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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
B
Non classifié
692
Piano & claviers
Piano seul
621
Piano, Voix
48
Piano, Voix et Guitare
24
Orgue
21
1 Piano, 4 mains
10
Instruments en Do
6
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
Accompagnement Piano
1
Piano Facile
1
Orgue, Trompette (duo)
1
Clavecin
1
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
40
Basse electrique
18
Guitare notes et tablatures
17
Ukulele
6
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
95
Chorale TTBB
62
Chorale SSAA
12
Chorale 3 parties
10
Voix basse, Piano
4
Chorale 2 parties
3
Voix seule
3
Voix Tenor, Piano
3
Voix Soprano, Piano
3
Voix Alto, Piano
2
Voix duo, Piano
1
Chorale SSATB
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix haute
1
+ 10 instrumentations
Retracter
Vents
Clarinette
683
Saxophone
126
Clarinette et Piano
63
Flûte traversière
52
Quatuor de Clarinettes: 4 clarinettes
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Flûte, Hautbois, Clarinette, Basson
15
Ensemble de Clarinettes
14
2 Clarinettes (duo)
13
Quatuor de Saxophones: 4 saxophones
12
Flûte traversière et Piano
11
Quintette de Saxophone: 5 saxophones
11
Hautbois, Piano (duo)
10
2 Saxophones (duo)
7
Hautbois (partie séparée)
7
Saxophone Alto et Piano
7
Saxophone Tenor
7
Saxophone Tenor et Piano
7
Saxophone Alto
6
3 Clarinettes (trio)
5
Flûte à Bec
4
Clarinette, Violoncelle (duo)
4
Clarinette, Basson (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois
4
Flute (partie séparée)
4
Saxophone Soprano et Piano
3
Clarinette Basse, Piano
3
Clarinette, Violon (duo)
3
Quatuor de Flûtes à bec
2
Saxophone (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Flûtes : 4 flûtes
2
2 Flûte à bec (duo)
2
Flûte, Clarinette (duo)
2
3 Saxophones (trio)
2
2 Flûtes traversières (duo)
2
Ensemble de saxophones
2
Saxophone, Clarinette (duo)
1
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trombone (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Orgue
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Saxophone Soprano
1
Flûte, Alto et Piano
1
Flûte à bec Tenor
1
Cor Anglais
1
Harmonica
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Clarinette (duo)
1
Cor anglais, Piano
1
+ 54 instrumentations
Retracter
Cuivres
Trompette
624
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Trompette, Piano
47
Trombone
39
Trombone et Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Cor
20
Ensemble de Trombones
11
Trompette (partie séparée)
11
Trompette, Cor (duo)
8
Euphonium, Piano (duo)
8
Tuba et Piano
8
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Quatuor de Cuivres
6
Cor et Piano
5
Ensemble de Trompettes
4
Trompette, Trombone (duo)
4
Tuba
3
2 Trompettes (duo)
3
Euphonium
2
Trombone, Orgue
2
4 Tubas
2
2 Tubas (duo)
2
Trombone et orchestre
2
Cor (partie séparée)
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
3 Trompettes (trio)
1
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Cor Anglais
1
Trombone basse et Piano
1
Trombone (partie séparée)
1
Cor anglais, Piano
1
+ 33 instrumentations
Retracter
Cordes
Violon
108
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violoncelle
55
Violon et Piano
28
Alto seul
21
Violoncelle, Piano
15
Alto, Piano
10
Trio à Cordes: 2 violons, violoncelle
7
Harpe
7
Trio à Cordes: violon, alto, violoncelle
7
Contre Basse
6
Violon, Violoncelle (duo)
5
Ensemble d'Altos
2
Harpe, Violon (duo)
2
Violon, Alto (duo)
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
2 Violoncelles (duo)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Violoncelle, Orchestre
1
Violoncelle , Guitare (duo)
1
4 Violoncelles
1
Trio à cordes
1
Violon, Guitare (duo)
1
2 Violons (duo)
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
4 Harpes
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
139
Orchestre
100
Ensemble de cuivres
71
Orchestre de chambre
36
Ensemble Jazz
33
Batterie
26
Orchestre à Cordes
12
Fanfare
8
Ensemble de Percussions
7
Jazz combo
7
Big band
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Cloches
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Partitions à imprimer
20 partitions trouvées
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Brahms : Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 1 en mi : 5 mes. après B-E, 2 mes. après F-218)
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Cor
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AVANCÉ
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Classique
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Brahms
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 1 en mi : 5 mes. après B-E, 2 mes. apr&egrav...
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Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 1 en mi : 5 mes. après B-E, 2 mes. après F-218) de Brahms. Partition pour Avec accompagnement orchestre -- Classique
5.99€
Brahms : Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 3 en do : 5 mes. après B-E, 2 mes. après F-218)
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Cor
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AVANCÉ
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Classique
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Brahms
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 3 en do : 5 mes. après B-E, 2 mes. apr&egrav...
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Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 3 en do : 5 mes. après B-E, 2 mes. après F-218) de Brahms. Partition pour Avec accompagnement orchestre -- Classique
5.99€
Brahms : Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 4 en do : 5 mes. après B-E, 2 mes. après F-218)
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Cor
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AVANCÉ
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Classique
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Brahms
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 4 en do : 5 mes. après B-E, 2 mes. apr&egrav...
