Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Trombone
Non classifié
24 254
Piano & claviers
Accompagnement Piano
341
Piano seul
185
Piano (partie séparée)
113
Piano Facile
111
Piano, Voix et Guitare
92
Instruments en Do
68
Piano, Voix
47
Orgue
38
Orgue, Trompette (duo)
5
1 Piano, 4 mains
2
Orgue, Piano (duo)
2
Accordéon et Orchestre
2
Piano grosses notes
2
+ 8 instrumentations
Retracter
Guitares
Guitare (partie séparée)
230
Ligne De Mélodie, (Paroles) et Accords
29
Guitare
15
Basse electrique
5
Guitare notes et tablatures
3
2 Guitares (duo)
3
Paroles et Accords
2
Ukulele
2
Basse électrique (partie séparée)
1
Mandoline
1
Piano, Guitare (duo)
1
Ensemble de Ukulélés
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
2 679
Chorale SATB
541
Chorale 3 parties
77
Chorale TTBB
59
Chorale 2 parties
33
Chorale Unison
21
Voix Tenor, Piano
9
Voix Soprano, Piano
8
Chorale
7
Chorale SSATB
5
Voix Alto, Piano
4
Chorale SSAA
4
Voix d'Enfants
3
Voix duo, Piano
2
Soli, choeur mixte et accompagnement
1
Voix seule
1
Chorale SSAATTBB
1
Voix haute
1
Voix Baryton, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
701
Saxophone (partie séparée)
627
Flûte, Trombone (duo)
181
Clarinette, Trombone (duo)
119
Saxophone Tenor et Piano
111
Saxophone Alto et Piano
87
Flute (partie séparée)
78
Clarinette et Piano
65
Flûte traversière et Piano
64
2 Saxophones (duo)
61
Hautbois, Piano (duo)
59
Quatuor de Saxophones: 4 saxophones
50
Hautbois, trombone (duo)
48
Clarinette (partie séparée)
43
2 Clarinettes (duo)
40
Quatuor de Clarinettes: 4 clarinettes
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
2 Flûtes traversières (duo)
25
Hautbois (partie séparée)
23
Saxophone Baryton, Piano
22
Clarinette
22
Clarinette Basse, Piano
18
2 Hautbois (duo)
17
Quintette de Saxophone: 5 saxophones
16
3 Clarinettes (trio)
15
Saxophone Alto
14
Saxophone Tenor
13
3 Saxophones (trio)
13
Quatuor de Flûtes : 4 flûtes
11
Trio de Flûtes: 3 flûtes
9
Flûte traversière
9
4 Hautbois
7
3 Hautbois
7
Quintette de Clarinettes: 5 clarinettes
7
Ensemble de Clarinettes
5
Ensemble de Flûtes
3
Saxophone Soprano et Piano
2
Cor Anglais
2
Piccolo
2
2 Saxophones, Piano
2
Ensemble de saxophones
2
Flûte, Clarinette (duo)
2
2 Clarinettes, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Cor anglais, Piano
1
Hautbois, Basson (duo)
1
Quatuor de Flûtes à bec
1
Ensemble à vent
1
Flûte et Guitare
1
Piccolo, Piano
1
Clarinette, Basson (duo)
1
+ 47 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
18 494
Trombone
15 572
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10 315
Trombone et Piano
6 119
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 496
2 Trombones (duo)
2 742
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 862
Quatuor de Cuivres
1 723
Quatuor de cuivres: 4 trombones
1 473
Trompette, Trombone (duo)
1 459
Trio de Cuivres
592
Ensemble de Trombones
502
3 Trombones (trio)
490
Bass Clef Instruments
477
Trompette (partie séparée)
438
Trombone basse et Piano
280
Trombone, Tuba (duo)
231
Trombone, violoncelle (duo)
140
Trombone, Cor (duo)
126
Trombone basse
123
Quatuor de cuivres: 2 trompettes, 2 trombones
114
Trombone, Violon (duo)
93
Trompette, Saxophone (duo)
93
Tuba et Piano
78
Cor et Piano
75
Cor (partie séparée)
74
Tuba (partie séparée)
66
Trombone, Orgue
62
Trompette, Piano
62
Trompette, Basson (duo)
58
Trompette
51
Trompette, Trombone, Piano
50
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
Euphonium, Piano (duo)
38
2 Trompettes (duo)
38
Tuba
30
Ensemble de Trompettes
29
2 Cors (duo)
29
Trombone, Alto (duo)
28
Cor
27
2 Tubas (duo)
