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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
rhythm section
Non classifié
1 849
Piano & claviers
Piano seul
240
Piano, Voix
133
Instruments en Do
84
Piano Facile
67
Piano, Voix et Guitare
67
Piano (partie séparée)
43
Orgue
24
Accompagnement Piano
19
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
3
+ 7 instrumentations
Retracter
Guitares
Guitare (partie séparée)
79
Guitare
39
Guitare notes et tablatures
26
Ligne De Mélodie, (Paroles) et Accords
17
Basse electrique
13
4 Guitares (Quatuor)
5
Mandoline
4
3 Guitares (trio)
3
2 Guitares (duo)
3
Ensemble de guitares
3
Banjo
2
Guitare, Violon, Violoncelle (trio)
1
Partitions De Groupes
1
Ukulele
1
Piano, Guitare (duo)
1
+ 10 instrumentations
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Voix
Chorale SATB
500
Chorale 3 parties
142
Chorale 2 parties
51
Chorale TTBB
39
Chorale SSAA
29
Chorale Unison
27
Chorale SSATB
5
Chorale
2
Voix Soprano
1
Chorale SSAB, Piano
1
Voix duo
1
Voix seule
1
Voix Soprano, Piano
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Chorale SSATTB
1
+ 11 instrumentations
Retracter
Vents
Saxophone (partie séparée)
204
Clarinette (partie séparée)
42
Flute (partie séparée)
40
2 Saxophones (duo)
34
Quatuor de Saxophones: 4 saxophones
32
2 Flûtes traversières (duo)
28
Flûte traversière et Piano
27
2 Clarinettes (duo)
23
Saxophone Tenor et Piano
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Flûte, Hautbois, Clarinette, Basson
18
Saxophone Alto et Piano
18
Clarinette
17
Hautbois (partie séparée)
17
Ensemble de Flûtes
15
Hautbois, Piano (duo)
15
Saxophone, Clarinette (duo)
15
Clarinette et Piano
15
Flûte traversière
13
Ensemble de saxophones
11
Ensemble de Clarinettes
11
Quatuor de Clarinettes: 4 clarinettes
11
3 Saxophones (trio)
11
Clarinette, Violon (duo)
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Soprano et Piano
9
Quintette de Saxophone: 5 saxophones
8
Saxophone Alto
8
3 Clarinettes (trio)
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Saxophone Tenor
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette et Alto
6
Trio de Flûtes: 3 flûtes
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
4
Flûte et Guitare
4
Flûte, Hautbois (duo)
3
Flûte à bec Soprano
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
3 Flûtes à bec (trio)
2
Clarinette, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
3 Hautbois
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Clarinette, Alto et Piano (trio)
1
Flûte à bec Alto
1
Flûte traversière, Orgue (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Hautbois
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Cor anglais, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Ensemble à vent
1
Saxophone et Guitare
1
Flûte, Clarinette et Basson
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Piano
1
+ 67 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
181
Trompette (partie séparée)
134
Cor (partie séparée)
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Tuba (partie séparée)
34
Trompette, Piano
22
2 Trombones (duo)
21
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette
13
2 Trompettes (duo)
10
Trompette, Saxophone (duo)
10
Ensemble de Trombones
10
Euphonium, Piano (duo)
9
Trombone
9
Quatuor de cuivres: 4 trombones
8
Trompette, Trombone (duo)
8
Cor et Piano
6
Cor
6
Quatuor de cuivres: 2 trompettes, 2 trombones
5
2 Tubas (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de cuivres: 4 cors
4
Tuba et Piano
4
Quatuor de Cuivres
3
Tuba
2
Instruments en Sib
2
3 Trombones (trio)
2
Trombone basse
1
2 Cors (duo)
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
3 Euphoniums
1
Euphonium
1
Cor anglais, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
Tuba et Orgue
1
4 Tubas
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
100
Contrebasse (partie séparée)
63
Violon (partie séparée)
48
Violon et Piano
31
Violon, Violoncelle (duo)
22
Violoncelle, Piano
21
2 Violons (duo)
20
Alto (partie séparée)
17
Alto, Piano
16
Violon
14
2 Violoncelles (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
Violoncelle
11
Violoncelle (partie séparée)
10
2 Altos (duo)
9
Violon, Alto (duo)
9
Harpe
7
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
4
Trio à cordes: 3 violins
3
Contre Basse
3
Trio à Cordes: 2 violons, alto
3
Violoncelle, Contrebasse (duo)
2
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Harpe et mandoline
1
Alto seul
1
4 Contrebasses
1
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
917
Ensemble Jazz
573
Orchestre
335
Orchestre à Cordes
215
Jazz combo
210
Cloches
71
Ensemble de cuivres
56
Batterie (partie séparée)
42
Ensemble de Percussions
25
Fanfare
25
Orchestre de chambre
21
Percussion (partie séparée)
13
Batterie
12
Marimba
5
Piano et Orchestre
3
Big band
2
Vibraphone
2
Percussion
1
Bodhran
1
2 Xylophones
1
Xylophone, Piano
1
Instrumentation Flexible
1
+ 17 instrumentations
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Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
rhythm section
Orgue
Partitions à imprimer
24 partitions trouvées
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1
Intrada Rhythmica
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Orgue
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AVANCÉ
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Martin Ellis
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Martin Ellis
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Intrada Rhythmica
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Martin Ellis Music
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1474338 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Wedding. Ind...
