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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
a
Non classifié
4 192
Piano & claviers
Piano seul
3 884
Piano, Voix
332
Orgue
208
Piano, Voix et Guitare
90
1 Piano, 4 mains
88
2 Pianos, 4 mains
66
Instruments en Do
59
Piano Trio: piano, violon, violoncelle
46
Clavecin
34
Accordéon
23
Piano Facile
19
Piano Quatuor: piano, violon, alto, violoncelle
13
Orgue, Trompette (duo)
9
Accompagnement Piano
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 8 mains
5
Clavier
4
Orgue, Piano (duo)
4
1 Piano, 6 mains
2
Orgue et Orchestre
1
Ensemble de Pianos
1
Accordéon et Orchestre
1
+ 18 instrumentations
Retracter
Guitares
Guitare
392
Guitare notes et tablatures
142
Basse electrique
38
2 Guitares (duo)
30
Ukulele
19
Ligne De Mélodie, (Paroles) et Accords
11
Mandoline
7
4 Guitares (Quatuor)
7
Banjo
5
Ensemble de guitares
3
Orchestre à Plectres
3
Piano, Guitare (duo)
2
Dulcimer
2
Paroles et Accords
2
3 Guitares (trio)
2
Mandoline, Piano (duo)
1
Guitare, Quatuor à cordes
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 093
Chorale TTBB
448
Chorale SSAA
199
Chorale 3 parties
87
Voix Soprano, Piano
44
Chorale SSAATTBB
36
Voix haute
30
Chorale
19
Voix Baryton, Piano
15
Voix Tenor, Piano
14
Voix basse, Piano
14
Voix seule
14
Chorale 2 parties
12
Voix Alto, Piano
11
Voix moyenne, Piano
8
Voix duo, Piano
8
Voix duo
7
Voix Mezzo-Soprano, Piano
7
Chorale SSATTB
4
Chorale SSATB
3
Chorale Unison
3
Voix Soprano
2
Chorale SAATB A Cappella
1
Voix Baryton
1
Voix Tenor
1
Voix duo, Orgue
1
Soli, choeur mixte et accompagnement
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
242
Saxophone
199
Clarinette
197
Flûte traversière
183
Flûte traversière et Piano
177
Quatuor de Saxophones: 4 saxophones
160
Quatuor de Clarinettes: 4 clarinettes
123
Clarinette et Piano
104
Flûte, Hautbois, Clarinette, Basson
85
Saxophone Alto et Piano
77
Ensemble de Clarinettes
67
Hautbois, Piano (duo)
58
Saxophone Alto
57
Quintette de Saxophone: 5 saxophones
51
Ensemble de saxophones
45
2 Flûtes traversières (duo)
44
Saxophone (partie séparée)
43
Hautbois (partie séparée)
41
Quatuor de Flûtes : 4 flûtes
37
Saxophone Soprano et Piano
36
2 Saxophones (duo)
35
2 Clarinettes (duo)
33
3 Clarinettes (trio)
31
Quintette de Clarinettes: 5 clarinettes
31
Saxophone Tenor et Piano
29
Ensemble de Flûtes
28
Saxophone Tenor
25
Flûte et Guitare
21
Flute (partie séparée)
15
3 Saxophones (trio)
15
Flûte, Violon, Piano
13
Clarinette (partie séparée)
12
Hautbois
10
Cor anglais, Piano
10
Clarinette Basse, Piano
9
Saxophone Baryton, Piano
9
Saxophone Soprano
9
Trio de Flûtes: 3 flûtes
9
Flûte, Violon
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette, Piano (trio)
7
Quatuor de Flûtes à bec
7
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Flûte, Clarinette (duo)
6
Cor Anglais
5
Harmonica
5
Flûte, Violoncelle
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
4
Flûte, Violoncelle, Piano (trio)
4
5 Flûtes à bec
4
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Basson
3
Saxophone, Clarinette (duo)
3
2 Saxophones, Piano
3
Flûte à bec Alto, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Violoncelle (duo)
3
Hautbois, Flûte
3
Clarinette, Guitare (duo)
3
Flûte, Basson et Piano
3
Clarinette Basse
2
Flûte traversière, Orgue (duo)
2
Flûte à bec Soprano
2
Saxophone Baryton
2
Saxophone et Orgue
2
Flûte à bec Tenor
2
Flûte, Hautbois, Piano (trio)
2
Piccolo
2
Clarinette, Basson, Piano (trio)
2
Ocarina
2
2 Flûte à bec (duo)
2
2 Flûtes traversières, Piano
2
Saxophone et Guitare
2
Hautbois, Basson et Piano
2
2 Clarinettes, Piano
2
Clarinette, Basson (duo)
2
Hautbois, Basson (duo)
2
Clarinette et Alto
2
Flûte, Alto (duo)
1
Cornemuse
1
2 Flûtes, Basse continue
1
Flûte traversière, Orchestre
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
Flûte, alto et harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
4 Hautbois
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Hautbois, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Basson
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Orgue
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Trombone (duo)
1
Flûte, Trompette (duo)
1
Flûte irlandaise
1
Flûte, Alto et Piano
1
Flûte, Violon et Violoncelle
1
3 Hautbois
1
Saxophone et violoncelle
1
+ 103 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
394
Quatuor de Cuivres : 2 trompettes, trombone, tuba
181
Trompette
149
Trombone et Piano
139
Trombone
104
Ensemble de Trombones
100
Euphonium, Piano (duo)
78
Trompette, Piano