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Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 4 en do : 5 mes. après B-E, 2 mes. après F-218) de Brahms. Partition pour Avec accompagnement orchestre -- Classique
5.99€
Brahms : Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 2 en mi : 5 mes. après B-E, 2 mes. après F-218)
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Cor
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AVANCÉ
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Classique
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Brahms
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Traits d'orchestre, Symphonie
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Tomplay
Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 2 en mi : 5 mes. après B-E, 2 mes. apr&egrav...
(+)
Telechargez la partition Cor Traits d'orchestre, Symphonie n° 4, Op. 98 - I Allegro non troppo (Cor 2 en mi : 5 mes. après B-E, 2 mes. après F-218) de Brahms. Partition pour Avec accompagnement orchestre -- Classique
5.99€
Mozart : Concerto pour cor n° 3 en mi bémol majeur, K.447 - II. Romance
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Cor
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AVANCÉ
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Classique
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Mozart
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Concerto pour cor n° 3 en mi
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Tomplay
Telechargez la partition Cor Concerto pour cor n° 3 en mi bemol majeur, K.447 - II. Romance de Mozart. Partition pour Duo -- Classique...
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Telechargez la partition Cor Concerto pour cor n° 3 en mi bemol majeur, K.447 - II. Romance de Mozart. Partition pour Duo -- Classique
5.99€
Mozart : Concerto pour cor n° 3 en mi bémol majeur, K.447 - III. Allegro
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Cor
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AVANCÉ
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Classique
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Mozart
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Concerto pour cor n° 3 en mi
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Tomplay
Telechargez la partition Cor Concerto pour cor n° 3 en mi bemol majeur, K.447 - III. Allegro de Mozart. Partition pour Duo -- Classique...
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Telechargez la partition Cor Concerto pour cor n° 3 en mi bemol majeur, K.447 - III. Allegro de Mozart. Partition pour Duo -- Classique
5.99€
Mozart : Quintette pour piano et vents en mi bémol majeur, K.452 - III. Allegretto
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Cor
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AVANCÉ
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Classique
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Mozart
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Quintette pour piano et vents
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Tomplay
Telechargez la partition Cor Quintette pour piano et vents en mi bemol majeur, K.452 - III. Allegretto de Mozart. Partition pour Quintette -- Classique...
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Telechargez la partition Cor Quintette pour piano et vents en mi bemol majeur, K.452 - III. Allegretto de Mozart. Partition pour Quintette -- Classique
6.99€
Mozart : Quintette pour piano et vents en mi bémol majeur, K.452 - II. Larghetto
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Cor
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AVANCÉ
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Classique
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Mozart
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Quintette pour piano et vents
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Tomplay
Telechargez la partition Cor Quintette pour piano et vents en mi bemol majeur, K.452 - II. Larghetto de Mozart. Partition pour Quintette -- Classique...
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Telechargez la partition Cor Quintette pour piano et vents en mi bemol majeur, K.452 - II. Larghetto de Mozart. Partition pour Quintette -- Classique
8.99€
Horn Sonata No. 2 (Complete)
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 1 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056093. Published by Benjamin Sajo (A0.1018882). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Verdi Requiem - Horn in F 3 (Transposed Part)
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Cor
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AVANCÉ
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Giuseppe Verdi
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Kelly Joe Richardson
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Verdi Requiem - Horn in F 3
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ALBEDO MUSIC
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1234823 Composed by Giuseppe Verdi. Arranged by Kelly Joe Richardson. 19th Century,Christian,Classical,Latin,Religi...
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French Horn Solo - Level 5 - SKU: A0.1234823 Composed by Giuseppe Verdi. Arranged by Kelly Joe Richardson. 19th Century,Christian,Classical,Latin,Religious. Individual part. 17 pages. ALBEDO MUSIC #830366. Published by ALBEDO MUSIC (A0.1234823). Transposed Part for Horn in F 3. Originally for 3rd Horn in A, C, Eb, B, E, Ab. Giuseppe Verdi Requiem. Rehearsal letters and measure numbers may or may not coordinate with other scores. Transposed by Kelly Joe Richardson (BMI). © 2023 by ALBEDO MUSIC Worldwide (BMI).
$17.99
Syrinx for Unaccompanied Horn in F
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Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ralph Sauer
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Syrinx for Unaccompanied Horn
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #...
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French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #6204775. Published by Gordon Cherry (A0.811206). Debussy composed Syrinx, a breathtaking unaccompanied work in 1913. It became the first solo work for the Böhm Flute and the first solo work by a major composer since C.P.E. Bach, almost 150 years earlier.The music allows wide latitude for interpretation and will show off the musical imagination of the performer.The great French Flautist Marcel Moyse is credited with adding phrasing and bar lines to his friend Debussy's new work.In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as Syrinx.This work of just over two minutes for advanced performers will add a new dimension to your recital, as it is often performed offstage.
$10.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Three Concert Etudes for Solo Horn
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Richard Decker
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Three Concert Etudes for Solo
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Charles Decker Music Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pa...
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French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 3 in F
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056097. Published by Benjamin Sajo (A0.1018884). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 4 in F
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056099. Published by Benjamin Sajo (A0.1018885). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
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French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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AVANCÉ
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
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French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 2 in F
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056095. Published by Benjamin Sajo (A0.1018883). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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