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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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AFRICAIN
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ASIE
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CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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904
PIANO & CLAVIERS
Piano seul
520
Piano, Voix
155
Orgue
27
2 Pianos, 4 mains
12
Piano, Voix et Guitare
9
Instruments en Do
8
Accompagnement Piano
6
Piano Trio: piano, violon, violoncelle
6
Accordéon
3
1 Piano, 4 mains
3
Piano Facile
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
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GUITARES
Guitare
53
Guitare notes et tablatures
40
Basse electrique
7
2 Guitares (duo)
5
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
Paroles et Accords
1
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VOIX
Chorale SATB
107
Chorale TTBB
36
Chorale SSAA
14
Voix Soprano, Piano
11
Chorale 3 parties
9
Voix seule
3
Chorale SSAATTBB
3
Voix duo, Piano
2
Voix basse, Piano
2
Voix basse
2
Chorale 2 parties
1
Voix Baryton
1
Voix Tenor, Piano
1
Voix Soprano
1
Chorale SAATB A Cappella
1
Voix haute
1
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VENTS
Clarinette
42
Quatuor de Saxophones: 4 saxophones
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Flûte traversière et Piano
35
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone Alto et Piano
23
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Soprano et Piano
20
Clarinette et Piano
18
Flûte traversière
17
Quintette de Saxophone: 5 saxophones
16
Ensemble de Clarinettes
16
2 Flûtes traversières (duo)
15
Saxophone Tenor et Piano
15
Hautbois, Piano (duo)
15
Hautbois (partie séparée)
14
Saxophone
12
2 Clarinettes (duo)
9
Ensemble de saxophones
9
Saxophone Baryton, Piano
9
Saxophone Alto
8
Saxophone (partie séparée)
6
Flûte et Guitare
4
3 Clarinettes (trio)
4
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Quatuor de Flûtes : 4 flûtes
3
Ensemble de Flûtes
3
Cor anglais, Piano
3
Quintette de Clarinettes: 5 clarinettes
2
2 Saxophones (duo)
2
Flûte à Bec
2
Saxophone et Orgue
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone Tenor
1
4 Hautbois
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Harmonica
1
Flûte, Violoncelle
1
2 Clarinettes, Piano
1
2 Saxophones, Piano
1
Saxophone, Clarinette (duo)
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
Clarinette, Violon (duo)
1
Saxophone Soprano
1
Flûte, Hautbois, Piano (trio)
1
2 Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Guitare
1
3 Saxophones (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone et Piano
27
Trompette
16
Cor
12
Cor et Piano
12
Euphonium, Piano (duo)
11
Tuba et Piano
11
Ensemble de Cors
10
Quatuor de cuivres: 4 trombones
10
Ensemble de Trombones
9
Trompette, Piano
9
Trombone
9
Tuba
8
Quatuor de cuivres: 4 cors
6
2 Trombones (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, violon (duo)
3
Trombone, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
Cor anglais, Piano
3
3 Trombones (trio)
3
Ensemble de Trompettes
3
Trompette (partie séparée)
2
3 Euphoniums
2
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
Cor Anglais
1
3 Tubas (trio)
1
2 Cors (duo)
1
Cor (partie séparée)
1
4 Tubas
1
Trombone basse
1
Trompette, Orchestre
1
Trombone et orchestre
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon et Piano
41
Violon
25
Violoncelle, Piano
24
Harpe
21
Violon, Violoncelle (duo)
17
Trio à Cordes: violon, alto, violoncelle
16
2 Violons (duo)
13
Alto, Piano
11
Violoncelle
9
Contrebasse, Piano (duo)
8
Violoncelle (partie séparée)
8
Violon, Alto (duo)
8
Violoncelle, Contrebasse (duo)
6
2 Violoncelles (duo)
5
Alto seul
5
Violon, Guitare (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
4
Harpe, Quatuor à cordes
3
4 Violoncelles
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
3
Quatuor à cordes : 4 altos
2
Contre Basse
2
Trio à Cordes: 2 violons, alto
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Orgue
1
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Violoncelle, Orchestre
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre
178
Orchestre d'harmonie
69
Ensemble Jazz
60
Orchestre de chambre
43
Jazz combo
38
Orchestre à Cordes
37
Ensemble de cuivres
37
Batterie
10
Ensemble de Percussions
9
Big band
8
Piano et Orchestre
2
Marimba
2
Cloches
2
Orchestre, Violon
1
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Rolling Thunder for 10 Horns
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French Horn Solo - Level 5 - Digital Download SKU: A0.920292 Composed by Henry Fill…
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French Horn Solo - Level 5 - Digital Download SKU: A0.920292 Composed by Henry Fillmore. Arranged by Spencer Causey. 20th Century. Individual part. 43 pages. Spencer Causey #5998145. Published by Spencer Causey (A0.920292). This quick march from the band repertoire has been arranged as a horn choir. Suitable for advanced high school, college or professional level ensembles, this arrangement is great if you are looking for a challenging, impressive piece to play.