71
Quatuor de cuivres: 4 trombones
68
Tuba et Piano
66
Cor
65
Cor et Piano
52
Quatuor de cuivres: 4 cors
36
Trompette (partie séparée)
34
Tuba
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
30
2 Euphoniums et 2 Tubas
25
2 Cors (duo)
24
Quatuor de Cuivres
23
2 Trompettes (duo)
21
2 Trombones (duo)
20
Trombone (partie séparée)
19
Cor (partie séparée)
15
Trombone basse
14
Ensemble de Cors
13
Ensemble de Trompettes
13
3 Trombones (trio)
11
4 Tubas
10
Cor anglais, Piano
10
Trombone basse et Piano
8
Euphonium
7
Trombone, Tuba (duo)
7
2 Tubas (duo)
5
Cor Anglais
5
Trompette, Trombone (duo)
5
Trombone, Orgue
4
Quatuor de cuivres: 4 trompettes
4
Trompette, violon (duo)
3
Trombone et orchestre
3
3 Euphoniums
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor et Orgue
2
Euphonium, Tuba (duo)
2
3 Tubas (trio)
2
Trompette, Tuba (duo)
2
2 Euphoniums (duo)
2
3 Trompettes (trio)
2
Instruments en Sib
2
Tuba (partie séparée)
2
Tuba et Orgue
1
Trompette, Saxophone (duo)
1
Trompette, Cor (duo)
1
Ensemble de Tubas
1
Clarinette, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trio de Cuivres
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
686
Violon
301
Violon et Piano
287
Violoncelle, Piano
155
Violoncelle
138
Trio à Cordes: violon, alto, violoncelle
94
Alto, Piano
80
Alto seul
72
Harpe
66
Violon, Violoncelle (duo)
58
2 Violons (duo)
43
Violon, Alto (duo)
35
Trio à Cordes: 2 violons, violoncelle
33
2 Violoncelles (duo)
27
Contre Basse
21
2 Altos (duo)
20
Harpe, Violon (duo)
19
Violon, Guitare (duo)
18
Harpe, Flûte (duo)
16
4 Violoncelles
16
Alto (partie séparée)
15
Contrebasse, Piano (duo)
15
Alto, Violoncelle (duo)
12
4 Contrebasses
11
Violoncelle, Contrebasse (duo)
11
Trio à cordes: 3 violins
10
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, alto
7
Quatuor à cordes : 4 altos
6
Alto et Harpe
5
Trio à Cordes: 3 violoncelles
4
Harpe, Violoncelle (duo)
4
Harpe, Quatuor à cordes
3
2 Contrebasses (duo)
3
Violoncelle , Guitare (duo)
3
Violon, Clarinette, Piano (trio)
3
Piano Trio: Violon, Alto, Piano
3
Ensemble de Violons
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 altos
2
Violoncelle, Orgue
2
Harpe, Violon, Violoncelle
2
Violoncelle, Orchestre
2
Violon, Orgue
2
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
1
Violoncelle, Basse continue
1
Violon, Basse continue
1
4 Harpes
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Trio à cordes
1
3 Contrebasses
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
686
Orchestre d'harmonie
553
Jazz combo
420
Ensemble Jazz
364
Orchestre à Cordes
279
Ensemble de cuivres
273
Orchestre de chambre
223
Batterie
97
Cloches
70
Ensemble de Percussions
47
Fanfare
47
Marimba
14
Percussion (partie séparée)
10
Big band
8
Vibraphone
6
Piano et Orchestre
4
Timbales (partie séparée)
2
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
Percussion
1
Quatuor à Vent : 4 instruments à vents
1
Batterie (partie séparée)
1
Caisse Claire
1
Marimba et Orgue
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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51
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Cor
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AVANCÉ
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Contemporain
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 1 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056093. Published by Benjamin Sajo (A0.1018882). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 3 in F
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056097. Published by Benjamin Sajo (A0.1018884). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 4 in F
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056099. Published by Benjamin Sajo (A0.1018885). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 2 in F
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
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French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056095. Published by Benjamin Sajo (A0.1018883). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
A Meditation on Grief
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Cor
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Maria Lord-Kniveton
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A Meditation on Grief
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MaLoMaLo Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1008951 Composed by Maria Lord-Kniveton. Concert,Contemporary. Individual part. 6 pages. MaLoMaLo Press #5721107. P...
