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Toccata no.8
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Toccata no.8
Orgue
Partitions à imprimer
6 partitions trouvées
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Orgue
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Classique
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Men...
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Organ - SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
Toccata No. 1
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Orgue
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FACILE
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Gary R
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Toccata No. 1
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Gary Smoke
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SheetMusicPlus
Organ - Level 2 - SKU: A0.835929 Composed by Gary R. Smoke. Baroque,Contemporary,Instructional,Sacred,Standards. Score. 8 pages. Gary Smoke #2344319. Pu...
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Organ - Level 2 - SKU: A0.835929 Composed by Gary R. Smoke. Baroque,Contemporary,Instructional,Sacred,Standards. Score. 8 pages. Gary Smoke #2344319. Published by Gary Smoke (A0.835929). Originally written as a study for the organ. Formally it is ABA with coda. The A sections feature generally simple figurations with imitation. The B section changes meter, figuration, and features canonic imitation between the right hand and pedal. The coda introduces alternation of manual and pedal solos. Useful for worship, teaching, and concert. ca. 4:00Recordings of other music by Gary R. Smoke may be found at the Youtube channel: highmeadowmusic
$5.00
Toccata & Fugue for Organ
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Orgue
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Christian contemporain
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Musique Sacrée
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942...
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Organ - SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
Toccata No. 8 (Hanson Place) by Joel Raney - Organ Solo
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Orgue
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Musique Sacrée
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Joel Raney
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Toccata No. 8 (Hanson Place)
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Musicnotes
Performed by: Joel Raney: Toccata No. 8 (Hanson Place) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Joel Raney: Toccata No. 8 (Hanson Place) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Organ; 7 pages -- Christian~~Religious~~Church
$5.79
In memoriam Anton Bruckner
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Orgue
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Bertold Hummel
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In memoriam Anton Bruckner
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Schott Music - Digital
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SheetMusicPlus
Organ - SKU: S9.Q20840 Composed by Bertold Hummel. This edition: Sheet music. Downloadable. Op. 91a. Duration 26 minutes. Schott Music - Digital #Q20840...
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Organ - SKU: S9.Q20840 Composed by Bertold Hummel. This edition: Sheet music. Downloadable. Op. 91a. Duration 26 minutes. Schott Music - Digital #Q20840. Published by Schott Music - Digital (S9.Q20840). The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony No. 8; in the second movement, the first four tones of the 'Adagio' from Symphony No. 9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective.
$25.99
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Toccata no.8
