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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
5 8
Non classifié
519
Piano & claviers
Piano seul
626
Piano, Voix
69
Orgue
35
1 Piano, 4 mains
24
2 Pianos, 8 mains
8
Instruments en Do
7
Clavecin
7
2 Pianos, 4 mains
7
Accordéon
6
Piano, Voix et Guitare
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Piano Facile
1
Clavier
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
62
Guitare notes et tablatures
46
Basse electrique
7
2 Guitares (duo)
3
Ukulele
2
4 Guitares (Quatuor)
2
Ensemble de guitares
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Paroles et Accords
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
172
Chorale TTBB
49
Chorale 3 parties
16
Chorale SSAA
11
Voix haute
4
Voix Soprano, Piano
4
Voix Alto, Piano
3
Voix seule
3
Voix Tenor, Piano
3
Voix duo, Piano
2
Chorale
1
Voix basse, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix duo
1
Chorale SSAATTBB
1
Chorale Unison
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
53
Saxophone Alto et Piano
34
Clarinette et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quatuor de Saxophones: 4 saxophones
23
2 Flûtes traversières (duo)
22
Hautbois, Piano (duo)
20
Clarinette
17
Saxophone Soprano et Piano
17
Ensemble de Clarinettes
16
Ensemble de saxophones
16
Hautbois (partie séparée)
16
Saxophone Tenor et Piano
13
Flûte traversière
12
Flûte, Hautbois, Clarinette, Basson
11
Clarinette (partie séparée)
9
Saxophone Baryton, Piano
9
Saxophone (partie séparée)
7
Clarinette Basse, Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Flute (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
5
Ensemble de Flûtes
5
2 Saxophones (duo)
4
Flûte à Bec
4
Quintette de Clarinettes: 5 clarinettes
4
2 Clarinettes (duo)
4
Cor anglais, Piano
4
3 Clarinettes (trio)
3
Saxophone
2
Saxophone Alto
2
2 Hautbois (duo)
2
Flûte, Violon
2
Quintette de Saxophone: 5 saxophones
2
3 Flûtes à bec (trio)
2
Flûte, Alto (duo)
1
Hautbois
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Clarinette Basse
1
Piccolo, Piano
1
3 Saxophones (trio)
1
Clarinette et Alto
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Flûte : 5 flûtes
1
Cor Anglais
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Tenor
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 50 instrumentations
Retracter
Cuivres
Ensemble de Trombones
61
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trombone et Piano
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
19
Euphonium, Piano (duo)
14
Cor
13
Tuba et Piano
13
Quatuor de cuivres: 4 trombones
12
Trompette
12
Cor et Piano
11
Ensemble de Cors
8
Quatuor de cuivres: 4 cors
8
Trombone
8
Trompette (partie séparée)
7
Tuba
6
Quatuor de Cuivres
5
Cor (partie séparée)
4
2 Euphoniums et 2 Tubas
4
Cor anglais, Piano
4
Trombone (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Euphonium
2
Ensemble de Trompettes
2
Trompette, violon (duo)
2
Euphonium (partie séparée)
2
2 Trombones (duo)
2
3 Trombones (trio)
1
2 Trompettes (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
1
Cor Anglais
1
Tuba (partie séparée)
1
Tuba et Orgue
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violon et Piano
60
Violon, Violoncelle (duo)
43
Violoncelle, Piano
23
Alto, Piano
21
Violon
20
2 Violons (duo)
17
Harpe
16
Violoncelle
13
Violon, Alto (duo)
13
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
6
2 Violoncelles (duo)
6
2 Altos (duo)
5
Violoncelle, Contrebasse (duo)
5
Contre Basse
3
Harpe, Violoncelle (duo)
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
3
Contrebasse, Piano (duo)
3
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
3
Alto (partie séparée)
3
4 Contrebasses
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Ensemble de Violoncelles
2
Contrebasse (partie séparée)
1
4 Violoncelles
1
4 Harpes
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
82
Orchestre
78
Ensemble Jazz
52
Orchestre à Cordes
41
Ensemble de cuivres
38
Orchestre de chambre
25
Cloches
13
Jazz combo
9
Batterie
5
Big band
5
Fanfare
5
Marimba
3
Ensemble de Percussions
3
Vibraphone
2
Piano et Orchestre
1
Xylophone
1
Timbales (partie séparée)
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Partitions à imprimer
13 partitions trouvées
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1
Beethoven Symphony No. 8, Movement II - Horn in F 1 (Transposed Part), Op. 93
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Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Doug Clyde
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Beethoven Symphony No. 8, Move
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ALBEDO MUSIC
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.713131 Composed by Ludwig van Beethoven. Arranged by Doug Clyde. Classical. Individual part. 2 pages. ALBEDO MUSIC ...
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French Horn Solo - Level 5 - SKU: A0.713131 Composed by Ludwig van Beethoven. Arranged by Doug Clyde. Classical. Individual part. 2 pages. ALBEDO MUSIC #3115933. Published by ALBEDO MUSIC (A0.713131). Transposed Part for Horn in F 1. Originally for 1st Horn in Bb basso. Ludwig van Beethoven Symphony No. 8 in F Major, Op. 93, Movement II- Allegretto scherzando. Rehearsal letters and measure numbers may or may not coordinate with other scores. AMTP525. © 2017 by ALBEDO MUSIC.