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Instrumental Solo,Pipe Organ - Level 5 - SKU: A0.1474338 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Wedding. Individual part. 13 pages. Martin Ellis Music #1051956. Published by Martin Ellis Music (A0.1474338). An exciting recital work in one movement for use as an opener or concert set closer. This piece is written in mixed meter as the title might suggest. It is written so that it can be played on a one manual and pedal organ with registration changes, or of course on a much larger instrument. A lush atmostpheric middle section completes the overall sycopated and cinematic style of this new organ solo.
$10.00
Starry Night
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Orgue
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AVANCÉ
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Philip Orem
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Starry Night
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Philip Orem
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SheetMusicPlus
Organ - Level 5 - SKU: A0.872541 Composed by Philip Orem. Christmas,Contemporary,Sacred. Score. 9 pages. Philip Orem #548913. Published by Philip Orem (...
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Organ - Level 5 - SKU: A0.872541 Composed by Philip Orem. Christmas,Contemporary,Sacred. Score. 9 pages. Philip Orem #548913. Published by Philip Orem (A0.872541). A virtuosic piece for organ with lyrical and rhythmic sections sure to delight your audience. Could easily be programmatic of the Christmas Eve story. The recording is of Marilyn Biery in recital on the organ in Rockefeller Chapel at the University of Chicago. Approximately 5:15 in length. For further information contact po4musik@aol.com or https://po4musik.wixsite.com/website.
$10.00
Sonata In C For Organ (Maestoso)
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Thomas R
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By Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #499261...
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Organ - Level 4 - SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #4992619. Published by Thomas R. Schadl (A0.912496). The opening movement is composed in a sonata form and consists of three sections: exposition, development and recapitulation.The exposition begins with a stately introduction that consists of pointed rhythms. After the opening theme has been stated, there are two sections that employ canonic imitation of motives at measures 9 to 12 and 21 to 32. The closing theme depicts a bugle passage that is imitative in nature. The development section usually states thematic materials from the exposition section, but it is not always the case in some compositions. Take, for example, the middle section (measures 42 to 83) that contrasts the opening theme in its lyricism; its melody is written in the stepwise manner and is imitated in the pedal part. The recapitulation is a section where the restatement of the main theme and other sections, including the extended version of the bugle theme, recur after concluding the middle section of the sonata form. The piece ends triumphantly in a FFF passage.The work is educational in that it teaches students the sections that make up a sonata form. This piece is suitable for recital use.
$6.99
Psalm 22 - Mendelssohn-organ solo
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Psalm 22 - Mendelssohn-organ s
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Phil Beaman
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 1...