22
Cor, Trompette, Trombone (trio)
20
Euphonium
16
4 Tubas
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Quatuor de cuivres: 4 cors
13
2 Euphoniums et 2 Tubas
13
Euphonium, Tuba (duo)
11
Trombone et orchestre
8
Trompette, Euphonium (duo)
8
Trompette, Cor (duo)
8
Ensemble de Cors
7
Tuba et Orgue
7
3 Trompettes (trio)
5
2 Euphoniums (duo)
3
Trompette, Tuba (duo)
3
3 Euphoniums
2
Cor Anglais
2
2 Trompettes, Clavier (piano ou orgue)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Instruments en Sib
2
Quatuor de cuivres: 4 trompettes
2
Cor et Orgue
1
Cornet et orchestre
1
Cor anglais, Piano
1
+ 61 instrumentations
Retracter
Cordes
Contrebasse (partie séparée)
130
Violoncelle, Piano
109
Violon et Piano
88
Alto, Piano
75
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violon
59
2 Violoncelles (duo)
29
Violoncelle
27
2 Violons (duo)
22
Contrebasse, Piano (duo)
18
2 Altos (duo)
17
2 Contrebasses (duo)
17
Harpe, Violon (duo)
15
Alto et Harpe
15
Harpe, Trombone (duo)
15
Harpe, Flûte (duo)
14
Harpe, Violoncelle (duo)
14
Contre Basse
12
Alto seul
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 3 violoncelles
7
Trio à cordes: 3 violins
6
Trio à cordes: 3 altos
6
Alto (partie séparée)
4
Harpe
3
4 Violoncelles
3
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Violon (partie séparée)
2
Violon, Orgue
2
Violoncelle (partie séparée)
2
Violon, Violoncelle (duo)
1
2 Violons, Piano
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7 687
Ensemble Jazz
3 616
Ensemble de cuivres
1 797
Fanfare
1 219
Orchestre
1 134
Jazz combo
512
Orchestre de chambre
181
Batterie (partie séparée)
113
Ensemble de Percussions
43
Orchestre à Cordes
38
Cloches
32
Batterie
26
Percussion (partie séparée)
21
Quintette de Cuivres: autres combinaisons
15
Big band
12
Xylophone, Piano
11
Piano et Orchestre
10
Ensemble d'École
7
Marimba
3
Timbales (partie séparée)
2
Instrumentation Flexible
1
Vibraphone
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
2
Partitions Numériques
27
Librairie Musicale
45
Matériel de Musique
2 038
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Trombone
Cor
Partitions à imprimer
27 partitions trouvées
<
1
26
Seventy Six Trombones
#
Cor
#
Comédie Musicale
#
Meredith Willson
#
Seventy Six Trombones
#
Hal Leonard - Digital
#
SheetMusicPlus
Interactive Download SKU: HX.344381 By Meredith Willson. This edition: Interactive Download. Broadway,Musical/Show. French Horn Solo. 1 pages. Published ...
(+)
Interactive Download SKU: HX.344381 By Meredith Willson. This edition: Interactive Download. Broadway,Musical/Show. French Horn Solo. 1 pages. Published by Hal Leonard - Digital (HX.344381).
$2.99
Up from the Grave He Arose - Horn in F
#
Cor
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Robert Lowry
#
David Heck, Jr
#
Up from the Grave He Arose - H
#
What the Heck Press
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.840583 Composed by Robert Lowry. Arranged by David Heck, Jr. Easter,Sacred. Individual part. 1 pages. What the Heck...
(+)
French Horn Solo - Level 3 - SKU: A0.840583 Composed by Robert Lowry. Arranged by David Heck, Jr. Easter,Sacred. Individual part. 1 pages. What the Heck Press #4351367. Published by What the Heck Press (A0.840583). This is the horn in F part for an arrangement of a traditional Easter hymn tune for brass quintet - 2 trumpets, 2 trombones, and tuba. It is a substitute part for the trombone 1 part. It is a great way to add brass to your Easter or general service. This is also a great arrangement for small brass ensembles looking to expand their repertoire.
