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ACCORDEON
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218
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228
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18
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14
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9
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9
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7
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4
Clavier
3
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3
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3
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2
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2
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2
Clavecin
1
+ 9 instrumentations
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Guitare
15
Guitare notes et tablatures
11
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5
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2
Mandoline
1
2 Guitares (duo)
1
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32
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8
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6
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6
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5
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4
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2
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1
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1
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1
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1
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22
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13
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11
Flûte traversière et Piano
11
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10
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8
Flûte traversière
8
Hautbois, Piano (duo)
8
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6
Clarinette et Piano
6
Ensemble de saxophones
6
Saxophone (partie séparée)
6
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5
Hautbois (partie séparée)
5
Saxophone Alto et Piano
5
Clarinette
4
Flute (partie séparée)
4
2 Flûtes traversières (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Clarinette (partie séparée)
3
Saxophone Tenor et Piano
3
Flûte et Guitare
3
Ensemble de Flûtes
3
2 Saxophones (duo)
2
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2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon, Piano
2
Saxophone Soprano et Piano
2
Trio de Flûtes: 3 flûtes
2
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2
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone, Clarinette (duo)
1
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Clarinettes (trio)
1
Flûte à Bec
1
Flûte, Violon et Violoncelle
1
Saxophone Alto
1
Saxophone et Orgue
1
Harmonica
1
+ 36 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Trombone et Piano
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Ensemble de Trombones
8
Euphonium, Piano (duo)
8
Trompette, Piano
8
Ensemble de Trompettes
6
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
5
Trompette
5
Cor et Piano
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Trombone
3
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Cor (partie séparée)
2
Ensemble de Cors
2
Cor
2
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
4 Tubas
1
2 Cors (duo)
1
Trombone basse et Piano
1
Tuba
1
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Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
29
Violon
28
Alto seul
12
Violoncelle, Piano
12
Violoncelle
10
Trio à Cordes: violon, alto, violoncelle
8
Alto, Piano
5
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
4
Harpe, Flûte (duo)
4
Harpe
3
2 Altos (duo)
3
Harpe, Violoncelle (duo)
2
Ensemble d'Altos
2
Contre Basse
2
Alto et Harpe
2
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Violon, Orgue
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
2 Violons, Piano
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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Orchestre d'harmonie
301
Orchestre
71
Orchestre à Cordes
31
Ensemble Jazz
22
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22
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20
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7
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7
Cloches
3
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3
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2
Batterie
1
Fanfare
1
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Monteverdi's Vespers for Horn Choir
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Cor
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AVANCÉ
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Classique
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Claudio Monteverdi
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Frank Starobin
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Response for 9 horns
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Monteverdi's Vespers for Horn
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Frank Starobin
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.874057 Composed by Claudio Monteverdi. Arranged by Frank Starobin. Baroque,Concert,Graduation,Renaissance,Sacred. I...
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French Horn Solo - Level 5 - SKU: A0.874057 Composed by Claudio Monteverdi. Arranged by Frank Starobin. Baroque,Concert,Graduation,Renaissance,Sacred. Individual part. 16 pages. Frank Starobin #3483497. Published by Frank Starobin (A0.874057). Monteverdi's Monumental Vespro della Beata Vergine is often considered to be one of the most important works of the Renaissance era with its grand 14 movement structure. Interestingly, this 1610 piece does not specify instrumentation, so ensembles can form their own sound by controlling orchestration. For this reason, I found it fitting to write an arrangement of the Versicle & Response for 9 horns. A great opener for any large horn choir concert. -duration 2:00https://www.youtube.com/watch?v=nmmvBITnA5U
$19.00
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