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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
8 099
Piano & claviers
Piano seul
11 848
Piano, Voix
757
Orgue
437
Accordéon
368
Piano, Voix et Guitare
199
1 Piano, 4 mains
197
2 Pianos, 4 mains
144
Instruments en Do
118
Piano Trio: piano, violon, violoncelle
116
Piano Facile
46
Clavecin
41
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
28
Orgue, Trompette (duo)
17
Accompagnement Piano
13
2 Pianos, 8 mains
12
Orgue, Piano (duo)
10
Piano Quatuor: piano, 2 violons, violoncelle
10
Clavier
6
Ensemble d'Accordéons
5
1 Piano, 6 mains
5
Accordéon et Orchestre
3
Accordéon, Corde(s)
2
2 Accordéons
2
Ensemble de Pianos
1
Accordéon, Voix
1
2 Orgues (duo)
1
Concertina
1
Orgue et Orchestre
1
+ 24 instrumentations
Retracter
Guitares
Guitare
1 710
Guitare notes et tablatures
698
Basse electrique
333
2 Guitares (duo)
168
Ukulele
114
4 Guitares (Quatuor)
74
3 Guitares (trio)
35
Ligne De Mélodie, (Paroles) et Accords
24
Ensemble de guitares
23
Piano, Guitare (duo)
17
Mandoline
15
Dulcimer
15
Mandoline, Piano (duo)
14
Mandoline, Guitare (duo)
9
Banjo
7
Orchestre à Plectres
5
Guitare, Orchestre
4
Luth
3
2 Guitares et Orchestre
3
Paroles et Accords
3
Guitare, Quatuor à cordes
2
Guitare, Flûte, Clarinette
2
Bouzouki
1
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
1 562
Chorale TTBB
727
Chorale SSAA
260
Chorale 3 parties
120
Voix Soprano, Piano
88
Voix seule
60
Chorale SSAATTBB
55
Voix haute
55
Chorale
52
Chorale SSATTB
37
Voix Tenor, Piano
35
Voix Baryton, Piano
29
Voix basse, Piano
27
Voix moyenne, Piano
26
Chorale 2 parties
22
Chorale SSATB
22
Voix Mezzo-Soprano, Piano
19
Voix Alto, Piano
18
Voix duo, Piano
14
Voix duo
13
Voix Soprano
6
Chorale Unison
6
Voix, Guitare
5
Chorale SSAATB
3
Soli, choeur mixte et accompagnement
3
Voix basse
3
Chorale SATBB
2
Voix Tenor
2
Voix Soprano, Orchestre
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Voix duo, Orgue
1
+ 27 instrumentations
Retracter
Vents
Saxophone
3 398
Flûte traversière
1 639
Clarinette
1 511
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
436
Flûte traversière et Piano
404
Saxophone (partie séparée)
361
Quatuor de Saxophones: 4 saxophones
339
Saxophone Alto
323
Clarinette et Piano
241
Saxophone Tenor
225
Quatuor de Clarinettes: 4 clarinettes
186
Ensemble de Clarinettes
181
Saxophone Alto et Piano
178
Flûte, Hautbois, Clarinette, Basson
170
Ensemble de saxophones
163
Clarinette (partie séparée)
162
Hautbois (partie séparée)
150
Hautbois, Piano (duo)
143
Saxophone Soprano
139
Flute (partie séparée)
114
Saxophone Soprano et Piano
109
2 Saxophones (duo)
91
Quintette de Saxophone: 5 saxophones
90
2 Flûtes traversières (duo)
88
Saxophone Tenor et Piano
86
2 Clarinettes (duo)
78
Quintette de Clarinettes: 5 clarinettes
74
Hautbois
72
Quatuor de Flûtes : 4 flûtes
71
Flûte et Guitare
70
Flûte à Bec
61
3 Clarinettes (trio)
58
3 Saxophones (trio)
50
Ensemble de Flûtes
50
Saxophone Baryton, Piano
49
Clarinette Basse, Piano
30
Trio de Flûtes: 3 flûtes
24
2 Flûte à bec (duo)
21
Hautbois, Clarinette, Basson (trio d'anches)
19
Cor anglais, Piano
18
Flûte, Clarinette (duo)
17
Flûte, Clarinette et Basson
17
Flûte, Violon, Piano
16
Quatuor de Flûtes à bec
15
Quintette de Flûte : 5 flûtes
15
Flûte, Violoncelle, Piano (trio)
14
Clarinette, Guitare (duo)
14
Flûte à Bec, Piano
13
Harmonica
12
2 Hautbois (duo)
11
Flûte à bec Alto, Piano
10
Flûte, Violon
10
Flûte, Clarinette, Piano (trio)
10
Flûte, Hautbois, Basson
10
Quintette de Clarinette: Clarinette, Quatuor à Cordes