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French Horn Solo - Level 5 - SKU: A0.1008951 Composed by Maria Lord-Kniveton. Concert,Contemporary. Individual part. 6 pages. MaLoMaLo Press #5721107. Published by MaLoMaLo Press (A0.1008951). A Meditation on Grief makes a great addition to the recital of an advanced player. Performer and audience alike may have cathartic experiences from the intensity and variety of emotions embodied in the music. It simultaneously presents many technical challenges with complex rhythms, metric changes, use of extreme ranges, and mid-phrase alternation between playing stopped and open. To learn more about the composer and her other works, visit marialordknivetonmusic.com.
$15.00
He's A Pirate
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Cor
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Fernando Britto
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He's A Pirate
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Minhas Partituras
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.690145 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Fernando Britto. Film/TV,Wedding. I...
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French Horn Solo - Level 5 - SKU: A0.690145 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Fernando Britto. Film/TV,Wedding. Individual part. 1 pages. Minhas Partituras #6733881. Published by Minhas Partituras (A0.690145). Arrangement of the song He's a Pirate (from Pirates Of The Caribbean) for Alto Horn in F Solo.
$4.99
Beethoven : Symphonie n° 7 en la majeur, Opus 92 - II. Allegretto (niveau difficile)
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Cor
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Classique
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Beethoven
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Symphonie n° 7 en la majeur,
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Tomplay
Telechargez la partition Cor Symphonie n° 7 en la majeur, Opus 92 - II. Allegretto (niveau difficile) de Beethoven. Partition pour Avec accompagnement orche...
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Telechargez la partition Cor Symphonie n° 7 en la majeur, Opus 92 - II. Allegretto (niveau difficile) de Beethoven. Partition pour Avec accompagnement orchestre -- Classique
5.99€
Horn Sonata No. 3 (Complete)
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Cor
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
Horn Sonata No. 1 (Complete)
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Publi...
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French Horn Solo - Level 5 - SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata No. 2 (Complete)
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by ...
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French Horn Solo - Level 5 - SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Syrinx for Unaccompanied Horn in F
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Classique
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Claude Debussy
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Ralph Sauer
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Syrinx for Unaccompanied Horn
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #...
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French Horn Solo - Level 5 - SKU: A0.811206 Composed by Claude Debussy. Arranged by Ralph Sauer. 20th Century. Individual part. 3 pages. Gordon Cherry #6204775. Published by Gordon Cherry (A0.811206). Debussy composed Syrinx, a breathtaking unaccompanied work in 1913. It became the first solo work for the Böhm Flute and the first solo work by a major composer since C.P.E. Bach, almost 150 years earlier.The music allows wide latitude for interpretation and will show off the musical imagination of the performer.The great French Flautist Marcel Moyse is credited with adding phrasing and bar lines to his friend Debussy's new work.In classical mythology, Syrinx was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous Greek god Pan, she ran to a river’s edge and asked for assistance from the river nymphs. In answer, she was transformed into hollow water reeds that made a haunting sound when the god’s frustrated breath blew across them. Pan cut the reeds to fashion the first set of pan pipes, which were thereafter known as Syrinx.This work of just over two minutes for advanced performers will add a new dimension to your recital, as it is often performed offstage.
$10.00
Horn Sonata - No. 1 - 3rd Movement - Allegro
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512...
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French Horn Solo - Level 5 - SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
Fanfare: "Grit" - Horn 2 in F
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018968 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086619. Published by Benjamin Sajo (A0.1018968). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 1 in F
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Cor
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608661...
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French Horn Solo - Level 5 - SKU: A0.1018970 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086617. Published by Benjamin Sajo (A0.1018970). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Fanfare: "Grit" - Horn 3 in F
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ho
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #608662...
