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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
set
Non classifié
2 657
Piano & claviers
Piano seul
924
Piano, Voix
283
Piano, Voix et Guitare
149
Orgue
132
1 Piano, 4 mains
48
Piano Trio: piano, violon, violoncelle
44
Instruments en Do
42
2 Pianos, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
22
Orgue, Trompette (duo)
15
Orgue, Piano (duo)
14
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Accordéon
6
Accompagnement Piano
5
Piano Facile
5
2 Pianos, 8 mains
3
Ensemble d'Accordéons
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
198
Guitare
177
2 Guitares (duo)
56
4 Guitares (Quatuor)
26
Ukulele
18
Basse electrique
16
3 Guitares (trio)
11
Ligne De Mélodie, (Paroles) et Accords
5
Dulcimer
3
Ensemble de guitares
3
Banjo
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
Mandoline
1
2 Ukuleles
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 024
Chorale TTBB
104
Chorale 3 parties
78
Chorale SSAA
72
Voix Soprano, Piano
41
Voix haute
33
Chorale Unison
33
Chorale
22
Voix Baryton, Piano
19
Voix duo
19
Chorale 2 parties
16
Voix seule
15
Voix Tenor, Piano
14
Voix moyenne, Piano
8
Voix duo, Piano
5
Voix Alto, Piano
4
Voix basse, Piano
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
3
Voix, Guitare
2
Voix Soprano
1
Chorale SSATB
1
Chorale SATBB
1
Chorale SSATTB
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
328
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
284
Quatuor de Saxophones: 4 saxophones
267
Ensemble de Flûtes
137
Ensemble de Clarinettes
130
Quatuor de Flûtes : 4 flûtes
110
Flûte, Hautbois, Clarinette, Basson
108
Quintette de Saxophone: 5 saxophones
98
Ensemble de saxophones
98
Flûte traversière et Piano
88
Clarinette et Piano
79
Saxophone Alto et Piano
73
2 Clarinettes (duo)
61
3 Clarinettes (trio)
60
2 Saxophones (duo)
59
Hautbois, Piano (duo)
59
Quintette de Clarinettes: 5 clarinettes
59
Flûte traversière
58
3 Saxophones (trio)
54
Flûte à Bec
52
2 Flûtes traversières (duo)
50
Saxophone Tenor et Piano
42
Trio de Flûtes: 3 flûtes
40
Saxophone Soprano et Piano
33
Cornemuse
32
Flûte, Clarinette et Basson
29
Clarinette
26
Saxophone Alto
19
Quintette de Flûte : 5 flûtes
18
Flûte, Clarinette (duo)
17
Saxophone Tenor
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte et Guitare
15
Saxophone (partie séparée)
14
2 Hautbois (duo)
11
Saxophone Baryton, Piano
9
3 Hautbois
7
Clarinette, Guitare (duo)
7
Ensemble De Flûte à bec
6
5 Flûtes à bec
6
Flûte, Violon, Piano
6
Flûte, Hautbois, Basson
6
Quatuor de Flûtes à bec
6
Clarinette, Basson (duo)
6
Hautbois, Basson (duo)
5
Clarinette Basse, Piano
5
Flûte, Violon et Violoncelle
5
Flûte, Clarinette, Piano (trio)
5
Hautbois (partie séparée)
5
Clarinette, Violon (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Alto et Piano
4
Clarinette, Trompette (duo)
4
Hautbois, Flûte
4
Flûte, Alto et Violoncelle
4
Cor anglais, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle
4
Clarinette, Harpe (duo)
3
2 Flûtes traversières, Piano
3
Flûte, Violon
3
Saxophone
3
Ensemble à vent
3
Clarinette et Alto
3
Saxophone, Clarinette (duo)
3
Hautbois
3
Flûte, Alto (duo)
3
2 Saxophones, Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Saxophone et Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Alto et Piano (trio)
1
Flûte, Trompette (duo)
1
Clarinette, Orchestre
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Flute (partie séparée)
1
2 Clarinettes, Basson
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Saxophone (duo)
1
Saxophone et Orgue
1
2 Hautbois et Basson
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
2 Hautbois et Cor anglais
1
Hautbois, Violoncelle et Piano
1
Ocarina
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte traversière, Orchestre
1
Flûte à bec Tenor
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
586
Quatuor de Cuivres : 2 trompettes, trombone, tuba
107
Quatuor de cuivres: 4 trombones
89
Quatuor de Cuivres
75
Ensemble de Trombones
59
Trompette, Piano
48
Quatuor de cuivres: 4 cors
33
Ensemble de Trompettes
33
Cor et Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trombone et Piano