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Organ - Level 4 - SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 11 pages. Phil Beaman #737590. Published by Phil Beaman (A0.1137387). Psalm 22 is a well-known and loved 8 part a capella choral work by Felix Mendelssohn. I have here arranged it for Organ Solo. Psalm 22 is about a person crying out to God to save him from his enemies, then thanks God for rescuing him. Thus, the first half is in E minor and the second half is in E major. Since it no longer has lyrics to convey the meaning I have used new tempi, dynamics, and registration, and also altered some harmonies and rhythms to add the appropriate interest and emotion. In order to create dialogue on the organ I have used unmetered recitative chant followed by metered antiphon in many places. In another section I use overlapping call and response between the hands and manuals. These are interspersed with 4 part Chorales. The mood constantly shifts throughout in many short sections, but the beauty is in the way they fit together creating harmony and polyphony and dialogued emotions. This is a great 9 minute organ Prelude which bridges the Classical and Romantic eras. 9:15 minutes; 11 pages (Apologies- I was in a hurry to record this, so there are a couple of wrong notes and rhythmic inaccuracies in the recording.).
$7.40
Festive Voluntary
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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contrast, the middle section,
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John Burkett
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Festive Voluntary
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John Burkett
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1378519 Composed by John Burkett. Contemporary,Praise & Worship,Sacred. Score. 7 pages. John Burkett #963166. Published by Joh...
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Organ - Level 4 - SKU: A0.1378519 Composed by John Burkett. Contemporary,Praise & Worship,Sacred. Score. 7 pages. John Burkett #963166. Published by John Burkett (A0.1378519). My Festive Voluntary is cast in a three-part ABA form. The outer sections, in the key of C-sharp minor, convey the effect of a pompous slow-moving march. By contrast, the middle section, in the key of A-flat major, has a song-like character, with its soprano melody supported by by long sustained chords underneath. Then a 14-bar segment, acting as as bridge, assumes the rhythmic character of the first section, while modulating quickly through a succession of keys to reach the key of C-sharp minor once again. The final section recapitulates the first section, though with a few minor changes. This piece serves equally well as a recital piece or church prelude. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for my numerous hymn arrangements, some for organ and others for piano.
$9.00
Machaut: La Messe de Nostre Dame for Organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medie...
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Instrumental Solo,Organ - Level 4 - SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Solemn Fanfare for organ, by Brenda Portman
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Brenda Portman
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Solemn Fanfare for organ, by B
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Brenda Portman
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SheetMusicPlus
Organ - Level 4 - SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017...
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Organ - Level 4 - SKU: A0.753197 Composed by Brenda Portman. Christian,Classical,Contemporary,Religious,Sacred. Score. 14 pages. Brenda Portman #6602017. Published by Brenda Portman (A0.753197). A solo organ work composed in 2020.This piece was commissioned by Ethan Neal, a student at the University of Kentucky, for a new music project to raise money for cancer research, and dedicated to all those who have fought a battle with cancer. It was premiered on August 22, 2021 by Ethan Neal at The Episcopal Church of the Holy Trinity in Georgetown, KY.Solemn Fanfare has three main ideas or themes: the opening fanfare material and two hymns: Christ the Victorious (RUSSIAN HYMN) and Be Still, My Soul (FINLANDIA). The piece is grandiose throughout and is meant to express the triumph of victory over cancer, whether in this life or the next. The solo trumpet presents RUSSIAN HYMN in an embellished and rhythmically altered manner within the flourishes of the opening and closing sections. In the middle section, FINLANDIA provides the strong chordal foundation above which the solo trumpet adds its triumphant yet sometimes dissonant fanfares, recalling the struggle and the pain that are part of the journey.
$7.00
Theme And Variations On TRSCH For Organ
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Thomas R
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Theme And Variations On TRSCH
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739....
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Organ - Level 5 - SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505). Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders. Each variation explores moods and the work is organized this way:Main Theme: m 1-6 TRSCH is stated in the bass.Variation I: m 7-22 FugatoVariation II m 23-50 Mystical quality and lyrical Variation III m 51-88 Scherzo, lyrical section, scherzoVariation IV m 89-116 ToccataVariation V m 117-224 Mystical mood, scherzo, mystical moodVariation VI m 225-297 Toccata, brief lyrical section, toccataVariation VII m 298-317 Variation I but at a slower speed.Forward ReverseA# D D# C B F F # A G# EF# A# B G# G C# D F E CF A A# G F# C C# E D# BG# C C# A# A D# E G F# DA C# D B A# E F G# G D#
$21.82
Sonata In G For Organ-First Movement
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Thomas R
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Sonata In G For Organ-First Mo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #5...