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French Horn Solo - Level 5 - SKU: A0.1018969 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086623. Published by Benjamin Sajo (A0.1018969). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50
Keras, solo Horn F/Bb
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Contemporain
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Spiros Mazis op
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Keras, solo Horn F/Bb
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Spiros Mazis
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1027883 Composed by Spiros Mazis op. 104, 2014. Contemporary. Individual part. 9 pages. Spiros Mazis #3141011. Publ...
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French Horn Solo - Level 5 - SKU: A0.1027883 Composed by Spiros Mazis op. 104, 2014. Contemporary. Individual part. 9 pages. Spiros Mazis #3141011. Published by Spiros Mazis (A0.1027883). Keras, was a musical instrument of ancient Greece. It was an instrument that was created from thehorn of an animal. It consisted of a perforated conical horn from which the bone core was removed and then baked in order to improve its sonority. The sound was produced with direct blow in the hole and the suitable lip technique. In this piece, the horn is treated like an ancient Keras, so, a lot of changes of the pitch are effected entirely by the lips without changing fingerings in order to produces them. Before writing this piece, I researched the possibilities of the horn by comparing intervals to the harmonics and to the fingerings used by the soloist to produce them. I found out that the horn is capable of playing eight or more different microtones, within the space of a whole tone, in certain portions of its range (as shown in the example below). Numbers below the notes are in cents (1/2 step equals 100 cents, octave equals 1200 cents). Above the microtonal notes there are the fingerings that the performer must use in order to produce the specific pitch.
$6.50
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
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French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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Cor
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AVANCÉ
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Contemporain
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
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French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99
Unaccompanied Suites for Horn
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Unaccompanied Suites for Horn
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherr...
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French Horn Solo - Level 5 - SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464523. Published by Gordon Cherry (A0.792112). Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...
$20.00
Shepherd’s Song from Tristan & Isolde for Horn
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AVANCÉ
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Classique
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Richard Wagner
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Ralph Sauer
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Isolde
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Shepherd’s Song from Tri
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.792742 Composed by Richard Wagner. Arranged by Ralph Sauer. Romantic Period. Individual part. 1 pages. Gordon Cherr...
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French Horn Solo - Level 5 - SKU: A0.792742 Composed by Richard Wagner. Arranged by Ralph Sauer. Romantic Period. Individual part. 1 pages. Gordon Cherry #6199459. Published by Gordon Cherry (A0.792742). Shepherd's Song is heard in the prelude to the Finale, Act 3 of Wagner's great opera, Tristan & Isolde. It is a bleak and doleful lament played mostly unaccompanied by a shepherd boy keeping watch for Isolde's ship to arrive. The melody is later heard throughout Scene 1.Ralph Sauer, has done a beautiful job in arranging this music (originally played offstage on the English Horn) for Horn in FIt is about 2 1/2 minutes in length and appropriate for advanced performers.
$7.50
Sonata for Horn and Piano
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AVANCÉ
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Mary Jane Lang
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Sonata for Horn and Piano
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MaryJaneLang
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.889291 Composed by Mary Jane Lang. Contemporary,Romantic Period. Individual part. 27 pages. MaryJaneLang #20305. Pu...
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French Horn Solo - Level 5 - SKU: A0.889291 Composed by Mary Jane Lang. Contemporary,Romantic Period. Individual part. 27 pages. MaryJaneLang #20305. Published by MaryJaneLang (A0.889291). This is a standard three-movement sonata in F for horn and piano. There is also an horn, string orchestra with timpani version available. Please contact the composer for details. The e-mail is on the Copyright Page. It is a happy piece, inspired and written for good friend who plays horn very well. The inspiration came from that friendship plus a love for the horn as an instrument and its very important role in music.
$9.99
Three Concert Etudes for Solo Horn
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AVANCÉ
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Richard Decker
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Three Concert Etudes for Solo
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Charles Decker Music Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pa...
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French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
Unknown Vector (for solo horn)
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AVANCÉ
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Aaron Lee
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Unknown Vector
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J. Aaron Lee
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1185913 Composed by Aaron Lee. 20th Century,Chamber,Classical,Contemporary. Individual part. 3 pages. J. Aaron Lee ...
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French Horn Solo - Level 5 - SKU: A0.1185913 Composed by Aaron Lee. 20th Century,Chamber,Classical,Contemporary. Individual part. 3 pages. J. Aaron Lee #785571. Published by J. Aaron Lee (A0.1185913). A mystery flies above the surface of the Earth; the threat of the unknown, hovering high above, is placed in contrast to the pastoral and calm life of the land below. This is the premise of Unknown Vector, this work for solo Horn in F. It is approximately 3.5 minutes in duration, and explores a wide swathe of the horn's range, making it a potentially challenging work. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$3.99
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