29
Trompette
26
Trombone
23
3 Trombones (trio)
22
2 Trombones (duo)
19
2 Trompettes (duo)
18
Trompette (partie séparée)
17
2 Cors (duo)
17
Tuba et Piano
17
2 Euphoniums et 2 Tubas
13
Ensemble de Cors
13
Quatuor de cuivres: 4 trompettes
13
Trombone (partie séparée)
12
3 Trompettes (trio)
10
Euphonium, Piano (duo)
10
3 Cors (trio)
9
Trio de Cuivres
9
Trompette, Trombone (duo)
8
Euphonium, Tuba (duo)
7
Cor
7
4 Tubas
6
Tuba
5
2 Trompettes, Clavier (piano ou orgue)
4
Cor anglais, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
3
Cor et Orgue
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Saxophone (duo)
2
Trombone et orchestre
2
2 Tubas (duo)
2
Trompette, Orchestre
2
Cor, Orchestre
2
Cornet et orchestre
1
Bass Clef Instruments
1
Trombone basse
1
Trompette, Trombone, Piano
1
Cor, Trompette, Trombone (trio)
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Trombone, Orgue
1
Trombone basse et Piano
1
Cor, Violoncelle et Piano
1
Ensemble de Tubas
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 090
Violon et Piano
139
Trio à Cordes: violon, alto, violoncelle
133
Violon, Violoncelle (duo)
121
Violoncelle, Piano
92
Alto, Piano
75
Trio à Cordes: 2 violons, violoncelle
68
2 Violons (duo)
49
Violoncelle
48
4 Violoncelles
48
Violon
41
2 Violoncelles (duo)
37
Harpe
31
Violon, Alto (duo)
31
Trio à Cordes: 3 violoncelles
24
2 Altos (duo)
17
Trio à cordes: 3 violins
17
Quatuor à cordes: 4 violons
14
Ensemble de Violons
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Ensemble d'Altos
13
Ensemble de Violoncelles
13
2 Harpes (duo)
12
Trio à cordes
12
Trio à cordes: 3 altos
11
Violoncelle , Guitare (duo)
9
Contrebasse, Piano (duo)
8
Violoncelle, Orchestre
8
Piano Trio: Violon, Alto, Piano
8
Harpe, Flûte (duo)
8
Alto seul
7
Trio à Cordes: 2 violons, alto
6
Alto, Violoncelle (duo)
6
Violon, Guitare (duo)
5
Harpe, Violon (duo)
5
Violoncelle, Orgue
4
2 Violons, Piano
4
Quatuor à cordes : 4 altos
4
Alto (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violoncelle (duo)
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Violon (partie séparée)
2
4 Contrebasses
2
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
Harpe et mandoline
1
Harpe et Piano
1
Harpe, Orchestre
1
Harpe, Voix
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre
325
Orchestre d'harmonie
293
Ensemble Jazz
292
Orchestre à Cordes
237
Batterie
194
Ensemble de cuivres
164
Orchestre de chambre
157
Cloches
95
Jazz combo
77
Fanfare
44
Ensemble de Percussions
26
Quintette à Vent
10
Quatuor à Vent : 4 instruments à vents
9
Vibraphone
9
Orchestre, Violon
6
Marimba
6
Voix et Orchestre
3
Big band
3
Batterie (partie séparée)
2
Piano et Orchestre
2
3 Percussions
2
Xylophone, Piano
1
Trio à Vent: 3 instruments à vents
1
2 Marimbas
1
+ 19 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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REGGAE
SOUL - R&B - HIP HOP…
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1
Das Große Gastmahl (Horn)
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Stephan Langenberg
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Das Große Gastmahl
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Stephan Langenberg
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1435143 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages....
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French Horn Solo - Level 4 - SKU: A0.1435143 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015248. Published by Stephan Langenberg (A0.1435143). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com
$4.99
Kopprasch Op.5 - Sixty Studies for (Not So) High Horn
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Kopprasch, Georg
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M
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Kopprasch Op.5 - Sixty Studies
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Michael V. Hindrichs
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1001610 Composed by Kopprasch, Georg. Arranged by M. V. Hindrichs. Classical,Instructional. Individual part. 51 pag...