$15.00
13.81 €
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Cor
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Henry Fillmore
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Spencer Causey
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Rolling Thunder for 10 Horns
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Spencer Causey
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SheetMusicPlus
Horn Sonata No. 2 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
16.57 €
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Cor
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
7.37 €
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Cor
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Lyons Music Services
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SheetMusicPlus
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. …
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French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
2.75 €
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Cor
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Thomas R
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Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Thomas R. Schadl
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SheetMusicPlus
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. …
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French Horn Solo - Level 5 - Digital Download SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
2.75 €
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Cor
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Thomas R
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Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Thomas R. Schadl
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SheetMusicPlus
Keras, solo Horn F/Bb
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.1027883 Composed by Spiros Ma…
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French Horn Solo - Level 5 - Digital Download SKU: A0.1027883 Composed by Spiros Mazis op. 104, 2014. Contemporary. Individual part. 9 pages. Spiros Mazis #3141011. Published by Spiros Mazis (A0.1027883). Keras, was a musical instrument of ancient Greece. It was an instrument that was created from thehorn of an animal. It consisted of a perforated conical horn from which the bone core was removed and then baked in order to improve its sonority. The sound was produced with direct blow in the hole and the suitable lip technique. In this piece, the horn is treated like an ancient Keras, so, a lot of changes of the pitch are effected entirely by the lips without changing fingerings in order to produces them. Before writing this piece, I researched the possibilities of the horn by comparing intervals to the harmonics and to the fingerings used by the soloist to produce them. I found out that the horn is capable of playing eight or more different microtones, within the space of a whole tone, in certain portions of its range (as shown in the example below). Numbers below the notes are in cents (1/2 step equals 100 cents, octave equals 1200 cents). Above the microtonal notes there are the fingerings that the performer must use in order to produce the specific pitch.
$6.50
5.99 €
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Cor
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Spiros Mazis op
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Keras, solo Horn F/Bb
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Spiros Mazis
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SheetMusicPlus
Horn Sonata No. 3 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
16.57 €
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Cor
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin …
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Cor
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Standing on the bank of the River Pant (for solo French Horn in F)
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French Horn Solo - Level 5 - Digital Download SKU: A0.1026863 Composed by Joseph Ho…
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French Horn Solo - Level 5 - Digital Download SKU: A0.1026863 Composed by Joseph Hollings. Classical,Contemporary. Individual part. 4 pages. Joseph Hollings Publishing #632337. Published by Joseph Hollings Publishing (A0.1026863). Duration: approx 6:00 Standing on the bank of the River Pant is inspired by memories of home and childhood. Hoping for serenity, the horn disturbs itself throughout the piece. The River Pant rises in northwest Essex, in England, and flows through Great Sampford, the village in which the composer grew up. The premiere of this piece was given by Greg Hillis on October 11, 2015 at a Cleveland Composers Guild concert at Drinko Recital Hall, Cleveland State University. Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. To learn more, visit www.josephhollings.com.
$4.99
4.59 €
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Cor
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Joseph Hollings
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Standing on the bank of the River Pant
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Joseph Hollings Publishing
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SheetMusicPlus
Three Concert Etudes for Solo Horn
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French Horn Solo - Level 5 - Digital Download SKU: A0.817157 Composed by Richard De…
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French Horn Solo - Level 5 - Digital Download SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
7.32 €
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Cor
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Richard Decker
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Three Concert Etudes for Solo Horn
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Charles Decker Music Press
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SheetMusicPlus
A Meditation on Grief
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French Horn Solo - Level 5 - Digital Download SKU: A0.1008951 Composed by Maria Lor…
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French Horn Solo - Level 5 - Digital Download SKU: A0.1008951 Composed by Maria Lord-Kniveton. Concert,Contemporary. Individual part. 6 pages. MaLoMaLo Press #5721107. Published by MaLoMaLo Press (A0.1008951). A Meditation on Grief makes a great addition to the recital of an advanced player. Performer and audience alike may have cathartic experiences from the intensity and variety of emotions embodied in the music. It simultaneously presents many technical challenges with complex rhythms, metric changes, use of extreme ranges, and mid-phrase alternation between playing stopped and open. To learn more about the composer and her other works, visit marialordknivetonmusic.com.
$15.00
13.81 €
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Cor
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Maria Lord-Kniveton
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A Meditation on Grief
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MaLoMaLo Press
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SheetMusicPlus
Unknown Vector (for solo horn)
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French Horn Solo - Level 5 - Digital Download SKU: A0.1185913 Composed by Aaron Lee…
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French Horn Solo - Level 5 - Digital Download SKU: A0.1185913 Composed by Aaron Lee. 20th Century,Chamber,Classical,Contemporary. Individual part. 3 pages. J. Aaron Lee #785571. Published by J. Aaron Lee (A0.1185913). A mystery flies above the surface of the Earth; the threat of the unknown, hovering high above, is placed in contrast to the pastoral and calm life of the land below. This is the premise of Unknown Vector, this work for solo Horn in F. It is approximately 3.5 minutes in duration, and explores a wide swathe of the horn's range, making it a potentially challenging work. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$3.99
3.67 €
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Cor
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Aaron Lee
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Unknown Vector
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J. Aaron Lee
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SheetMusicPlus
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