9
Cor Anglais
8
Clarinette, Violoncelle (duo)
8
3 Flûtes à bec (trio)
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Basson (duo)
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte traversière, Orchestre
7
Flûte, Violoncelle
7
5 Flûtes à bec
6
2 Flûtes traversières, Piano
6
Hautbois, Basson (duo)
6
Flûte à bec Alto
6
Hautbois, Flûte
6
Clarinette, Violon (duo)
6
Flûte à bec Alto, Basse continue
5
2 Clarinettes, Piano
5
3 Hautbois
5
2 Saxophones, Piano
5
Ocarina
5
Flûte à bec Tenor
4
Hautbois, Basson et Piano
4
Flûte, Saxophone (duo)
4
Flûte, Violoncelle, Guitare
4
Flûte, Violon, Violoncelle et Piano
4
Saxophone, Clarinette (duo)
4
Clarinette, Orchestre
4
Ensemble à vent
4
Flûte traversière, Orgue (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Basson et Piano
4
Hautbois, Guitare (duo)
4
Clarinette et Alto
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Soprano
3
Saxophone Baryton
3
4 Hautbois
3
Piccolo
3
Clarinette Basse
3
Flûte, Alto et Piano
3
Clarinette, Orgue
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone et Guitare
3
Hautbois, Orgue
2
Flûte traversière, Basse continue
2
Flûte, Violon et Violoncelle
2
Flûte, Trombone (duo)
2
Clarinette, Contrebasse (duo)
2
Hautbois et Orchestre
2
Hautbois, Clarinette (duo)
2
Ensemble De Flûte à bec
2
Hautbois, Violoncelle
2
Saxophone et violoncelle
2
Flûte, Alto (duo)
2
Saxophone et Orgue
2
Flûte, alto et harpe
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flute, harpe et violon
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
2 Flûtes à bec, Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Alto et Violoncelle
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Tuba (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Harmonica, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois, trombone (duo)
1
Flûte, Violon, Guitare
1
Saxophone, Basson (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Trombone (duo)
1
2 Flûtes, Basse continue
1
Cornemuse
1
Instruments en Mib
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
+ 131 instrumentations
Retracter
Cuivres
Trompette
1 410
Trombone
1 288
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
689
Trompette (partie séparée)
367
Trombone (partie séparée)
317
Quatuor de Cuivres : 2 trompettes, trombone, tuba
265
Trombone et Piano
218
Cor (partie séparée)
186
Cor
158
Ensemble de Trombones
152
Quatuor de cuivres: 4 trombones
138
Cor et Piano
136
Trompette, Piano
130
Tuba et Piano
119
Euphonium, Piano (duo)
113
Quatuor de cuivres: 4 cors
77
Quatuor de Cuivres
65
Tuba
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
2 Trombones (duo)
39
Euphonium
33
2 Euphoniums et 2 Tubas
32
2 Trompettes (duo)
32
Ensemble de Cors
29
2 Cors (duo)
29
Trombone basse
21
4 Tubas
18
Ensemble de Trompettes
18
Cor anglais, Piano
18
Tuba (partie séparée)
17
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
14
Trombone basse et Piano
12
2 Trompettes, Clavier (piano ou orgue)
10
Trompette, Cor (duo)
9
Trombone, Tuba (duo)
8
Cor Anglais
8
Euphonium, Tuba (duo)
7
Trombone, Orgue
7
Trompette, Orchestre
6
2 Tubas (duo)
6
Trombone et orchestre
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Cors (trio)
4
3 Euphoniums
3
Trompette, violon (duo)
3
Trompette, Tuba (duo)
3
Trompette, Saxophone (duo)
3
Euphonium (partie séparée)
3
3 Trompettes (trio)
3
Tuba et Orgue
2
Cor et Orgue
2
Instruments en Sib
2
Cor et Harpe
2
Cor, Violoncelle (duo)
2
3 Tubas (trio)
2
Trombone, Cor (duo)
2
2 Euphoniums (duo)
2
Trompette, Trombone, Piano
2
Trompette, Basson (duo)
