Organ - difficult - Digital Download SKU: S9.Q6973 For organ. Composed by Jo…
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Organ - difficult - Digital Download SKU: S9.Q6973 For organ. Composed by John Casken. This edition: Sheet music. Sacrificium ist ein anspruchsvolles Werk, das die Interpreten mit einer Fülle von kontrastierendem Material fordert, aber gleichzeitig Raum für individuelle Interpretation lässt. Downloadable. Duration 8 minutes. Schott Music - Digital #Q6973. Published by Schott Music - Digital (S9.Q6973). Sacrificium was commissioned by the St Albans International Organ Festival for what has become one of the most influential organ competitions in the world. It is a demanding 8 minute work that will challenge performers with an abundance of contrasting material whilst still leaving space for individual interpretation. Casken refers to the story of Alban who sacrificed his life to save another Christian thereby becoming the first British Martyr in his programme note and more specifically the act of exchanging cloaks and deception which led to Alban's execution. This idea of taking on a new appearance is apparent in the music as recurring themes undergo transformations, gradually becoming absorbed into new musical textures.
$19.99
18.33 €
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Orgue
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John Casken
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Sacrificium
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Schott Music - Digital
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SheetMusicPlus
Meditation On All My Hope On God Is Founded
Orgue
Organ - Level 4 - Digital Download SKU: A0.912512 Composed by Thomas R. Schadl. Chr…
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Organ - Level 4 - Digital Download SKU: A0.912512 Composed by Thomas R. Schadl. Christian,Concert,Contemporary,Spiritual,Standards. Score. 23 pages. Thomas R. Schadl #6519109. Published by Thomas R. Schadl (A0.912512). Based on Matthew 28:30 and Psalm 16, the piece is about hope in God’s presence in our hearts. From the beginning of the piece to the hymn section, one shall hear a minimalistic trait in the accompaniment. The opening part also contains a melody that paints a darker picture of life, but gradually builds up excitement toward the section where my arrangement of the famous hymn ALL MY HOPE ON GOD IS FOUNDED by Herbert Howells (1891-1982) is stated. After the playing of the hymn, the piece becomes gradually quieter until the end, symbolizing the assurance of peace and love. Organ registrations and tempo indications are only suggestions. The piece is suitable for recital purposes and may be performed in church-related events.
$14.99
13.74 €
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Orgue
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Thomas R
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Meditation On All My Hope On God Is Founded
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Thomas R. Schadl
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SheetMusicPlus
God So Loved the World (Organ Solo)
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Composed by John Stainer (1840-1901). Arranged by Mike Carson. Christian, Sacred. Sc…
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Composed by John Stainer (1840-1901). Arranged by Mike Carson. Christian, Sacred. Score. 4 pages. Mike Carson #5375329. Published by Mike Carson
Asolo organ setting of John Stainer's choral anthem, arranged for solo organ byMike Carson (b. 1951). The text is based on John 3:16, 17 in the New Testament of the Bible: "For Godso loved the world, that he gave his only begotten Son, that whosoeverbelieveth in him should not perish, but have everlasting life."
$5.99
5.49 €
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Orgue
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John Stainer (1840-1901)
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Mike Carson
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God So Loved the World
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Mike Carson
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SheetMusicPlus
Southern Harmony Suite for Organ
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Organ - Advanced - Digital Download Composed by Ethan Haman. Contemporary Classical, …
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Organ - Advanced - Digital Download Composed by Ethan Haman. Contemporary Classical, Post- Romantic, Sacred, Recital. Score, Sheet Music Single. 39 pages. Published by Ethan Haman
This suite for organ was commissioned by the American Guild of Organists for the 2020-2021 Student Commissioning Project. It derives its title and source material from William Walker’s 1835 hymnbook Southern Harmony and Musical Companion. Each movement is based on one tune from the collection. The work's harmonic landscape is also derived from Walker’s hymnbook, and the interval of a perfect fifth is extensively used. The end result is an exciting organ suite that brings new life to old melodies.
$24.99
22.91 €
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Orgue
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Ethan Haman
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Southern Harmony Suite for Organ
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Ethan Haman
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SheetMusicPlus
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