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Organ - Level 5 - SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.
$7.99
Sonata In C For Organ (Finale) By Thomas R. Schadl
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Sch...
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Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration. I hope that you enjoy this work.
$10.99
Prelude on Mendelssohn ('Hark! the Herald Angels Sing')
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Classique
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John Burkett
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John Burkett
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Prelude on Mendelssohn
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John Burkett
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages....
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Organ - Level 4 - SKU: A0.1384296 Composed by John Burkett. Arranged by John Burkett. Christmas,Contemporary,Praise and Worship,Sacred. Score. 10 pages. John Burkett #968607. Published by John Burkett (A0.1384296). My Prelude on the Christmas carol tune Mendelssohn (Hark! the Herald Angels Sing) opens with a brief introduction based on the first measure of the third phrase of the tune. An original harmonization of the entire tune follows, anchored by a repetitive rhythmic pattern of alternating rests and chords. An interlude ensues, which is a rhythmically intensified reworking of the initial introduction. Then the first phrase of the tune sounds in a new key in the pedal bass, accompanied by parallel triads in the hands. Another interlude follows, also based on parallel triads, and leading to a statement in the pedals of the second phrase of the tune. Slightly modified versions of the third and fourth phrases with varied accompaniments lead to a strong cadence. The final section follows, beginning with an extended introduction that increases the rhythmic pace to the point where a constant stream of rapidly moving sixteenth notes drives forward to the final statement of the carol tune, and lends a sense of urgency as the flow continues underneath the melody. The tempo slows slightly during a brief postlude in which the state trumpet reiterates a rhythmic pattern heard earlier. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
Variations on St. Elizabeth ('Fairest Lord Jesus')
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Musique Sacrée
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John Burkett
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John Burkett
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Variations on St. Elizabeth
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John Burkett
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1375666 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 13 pages. John...
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Organ - Level 3 - SKU: A0.1375666 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 13 pages. John Burkett #960208. Published by John Burkett (A0.1375666). My Variations on the hymn tune St. Elizabeth (Fairest Lord Jesus) present the tune with an original harmonization followed by four variations. The first two settings (Theme and Variation I) give out the tune in unaltered form, undergirded by two different harmonizations. Variation II is a duo cast in baroque style with an ornamented melody accompanied by a rhythmically repetitive pattern in the manual bass. In Variation III, a continuously moving accompaniment played by the feet and the left hand provides a backdrop to another ornamented version of the hymn tune, again in a somewhat baroque style. The final variation is more challenging to play. After a brief introduction, the tune appears in the soprano voice, harmonically supported by the alto and pedal bass, while the left hand provides a continuous stream of eighth-note triplets. After a couple of modulations, the final section (marked grandioso) presents the tune with a 4-voice harmonization punctuated at the end of each phrase by a trumpet-like rhythmic pattern played on a state trumpet stop. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$16.00
Sonata „Come, God Creator, Holy Spirit
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Stefan Heucke
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Sonata „Come, God Creato
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate to advanced - SKU: S9.Q43163 For organ. Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate editio...
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Organ - intermediate to advanced - SKU: S9.Q43163 For organ. Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 78. Duration 21 minutes. Schott Music - Digital #Q43163. Published by Schott Music - Digital (S9.Q43163). The sonata premiered in 2016 is based on the Luther chorale Komm, Gott Schöpfer, Heiliger Geist (Come, God Creator, Holy Spirit) and consists of three parts: 'The first movement transforms the first eight notes of the chorale melody into a virtuoso figurative movement, the second movement presents the complete chorale in a highly chromatic harmonization. The concluding fugue is treated in three development sections becoming successively more animated in rhythm and dynamics.' (Stefan Heucke).
$21.99
Organ Flourish
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Simon Peberdy
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Organ Flourish
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Simon Peberdy
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SheetMusicPlus
Organ - Level 3 - SKU: A0.756863 Composed by Simon Peberdy. Christian,Concert,Instructional,Standards. Score. 4 pages. Simon Peberdy #25217. Published b...