1
Trompette, Violoncelle (duo)
1
Cor, Orchestre
1
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 652
Violon
1 092
Violon et Piano
767
Violoncelle
623
Alto seul
376
Violoncelle, Piano
363
Violon, Violoncelle (duo)
211
Harpe
188
Alto, Piano
184
Trio à Cordes: violon, alto, violoncelle
173
2 Violons (duo)
107
Violon, Alto (duo)
90
Contre Basse
86
Violon, Guitare (duo)
74
Trio à Cordes: 2 violons, violoncelle
69
Alto (partie séparée)
61
2 Violoncelles (duo)
59
4 Violoncelles
50
2 Altos (duo)
50
Contrebasse, Piano (duo)
47
Violon (partie séparée)
44
Alto, Violoncelle (duo)
38
Violoncelle , Guitare (duo)
33
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Harpe, Violon (duo)
23
Violoncelle, Contrebasse (duo)
22
Trio à cordes: 3 violins
20
Harpe, Flûte (duo)
19
Trio à Cordes: 3 violoncelles
18
Contrebasse (partie séparée)
17
4 Contrebasses
15
Ensemble de Violoncelles
14
Trio à cordes
14
Trio à Cordes: 2 violons, alto
13
Quatuor à cordes: 4 violons
12
Violoncelle (partie séparée)
10
Violoncelle, Orchestre
9
2 Contrebasses (duo)
8
Quatuor à cordes : 4 altos
8
Violoncelle, Orgue
7
Violon, Orgue
6
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
5
Alto, Guitare (duo)
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Alto et orchestre
4
Violon, Clarinette, Piano (trio)
4
Harpe, Quatuor à cordes
3
2 Violons, Piano
3
Violon, Violoncelle, Clarinette
2
Ensemble de Violons
2
Harpe, Orchestre
2
Ensemble d'Altos
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
4 Harpes
1
3 Harpes
1
Violoncelle, Basse continue
1
Alto, Orgue
1
Violon, Basse continue
1
2 Altos, Piano
1
2 Harpes (duo)
1
Harpe (partie séparée)
1
Alto et Basson
1
Harpe et Piano
1
Violon, Basson (duo)
1
Harpe, Trombone (duo)
1
3 Contrebasses
1
Violon, Clarinette et Guitare
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 555
Orchestre
1 532
Batterie
1 203
Ensemble Jazz
919
Orchestre à Cordes
525
Jazz combo
467
Ensemble de cuivres
421
Orchestre de chambre
415
Fanfare
105
Percussion (partie séparée)
99
Cloches
90
Ensemble de Percussions
87
Marimba
34
Percussion
22
Timbales (partie séparée)
16
Piano et Orchestre
14
Vibraphone
10
Big band
9
Orchestre, Violon
8
Batterie (partie séparée)
8
Quintette à Vent
4
Xylophone
3
Caisse Claire
2
Marimba et Orgue
1
Quintette de Cuivres: autres combinaisons
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Orchestre Symphonique
1
Xylophone (partie séparée)
1
2 Marimbas
1
Conga
1
Voix Mezzo-Soprano, Orchestre
1
Quatuor à Vent : 4 instruments à vents
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
4
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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151
Horn Sonata No. 2 (Complete)
#
Cor
#
AVANCÉ
#
Contemporain
#
Mike Lyons
#
Horn Sonata No. 2
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Horn Sonata No. 3 (Complete)
#
Cor
#
AVANCÉ
#
Mike Lyons
#
Horn Sonata No. 3
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata No. 1 (Complete)
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
IDIOM for solo French Horn
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Contemporain
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Elizabeth Raum
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IDIOM for solo French Horn
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Cherry Classics Music
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SheetMusicPlus
Composed by Elizabeth Raum (1945-). 21st Century, 20th Century, Modern. Solo Part. 8 pages. Published by Cherry Classics Music...
