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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Way Back
Non classifié
504
Piano & claviers
Piano seul
636
Piano, Voix et Guitare
386
Piano, Voix
292
Piano Facile
96
Instruments en Do
63
Accordéon
58
1 Piano, 4 mains
12
Accompagnement Piano
12
Orgue
8
Piano grosses notes
5
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
112
Basse electrique
88
Guitare
87
Ligne De Mélodie, (Paroles) et Accords
43
Ukulele
25
Paroles et Accords
6
Mandoline
5
Piano, Guitare (duo)
5
Guitare (partie séparée)
4
2 Guitares (duo)
3
3 Guitares (trio)
2
Banjo
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Dulcimer
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
178
Chorale 3 parties
83
Voix seule
44
Chorale 2 parties
39
Chorale TTBB
32
Pack Instrumental pour Chorale
18
Chorale SSAA
12
Chorale Unison
12
Voix duo
10
Voix duo, Piano
7
Voix Alto, Piano
4
Voix haute
3
Chorale
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 13 instrumentations
Retracter
Vents
Saxophone
328
Flûte traversière
155
Clarinette
153
Flûte à Bec
56
Saxophone Alto
45
Flûte traversière et Piano
43
Saxophone Tenor
37
Saxophone Alto et Piano
30
Hautbois
30
Quatuor de Saxophones: 4 saxophones
28
Saxophone Tenor et Piano
27
Clarinette et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Hautbois, Piano (duo)
24
2 Flûtes traversières (duo)
21
Saxophone Soprano
18
Saxophone (partie séparée)
18
Ensemble de Flûtes
14
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Soprano et Piano
11
2 Saxophones (duo)
10
Quatuor de Clarinettes: 4 clarinettes
8
Ocarina
8
Ensemble de saxophones
8
Hautbois (partie séparée)
8
Flûte à bec Soprano
7
Harmonica
6
Saxophone Baryton, Piano
6
Ensemble de Clarinettes
6
Flûte à bec Alto
5
2 Clarinettes (duo)
5
Clarinette (partie séparée)
5
Cor anglais, Piano
5
Flûte et Guitare
4
Cor anglais, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Guitare (duo)
3
Flûte, Violon, Piano
3
3 Saxophones (trio)
3
Flûte, Alto et Piano
2
Flûte, Saxophone (duo)
2
Saxophone, Clarinette (duo)
2
3 Clarinettes (trio)
2
Instruments en Mib
2
Hautbois, Flûte
2
Clarinette, Violon (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette, Piano (trio)
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Cor Anglais
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Saxophone et Guitare
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Flûte, Violon
1
Flûte, Violoncelle
1
Flûte, Hautbois, Basson
1
+ 65 instrumentations
Retracter
Cuivres
Trompette
158
Trombone
147
Cor
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Euphonium
21
Trombone et Piano
20
Trompette, Piano
20
Tuba
18
Cor et Piano
13
Trompette (partie séparée)
11
Trombone (partie séparée)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
6
Cor anglais, Piano
5
2 Trompettes (duo)
5
Tuba et Piano
4
Cor anglais, Guitare (duo)
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
Cor (partie séparée)
2
Trio de Cuivres
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Cor Anglais
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Bass Clef Instruments
1
Ensemble de Cors
1
Quatuor de Cuivres
1
Ensemble de Trombones
1
Instruments en Fa
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
239
Violon
194
Violon, Violoncelle (duo)
153
Trio à Cordes: violon, alto, violoncelle
130
Violoncelle
83
Violon et Piano
77
Alto seul
63
Alto, Piano
37
Violoncelle, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
24
Trio à Cordes: 2 violons, violoncelle
15
Violon, Alto (duo)
14
Contre Basse
11
Harpe
10
2 Violons (duo)
7
2 Altos (duo)
6
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Contrebasse (partie séparée)
5
Contrebasse, Piano (duo)
4
Violoncelle , Guitare (duo)
4
Trio à cordes: 3 violins
4
4 Violoncelles
3
Violon (partie séparée)
2
Alto, Orgue
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Alto, Violoncelle (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
221
Orchestre à Cordes
124
Orchestre
60
Ensemble Jazz
55
Batterie
52
Ensemble de cuivres
19
Jazz combo
16
Orchestre de chambre
15
Cloches
8
Xylophone, Piano
6
Fanfare
5
Ensemble de Percussions
4
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Instrumentation Flexible
1
Percussion
1
Vibraphone et Marimba
1
Xylophone
1
Voix et Orchestre
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
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MANDOLINE
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Vous avez sélectionné:
The Way Back
Orgue
Partitions à imprimer
8 partitions trouvées
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1
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Old 124th (Turn Back, O Mortal, Quit Thy Foolish Ways"
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Louis Bourgeois
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Mark Rippe
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Old 124th
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Mark Rippe
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SheetMusicPlus
Organ - Level 3 - SKU: A0.710428 Composed by Louis Bourgeois (1510-1561). Arranged by Mark Rippe. Sacred,Traditional. Score. 4 pages. Mark Rippe #318995...
