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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chara
Non classifié
149
Piano & claviers
Piano seul
153
Piano, Voix
119
Piano, Voix et Guitare
25
Orgue
18
Instruments en Do
17
1 Piano, 4 mains
6
2 Pianos, 4 mains
2
Clavecin
1
Fake Book
1
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare
36
Guitare notes et tablatures
11
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
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Voix
Chorale SATB
39
Chorale TTBB
11
Voix Soprano, Piano
9
Chorale SSAA
4
Voix Tenor, Piano
3
Voix Alto, Piano
3
Chorale 3 parties
2
Voix haute
2
Voix duo, Piano
2
Chorale 2 parties
1
Voix Baryton, Piano
1
Chorale
1
Voix seule
1
+ 8 instrumentations
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Vents
2 Saxophones (duo)
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quatuor de Saxophones: 4 saxophones
15
2 Flûtes traversières (duo)
14
Clarinette et Piano
13
2 Clarinettes (duo)
12
Flûte traversière et Piano
12
Saxophone, Clarinette (duo)
11
Clarinette, Violon (duo)
9
Flûte, Clarinette (duo)
8
Clarinette
7
Quintette de Saxophone: 5 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Violon
6
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
6
Flûte traversière
5
Hautbois, Flûte
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Hautbois, Basson (duo)
5
Ensemble de saxophones
5
Flûte, Alto (duo)
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
4
2 Hautbois (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Flûte à Bec
3
Saxophone Soprano et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Flûtes
3
Flûte, Trompette (duo)
3
Saxophone et Orgue
2
Quintette de Flûte : 5 flûtes
2
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
2
Piccolo, Piano
2
Hautbois (partie séparée)
2
Clarinette, Basson (duo)
2
Cor Anglais
1
Clarinette, Violoncelle (duo)
1
Flute (partie séparée)
1
Flûte, Hautbois, Basson
1
Flûte à bec Alto
1
Cor anglais, Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle
1
Flûte, alto et harpe
1
Flûte, Violon, Piano
1
+ 49 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette, Saxophone (duo)
10
Trompette, Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trombone et Piano
5
Quatuor de cuivres: 4 trombones
5
Trompette, Trombone (duo)
5
Trompette
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
Euphonium, Piano (duo)
4
Cor
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
3
Trompette (partie séparée)
2
Tuba
2
Quatuor de Cuivres
2
Cor Anglais
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Cor anglais, Piano
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Tuba et Piano
1
Trombone
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
16
Violoncelle, Piano
11
Violon, Violoncelle (duo)
10
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
6
Alto seul
6
Alto, Piano
6
Violon, Alto (duo)
5
2 Altos (duo)
5
Violon
5
2 Violoncelles (duo)
5
2 Violons (duo)
4
Violon, Orgue
3
Harpe
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Orchestre
1
Alto (partie séparée)
1
Violoncelle, Orgue
1
4 Contrebasses
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Contrebasse, Piano (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
44
Orchestre
33
Orchestre d'harmonie
19
Ensemble Jazz
11
Orchestre de chambre
9
Ensemble de cuivres
6
Ensemble de Percussions
4
Jazz combo
2
Cloches
2
Fanfare
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
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Das Große Gastmahl (Horn)
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1435143 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages....
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French Horn Solo - Level 4 - SKU: A0.1435143 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015248. Published by Stephan Langenberg (A0.1435143). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
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French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
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French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Carson Cooman: River Song: Remembering Dennis Abelson for horn
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: River Song: Rem
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Musik Fabrik Music Publishing
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.533556 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publ...
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French Horn Solo - Level 4 - SKU: A0.533556 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3018605. Published by Musik Fabrik Music Publishing (A0.533556). River Song: Remembering Dennis Abelson (2007) for solo horn was composed in memory of DennisR. Abelson, horn performer and teacher who died on September 1, 2007 at the age of 56 after aprotracted battle with cancer. Abelson served as long-time professor of horn at Carnegie MellonUniversity in Pittsburgh, Pennsylvania. The work is inscribed “in memory of Dennis Abelson and for hismany students and friends to remember him.â€Dennis commissioned two works from me for the Carnegie Mellon Horn Choir and was alwaysencouraging and interested in what I was doing with his instrument. He leaves behind a verydistinguished legacy of horn students who have held many significant orchestra and teachingpositions throughout the world. When one heard Dennis talk about his students (both current andformer), it was immediately obvious how much he rejoiced in their successes and achievements.This work is founded upon the pitches of D and A, taken from the initial letters of Abelson’s names.It is a rhapsodic elaboration of that basic material – as the melodic material is constantly developedand expanded. The “river†of the title refers both to the flowing character of the music’sdevelopment and to the three rivers of Pittsburgh, the city in which Abelson spent his entire life.
$9.10
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