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Vera S Theme
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101
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24
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14
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Orgue
5
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4
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2
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1
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1
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1
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10
4 Guitares (Quatuor)
3
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1
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1
3 Guitares (trio)
1
Ukulele
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12
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4
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3
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1
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1
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12
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11
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10
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9
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7
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7
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6
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6
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6
Hautbois (partie séparée)
6
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5
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5
2 Saxophones (duo)
4
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4
Saxophone Tenor
4
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3
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3
2 Clarinettes (duo)
3
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3
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2
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2
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2
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2
Clarinette, Violon (duo)
1
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1
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1
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1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
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1
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1
Flûte et Guitare
1
3 Saxophones (trio)
1
Clarinette et Alto
1
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1
Trio de Flûtes: 3 flûtes
1
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Hautbois, Flûte
1
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1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
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10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
8
Tuba
6
Trompette
6
Trombone
5
Tuba et Piano
5
Cor et Piano
5
Cor
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trompettes
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trombones
2
4 Tubas
1
Trompette, Saxophone (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de Cuivres
1
Cor et Harpe
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon et Piano
19
Violoncelle, Piano
13
Harpe
11
Violon (partie séparée)
9
Alto, Piano
8
Violon
8
Violoncelle
7
Alto seul
5
Contre Basse
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
2 Violoncelles (duo)
3
2 Violons (duo)
3
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Ensemble de Violons
2
Violon, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
69
Orchestre
22
Orchestre à Cordes
20
Ensemble de cuivres
9
Orchestre de chambre
7
Cloches
6
Ensemble Jazz
3
Percussion (partie séparée)
1
Ensemble de Percussions
1
Jazz combo
1
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
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Vera S Theme
Orgue
Partitions à imprimer
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Orgelsinfonie No. 8
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 8
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott...
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Organ - advanced - SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q11730. Published by Schott Music - Digital (S9.Q11730). In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.Enjott Schneider knüpft in seiner Orgelsinfonie Nr. 8 In Memoriam an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral Wachet auf, ruft uns die Stimme gegenüber. Eine spannende und aufwühlende Musik.
$21.99
Come With Joy- An Organ Suite for Weddings
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Orgue
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FACILE
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Pat Boozer
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Come With Joy- An Organ Suite
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Pat Boozer
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by ...
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Organ - Level 2 - SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by Pat Boozer (A0.1012922). COME WITH JOY is a wedding suite containing a bridesmaids' processional (REGENCY), bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together. This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes and the bridal march with fanfare is certainly worth a consideration!An audio file of Song of Joy is included here to give you an idea of the flavor of the suite. It is the bridal march with fanfare. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$12.00
Come With Joy- An Organ Suite for Weddings--#3 Festive Psalm
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Pat Boozer
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Come With Joy- An Organ Suite
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Pat Boozer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by P...
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Organ - Level 3 - SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by Pat Boozer (A0.1012921). FESTIVE PSALM, a bridal recessional, is the 3rd of three pieces in the set, COME WITH JOY. This wedding suite contains a bridesmaids' processional (REGENCY), a bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together, however, there is a sense of unity of thought and of keys if all three are used in the wedding service.This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes.An audio file of FESTIVE PSALM is included here. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$6.00
Going Home
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Orgue
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FACILE
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Antonin Dvorak
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Waldemar Scholtes
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Going Home
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SCHOLTES EDITIONS
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SheetMusicPlus
Instrumental Solo,Organ - Level 2 - SKU: A0.1431216 Composed by Antonin Dvorak. Arranged by Waldemar Scholtes. 19th Century,Religious,Romantic Period,Sp...
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Instrumental Solo,Organ - Level 2 - SKU: A0.1431216 Composed by Antonin Dvorak. Arranged by Waldemar Scholtes. 19th Century,Religious,Romantic Period,Spiritual,Traditional. Individual part. 6 pages. SCHOLTES EDITIONS #1011681. Published by SCHOLTES EDITIONS (A0.1431216). Going Home is the main theme of the 2nd movement of Dvorak's New World Symphony. The title was based on the poem set to the music by the lyricist, William Arms Fischer (1861-1948), a student of Dvorak's. From the poet: The Largo, with its haunting English horn solo ... is a moving expression of that nostalgia of the soul that all human beings feel. As such, it is a most appropriate work and text for a memorial, funeral service or for All Saints' Day.It has been transposed from Db major to C major to make it more accessible to the average player.
$5.95
Jan Zach - Fugue in C Minor
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Orgue
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Classique
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestr...
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Organ - SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
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Vera S Theme