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Organ - Level 3 - SKU: A0.710428 Composed by Louis Bourgeois (1510-1561). Arranged by Mark Rippe. Sacred,Traditional. Score. 4 pages. Mark Rippe #318995. Published by Mark Rippe (A0.710428). Final stanza setting with optional short and long interludes. The hymn tune “Old 124th†is in the public domain and is used for hymns including Turn Back, O Mortal, Quit Thy Foolish Ways and Eternal Lord of Love, Behold Your Church. This arrangement is part of a collection of hymn tune final stanza settings with optional interludes that are included in the St. Andrew’s Collection.
$2.99
Theme, Variations, Cortège, and Lullaby on "Grafton"
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Orgue
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AVANCÉ
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Nicholas White
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Theme, Variations, Cortè
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Nicholas White Music
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SheetMusicPlus
Instrumental Solo,Organ - Level 5 - SKU: A0.1255501 Composed by Nicholas White. 21st Century,Classical,Traditional. Individual part. 16 pages. Nicholas ...
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Instrumental Solo,Organ - Level 5 - SKU: A0.1255501 Composed by Nicholas White. 21st Century,Classical,Traditional. Individual part. 16 pages. Nicholas White Music #849007. Published by Nicholas White Music (A0.1255501). A free form organ solo based upon the beautiful tune Grafton.I attended mass at St. Stanislaus Latin Mass Catholic Church in Nashua. We all sang Tantum Ergo to the tune Grafton which I always find to be a powerfully emotional experience. I have loved that hymn tune since singing it as a boy chorister. It is perfectly shaped, singable, and profound. Singing it back in June was all the more powerful, and I decided to make a set of organ variations based upon the melody. What resulted was my Theme, Variations, Cortège, and Lullaby, which I offer here.
$10.00
Hop-Scotch on a Merry-Go-Round, Galop and Waltz in Oom-pah style, organ solo
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Orgue
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INTERMÉDIAIRE
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Phil Beaman
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Hop-Scotch on a Merry-Go-Round
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Phil Beaman
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1124889 Composed by Phil Beaman. Classical,Holiday. Score. 2 pages. Phil Beaman #725661. Published by Phil Beaman (A0.1124889)...
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Organ - Level 3 - SKU: A0.1124889 Composed by Phil Beaman. Classical,Holiday. Score. 2 pages. Phil Beaman #725661. Published by Phil Beaman (A0.1124889). Pure fun !! This Galop and Waltz in Oom-pah style is in AABA form. The A theme is a Vivace 2/4 Galop, then a slower 4/4 bridge to repeat the Galop. Then the B theme is a brisk 3/4 Waltz, right back to the 2/4 Galop. This catchy tune is a rousing crowd pleaser for any concert or recital. Works well with either Classical Organ or Theatre Organ. Perfect for Oktoberfest ! Intermediate because of the always Vivace/brisk tempo and the need for controlled playing of the articulation which always varies from staccato to normal to marcato to slurred. The only use of Pedals is during the 5 bar bridge, the rest is manualiter (hands only). 2 page score 2 minutes.
$3.99
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
Eight Shorter Preludes on American Hymns (for manuals only)
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Orgue
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INTERMÉDIAIRE
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Brian Joyce
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Eight Shorter Preludes on Amer
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce...
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Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95
"Be Thou My Vision", organ solo, litany
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Orgue
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FACILE
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Celtique/Irlandais
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Irish Melody
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Terry M
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"Be Thou My Vision",
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 2 - SKU: A0.932682 Composed by Irish Melody. Arranged by Terry M. Forsyth. Christian,Instructional,Sacred,Standards. Score. 2 pages. Forsy...
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Organ - Level 2 - SKU: A0.932682 Composed by Irish Melody. Arranged by Terry M. Forsyth. Christian,Instructional,Sacred,Standards. Score. 2 pages. Forsyth Publishing #6097841. Published by Forsyth Publishing (A0.932682). This 3.75 minute arrangement first states the first line of the hymn a few times then continues so when the line reaches the end of the phrase and holds, the material giving the rest to what the ear hears as the resting spots of the melodic statement finds the melody restated to provide the ear its resting, resulting in a constant infusion thus, a litany. Using the voix celeste, this is a very well received writing. It happens the day after I finished this my mother passed. I have used this as prelude and offertory. Good for students needing help with learning legato. A favorite of my congregation, I always am thanked by someone each time it is presented for having played it. Good instruction for providing easy pedal part that slowly spans from Eb1 to F3 then back to Eb1 by step progression. Tune name: Slane.
$4.99
Hellfire
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Alan Menken and Stephen Schwar
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Rob Hlebinsky
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Hellfire
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Rob Hlebinsky
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1110992 Composed by Alan Menken and Stephen Schwartz. Arranged by Rob Hlebinsky. Broadway,Contemporary,Film/TV,Musical/Show. S...
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Organ - Level 4 - SKU: A0.1110992 Composed by Alan Menken and Stephen Schwartz. Arranged by Rob Hlebinsky. Broadway,Contemporary,Film/TV,Musical/Show. Score. 8 pages. Rob Hlebinsky #713261. Published by Rob Hlebinsky (A0.1110992). Hellfire from Disney's The HUNCHBACK of NOTRE DAME arranged for the pipe organ. Includes suggested registration based on the original performance. Difficulty rating: Advanced Intermediate.
$5.99
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The Way Back
