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Horn Sonata - No. 1 - 3rd Movement - Allegro
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Musi…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
8.04 €
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Cor
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Movement - Allegro
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Lyons Music Services
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SheetMusicPlus
Etudes for the Developing Horn Player
Cor
French Horn Solo - Level 3 - Digital Download SKU: A0.921088 Composed by Michael D.…
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French Horn Solo - Level 3 - Digital Download SKU: A0.921088 Composed by Michael D. Blostein. Instructional. Individual part. 45 pages. Michael D. Blostein #5300205. Published by Michael D. Blostein (A0.921088). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00
8.93 €
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Cor
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Michael D
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Etudes for the Developing Horn Player
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Michael D. Blostein
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SheetMusicPlus
Horn Sonata No. 2 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
16.08 €
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Cor
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
Vivaldi: Spring from the Four Seasons for Solo French Horn
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1320588 Composed by Antonio V…
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French Horn Solo - Level 4 - Digital Download SKU: A0.1320588 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. Individual part. 7 pages. Jmsgu3 #909084. Published by jmsgu3 (A0.1320588). Vivaldi's Spring is part of a set of four violin concertos, each representing a season of the year. The Four Seasons is one of Vivaldi's most famous works and is considered a masterpiece of program music, as it provides a musical expression of the events and emotions of each season. Vivaldi published the concerti with accompanying poems, possibly written by himself, that elucidated what it was about those seasons his music was intended to evoke, making it one of the earliest and most detailed examples of program music. Vivaldi took great care to relate his music to the texts of the poems, translating the poetic lines directly into the music on the page. For example, in the middle section of the Spring concerto, where the goatherd sleeps, his barking dog can be marked in the viola section. The music of Spring is an interpretation of a sonnet, and it is widely believed that Vivaldi wrote the sonnets himself, as the words and music are so entwined. King Louis XV became very fond of the spring concerto, ordering it to be performed numerous times, indicating its widespread appeal and popularity. The innovative and detailed approach Vivaldi took in composing The Four Seasons made it a timeless and celebrated piece in classical music.
$24.95
22.28 €
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Cor
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Antonio Vivaldi
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James M
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Vivaldi: Spring from the Four Seasons for Solo French Horn
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jmsgu3
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SheetMusicPlus
Horn Sonata No. 1 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
16.08 €
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Cor
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
Unaccompanied Suites for Horn
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Seb…
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French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464523. Published by Gordon Cherry (A0.792112). Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...
$20.00
17.86 €
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Cor
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Johann Sebastian Bach
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Ralph Sauer
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Unaccompanied Suites for Horn
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Gordon Cherry
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SheetMusicPlus
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