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Composed by Elizabeth Raum (1945-). 21st Century, 20th Century, Modern. Solo Part. 8 pages. Published by Cherry Classics Music
IDIOM was written at the request of Philip Myers who was a friend and colleague of the composer when they both performed with the Atlantic Symphony Orchestra in Halifax, Nova Scotia. The name, IDIOM comes from the style of writing which reflects the typical use of the French horn in Romantic composition. There are the hunting calls, the hand-stopped stings, the long melodic lines, and the waltz...all taken from the customary uses of the instrument and developed into the original work for solo horn.
An abridged version of IDIOM (included in this file) can be performed as is or further shortened by cutting from one asterisk to any other that comes later in the work.
The beautifully performed sample track is played by Howard Wall, Hornist with the New York Philharmonic, taken from his solo recording Horn Monologues for sale on Amazon and elsewhere.
$20.00
The Confessions of St. Augustine for Solo Horn
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Classique
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Erika Raum
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The Confessions of St. Augusti
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Cherry Classics Music
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SheetMusicPlus
Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music ...
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Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music
The Confessions of St. Augustine is a solo for Unaccompanied Horn in F written by Canadian violinist/composer Erika Raum.
St. Augustine (of Hippo) was a 5th Century convert to Christianity who was one of the first philosophers and theologians of the faith. He went on to write a number of important works including the autobiographical work Confessions, a series of thirteen books outlining his sinful youth and eventual conversion to Christianity.
Ms. Raum's music, in four sections features the following tabloids:
Youth and Pagan Beginnings, The Mystical Voice of the Child in the Garden, St. Augustine, Bishop of Hippo, The Debate at the Baths of Sozius.
This work of almost 7 minutes in length is very expressive, with many contrasting sections and complex rhythms, and is rather moderate in range, being accessible to moderately advanced to advanced performers.
The beautifully performed sample track from the horn version of this work (up a 5th from the trombone version) is played by Howard Wall, Hornist of the New York Philharmonic, taken from his solo recording Horn Monologues for sale on Amazon and elsewhere.
This edition is available as an eBook on iTunes and Kindle.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 1 in F
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056093. Published by Benjamin Sajo (A0.1018882). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 3 in F
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056097. Published by Benjamin Sajo (A0.1018884). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 4 in F
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056099. Published by Benjamin Sajo (A0.1018885). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 2 in F
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056095. Published by Benjamin Sajo (A0.1018883). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fanfare: "Grit" - Horn 2 in F
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086619. Published by Benjamin Sajo (A0.1018968). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 1 in F
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086617. Published by Benjamin Sajo (A0.1018970). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 3 in F
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608662...
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French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086623. Published by Benjamin Sajo (A0.1018969). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Epic Etudes
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Methodes Etudes
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Adrian Hallam
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Epic Etudes
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Adrian Hallam
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SheetMusicPlus
Horn in F - Advanced - Composed by Adrian Hallam. Method, Etudes and Exercises, Repertoire, Technique Training, Recital. Solo Part. 22 pages. Publis...