$1.99
Three Concert Etudes for Solo Horn
#
Cor
#
AVANCÉ
#
Richard Decker
#
Three Concert Etudes for Solo
#
Charles Decker Music Press
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pa...
(+)
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
#
Cor
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
(+)
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Etudes for the Developing Horn Player
#
Cor
#
INTERMÉDIAIRE
#
Michael D
#
Etudes for the Developing Horn
#
Michael D. Blostein
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.921088 Composed by Michael D. Blostein. Instructional. Individual part. 45 pages. Michael D. Blostein #5300205. Pub...
(+)
French Horn Solo - Level 3 - SKU: A0.921088 Composed by Michael D. Blostein. Instructional. Individual part. 45 pages. Michael D. Blostein #5300205. Published by Michael D. Blostein (A0.921088). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00
Futility [Horn Transcription]
#
Cor
#
Benjamin Giesbrecht
#
Futility [Horn Transcription]
#
Benjamin Giesbrecht
#
SheetMusicPlus
French Horn Solo - SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Publ...
(+)
French Horn Solo - SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
Mix & Match Ensembles - Volume IV - Quartets
#
Cor
#
INTERMÉDIAIRE
#
Lawrence H
#
Mix & Match Ensembles - Vo
#
Lawrence H Underwood
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.968623 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 86 pages. ...
(+)
French Horn Solo - Level 3 - SKU: A0.968623 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 86 pages. Lawrence H Underwood #6666675. Published by Lawrence H Underwood (A0.968623). Eight original quartets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$13.95
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 1 in F
#
Cor
#
AVANCÉ
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
(+)
French Horn Solo - Level 5 - SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056093. Published by Benjamin Sajo (A0.1018882). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Prelude on Herzlich lieb
#
Cor
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Jeremy Zimmer
#
Jeremy Zimmer
#
Prelude on Herzlich lieb
#
Shaw Music
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1092762 Composed by Jeremy Zimmer. Arranged by Jeremy Zimmer. Sacred. Individual part. 16 pages. Shaw Music #696869...
(+)
French Horn Solo - Level 3 - SKU: A0.1092762 Composed by Jeremy Zimmer. Arranged by Jeremy Zimmer. Sacred. Individual part. 16 pages. Shaw Music #696869. Published by Shaw Music (A0.1092762). This lyrical solo is flexibly scored for low instrument (bassoon, horn, trombone, cello) and two-manual organ. A beloved hymn tune is treated with sensitivity and grace and will serve as a fitting prelude throughout the church year. Music includes the part for instruments in both C and F.
$7.95
Mix & Match Ensembles - Volume I - Duets
#
Cor
#
INTERMÉDIAIRE
#
Lawrence H
#
Mix & Match Ensembles - Vo
#
Lawrence H Underwood
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.968569 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 36 pages. ...
(+)
French Horn Solo - Level 3 - SKU: A0.968569 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 36 pages. Lawrence H Underwood #6666541. Published by Lawrence H Underwood (A0.968569). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
In the Bleak Midwinter--horn solo
#
Cor
#
INTERMÉDIAIRE
#
Noël
#
Gustav Holst
#
Beka Wilson
#
In the Bleak Midwinter--horn s
#
Beka Wilson
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.786861 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. Individual part. 5 pages. Bek...
(+)
French Horn Solo - Level 3 - SKU: A0.786861 Composed by Gustav Holst. Arranged by Beka Wilson. Christian,Christmas,Sacred. Individual part. 5 pages. Beka Wilson #6628867. Published by Beka Wilson (A0.786861). This arrangement of In the Bleak Midwinter for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 2.5 minutes (suggested 70 bpm)Level: intermediate for most instruments (no lever changes for harp)5 pages (includes score and separate solo part)This arrangement is available as a solo for piano, harp, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
Mix & Match Ensembles - Volume III - Trios
#
Cor
#
INTERMÉDIAIRE
#
Lawrence H
#
Mix & Match Ensembles - Vo
#
Lawrence H Underwood
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.968603 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 59 pages. ...
(+)
French Horn Solo - Level 3 - SKU: A0.968603 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 59 pages. Lawrence H Underwood #6666627. Published by Lawrence H Underwood (A0.968603). Eight original trios – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$11.95
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
#
Cor
#
AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
(+)
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 1 in F
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #606476...