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Organ - Level 3 - SKU: A0.756863 Composed by Simon Peberdy. Christian,Concert,Instructional,Standards. Score. 4 pages. Simon Peberdy #25217. Published by Simon Peberdy (A0.756863). This piece has an uplifting, celebratory feel to it. It begins with a sparkling theme with interesting rhythmical features that then leads into a little fugal section with the fireworks returning at the end. Suitable as a closing voluntary. One of a series of organ pieces in different styles to suite all occasions. For more, visit www.simonpeberdymusic.com
$1.99
Elegia n.3 per strumenti a tastiera
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Leonardo Antonio Di Chiara
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Elegia n.3 per strumenti a tas
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LEONARDO ANTONIO DI CHIARA
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SheetMusicPlus
Organ - SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413...
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Organ - SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413731. Published by LEONARDO ANTONIO DI CHIARA (A0.978420). The melody cell of the first part of Elegy n.3 is mainly made up of a fifth and fourth descending leap supported by voices that proceed in descending chromatisms, amplifying the tension. The second part is formed by a chordal section with overlapping fifths and fourths that leads to a melody line with the same rhythmic sequence but supported by a vigorous chromatism. The third part uses the initial theme again only that it is treated in the opposite direction. I deliberately avoided indicating the choice of stops to use if the piece is played on the organ, thus leaving the performer free to choose. Despite this, it seemed appropriate to indicate the dynamics signs only as a point of reference, but obviously the performer is free to file the sound dynamics of the piece at will. Obviously, playing on the piano also requires the use of the resonance pedal that the performer will use at will.
$2.00
Festive Fantasia In E Major
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Thomas R
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Festive Fantasia In E Major
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912451 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 8 pages. Thomas R. Schadl #2030849....
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Organ - Level 4 - SKU: A0.912451 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Sacred,Standards. Score. 8 pages. Thomas R. Schadl #2030849. Published by Thomas R. Schadl (A0.912451). This work alternates between fanfare and chordal passages, and has a majestic flare to it. The middle section contrasts the main theme in its character in two instances: 7/8 time signature and very rhythmic in nature. This piece is suitable for concert use and may be also performed in gala recitals and other occasions. Enjoy it.
$8.99
Fantasia cilena for Organ and Piano
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Hans-Andre Stamm
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Fantasia cilena for Organ and
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Piano - Level 4 - SKU: A0.853158 Composed by Hans-Andre Stamm. 20th Century,Concert,Folk,Latin. Score and part...
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Instrumental Duet Instrumental Duet,Organ,Piano - Level 4 - SKU: A0.853158 Composed by Hans-Andre Stamm. 20th Century,Concert,Folk,Latin. Score and parts. 24 pages. Hans-Andre Stamm #3489049. Published by Hans-Andre Stamm (A0.853158). The repertoire for organ and piano being very small, this joyful piece contributes to this rare combination.Beginning as a dialog, in which the main theme alternates between both instruments, the piece gets its drive through the typical syncopated rhythms of Latin music, which leads to a middle section, which develops into a somewhat impressionistic landscape and then returns to the joyful mood of the beginning. Duration: 4.50 min.Listen on Youtube: www.youtube.com/watch?v=hoR50qxSmew&t=1s
$18.95
Toccata
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Naji Hakim
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Toccata
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q42279 Rottenburg Toccata. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 5 minutes. Sc...
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Organ - intermediate - SKU: S9.Q42279 Rottenburg Toccata. Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q42279. Published by Schott Music - Digital (S9.Q42279). The Rottenburg Toccata develops the choral melody of “Sankt Martin, dir ist anvertraut†in the virtuosic style of french romantic toccatas. The work is articulated in three sections with contrasted textures: opening variation of the melody with sextuplet figurations, middle variation with a peasant rhythmicalcharacter in the minor mode and conclusion presenting the choral melody on the pedal.
$12.99
Prelude on Stille Nacht ('Silent Night')
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John Burkett
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John Burkett
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Prelude on Stille Nacht
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John Burkett
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1428149 Composed by John Burkett. Arranged by John Burkett. Christmas,Classical,Praise & Worship,Religious. Score. 6 pages. Jo...