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Horn in F - Advanced - Composed by Adrian Hallam. Method, Etudes and Exercises, Repertoire, Technique Training, Recital. Solo Part. 22 pages. Published by Adrian Hallam
20 of the most Epic high, Epic low, Epic fast, Epic slow Etudes ever! Covering four octaves and an Epic array of techniques, Epic Etudes will give you an Epic workout! You will be asking yourself "Where have these been all my Epic life?" These Epic Etudes can also be performed as solo items. Epic Etudes are composed for students of 8th Grade and above, standard. (AMEB/ Trinity UK).
$20.00
Standing on the bank of the River Pant (for solo French Horn in F)
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Contemporain
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Joseph Hollings
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Standing on the bank of the Ri
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Joseph Hollings Publishing
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1026863 Composed by Joseph Hollings. Classical,Contemporary. Individual part. 4 pages. Joseph Hollings Publishing #...
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French Horn Solo - Level 5 - SKU: A0.1026863 Composed by Joseph Hollings. Classical,Contemporary. Individual part. 4 pages. Joseph Hollings Publishing #632337. Published by Joseph Hollings Publishing (A0.1026863). Duration: approx 6:00 Standing on the bank of the River Pant is inspired by memories of home and childhood. Hoping for serenity, the horn disturbs itself throughout the piece. The River Pant rises in northwest Essex, in England, and flows through Great Sampford, the village in which the composer grew up. The premiere of this piece was given by Greg Hillis on October 11, 2015 at a Cleveland Composers Guild concert at Drinko Recital Hall, Cleveland State University. Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. To learn more, visit www.josephhollings.com.
$4.99
Three Concert Etudes for Solo Horn
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Richard Decker
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Three Concert Etudes for Solo
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Charles Decker Music Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pa...
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French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Contemporain
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
A Meditation on Grief
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Cor
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AVANCÉ
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Maria Lord-Kniveton
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A Meditation on Grief
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MaLoMaLo Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1008951 Composed by Maria Lord-Kniveton. Concert,Contemporary. Individual part. 6 pages. MaLoMaLo Press #5721107. P...
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French Horn Solo - Level 5 - SKU: A0.1008951 Composed by Maria Lord-Kniveton. Concert,Contemporary. Individual part. 6 pages. MaLoMaLo Press #5721107. Published by MaLoMaLo Press (A0.1008951). A Meditation on Grief makes a great addition to the recital of an advanced player. Performer and audience alike may have cathartic experiences from the intensity and variety of emotions embodied in the music. It simultaneously presents many technical challenges with complex rhythms, metric changes, use of extreme ranges, and mid-phrase alternation between playing stopped and open. To learn more about the composer and her other works, visit marialordknivetonmusic.com.
$15.00
Horn Sonata No. 3 - 3rd. Movement:Rondo - Presto
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3 - 3rd. Movem
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767349 Composed by Mike Lyons. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3520217. Publi...
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French Horn Solo - Level 5 - SKU: A0.767349 Composed by Mike Lyons. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3520217. Published by Lyons Music Services (A0.767349). The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement.
$7.00
Norwegian Dance for French Horn Quartet
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Cor
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AVANCÉ
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Classique
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Edvard Grieg
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Jeremy Corcoran
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Norwegian Dance for French Hor
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LPC Publishers
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.715038 Composed by Edvard Grieg. Arranged by Jeremy Corcoran. Classical,Concert,Standards,Wedding. Individual part....
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French Horn Solo - Level 5 - SKU: A0.715038 Composed by Edvard Grieg. Arranged by Jeremy Corcoran. Classical,Concert,Standards,Wedding. Individual part. 16 pages. LPC Publishers #6049783. Published by LPC Publishers (A0.715038). The second of a suite of four dances for piano, Norwegian Dance for French Horn Quartet is in a style of dance popular to Norway. The piece creates folksong common to the style of the native music of Grieg's country.
$10.00
Horn Sonata - No. 1 - 2nd Movement - Adagio
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata - No. 1 - 2nd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Publi...