(+)
French Horn Solo - Level 4 - SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064769. Published by Benjamin Sajo (A0.1018910). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607868...
(+)
French Horn Solo - Level 4 - SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 3 in F
#
Cor
#
AVANCÉ
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
(+)
French Horn Solo - Level 5 - SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056097. Published by Benjamin Sajo (A0.1018884). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #607869...
(+)
French Horn Solo - Level 4 - SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Mix & Match Ensembles - Volume II - Duets
#
Cor
#
INTERMÉDIAIRE
#
Lawrence H
#
Mix & Match Ensembles - Vo
#
Lawrence H Underwood
#
SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.968587 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 44 pages. ...
(+)
French Horn Solo - Level 3 - SKU: A0.968587 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Individual part. 44 pages. Lawrence H Underwood #6666581. Published by Lawrence H Underwood (A0.968587). 8 all-new,original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
Horn Scales Grade 3. For the new ABRSM Syllabus from 2023.
#
Cor
#
FACILE
#
Methodes
#
Methode : Gammes & Accords
#
ABRSM
#
Tim Curd
#
Horn Scales Grade 3. For the n
#
Tim Curd
#
SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.1227732 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. Tim Curd #823696. Published b...
(+)
French Horn Solo - Level 2 - SKU: A0.1227732 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. Tim Curd #823696. Published by Tim Curd (A0.1227732). Horn Scales Grade 3. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred (only tongued for Trombone)The candidate will only need to learn one type of minor scale; either harmonic or melodic.Eb Major Scale: 1 OctaveEb Major Arpeggio: 1 OctaveG Major Scale: a 12thG Major Arpeggio: a 12thC Harmonic Minor Scale: 1 OctaveC Melodic Minor Scale: 1 OctaveC Minor Arpeggio Scale: 1 OctaveE Harmonic Minor: a 12thE Melodic Minor: a 12thE Minor Arpeggio: a 12thC Chromatic: 1 Octave.
$1.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 4 in F
#
Cor
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
(+)
French Horn Solo - Level 5 - SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056099. Published by Benjamin Sajo (A0.1018885). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
The Song of Moses and of Miriam at the Red Sea-Horn
#
Cor
#
FACILE
#
Zachary Damm
#
The Song of Moses and of Miria
#
Digital Print Publishing
#
SheetMusicPlus
French Horn Solo - Level 2 - SKU: A0.969559 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #30...
(+)
French Horn Solo - Level 2 - SKU: A0.969559 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3015647. Published by Digital Print Publishing (A0.969559). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the horn in F part: see also all the individual instrumental parts under the same title.
$4.51
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 2 in F
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Aubade: A Pairing with Beethov
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #606477...
(+)
French Horn Solo - Level 4 - SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064775. Published by Benjamin Sajo (A0.1018911). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 2 in F
#
Cor
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Icarus Also Flew: A Pairing wi
#
Benjamin Sajo
#
SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #605609...
(+)
French Horn Solo - Level 5 - SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056095. Published by Benjamin Sajo (A0.1018883). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
The Confessions of St. Augustine for Solo Horn
#
Cor
#
AVANCÉ
#
Classique
#
Erika Raum
#
The Confessions of St. Augusti
#
Cherry Classics Music
#
SheetMusicPlus
Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music ...
(+)
Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music
The Confessions of St. Augustine is a solo for Unaccompanied Horn in F written by Canadian violinist/composer Erika Raum.
St. Augustine (of Hippo) was a 5th Century convert to Christianity who was one of the first philosophers and theologians of the faith. He went on to write a number of important works including the autobiographical work Confessions, a series of thirteen books outlining his sinful youth and eventual conversion to Christianity.
Ms. Raum's music, in four sections features the following tabloids:
Youth and Pagan Beginnings, The Mystical Voice of the Child in the Garden, St. Augustine, Bishop of Hippo, The Debate at the Baths of Sozius.
This work of almost 7 minutes in length is very expressive, with many contrasting sections and complex rhythms, and is rather moderate in range, being accessible to moderately advanced to advanced performers.
The beautifully performed sample track from the horn version of this work (up a 5th from the trombone version) is played by Howard Wall, Hornist of the New York Philharmonic, taken from his solo recording Horn Monologues for sale on Amazon and elsewhere.
This edition is available as an eBook on iTunes and Kindle.
$20.00
<
1
26