$3.99
Beethoven Symphony No. 8, Movement II - Horn in F 2 (Transposed Part), Op. 93
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Cor
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AVANCÉ
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Classique
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Ludwig van Beethoven
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Doug Clyde
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Beethoven Symphony No. 8, Move
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ALBEDO MUSIC
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.713132 Composed by Ludwig van Beethoven. Arranged by Doug Clyde. Classical. Individual part. 2 pages. ALBEDO MUSIC ...
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French Horn Solo - Level 5 - SKU: A0.713132 Composed by Ludwig van Beethoven. Arranged by Doug Clyde. Classical. Individual part. 2 pages. ALBEDO MUSIC #3115935. Published by ALBEDO MUSIC (A0.713132). Transposed Part for Horn in F 2. Originally for 2nd Horn in Bb basso. Ludwig van Beethoven Symphony No. 8 in F Major, Op. 93, Movement II- Allegretto scherzando. Rehearsal letters and measure numbers may or may not coordinate with other scores. AMTP526. © 2017 by ALBEDO MUSIC.
$3.99
Adagietto from Symphony No. 5 for Horn & Piano
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Cor
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AVANCÉ
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Mahler, Gustav
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Sauer, Ralph
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Adagietto from Symphony No. 5
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.792193 Composed by Mahler, Gustav. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Individual part. 9 pages...
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French Horn Solo - Level 5 - SKU: A0.792193 Composed by Mahler, Gustav. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Individual part. 9 pages. Gordon Cherry #4603359. Published by Gordon Cherry (A0.792193). Composed in 1901-02, Mahler's 5th Symphony contains the Adagietto movement scored for strings and harp, perhaps the most serene, simple, spiritual and peaceful music of his entire output. The music was likely composed as a love song to his new wife Alma. Ralph Sauer has beautifully arranged the movement for solo Horn with Piano accompaniment. The 8 minute long work is appropriate for advanced performers.
$30.00
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Carmen Fizzarotti: HOW LONG IS NOW? (ES-20-116)
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Cor
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AVANCÉ
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Contemporain
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CARMEN FIZZAROTTI
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Carmen Fizzarotti: HOW LONG IS
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Sconfinarte
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1171933 Composed by CARMEN FIZZAROTTI. Classical,Contemporary. Individual part. 8 pages. Sconfinarte #772214. Publi...
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French Horn Solo - Level 5 - SKU: A0.1171933 Composed by CARMEN FIZZAROTTI. Classical,Contemporary. Individual part. 8 pages. Sconfinarte #772214. Published by Sconfinarte (A0.1171933). HOW LONG IS NOW? (ES-20-116)Organico: Corno in Fa.
$20.00
Mamma Mia
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Cor
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AVANCÉ
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ABBA
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Heather Johnson
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Mamma Mia
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Heather Hibbert
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.919273 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Heather Johnson. Dance,Pop. Indiv...
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French Horn Solo - Level 5 - SKU: A0.919273 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Heather Johnson. Dance,Pop. Individual part. 30 pages. Heather Hibbert #3567413. Published by Heather Hibbert (A0.919273). A fun arrangement of the hit ABBA tune, Mamma Mia, for 8 horns.
$20.00
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Vivaldi - The Four Seasons: Spring for Solo French Horn
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Cor
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi - The Four Seasons: Sp
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jmsgu3
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.548528 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. I...
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French Horn Solo - Level 5 - SKU: A0.548528 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Individual part. 7 pages. Jmsgu3 #3392317. Published by jmsgu3 (A0.548528). Vivaldi's Concerto Op. 8 No. 1 Spring from the Four Seasons arranged for unaccompanied French Horn.
$32.95
Horn Sonata No. 2 - 3rd. Movement - Allegro vivace
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 2 - 3rd. Movem
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767346 Composed by Mike Lyons. Concert,Contemporary. Individual part. 3 pages. Lyons Music Services #3518535. Publi...
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French Horn Solo - Level 5 - SKU: A0.767346 Composed by Mike Lyons. Concert,Contemporary. Individual part. 3 pages. Lyons Music Services #3518535. Published by Lyons Music Services (A0.767346). This is the 3rd and final movement of my Horn Sonata No.2. It's intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2.
$8.00
Horn Sonata No. 1 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
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French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
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French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Dreamland (unaccompanied horn)
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AVANCÉ
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Brandon Nelson
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Dreamland
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Brandon Nelson
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1202247 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. Individual part. ...
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French Horn Solo - Level 5 - SKU: A0.1202247 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. Individual part. 8 pages. Brandon Nelson #800926. Published by Brandon Nelson (A0.1202247). The richly-detailed, darkly-evocative atmosphere of Edgar Allan Poe’s classic poem Dreamland was the inspiration for this piece. Each section of the music (there are five, just as there are five stanzas in the poem) reflects my interpretation of moods or events in the poem. Listeners and performers alike are encouraged to read Poe’s work before delving into this piece.
$9.99
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