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French Horn Solo - Level 5 - SKU: A0.767340 Composed by Mike Lyons. Concert,Contemporary. Individual part. 1 pages. Lyons Music Services #3512413. Published by Lyons Music Services (A0.767340). This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to created a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Piu mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter un til the ending at ppp.
$8.00
Keras, solo Horn F/Bb
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Cor
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AVANCÉ
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Contemporain
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Spiros Mazis op
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Keras, solo Horn F/Bb
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Spiros Mazis
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1027883 Composed by Spiros Mazis op. 104, 2014. Contemporary. Individual part. 9 pages. Spiros Mazis #3141011. Publ...
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French Horn Solo - Level 5 - SKU: A0.1027883 Composed by Spiros Mazis op. 104, 2014. Contemporary. Individual part. 9 pages. Spiros Mazis #3141011. Published by Spiros Mazis (A0.1027883). Keras, was a musical instrument of ancient Greece. It was an instrument that was created from thehorn of an animal. It consisted of a perforated conical horn from which the bone core was removed and then baked in order to improve its sonority. The sound was produced with direct blow in the hole and the suitable lip technique. In this piece, the horn is treated like an ancient Keras, so, a lot of changes of the pitch are effected entirely by the lips without changing fingerings in order to produces them. Before writing this piece, I researched the possibilities of the horn by comparing intervals to the harmonics and to the fingerings used by the soloist to produce them. I found out that the horn is capable of playing eight or more different microtones, within the space of a whole tone, in certain portions of its range (as shown in the example below). Numbers below the notes are in cents (1/2 step equals 100 cents, octave equals 1200 cents). Above the microtonal notes there are the fingerings that the performer must use in order to produce the specific pitch.
$6.50
Syrinx for Unaccompanied Horn in F
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Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ralph Sauer
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Syrinx for Unaccompanied Horn
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #...
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French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #6204775. Published by Gordon Cherry (A0.811206). Debussy composed Syrinx, a breathtaking unaccompanied work in 1913. It became the first solo work for the Böhm Flute and the first solo work by a major composer since C.P.E. Bach, almost 150 years earlier.The music allows wide latitude for interpretation and will show off the musical imagination of the performer.The great French Flautist Marcel Moyse is credited with adding phrasing and bar lines to his friend Debussy's new work.In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as Syrinx.This work of just over two minutes for advanced performers will add a new dimension to your recital, as it is often performed offstage.
$10.00
Beatbox
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Cor
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AVANCÉ
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Adrian Hallam
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Beatbox
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Adrian Hallam
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.854367 Composed by Adrian Hallam. Contemporary,Instructional. Individual part. 7 pages. Adrian Hallam #4571231. Pub...
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French Horn Solo - Level 5 - SKU: A0.854367 Composed by Adrian Hallam. Contemporary,Instructional. Individual part. 7 pages. Adrian Hallam #4571231. Published by Adrian Hallam (A0.854367). To own a French Horn is to own the ultimate piece of Bling! It is time to get your gangsta on and learn to Beat Box! Beat boxing is vocal soundcraft. The voice is used to create various rhythms and sound effects. Add a French Horn to the mix and let the fun begin! Duration 3:10Australian Composerhttps://www.hallammusic.com
$10.00
Sonata for Horn and Piano
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Cor
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AVANCÉ
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Mary Jane Lang
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Sonata for Horn and Piano
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MaryJaneLang
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.889291 Composed by Mary Jane Lang. Contemporary,Romantic Period. Individual part. 27 pages. MaryJaneLang #20305. Pu...
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French Horn Solo - Level 5 - SKU: A0.889291 Composed by Mary Jane Lang. Contemporary,Romantic Period. Individual part. 27 pages. MaryJaneLang #20305. Published by MaryJaneLang (A0.889291). This is a standard three-movement sonata in F for horn and piano. There is also an horn, string orchestra with timpani version available. Please contact the composer for details. The e-mail is on the Copyright Page. It is a happy piece, inspired and written for good friend who plays horn very well. The inspiration came from that friendship plus a love for the horn as an instrument and its very important role in music.
$9.99
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