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French Horn Solo - Level 4 - SKU: A0.1001610 Composed by Kopprasch, Georg. Arranged by M. V. Hindrichs. Classical,Instructional. Individual part. 51 pages. Michael V. Hindrichs #6362197. Published by Michael V. Hindrichs (A0.1001610). The standard set of studies on the horn player's shelf is the Kopprasch Op. 6 etudes for Low Horn. Kopprasch also wrote another set of etudes in a similar style - Op. 5 for High Horn. These lesser known studies were written for 'high horn' which meant, in the 1830s, specialized players and instruments. Most modern horn players will find these studies too high for everyday use. This carefully edited arrangement takes all of the 60 studies down a 4th. This puts them in the same range as the popular Op. 6 Low Horn studies and makes them accessible to all level of horn player. If you have enjoyed working on Kopprasch, you'll enjoy this addition to your library.
$8.00
Vivaldi: Spring from the Four Seasons for Solo French Horn
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Spring from the Four
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jmsgu3
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1320588 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Trad...
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French Horn Solo - Level 4 - SKU: A0.1320588 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. Individual part. 7 pages. Jmsgu3 #909084. Published by jmsgu3 (A0.1320588). Vivaldi's Spring is part of a set of four violin concertos, each representing a season of the year. The Four Seasons is one of Vivaldi's most famous works and is considered a masterpiece of program music, as it provides a musical expression of the events and emotions of each season. Vivaldi published the concerti with accompanying poems, possibly written by himself, that elucidated what it was about those seasons his music was intended to evoke, making it one of the earliest and most detailed examples of program music. Vivaldi took great care to relate his music to the texts of the poems, translating the poetic lines directly into the music on the page. For example, in the middle section of the Spring concerto, where the goatherd sleeps, his barking dog can be marked in the viola section. The music of Spring is an interpretation of a sonnet, and it is widely believed that Vivaldi wrote the sonnets himself, as the words and music are so entwined. King Louis XV became very fond of the spring concerto, ordering it to be performed numerous times, indicating its widespread appeal and popularity. The innovative and detailed approach Vivaldi took in composing The Four Seasons made it a timeless and celebrated piece in classical music.
$24.95
Pavel Trojan - Jingles and Fanfare for Four French Horns
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Cor
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INTERMÉDIAIRE/AVANCÉ
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Pavel Trojan
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Pavel Trojan - Jingles and Fan
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Pavel Trojan
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1021225 Composed by Pavel Trojan. 20th Century,Contemporary,Standards. Individual part. 31 pages. Pavel Trojan #582...
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French Horn Solo - Level 4 - SKU: A0.1021225 Composed by Pavel Trojan. 20th Century,Contemporary,Standards. Individual part. 31 pages. Pavel Trojan #5821007. Published by Pavel Trojan (A0.1021225). Jingles and Fanfare (2020) is a set of four movements (album) for four french horns, appropriate both for music school students and professional concert artists.PAVEL TROJAN was born on 14th August 1956 in Domažlice. Between 1977 and 1982, he studied composition with Ilja HurnÃk at the Prague Conservatory; after that, from 1982 until 1989, he went to attend the Music and Dance Faculty of the Academy of Performing Arts in Prague, where he studied in the class of Jiřà Pauer.The composer has extensive chamber, orchestral and musical dramatic work, which includes both opera and musical. In his work he puts emphasis on melody, brevity and clarity.He has been working at the Prague Conservatory since 1986, at first as a music theory tutor, and from 1991 as a music composition teacher. From 1992 until 2004, he was the vice director of the conservatory until being appointed the director in December 2004 (until July 2018). He is currently teaching a composition. Main works:Piano Concerto (1989), Missa solemnis (1998), Variations on a Theme by and Written in Honor of Václav Trojan (2006), Sinfonia giocosa (2008), Piano Trio No. 2 (2009), Pastoral Fairytale (Opera, 2012), Concerto for Violin and Orchestra N. 2 (2015), The Cross of Zavis (Musical, 2016).
$7.99
Elegy
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Elegy
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Robert A. Howard
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.998872 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Individual part....
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French Horn Solo - Level 4 - SKU: A0.998872 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Individual part. 3 pages. Robert A. Howard #6348481. Published by Robert A. Howard (A0.998872). This poignant work for solo horn is based on the Dylan Thomas poem 'Elegy (for his father)'. The series of irregular isolated phrases in the principal outer sections were actually created by setting some of the text from the aforementioned poem, as the work was originally conceived as a vocal setting. The contrasting second section (later briefly alluded to before the final passage) is faster, in 7/8 metre, and is a series of permutations on a melody created by setting initial lines from Dylan Thomas's 'In My Craft or Sullen Art'. A central section features some military-like fanfare motifs and material from a projected setting of the Gloria. The piece is highly accessible and is appropriate for higher standard horn players, including students and the more advanced.Duration: 6 minutes 00 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
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French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
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French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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