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Organ - Level 3 - SKU: A0.1428149 Composed by John Burkett. Arranged by John Burkett. Christmas,Classical,Praise & Worship,Religious. Score. 6 pages. John Burkett #1008974. Published by John Burkett (A0.1428149). My Prelude on the Christmas carol tune Stille Nacht (Silent Night) was created with a 3-manual organ in mind, though it might be possible to play it on a 2-manual instrument, depending on the stop list. The three different settings of the tune are intended to be played as a unit, though the cadence that concludes the second setting allows the performer the option of omitting the final setting. The tune appears first in the left hand, then in the pedals, and finally in the soprano voice. The middle setting, in the dominant key, is harder to play than the outer sections, primarily because of the trio texture and quicker rhythmic movement. As one might expect, the three settings are distinguished from one another primarily by their accompanimental styles and suggested registrations. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music DIrect website for other hymn arrangements of mine, some for organ and others for piano.
$8.50
Prelude on Lyons ('O Worship the King')
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FACILE
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Musique Sacrée
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John Burkett
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John Burkett
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Prelude on Lyons
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John Burkett
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1350882 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #934160. Published ...
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Organ - Level 2 - SKU: A0.1350882 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 5 pages. John Burkett #934160. Published by John Burkett (A0.1350882). My arrangement of the hymn tune Lyons (O Worship the King) is a relatively simple setting that requires only a two-manual organ and modest playing ability. Like the original tune, this setting is cast in 3-part, or ABA, form. The first, second, and fourth phrases of the tune are notated in elongated note values to allow for a more rhythmically active accompaniment. The third phrase, notated in the original quarter-note values, is elaborated upon, thus bringing the middle B-secion into better balance with the outer two A-sections. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$8.00
Prelude and Fugue in G Minor
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Curtis Hawthorne
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Prelude and Fugue in G Minor
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Curtis Hawthorne
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SheetMusicPlus
Organ - Level 3 - SKU: A0.923855 Composed by Curtis Hawthorne. Baroque,Contemporary. Score. 8 pages. Curtis Hawthorne #6535101. Published by Curtis Hawt...
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Organ - Level 3 - SKU: A0.923855 Composed by Curtis Hawthorne. Baroque,Contemporary. Score. 8 pages. Curtis Hawthorne #6535101. Published by Curtis Hawthorne (A0.923855). Inspired but not constrained by Preludes and Fugues of the Baroque, this piece is perfect for preludes, postludes, and recitals. The dramatic Prelude develops its rhythmic themes in contrastive sections with modern harmonic language, and the lighter Fugue builds to a full organ conclusion with extensive use of stretto.Written for organs with 3 or more manuals and pedal.
$3.99
Festive Fantasia In D Major
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Thomas R
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Festive Fantasia In D Major
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 3 - SKU: A0.912445 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Standards. Score. 9 pages. Thomas R. Schadl #2025019. Publis...
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Organ - Level 3 - SKU: A0.912445 Composed by Thomas R. Schadl. Concert,Contemporary,Holiday,Standards. Score. 9 pages. Thomas R. Schadl #2025019. Published by Thomas R. Schadl (A0.912445). Are you looking for an organ piece that's going to bring joy into your heart? The Festive Fantasia In D Major starts with a toccata-like passage that is interspersed with fanfare sections. The middle part of the work is lyrical in nature and is played at a slower speed. The fantasia embraces both lyricism and rhythmic vitality that will ring out to everyone, whether in concert halls, churches and other venues. You'll love it.
$7.99
Fanfare on "Nicaea", Op. 122 (Organ Solo) by Vidas Pinkevicius (2022)
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Vidas Pinkevicius
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Fanfare on "Nicaea",
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1044054 Composed by Vidas Pinkevicius. Classical,Contemporary,Praise & Worship,Sacred,Wedding. Score. 3 pages. Vidas Pinkevici...
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Organ - Level 3 - SKU: A0.1044054 Composed by Vidas Pinkevicius. Classical,Contemporary,Praise & Worship,Sacred,Wedding. Score. 3 pages. Vidas Pinkevicius #648775. Published by Vidas Pinkevicius (A0.1044054). In this optimistic Fanfare on the hymn tune Nicaea (Holy, Holy Holy) refrain played by the Tuba or some other strong reed stop alternates with a joyful sections of the hymn tune set in gigue rhythms. This composition will work very well as a liturgical and/or recital piece. Dedicated to James Flores.
$4.99
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